Musings on Exile, Immigrants, Pre-Unification Berlin, Trauma, Naturalization, and a Native Tongue

by Andrea Scrima

I moved to Berlin in 1984, but have rarely written about my experiences living in a foreign country; now that I think about it, it occurs to me that I lived here as though in exile those first few years, or rather as though I’d been banished, as though it hadn’t been my own free will to leave New York. It’s difficult to speak of the time before the Wall fell without falling into cliché—difficult to talk about the perception non-Germans had of the city, for decades, because in spite of the fascination Berlin inspired, it was steeped in the memory of industrialized murder and lingering fear and provoked a loathing that was, for some, quite visceral. Most of my earliest friends were foreigners, like myself; our fathers had served in World War II and were uncomfortable that their children had wound up in former enemy territory, but my Israeli and other Jewish friends had done the unthinkable: they’d moved to the land that had nearly extinguished them, learned to speak in the harsh consonants of the dreaded language, and betrayed their family and its unspeakable sufferings, or so their parents claimed. We were drawn to the stark reality of a walled-in, heavily guarded political enclave, long before the reunited German capital became an international magnet for start-ups and so-called creatives. We were the generation that had to justify itself for being here. It was hard not to be haunted by the city’s past, not to wonder how much of the human insanity that had taken place here was somehow imbedded in the soil—or if place is a thing entirely indifferent to us, the Earth entirely indifferent to the blood spilled on its battlegrounds. Read more »



Monday, February 24, 2020

Stuck, Ch. 16. Who We’re Not: Prince, “Purple Rain”

Stuck is a weekly serial appearing at 3QD every Monday through early April. The Prologue is here. The table of contents with links to previous chapters is here.

by Akim Reinhardt

Image result for cold war cultureMost people associate the Cold War with several decades of intense political and economic competition between the United States and Soviet Union. A constant back and forth punctuated by dramatic moments such as the Berlin Airlift, the Berlin Wall, the arms race, the space race, the Bay of Pigs, the Cuban Missile Crisis, Nixon’s visit to China, the Olympic boycotts, “Mr. Gorbachev, tear down this wall!” and eventually the collapse of the Soviet system.

But on the home front, the Cold War was often less about politics and economics and more about culture and society. It was a time of Us vs. Them, of Right vs. Wrong. Certain cows were sacred, others were evil, and woe be unto those who milked the wrong teat. The Cold War was about American society demanding conformity, and persecuting those who did not play along.

The Second Red Scare (ca. 1947–57) was the most dramatic example of persecuting non-conformists. People were hauled in front of Congress and, on national television, subjected to reputation-destroying and career-ending interrogations. Senator Joseph McCarthy’s witch hunts weren’t just about politics; they also disciplined the society and put dissenters on notice: get in line, or at least shut up, or face dire consequences. And the popular culture followed suit.

Americans reacted strongly to the dominant good guys/bad guys narrative. Fears of a possible World War III and accompanying nuclear holocaust were widespread. The culture was soaked through with an Us vs. Them mentality, with a heavy emphasis on choosing up sides. It could be seen in everything from the ubiquitous white hat/black hat Westerns of the 1950s and 1960s to the Rock vs. Disco antagonism of the 1970s. Everyone had to be on the right side. Picking the wrong side marked you as the enemy. And refusing to pick a side at all? That was so strange as to almost be incomprehensible. Read more »