The Cancer Questions Project, Part 32: Jayesh Mehta

Jayesh Mehta, M.D. is a Professor of Medicine (Hematology Oncology) and Chez Family Professor of Myeloma Research at Northwestern Memorial Hospital and Feinberg School of Medicine, Chicago Illinois. Dr. Mehta has conducted numerous clinical trials and published more than 320 publications describing his findings. Dr. Mehta was awarded more than 20 grants including some from the National Institute of Health.

Azra Raza, author of The First Cell: And the Human Costs of Pursuing Cancer to the Last, oncologist and professor of medicine at Columbia University, and 3QD editor, decided to speak to more than 20 leading cancer investigators and ask each of them the same five questions listed below. She videotaped the interviews and over the next months we will be posting them here one at a time each Monday. Please keep in mind that Azra and the rest of us at 3QD neither endorse nor oppose any of the answers given by the researchers as part of this project. Their views are their own. One can browse all previous interviews here.

1. We were treating acute myeloid leukemia (AML) with 7+3 (7 days of the drug cytosine arabinoside and 3 days of daunomycin) in 1977. We are still doing the same in 2019. What is the best way forward to change it by 2028?

2. There are 3.5 million papers on cancer, 135,000 in 2017 alone. There is a staggering disconnect between great scientific insights and translation to improved therapy. What are we doing wrong?

3. The fact that children respond to the same treatment better than adults seems to suggest that the cancer biology is different and also that the host is different. Since most cancers increase with age, even having good therapy may not matter as the host is decrepit. Solution?

4. You have great knowledge and experience in the field. If you were given limitless resources to plan a cure for cancer, what will you do?

5. Offering patients with advanced stage non-curable cancer, palliative but toxic treatments is a service or disservice in the current therapeutic landscape?



Why Do We Need a March?

by Samia Altaf

Over the past week, Pakistan has been consumed by the Aurat (Women’s) March, which was held today, March 8, International Women’s Day, in all the major cities of the country. The march’s aim is to highlight the continued discrimination, inequality, and harassment suffered by women. There are some people against it who argue that the march should not be allowed, but the Islamabad High Court has rejected the petition that asked for its cancellation. So the march happened.

Those against holding the march tot up the unprecedented rights and respect Islam affords to women, further endorsed by the constitution of Pakistan. They count the many recent women-friendly pieces of legislation enacted by the government of Pakistan, such as the law against workplace discrimination. In addition, they argue, privileged and educated women already have all the opportunities they want. They cite numbers such as the statistic that more than 50 percent of graduating doctors every year are women. Women politicians are increasing in numbers, women managers, CEOs, etc. are represented in almost all industries. And of course unprivileged women are equal participants in the labor force whether they want to be or not. 

Those for the march argue, rightly, that women friendly-legislation is just paper, since those laws are not implemented. They speak of onerous and time-consuming cultural practices that place the management responsibilities of home and children exclusively on the woman—even if she works outside the home.  Read more »

On Mystery, Modernism, and Marilynne Robinson

by Katie Poore

During a recent visit to Paris, I squeezed through the crowded bookshelves of the famous Shakespeare and Company bookstore, a stone’s throw from Notre Dame, whose charred heights sat masked in scaffolding just across the Seine. It has become something of a Parisian tourist hotspot, mostly because of its association with our favorite Modernist expat writers, immortalized and gilded in a cosmopolitan, angsty, and glamorous mystique through the canonization of their works and, some might argue, the award-winning Woody Allen film Midnight in Paris.

Shakespeare and Company apparently played host and haven to such writers and legends as Ernest Hemingway, Gertrude Stein, T.S. Eliot, Ezra Pound, and James Joyce. In its upstairs rooms, an estimated 30,000 “Tumbleweeds” have slept on the book-lined benches that trace the rooms’ perimeters. A “Tumbleweed,” according to the Shakespeare and Company website, is a fleeting visitor, someone who, in the words of the bookstore’s founder George Whitman, “drift[s] in and out with the winds of chance,” much like the roaming thistles the word conjures. Shakespeare and Company just happens to have welcomed some of the most elite and canonized thistles the English-speaking world has known.

