Monday Poem

”Civilization” is the soothing notion that, in it, natural
callousness has been successfully quarantined.
…………………………………………. —Roshi Bob
.

Civilization
.
A cat on the pillow of a couch, on the point of a spear, looks out

through windows facing south with the fierce frustration

of an indoor cat who preys through glass
.

The squalor of first spring just after the snow has passed

falls under her gaze which pierces its drabness for anything that moves

beyond the breezy animation of pine limbs and spruce—

the quick jerk or dart of something sentient on the loose

which, unlike a couch cat, lives with the threat of spacious freedom,

in the wind, on the prowl without the leash of civil cover,

who scuttles among the hungry with a life as short as its cunning

who’s liberty is only cramped by the cunning liberty of others

.
Jim Culleny
4/8/13



Monday, April 8, 2013

The Accidental Pilgrim: David Downie on Extreme Questing

Arrow and cockle shell Burgundy©Alison Harris

Arrow and Cockle Shell. Copyright Alison Harris

By Elatia Harris

Their 50th birthdays in sight, the acclaimed travel writer David Downie, and his wife, the photographer Alison Harris, decided that trekking from Paris, where they live, to Spain, would be just the thing. The Way of St. James, for a millennium one of the world's most celebrated pilgrimage routes, was right at their back door. Neither Alison nor David is religious, so the classical pilgrimage experience was not what they were seeking. What were they seeking? Renewal, changed perspectives. Perhaps to test themselves, over 72 days and 1100 km of — at times — very rough terrain. And thereby hangs a tale. Paris to the Pyrenees: A Skeptic Pilgrim Walks the Way of St. James, will launch this week. Permission to post, here, the superb photos from the book was granted by Alison Harris.

71UotJ2+8KL-1._SL1200_ Picture-9165

ELATIA HARRIS: There has been a lot in the news lately on pilgrimage, however one understands the phenomenon — a recent New York Times article, for instance. People who do it talk about needing to lose their routine and find themselves. Most set out alone, meeting others en route. You and Alison started together.

DAVID DOWNIE: Our choice to walk together happened organically. I had planned to do this on my own. Alison came along to keep me out of trouble. If you ask her, she’s likely to say it was her idea about 25 years ago, when she suggested we do something similar.

EH: Readers cannot but wonder how they would hold up, in these circumstances. I pictured a leisurely outdoorsy spell, kind of a French countryside movie. Cows, chateaux…oh, perhaps mildly strenuous stints. I was so wrong. This was a test of all your combined resources. It would be for any couple. 72 days of togetherness and real physical hardship. And you had already spent years collaborating on your books.

Cow ©Alison Harris
Cow. Copyright Alison Harris

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Shipwrecked With Voltaire

by Leanne Ogasawara

Lisbon_earthquake_02“If God allowed you to go back in time to spend the day with one famous historical person, who would you choose?”

He pondered this question in a rose garden. And as he happily ran through his various candidates– “Plato or Socrates in downtown Athens; or how about Nietzsche or the young Rimbaud?” — his mind lingered lazily over Cleopatra, “Ah, but one day would never be enough…”.

I had, in the meantime, already made up my own mind. For almost in an instant I had decided who I would choose. To meet Proust would have been delicious and the sight of John the Baptist incredible, and yet, in the end, I knew I could not really top the allure of Voltaire. In terms of a day spent, I just have to believe that Voltaire really had what it takes. I mean, he kept Madame du Châtelet happy for decades in her grand chateau, right?

We know at Cirey, the two lovers would spend their days absorbed in the respective studies. Working at opposite ends of the vast chateau, it is said they passed notes constantly during their days spent working apart; liveried butlers would deliver handwritten love-letters on silver platters whenever one of the lovers had something to say to the other. In the evenings, though, Madame and Voltaire would always come together to dine. Oh, can you imagine the sparkling conversations? Those dinners alone make him worthy of a wistful sigh.

I love Voltaire. And, like a favorite landscape, Candide is a book that I seem to return to again and again. Maybe like a lot of people after Japan's deadly earthquake in 2011, I found myself thinking about the book's opening chapters, when the luck-less Candide– along with the syphilitic Pangloss and the sailor from the boat– were shipwrecked; washing up on Lisbon's shores just moments before the city was struck by the infamous mega-quake of 1755.

As if the earthquake wasn't enough, the mega-quake was followed by fires and then a great tsunami that caused the complete destruction of one of the world's greatest cities of the time. Indeed, the human suffering was so terrible that the disaster sparked philosophical and religious debates on the nature of Evil that continued across Europe for a long time afterward; Voltaire's Candide being perhaps among the most famous.

In one of the vivid scenes of the novel, as Candide is lying there trapped under the rubble, he begs for wine and light. The sailor has gone off to pillage– but what of Candide's companion Pangloss? Well, our man Pangloss is too busy philosophisizing to be of any real help. Though thousands have perished, he tells his friend lying under the rubble, still everything is just as it should have been, for: “How could Leibnitz have been wrong?”

How indeed?

