by Eric J. Weiner
Ghazal: India’s Season of Dissent by Karthika Naïr[1]

This year, this night, this hour, rise to salute the season of dissent.
Sikhs, Hindus, Muslims—Indians, all—seek their nation of dissent.
We the people of…they chant: the mantra that birthed a republic.
Even my distant eyes echo flares from this beacon of dissent.
Kolkata, Kasargod, Kanpur, Nagpur, Tripura… watch it spread,
tip to tricoloured tip, then soar: the winged horizon of dissent.
Dibrugarh: five hundred students face the CAA and lathiwielding
cops with Tagore’s song—an age-old tradition of dissent.
Kaagaz nahin dikhayenge… Sab Kuch Yaad Rakha Jayega…
Poetry, once more, stands tall, the Grand Central Station of dissent.
Aamir Aziz, Kausar Munir, Varun Grover, Bisaralli…
Your words, in many tongues, score the sky: first citizens of dissent.
We shall see/ Surely, we too shall see. Faiz-saab, we see your greatness
scanned for “anti-Hindu sentiment”, for the treason of dissent.
Delhi, North-East: death flanks the anthem of a once-secular land
where police now maim Muslims with Sing and die, poison of dissent.
A government of the people, by the people, for the people,
has let slip the dogs of carnage for swift excision of dissent.
Name her, Ka, name her. Umme Habeeba, mere-weeks-old, braves frost and
fascism from Shaheen Bagh: our oldest, finest reason for dissent.
As democracies wither and die throughout the world, Karthika Naïr’s ghazal is a passionate and timely celebration of dissent. The places, peoples, and languages of India dance, crack, bleed, demand, and sing their dissent. Soaring through and beyond the borders of India’s post-colonial history, dissent is the oxygen of freedom, scoring the sky with “words, in many tongues.” The “winged horizon of dissent” delineates “what is” from what should be; it is a practice of the radical imagination, an articulation of audacious hope in the long shadows of broken promises and paralyzing fatalism. As the malcontent’s muse, dissent drives the radical desires of dissident artists and intellectuals, the pedagogues of utopic possibilities at a time in which, as Naïr pointedly says,
…there are no small freedoms…I think that India is unfortunately right now living proof for anybody who wants to see the chronicle of an ascension of totalitarianism. This is the chronology: the loss of greater freedoms comes in the slipstream of the denial of perceived “smaller” freedoms. It’s an incremental approach. First, almost always, they come for the books, the art, the movies, the seemingly frivolous things. I would trace it all the way back to the first book banned in independent India, whatever the reason. Because if you can police the imagination, control the freedom of the mind, then everything else will fall in line. There can never be adequate protection for, or vigilance over, these.
Naïr’s poem is also a warning that without dissenting voices, bodies, and minds the promises—explicit and implied—of democracy, like the bones of a malnourished child, will break. Its demise is barely audible against the pitch of rage spewing from the mouths of autocrats and their sycophants throughout the world. These “dogs of carnage” are unleashed, roaming urban streets and dusty squares, rabidly tearing the flesh of hope from the bones of people who have the audacity to dissent. Read more »

In the world of Star Trek, no one ever goes hungry or lacks access to healthcare. No one wants for housing, education, social inclusion or any other basic need. In fact, no citizen of the United Federation of Planets is ever seen to pay for everyday goods or services, only for gambling or special entertainments. The Federation suffers no scarcity of any kind. All waste is presumably fed into the replicators and turned into fresh food or new clothes or whatever is needed. Yet despite ample social safety nets, there’s no end to internecine politicking, human foibles and failures, corruption and vanity, charisma and venality. The world of Star Trek appeals so widely, I think, because it presents us with something colorfully short of a utopia, a flawed human attempt toward a just, caring, and individually enabling social order. It imagines a society based on a shared set of human values—fairness, cooperation, political and economic egalitarianism—where basic human needs are equitably answered so that no one has to compete for basic subsistence and wellbeing. As the venerable 

What is the present? When did it begin? Stoics simply consult the calendar for an answer, where they find each new span of 24 hours reassuringly dubbed Today. Archaeologists speak of “Years Before Present” when referring to the time prior to January 1, 1950, the arbitrarily chosen inauguration of the era of radiocarbon dating following the explosion of the first atomic bombs. And the Judeo-Christian West makes of the present age a spatio-temporal chronotope, a narrative rooted in the time and place of birth of a particular figure, whose “presence” as guarantor is inextricable from the dating system, whether the appellations used are the frankly messianic Before Christ and Anno Domini, or the compromise variations on an ecumenical “Common Era”.



I recently spent a few weeks in the UK, which is suffering from a labor shortage post lockdown like the US. Though, unlike the US, some of the UK’s problems are self-inflicted Brexit wounds. The shortages are rippling through every sector, and as in the US, that includes hospitality. Coming out of lockdown, no doubt initiated by hygiene concerns, some restaurants I visited in New York used QR codes instead of handing out menus.
Shortly after my arrival at Cambridge I struck up a warm friendship with a very bright young faculty member, Jim Mirrlees (who was to get the Nobel Prize later), recently returned from a stint of research in India. (Although he was a high-powered theoretical economist, he had what seemed to me an almost religious/moral fervor for doing something to help poor countries). Even more than Frank Hahn, he got involved in the theoretical analysis in my dissertation, and helped me in making some of the proofs of my propositions simpler and less inelegant.
Considered the epitome of genius, Albert Einstein appears like a wellspring of intellect gushing forth fully formed from the ground, without precedents or process. There was little in his lineage to suggest genius; his parents Hermann and Pauline, while having a pronounced aptitude for mathematics and music, gave no inkling of the off-scale progeny they would bring forth. His career itself is now the stuff of legend. In 1905, while working on physics almost as a side-project while sustaining a day job as technical patent clerk, third class, at the patent office in Bern, he published five papers that revolutionized physics and can only be compared to Isaac Newton’s burst of high creativity as he sought refuge from the plague. Among these were papers heralding his famous equation, E=mc^2, along with ones describing special relativity, Brownian motion and the basis of the photoelectric effect that cemented the particle nature of light. In one of history’s ironic episodes, it was the photoelectric effect paper rather than the one on special relativity that Einstein himself called revolutionary and that won him the 1922 Nobel Prize in physics.
For my whole life, the world has been ending. For various alleged reasons. . . but always there’s been an overhang of dread and fear, the end times already here, human cussedness and sinfulness and greed at work in every moment, everywhere, eating away at what’s left of goodness and preparing the Day of Wrath, the horror, the tribulation, the Last Conflict, the End.
Baseera Khan. A New Territory, 2021.
If we take action now to mitigate global climate change, it might make life a little worse for people now and in the near future, but it will make life much better for people further in the future. Suppose, for whatever reason, we do nothing.