On my first visit to the store (yes, I went there twice), I was skeptical. It was a tourist trap, I reminded myself. Its paperbacks were marked up to the sometimes-outrageous price of 20 euros, and all because the store had harbored an impressive list of intellectual and literary powerhouses over the years. Read more »

Fandom and Consumerist Identities

by Mindy Clegg

Cosplayers from a German Star Trek convention, Fedcon, where they set the world record for most Star Trek fans in cosplay. From https://treknews.net/2011/08/14/new-world-record-set-at-las-vegas-star-trek-convention/

For many historians beginning their journey through graduate school, one question arises over others to prompt many sleepness nights: so what? We, as individual scholars, hope to formulate a unique choice of topics. But at times an advisor or the department might push you into a more mainstream and marketable topic, that turns heads but avoids toes. “So what?” has become shorthand for being able to show that your project helps other historians and the public understand historical processes or events in new ways. Historians tend toward a more conservative bent than our more anarchic colleagues over in English and Sociology departments or in Gender studies. It can be a steeper climb for bringing in perspectives or topics that are a bit more off the beaten path. Sometimes, a more modern historical focus or historical narratives that center on mass culture still get short-shrift, unless framed in particular ways—despite the enormous impact mass media and culture have in our world today.

The “so what?” question that historians must engage with provides the key explanation for this state of affairs. Mass and popular culture, I argue, offer a variety of ways to examine and think about history in the modern period. Understanding that impact is critical to understanding some of the key events of modern global history, from the top-down and bottom-up. Mass media and mass/popular culture have not been entirely ignored, but tend to be studied within particular contexts, such as the Cold War, to give them more legitimacy in historical studies. Often these are seen primarily in a top-down manner, for example as a vector for American empire, but there are other ways to see the spread of mass mediated popular culture. I argue here that especially in recent years, popular culture has been a location for rebuilding community in a world of capitalist individualism and for crafting new kinds of identities. How people have engaged with mass produced culture and have sought to create mass culture of their own (and control the means of production in the process) show some interesting cracks in the “society of the spectacle” facade.1 In other words, how people make connection and meaning out of the culture in which they live matters. Read more »

Imagination and the Language of Wine

by Dwight Furrow

Research by linguists into wine metaphors have identified several source domains that help wine writers describe the faint and ephemeral features of poetry in a glass. “Wine is a building”, “wine is piece of cloth”, and especially “wine is a person” are a few of the rich diversity of potential likenesses that might uncover facets of a wine. There are after all many ways of being a body or a person with new variants continuously on offer. But how do writers identify, within these source domains, which likenesses will be compelling and how do readers come to understand what a metaphor means? Identifying source domains for wine metaphors must be supplemented by an account of how interpretation works.

Given the importance of variation and distinctiveness in wine appreciation and the need for linguistic innovation to capture these dimensions, theories of metaphor that explicitly link metaphor to the exercise of imagination will be most useful. The use of metaphor in wine language looks backward to conventional, entrenched descriptions while looking forward in order to capture the emergence of innovative taste profiles that require linguistic imagination.

To add more complexity to the mix, the use of metaphor in wine language serves two broad purposes that are sometimes opposed. On the one hand writers use metaphor to communicate an accurate description of the wine they’re tasting, especially by conveying the holistic properties such as elegance, intensity, or balance. On the other hand, metaphor expresses the remarkable experiences of a wine that wine importer Terry Theise calls “sublime”. “Some wines” he writes, “…are so haunting and stirring that they bypass our entire analytical faculty and fill us with image and feeling”. Read more »

Stuck, Ch. 18. That Fleeting Moment: Screaming Trees, “I Nearly Lost You There”

by Akim Reinhardt

Stuck is a weekly serial appearing at 3QD every Monday through early April. The Prologue is here. The table of contents with links to previous chapters is here.