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Bowie Fever: From Drag Queen To Intellectual Respect: The Pop Star as Persona: The Mask as Public Figure: A Personal Take On The Supreme Uniqueness Of David Bowie

by Evert Cilliers aka Adam Ash
Images-1
London is in the grip of Bowie fever these days. His first album in 10 years is top of the charts, and a V & A museum exhibition, “David Bowie Is,” devoted to all things Bowie and drawn from his personal archive, is the greatest thing that this august establishment museum has ever put on: double the ticket sales of any previous exhibit in its 160-year-long history.

Selfridges has pop-up stores where you can buy Bowie T-shirts and stuff, and there's a makeup kit for you to Bowie-make-over your quotidian visage. His album is tipped to win the Mercury prize. Not a day goes past that there is not a Bowie pic or article in the popular press. There's even been an April Fool's joke about Bowie opening a pet shop called Spiders from Mars, which would sell some of his favorite spiders as pets.

How has this happened? Well, credit the marketing of no marketing. No publicity buildup. Bowie dropped his album The Next Day out of the blue. After a decade of silence. Surprise, surprise. The subsequent impact may also bespeak the paucity of any great popstar breakout in the last twenty years, since the era of rock titans of the sixties, seventies and eighties. We don't seem to have such titans today. Beyonce, maybe. Social media — so democratic, so pervasive, so accessible — have led to isolated monad pockets of excitement; nothing ranging wide across the entire culture. Frank Ocean is hardly a hugely impactful phenom, even if he's a black guy who admits to being partial to other guys. Lady Gaga is the closest thing we have to a recent high-and-wide-impact popstar, but if she weren't such a good songwriter, her meat dress and other performance-art Haus-of-Gaga stunts would've relegated her to New York's underground scene — just another Klaus Nomi figure, of which Manhattan has had plenty.

Well, what can one say about Bowie Resurgent?

Number one, there hasn't really ever been a popstar worthy of a museum exhibit, except for Bowie. After all these years, the man is eminently intellectually respectable. And why is he so museum-appropriate? Because of his chameleon personas, and the way his personas venture forth from strictly music to engage fashion and other trends. The popstar as persona. The mask as public figure. Before him, public figures worked at creating an enduring single persona. Even actors did it — John Wayne as avuncular cowboy; Clara Bow as vamp; Cary Grant as the ideal gentleman date; Humphrey Bogart's cynical tough guy covering up a morally upright soft heart (when he started off as an upperclass white-tie fop on Broadway). But Bowie said, nope, I'll create a new self every now and then. In his public personas, Bowie exemplifies the psychological theory which says we consist of various self-states, who need to make peace with one another. Except his self-states are so various, there's no way they could be integrated.
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An ode to gay marriage

by Sarah Firisen

So who has the right be wed? Gaymarriage
Who deserves a marital bed?
Should just Jack and Jill
Marry at will?
We’ll wait for the ruling with dread

But what really here is at stake?
Will the value of wedded bliss break?
Is it really the case
That gay weddings debase
The vows that the rest of us take?

Are we hetros doing so well?
Is straight marriage doing just swell?
Why does their right to join
Kick my vows in the groin?
Why’s this the right's end of days hell?

Can’t we just all relax and agree
That gays and lesbians have as much right to be
Miserably wed
Stuck together till dead
Bickering, depressed and sex free

Maybe unlike us they’ll find a way
Actually together to stay
Maybe theirs is the course
That won’t lead to divorce
Despite what the right-wingers say

A Massacre By Any Other Name: From Ft. Hood to Wounded Knee

by Akim Reinhardt

Major Nidal HasanOn November 5, 2009, U.S. Army Major Nidal Hasan opened fire on soldiers and civilians alike at the Fort Hood military base in Killeen, Texas. He killed thirteen people, including a pregnant woman, and wounded thirty-two more. Hasan is now awaiting a military trial that is scheduled to begin on April 16.

There is ample evidence that Major Hasan was working on behalf of Al Qaeda when he launched the attack. He had been in communication with Al Qaeda leader Anwar al-Awlaki, and was very likely acting on Anwar al-Awlaki's orders. That would be the same Anwar Al-Awlaki who was killed in Yemen two years later when a CIA-led joint operation struck his vehicle with a Hellfire missile fired from a predator drone.

There is now little doubt that Hasan's bloody rampage was a planned military strike by an Al Qaeda operative against the U.S. military. But that's not how the U.S. military wants to frame it.

Instead of classifying Hasan's attack as combat or an act of terrorism, the Department of Defense is officially deeming it an episode of “workplace violence.” Essentially, they're saying Hasan was just another disgruntled worker who “went postal.”

This stance defies evidence, including that which the military itself will be presenting at Hasan's upcoming court martial. For example, the prosecution is using an expert witness named Evan Kohlmann who says Hasan meets numerous criteria that define him as a homegrown terrorist.

Beyond defying logic and truth, labeling Hasan's attack as workplace violence has very real consequences for the survivors and the loved ones of those who died. On a ceremonial level, the military is refusing to hand out Purple Hearts, the medal awarded for injuries sustained in combat. On a more practical level, as the lawsuit waged by the survivors asserts, the designation of “workplace violence” also means that survivors and the loved ones of those killed are receiving lower priority for treatment and are being denied benefits that would have come their way if this was officially recognized as combat.

As one might imagine, this has led to no shortage of outrage. There has even been a Congressional effort to pass federal legislation that would grant combatant status to all casualties. The Fort Hood Families Benefits Protection Act was first introduced two years ago by Congressman John Carter (R-Texas) and Senator John Cornyn (R-Texas), but it died in committee.

Carter reintroduced the bill again earlier this year, but withdrew it under pressure from the military. They claim that publicity stemming from the legislation, the awarding of medals, and the classification of Hasan's action as combat or terrorism, will make it difficult to successfully prosecute him in his upcoming court martial. Upon withdrawing the bill, Carter recently stated:

“After additional investigation into the potential implications of pre-trial publicity, I am postponing any future publicity on these bills at this stage of Maj. Hasan's trial. However, the victims of this tragic shooting fully quality for compensation pay and purple heart recognition.”

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Monday, April 1, 2013

Facebook and the solitary practice of friendship

By Liam Heneghan

What kind of happiness does technology procure then? And why do people remain both enthralled and unsatisfied by it? (Albert Borgmann, Technology and the Character of Contemporary Life)

To be a friend to many people in the complete kind of friendship is not possible (Aristotle, Nicomachean Ethics, Book VIII)

There is a nice moment in Desmond Morris’ documentary The Human Zoo where, as he ponders the means by which the human animal deals with dense urban living, he hoists his address book and declares: “This is his [the urban dweller’s] personal tribe!” No doubt if he were writing the documentary today he would make the same point by recourse to his Facebook page.

Facebook provides us a convenient mnemonic device for keeping track of family and acquaintances. More than this, of course, it offers the means to friendship itself. We can carry out a range of cordial tasks on Facebook: we can post, comment, like, poke (does this even exist anymore?), chat, re-share, or indeed, if we incline to do so, quietly monitor the lives of our friends.

FacebookLJH2013Assuming that the nature of friendship has not budged much since Aristotle wrote about it in the Nicomachean Ethics, this means that in order for Facebook to serve be a one-stop companionship-shop it must allow for friendships based upon use, pleasure, and finally should facilitate the mutual exchange of well-wishing between the virtuous. There is more to say about this, but at first pass this can translate into commercial acquaintanceships, mutual affinities between those who share an interest, and finally the reciprocation of mutual respect between people of fine character – besties, in other words.

One of the implications of Facebook use, according to anthropologist Robin Dunbar, is that is slows the decay-rate of friendship. Facebook allows us to collate intimates from the fragmented geographies of our contemporary lives and to sustain contact with friends from our past with whom we might otherwise only have sporadic contact. In doing so, Facebook may be, in fact, just one of a progression of technologies that allow us to keep track of our personal human networks (our “tribe”) when these extend beyond the so-called “Dunbar’s number”, that is, those 150 people predicted to be within the “natural” limit of our information-retention ability. Dunbar’s observations were based upon a supposed general relationship between the size of a primate brain’s neocortex and the size of the average social group. Dunbar’s Number seemingly finds support in analysis of social aggregations of hunter-gatherer tribes, military units, and even Christmas card networks. Lending further support is Facebook’s own assessment that the average number of friends per account is between 120 and 130.

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Philosophical Moods

by Jalees Rehman

Nietzschean, Heideggerian, fascist, anarchist, libertarian, brilliant genius, blabbering nutjob – these and many other labels have probably been used to describe Peter Sloterdijk, who is one of Germany's most widely known contemporary philosophers. He has achieved a rock-star status in the echelons of contemporary German thinkers, perhaps because none is more apt than Sloterdijk at fulfilling the true purpose of a public intellectual: inculcating his audience with an insatiable desire to think. His fans adore him; his critics are maddened by him. Few, if any, experience indifference when they encounter the provocateur Sloterdijk.

Peter_Sloterdijk,_Karlsruhe_07-2009,_IMGP3019

Sloterdijk achieved fame in Germany after publishing his masterpiece “Kritik der zynischen Vernunft” (English translation: “Critique of Cynical Reason“) in 1983, but his hosting of the regular late-night talk show “Das Philosophische Quartett” on the major German TV network ZDF for ten years turned him into a cultural icon and a household name. I realize that it might seem strange to non-Germans that philosophers instead of comedians can host TV talk shows, however Sloterdijk would probably be the first to agree that there isn't much of a difference between a true comedian and a true philosopher. Not only do we Germans have TV philosophers, we even enjoy the TV gossip and cockfights that they indulge in. When the ZDF network decided to get rid of Sloterdijk and replace him with the younger, more handsome and less thoughtful philosopher Richard David Precht, they start engaging in reciprocal mockery and name-calling.