Image result for parking lot basketball hoopThere was this one moment. A sunny June day in Nebraska. No one was around. I dribbled the basketball over the warm blacktop, moving towards a modest hoop erected at the end of a Lutheran church parking lot. I picked up my dribble, took two steps, sprung lightly from my left foot, up and forward, my right arm extending as my hand gracefully served the ball to the white backboard. Its upward angle peaked, bounced softly, and descended back through the netless hoop.

And then it dawned on me. It had never been this easy. Not just dribbling and shooting a basketball, but anything. Any physical movement. No turn in the dance of life had ever come so naturally, had been so close to effortless. It felt good. I smiled to myself and called it a day.

I was 29 years old.

Ten years later, I was running down a dirt path along a creek in my Baltimore neighborhood. I’ve never been much for jogging. I find it an exercise in boredom so profound as to make me question the point of life. Instead, I was running some wind sprints. You sprint full out for a hundred yards, then walk the next hundred. If you’re on a track, sprint the straightaways and walk the curves. Keep doing that til you can’t.

The previous summer I’d done wind sprints at a local high school. When I started, I could only manage two sprints before collapsing in a gasping heap. A month later I was churning out a dozen of them a couple times a week. I was suddenly shocked at how good a shape I was in. My libido was disturbingly high, which was kind of annoying given I was recently single. Read more »

Monday, March 2, 2020

Why Philosophy? (4) Understanding Ourselves

by John Schwenkler

This is the fourth in a series of posts discussing different ways of pursuing philosophical understanding. The first three parts can be found here, here, and here.

A memento mori mosaic from excavations in the convent of San Gregorio in Rome, featuring the Greek motto gnōthi sauton. Image credit: Wikimedia Commons.

γνῶθι σεαυτόν, the inscription over the Temple of Apollo at Delphi is said to have read: Know thyself. The maxim has the form of a command, suggesting that what it describes is something we often fail to do, and moreover that this failure is no mere cognitive lapse, but something that willful effort is required to overcome. As the philosopher Ursula Renz explains in her introduction to a recent volume of essays on philosophical conceptions of self-knowledge through history, many philosophers have taken self-knowledge to be an important part of achieving wisdom:

Some … even claimed that the acquisition of self-knowledge is the very end of philosophical inquiry; to engage in philosophy, they thought, is to explore and thereby to ennoble the self. [This] concern with self-knowledge was immediately practical. Not only is self-knowledge constitutive of the kind of things we are, but it crucially matters for the individual persons we are or want to become.

To modern ears, the command to know oneself suggests a concern with knowing who one is, in a sense of this phrase that we connect with talk of self-discovery and of the forging of an individual identity that defines one’s lifelong pursuits. But this conception of the command reflects an understanding of human individuality that the ancients arguably did not share, or at least did not credit the same importance as many of us give it today.

Shorn of that assumption, the command to know oneself is as much a command to know who–or what–we are: that is, to understand what we sometimes call the “human condition”, not just abstractly but rather in a way that recognizes this description as applying to oneself. Such knowledge is also bound up with the kind of articulacy about ourselves that I described in my first post in this series: the self-knowing person is able not merely to “go on” in the way that we do, but also to say what it is that our going on in this way consists in, and justify why it is that we go on in this way. Read more »

Schooling and the Emergence of Free-Market Authoritarianism: The Struggle for Democratic Life

by Eric J. Weiner

What is commonsense to most people who received a K-12 public education in the United States is that every formal system of state schooling throughout the modern world is designed to educate its students to develop, what Charles Lemert calls “sociologically competencies” within whatever ideological system is dominating at the time of their schooling. People correctly assume that children going to school during the Weimar Republic, for example, were educated to function competently within that ideological system. Children who were in school during the reign of Chairman Mao in the People’s Republic of China were educated to function competently within that system. Children in China today are educated to be sociologically competent in China’s current government and economic system. Children in France, Spain, Portugal, Israel, Mexico, Argentina, Brazil, and Iran likewise are educated to function competently in those systems. In the Soviet Union, children were educated to function within its version of communism. After the collapse of the Soviet Union, children were required to learn different civic knowledge and skills in order to be competent within the newly emerging political ideologies of reformed nation states.