Unfortunately, Sloterdijk is not quite so well-known in the English-speaking world and this may in part be due to the fact that much of his oeuvre has only recently been translated into the English language. It is no easy feat to translate his writings, in part because his playful mastery of German words is one of his signatures. Sloterdijk is a wonderful story-teller who weaves in beautiful images and puns into his narration, many of which are unique to the German language. His story-telling also makes it difficult to understand some of his texts in the original German. One may be enthralled by his stories, but after reading a whole chapter or book, it is quite difficult to condense it into a handy “message” or “point”. Sloterdijk is a professional digressor, going off on tangents that are entertaining and exciting, but at times quite frustrating. He shares his brilliant insights on a broad range of topics ranging from metaphysics to politics with his readers, but he also offers practical advice on how we can change our lives as well as bizarre and pompous statements.

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Monday Poem

—on the occasion of an unexpected email from an old
friend who'd abruptly withdrawn from conversation
some years earlier without explanation

Rapprochement

Just wondering if worlds seen from a distance
really are smaller than they are
.
Could it be that when we sleep
the world we leave goes on without us
.
Maybe you remember the old days
when greenhorns multiplied their joys
and were thoughtless as a new moon
.
Is it possible that, from upstairs,
everything is seen through a rose window
crisp as Venus or is nothing to be seen between us
.
Perhaps, in your wintering,
you needed to spend some years
on an island being tuned
when suddenly you cleared your gears
and thought I might be snow shoveling
this morning on the cusp of spring
.
I wanted to ask if maybes still exist
or if tomorrow is so sure a thing
.
So, are you still counting coup
on the enemies of the morning dew
.
I hadn’t heard, so thought I’d start a new tale
of thoughts that may never have been played,
thoughts naked as the first babe born today
.
Have you noticed something odd
—that nothing ever changes but the color
of the feather in the hat band of god
.
Could I
ask
.
Would you
answer
.
What the
fuck
.
And why the unworn soles of the shoes
on the tongue of the dancer —bad luck?
.
When did you say you last caught
glimpses of the ghosts you fought
.
I never asked, but I suspect
you’re still stuffed with words,
a cornucopia of clever corkscrews
in our alphabet
.
Possibly it’s a mistake,
but even god's not perfectly awake
.
For what it’s worth breakfast’s the best meal of the day
The sun’s a fresh egg, the clouds white albumin
—ahead? a day with plenty of time and space to stew in
.
Guess I could just jot something down
recalling our bridges of contention
with their steel beams and tenuous
cables of suspension
.
If it’s not too much to ask (you asked
—the paper being so unreliable these days
and TV a joke)
how’s the weather?

Fine , and yours?
as fine, I hope

by Jim Culleny
4/1/13

The Café between Pakistan and Afghanistan

by Shadab Zeest Hashmi

6a017ee9ca5f10970d017d426fcac6970c-800wiTorkham, the border between Pakistan and Afghanistan, felt like an utter release— as if we were random things, a fistful of summer insects set free in space. This, of course, was before the Soviet war. I was in elementary school.

Dwarfed by the standoffish ice blue mountains on the road to Torkham, we loved the bridge one must drive under twice, once before and once after a loop. Where Peshawar of the ‘70s was a nest of “jhoola parks” with stone slides, school routine, snack bars, badminton for girls, street cricket for boys, Torkham was a rush of freedom.

Sunlight hit the rocks here in a way that kept shadows minimal, the boundlessness was the essence of the place and a contradiction to the bitterly disputed Durand line, the artificial boundary that stared you in the eye with a chilling animosity, and worse to be reprimanded by the guards that it was forbidden even to straddle the rope that marked the border and to declare proudly as we did: “look, look, this is how to be in two countries at once!” Afghanistan was silent and unfriendly in the distance as we stood sobered and chastised for mocking the sanctity of the divide that the miserable rope represented. This corridor between countries, this no-man's land demanded veneration as if it had an invisible flag and a soundless anthem of its own. It filled us with awe and a little disgust until the frowning guard gave us a watermelon to make up for spoiling the moment. [Photo shows the author at Torkham in 1977.]

My brothers must have enjoyed the treeless, rugged mountains, the wide embrace of the sun, the cool wind whipping, shalwars swelling like sails. I preferred to gaze at this generosity of grayness, angularity and sun from the café window. There was only one café, with nothing on the menu except for Coca Cola and tea sandwiches but the place was magical and never felt lacking in anything. Peshawar being desperately short of tourist attractions, my father used to bring his overseas guests to Torkham. We came here so often that my younger brother served as a perfect tourist guide, somehow communicating to the Japanese, British, or American guests all the tourist worthy aspects of a place more historical than any of us realized then.

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…And Thanks For All The Fish

by Misha Lepetic

“Fish is as natural in Fulton Market as they are in their own briny element.”
~Harper's Magazine, 1867

Elliott_Erwitt_Fulton_Fish_Market_New_York_1276_67Followers of the New York City food scene have recently been galvanized by yet another all-too-predictable brawl between, on the one hand, real estate developers and the city and, on the other, scrappy entrepreneurs bent on preserving another endangered aspect of New York's urban heritage. In this case, the contested site is the Fulton Fish Market, whose fishmongering operations had already decamped to the Bronx back in 2005. Since then, two sizable waterfront buildings have remained astonishingly, unconscionably empty. In the meantime, the New Amsterdam Market, founded by Robert LaValva, has grown its following with increasingly successful seasonal, weekly markets, conducted in the shadow of the old fish market for the last seven years.

Not only has New Amsterdam Market been steadily expanding since its 2005 inception, but LaValva's vision is decidedly more ambitious: to re-occupy the former market buildings and create an urban market as worthy of New York as Reading Terminal Market is of Philadelphia, as La Bocqueria is of Barcelona, or as Les Halles once was of Paris. This unstoppable force has, unsurprisingly, run into the immovable object of what we may call the “city-developer complex.”

But in order to understand what it would take to recreate the Fulton Market, it is instructive to look back to its genesis. Markets tend not spring wholly formed from the minds of expert city planners, visionary mayors, or magnanimous philanthropists; nor do they manifest themselves in some sui generis manner from self-organizing associations of merchants. They are messy affairs, constantly contended and never fully secure. What, then, drives the creation – and maintenance – of a successful urban market?

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Cardiac surgery is not so bad

by Syed Tasnim Raza

Coronary_artery_bypassThis is a response to the article “A Cardiac Conundrum” by Alice Park in the March-April 2013 issue of Harvard Magazine. The article mostly discusses a new book: Broken Hearts: The Tangled History of Cardiac Care by David S. Jones, which I have not read, so the following comments are only in response to the article itself, which may or may not represent the book exactly. I am a heart surgeon and I will limit my comments to the parts of the article referring to coronary artery bypass graft operations, not to angioplasties.

The author indicts coronary artery bypass operations, which are performed widely by claiming that they “provided little or no improvement in survival rates over standard medical and lifestyle treatment except in the very sickest patients.”

Let me start by giving a little historical perspective, slightly different then the author's recalling. Until 1896, surgeons were too afraid to even attempt suture of the heart. In that year Ludwig Rehn of Frankfurt repaired a stab wound to the heart of a young man, who survived, thus beginning the era of heart surgery. From then until the 1950's most attempts at heart operations were largely unsuccessful. It is only after the development of the Heart-Lung machine (John Gibbon 1952) and it's further improvement at the University of Minnesota and the Mayo Clinic, between 1955 and 1960, that the modern era of heart surgery began. Coronary Artery Disease (CAD), which is blockage of coronary arteries by atherosclerotic plaques and can result in a heart attack was recognized mostly by indirect methods or post-mortem, until 1958, when selective coronary angiography was developed at the Cleveland Clinic. Before then it was the symptoms of CAD namely angina which was clinically recognized and attempts at surgical treatment for angina had been made since 1930's including denervation of the heart, surgically causing inflammation of the membrane surrounding the heart (pericardium), hoping that it would result in formation of new blood vessels (Beck's operation) and in 1960's implantation of Internal mammary artery into the muscle of the left ventricle with the hopes that new blood vessels would form (Vineburg operation). All these operations were unsuccessful and are of historical interest only. It was only after selective coronary angiography was possible in 1958, that Favalaro developed the operation that is now referred to as coronary artery bypass graft (CABG, pronounced cabbage) surgery. The first successful operation was performed in late 1967. The results of this operation were such a vast improvement over any other treatment then available that it was taken up by surgeons everywhere and by early 1990's over half a million such operations were being performed annually throughout the United States.

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Five new poems from ‘Over the Rainbow’, the central section of ‘The Forgetting and Remembering of Air’, (Salt Publishing), due May 2013

by Sue Hubbard

EVA

“When the Fuehrer has won the war, he has promised me that I can go to
Hollywood and play my own part in the film of our life story.”

Not long out of the convent, balanced on Herr Hofmann's ladder
in search of files I knew, when you entered the studio you were looking
at my legs, that the hem of my newly shortened skirt wasn't straight.
With your funny moustache, English coat and big felt hat,
I saw my destiny – though you forbade me dance or smoke,
abandoned me to brood and pine, do gymnastics by the lake.
Afternoons I'd shop for Ferragamo shoes, change and re-change my dress,
read romantic novels while you built an Empire to last a thousand years.
Betrothed to the Nation you'd say I was your secretary when you dined at
The Berghof with generals and dukes, refused me marriage for fear your
children might be mad. It wasn't much of a wedding, though I'd waited
15 years. Your favourite black dress and diamond watch, I had my hair
especially curled. Alone amid the long shadows of the bunker, you gave me
my wedding gift, the thin glass vial placed like a fresh-water pearl in my palm.
I understood what was expected as the radio announced the Russians closing
in, saw what you'd done to Blondi. Man and wife for less than 40 hours.
Now I, too, will be etched on the glorious tomb of history,
this trace of bitter almonds smeared like your last kiss upon my lips.

EVE ARNOLD REMEMBERS

Not even a blonde. That came later.
She was born brunette, Norma, a sad neglected child,
her mother in an institution for the crazed.
In the orphanage she told stories – how Cary Grant
was her father who'd carry her off away from
the reek of poverty that seeped beneath
the chipped green doors, the echoing linoleum
scrubbed with carbolic to a God-fearing shine,
those grey-tinged sheets stale with another's breath.
But in front of my lens her skin had that special glow.
The walk, the wiggle, the pout, you know,
were all invented. I shot her in leopard-skin,
lithe among the long grass,
and poised beneath a parasol, her white
broderie anglaise cinched tight to give an hour-glass waist,
then in front of the washroom glass with it hitched,
knowingly, around her thighs.
Even towards the end, dizzy with bourbon and Nembutal
she gave everything she had, as if the camera
was her one true love. Yet when you looked deep
into her eyes she had already become a ghost.
They had to smash in the door with a poker,
found her nude body face down, sprawled
diagonally across the bed, a bottle of pills,
and her left hand touching the ivory telephone
as if there was still one last thing she wanted to say.

OVER THE RAINBOW

June, the Chelsea streets blousy with petrol fumes
and dust, and across the cobbled mews
the private suddenly exposed like a glimpse
of dirty washing as a door bursts open
and she runs flushed, mascara-streaked,
into the evening air. He is her fifth.
Married a hundred days and nothing
but shouting. There are rumours that he's gay.
Next morning he's woken from a drunken sleep
by a trilling phone, discovers the bathroom locked,
the front door flung open. Clambering over the roof
he finds her slumped on the toilet,
dry blood caked around her mouth and nostrils.
They carry away her emaciated frame, draped
like a folded coat across the policeman's arm,
hidden by a blanket. Forty-seven and fading fast,
past the middle way. But oh, how we loved her;
forgave that broken voice, the barbiturate slur
as we watched Dorothy's ruby slippers
bear our childhood dreams to the Emerald City
just a step beyond the rain.

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Monday, March 25, 2013

Spring vegetables, winter fats

by Rishidev Chaudhuri

VegIn much of modern casual cooking the separation between animal and vegetable is excessively rigid: meat dishes are big slabs of flesh, and vegetable dishes lack any trace of meat. But there are many reasons to trouble this distinction, especially if you want to eat more vegetables and less meat (for ethical, health, environmental or aesthetic reasons) but don't need to stay away from meat entirely. Adding animal fats to vegetables allows for rich flavor without using a lot of meat or going through the trouble of constructing elaborate secondary sauces. And the combination scratches a particular spring itch: days are cold and warm, the sky is alternately wet and sun-drenched, and vegetables start to proliferate, hinting at the exuberance to come, but the evenings are brisk enough to demand robust fortification (no simple tomato salads, sublime as they can be).

Good and convenient fats to use with vegetables are poultry fat (chicken or duck), rendered bacon fat, butter and cream. You can also use beef or lamb fat, which are harder to find without a butcher, and veal fat if you're feeling decadent. And small fatty fish (like anchovies) are wonderful with vegetables, but that's a subject for another post.

Unsurprisingly, bacon fat emerges when you cook bacon. To make the process smoother, you can add a splash of water to the pan when you put the bacon in, which allows for gentle heating while the water heats up and boils off. Eat or reserve the bacon and strain and store the fat for later use. Poultry fat is often sold relatively cheaply but you can also accumulate fatty bits of chicken or duck (like the skin and the fat inside the cavity) in the freezer, and render it when you have enough. This is quite straightforward: trim away any attached bits of meat and cut the fat into small pieces; put it on low heat with some water and let it render out, stirring occasionally to make sure the non-fatty bits don't burn. Once the fat is liquid and the water has cooked off, strain it and store in the fridge. You can also render beef or pork fat in a similar way.

As a start, you can use these fats instead of oil when making salad dressings. If you're making a vinaigrette (mix vinegar or lemon juice with salt, mustard, etc. and whisk in fat with a fork), try using melted duck or chicken fat, or some rendered bacon fat, or even brown butter instead of part or all of the oil. This is delicious tossed with a simple salad of greens, and makes an excellent weekday lunch. Of course you could add refinements to your salad; possibly the best is a poached egg (or, equivalent but simpler, an egg boiled in its shell for about four minutes till the white is mostly set and the yolk is runny).

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The Four Habits of the Highly Unconsolable, or, Life Lessons from an Unlearned Life

by Tom Jacobs

I do not know if it has ever been noted before that one of the main characteristics of life is discreteness. Unless a film of flesh envelops us, we die. Man exists only insofar as he is separated from his surroundings. The cranium is a space-traveler's helmet. Stay inside or you perish. Death is divestment, death is communion. It may be wonderful to mix with the landscape, but to do so is the end of the tender ego. —Vladimir Nabokov, Pnin.

Two roads diverged in a yellow wood
And sorry that I could not travel both… —Robert Frost

No, I'm kidding. At least about the second one. One has to choose epigraphs carefully. Even if Bobby Frost was onto something there, it's too hackneyed and clichéd and infinitely deployed at every commencement speech to ever be retrieved from the abyss of misuse. It's not his fault. It's a good poem though, and although he could never have foreseen it, the sentiment strikes waaaay too many of the notes that are appropriable by those who might misuse it, who might tend to want to give advice. Even me. Even if he's spot on. So no Bobby Frost. At least not right away. Maybe later.

Our heads are space-traveler's helmets. ­How strange it is to think that, although we all lug about with us long and complicated social histories, histories that are totally invisible but very heavy—to think that all of this is contained in a rather thin and delicate envelope that reveal nothing about who we really are.

These are a few things and life lessons that I think I might have learned.

Luke-detailI think of Luke Skywalker. I think of old Luke Skywalker. The fella from Tatooine. The father we never found.

I recall going to see the 20th anniversary re-release of Star Wars and loving it and then walking out of the theater feeling oddly sad. Actually not sad; full on melancholy, rather; the kind of anxiety and profound unhappiness that rattles at your very sense of who you are and might become or could have been. At the time I couldn't quite identify the source of my sadness and melancholy. Eventually I did. Here's what I came to understand and what continues to reverberate:

When I first saw Star Wars, I was five, but I was old enough to recognize a hero when I was one. Luke Skywalker was, what, maybe 21? The age of a hero. Not to old, not too young. He would always be 21, eternally and forever on film. By the time I saw the re-release in 1997, I had aged and had surpassed the heroic age of 21, even if Luke had not. I found myself to be older than Luke, who would remain 21 forever. And however many times I had envisioned it happening in one shape or another—the notion of some mentor tapping me on the shoulder to point out that I was, in fact, and whether I realized it or not, a rather remarkable Jedi-like individual, one who had a role to play in the larger intergalactic battle between good and evil, between right and wrong—it never quite happened, at least not in the shape or form that I had anticipated. No Obi Wan ever tapped me on the shoulder. The hero's journey that I imagined for myself never quite emerged. Which is not to say that it hasn't happened.

I had always imagined the dramatic moment, the decisive cut, the transformative moment when everything changes (the moment when Obi Wan takes me to the cantina and I realize that I'm on the threshold and that if I go out, and if I return, I will not return in the same form or shape… Everything will change).

Life is far too subtle for that sort of thing. Too discrete and full of nuance and ambiguity. I think we all are, potential Jedi Knights, even if we continue to wait for Obi Wan Kenobi to come. Maybe he has already come and tapped and asked, even if we never understood or recognized it at the time. I think he probably has.

In the spirit of someone who is constantly looking for his own Obi Wan Kenobi, here are some thoughts from someone who knows nothing and is adviceless. Or maybe that's not exactly right. I have learned a few things. No doubt these are obvious and well-known to you. No matter. Let me re-iterate and re-galvanize.

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Pakistan and Its Stories

by Omar Ali

I recently wrote a piece titled “Pakistan, myths and consequences”, in which I argued that Pakistan’s founding myths (whether present at birth or fashioned retroactively) make it unusually difficult to resist those who want to impose various dangerous ideas upon the state in the name of Islam. The argument was not that Pakistan exists in some parallel dimension where economic and political factors that operate in the rest of the world play no role. But rather that the usual problems of twenty-first century post-colonial countries (problems that may prove overwhelming even where Islamism plays no role) are made significantly worse by the imposition upon them of a flawed and dangerous “Paknationalist-Islamic” framework. Without that framework Pakistan would still be a third world country facing immense challenges. But with this framework we are committed to an ideological cul-de-sac that devalues existing cultural strengths and sharpens existing religious problems (including the Shia-Sunni divide and the use of blasphemy laws to persecute minorities). Not only do these creation myths have negative consequences (as partly enumerated in the above-linked article) but they also have very little positive content. There is really no such thing as a specifically Islamic or “Pakistani” blueprint for running a modern state. None. Nada. Nothing. There is no there there. Yet school textbooks, official propaganda and everyday political speech in Pakistan endlessly refer to some imaginary “Islamic model” of administration and statecraft. Since no such model exists, we are condemned to hypocritically mouthing meaningless and destructive Paknationalist and Islamist slogans while simultaneously (and almost surreptitiously) trying to operate modern Western constitutional, legal and economic models.

Jinnah

This argument is anathema to Pakistani nationalists, Islamists and neo-Islamists (e.g. Imran Khan, who believes a truly Islamic state would look something like Sweden without the half-naked women) but it is also uncomfortable for upper class Leftists educated in Western universities. Their objections matter to me because they are my friends and family, so I will try to answer some of them here. These friends have pointed out to me that:

1. India is not much better.

2. The US systematically supported Islamists in Pakistan and pushed for the suppression of leftist and progressive intellectuals for decades.

3. Colonialism.

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The Auction of the Mind of Man

by Mara Jebsen

Images-4Or, I Did AWP All Wrong, And This Is What I Learned:

Every year, thousands of writers collect at the Association of Writers and Writing Programs convention. In some great origami-like structure, panels and panels unfold in every direction, and lovers, rivals, business partners and strangers rub shoulders (and egos) in a heady atmosphere of nerves. The scale of it, the booze of it, the ambition, and the camaraderie of it, taken together, give the “emerging writer” an occasion to a) lose her mind b) consider the ickiness of networking; the fascinating collisions between the inner lives of artists, and the surprisingly high costs of costly educations. Here is a sort of dream log-book of my not entirely representative experience, and a list of take-aways.

Initial Impressions:

Bus

New York is far behind me, and the bus has clunked down heavily in Boston. Here, the entirety of the available air is taken up with snow that arrives sideways, softly in drifts. The first thing I do, made immoderately confident by my new smartphone, is stride trenchantly off to the wrong convention center; one at which no conventions are being held; one I will find out later is near the airport, and which I sense is near the airport, because of the eerie white nothingness of the landscape, and the deepening sense of ‘wrongness’ growing in my stomach. Snowflakes are matting against my glasses. The hand holding my little weekend bag is red—and I wish I hadn’t come. Off in the distance is a parking lot in front of a hotel, manned by a warmhearted guy in a little toll-booth dealie. I approach him through the blizzard for hours, and when I get to him he chuckles: “You look like you ran away from home.”

This feels correct. Trips that you worry about bring out the superstitious side in most of us. “Is this an auspicious start?” we ask. “Are the signs good?” Being lost is a bad sign. This nice man is a good sign. Already I’m off-kilter and have entered into the zone I call “the agony of interpretation”; the one that will mark two of my three days at AWP. For some reason, the stakes feel high, as though what happens in the next three days will define my attitude towards the literary world that simultaneously allures and repels me, a world I and so many other hope to join.

The man pulls out a series of ever-larger maps, and eventually rights me like a little wind-up toy so I'm ready for Take Two. All my urban slickness rubbed off, I find I'm cowed by the cold and austere geography of Boston.

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Perween Rahman: Pyar

by Maniza Naqvi

PerweenPerween, once, I heard you called pyar. A play on two words, perhaps, love and friend: pyar. It was a perfect term of endearment for you. Your friends, those, who love you, those, who worked with you, those, whose lives are better because of you, those, for whom you are pyar—are devastated.

I too am devastated and I too am shattered even though I am at the margins of the golden circle of friends and comrades: my teachers, my role models, that very special group of mainly architects and urban planners in Karachi. A very special small group with thousands upon thousands of concentric intertwining circles created in three decades of careful planning and organizing and teaching, thousands of students and practitioners who will collectively defeat the assassins' conniving mean spirited brutality and act of murder.

There will be much written about you and some of it is here, here, here, here, here and here.

I remember in 1987 meeting Dr. Akhtar Hameed Khan in Orangi when I worked in Karachi. And after spending an hour with me he directed me to you. So I climbed the stairs up to your office on the rooftop of that slim three story house whose interior was painted a hospital blue and there up there as though it were a bird's perch– I met you.

Perween Rahman—a slender young woman, long hair down to her shoulder blades, boney, gaunt—dressed that day in a slate colored shalwar kameez, silver bangles jangling on her wrists keeping time with the rhythm of her voice—a dust colored landscape of an architect's tools of trade spread out around her: maps, rolls of drawings, a large drafting table. I can never forget that moment–up there on the rooftop–the settlement of Orangi all around–the hills right there—clay colored. Welcoming, happy—graceful, passionately focused Perween Rahman with a tinkling voice…..so completely content and excited with her work—completely in her element, in her place, with her world spread out all around her, planner of all she surveyed, completely committed to what she was doing–changing the lives and living conditions of an entire locality—and later the entire city and towns and localities around the country–then an experiment in self help, self finance and governance in the times of a military dictatorship when the country was afloat and awash in foreign aid.

Perween it was clear then as it was in all of the last three decades, that you were having the time of your life! The first time I met you I could not help notice the sound of your voice as though your whole being and body were one instrument which sang because it was in its element, in the right place, bent to the purpose and meaning of what you loved. Your whole being hummed and sang and pulsated, breathing in the city spread around you, breathing it in and breathing out to it your commitment and love.

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How Energy Independence Will Solve the Obesity Epidemic

by Carol A Westbrook

6a00d8341c562c53ef017d4045bc30970c-250wiObesity has become an epidemic. Over 55% American adults are overweight. We have always regarded this as a self-imposed condition, blaming gluttony, lack of discipline, or a sedentary lifestyle. But as a number of recent books have pointed out, it is not how we eat, but what we eat that causes obesity. What we are eating is a normal American diet.

Why stop obesity? Isn't it okay to be fat, as long as you are fit? The answer is that the health consequences of this epidemic are not due to being fat, per se, but eating this diet. Our normal American diet is leading to increases in diabetes, hypertension, high cholesterol, fatty liver disease, and possibly some cancers, in addition to obesity.

Yes, eating the American diet is making us fat and sick, and shortening our lives. It has become our most pressing public health problem. Let's consider what is wrong with the modern American diet, and what we can do to change it. And we'll see how energy independence may contribute to the solution.

What is wrong with the modern American diet

Years ago, you ate what you liked, stopped when you were satisfied, and didn't get fat. This is how our biology is put together in an ideal world. Nowadays you must continuously count calories, exercise, and diet merely to maintain your weight. The biologic mechanisms that prevented us from overeating have not changed. What has changed is the food.

We may think we are eating the same food that we always have, but in fact we are not. Our diet has changed more in the last generation than it has since we first climbed out of the trees and became omnivores! Our biology is optimized to subsist on a diet containing a wide variety of foods, but it doesn't deal well with our current diet because we are no longer eating food. Up to 70% of what we now eat is processed food or, as I prefer to call it, synthetic food.

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