For people educated in the United States, the connection to ideology and schooling is obvious except when it comes to their own perception of the kind of public schooling they and/or their children received. At most, people might blame the educational system for being too liberal or too conservative, but to recognize the constitutive connection between schooling and ideology goes too far. Ideology is something that defines other governmental and educational systems, not their own. Ironically, this points to the deep level of ideological indoctrination that state schools have helped to achieve over several generations in the United States. Fueled by the complimentary discourses of choice, individualism, and Judeo-Christian morality, the connection between ideology and schooling is hidden in plain sight behind a translucent veil of American exceptionalism. What we are left with is an education system that teaches students to believe in an illusion of freedom, while disciplining what Michel Foucault famously called docile bodies and obedient minds. Read more »

Monday Poem

New Vinyl

…. —an Elegy

to take an album in your hands,album stack
to feel its slight heft,
to unsheathe it from clear synthetic skin,
to slip it from its cardboard cover,
to scan its art, to flip it over, read,
then draw it from its inner sleeve
with care (platter’s rim to palm just so)
so as not to grease and soil
its lyric grooves with finger oil
which might later cause
a lead-riff stutter

to hold in hands —but only by its rim
between two palms— to catch the lightglaze
caroming from its onyx spiral
cast like hairs in onyx vinyl

to drop its center hole upon a hub
and, as it spins, to lift and move
its diamond-studded arm above
the leading edge of disk and set
with steady surgeon’s glance
its fine smart tip to spinning rifts
to do its oscillating dance—
its bouncing ride off microcliffs
that send vibrations out
as turning table shifts
and shadows scatter

….. ah! in that tick of space & time
music’s all that matters

Jim Culleny
2/15/18

Geronimo! Neural machine translation, post-editing, and the post-human

by Rafaël Newman

Notwithstanding the spread of English as a global lingua franca, translation continues to be a vital component of international relations, whether political, commercial, or cultural. In certain cases, translation is also necessary nationally, for instance in countries comprising more than one significant linguistic group. This is so in Switzerland, which voted by an overwhelming majority in 1938 to add a fourth national tongue to thwart the irredentist aspirations of its Italian neighbor, and which in certain contexts is obliged to use a Latin version of its own name (Confoederatio Helvetica) to avoid favoring one language group over another.

With its four languages, three of them national and official – German, French, and Italian – and the fourth, Romansh, “merely” national, Switzerland is indeed obliged to do a great deal of translation, especially at the level of its federal ministries and law courts. Its commercial enterprises, too, typically depend on communication in at least one other language region than their own immediate location; and naturally, many Swiss businesses have a linguistically diverse national presence in any case, and thus require a polyglot corporate identity.

Culturally, although Switzerland’s linguistic regions tend to look to the “motherland” of their respective language in matters of tradition, the country’s creative class is by necessity international in its outlook, given the limited size of its domestic market; while its chief cultural funding agency, Pro Helvetia (bearer of a similarly non-partisan Latin appellation), spends a great deal of its resources on representation and “localization” abroad. And finally, since Switzerland’s economy is strongly geared to export, and because its lack of natural resources means that it has come to specialize in services and end manufacturing, those sectors, particularly the financial and pharmaceutical branches, are positively ravenous consumers of translation services, especially into the global tongues: Chinese, Spanish, and of course, above all, English.

No surprise, then, that those same sectors are presently lured by the cost-cutting Siren song of translation “solutions” based on artificial intelligence, whether for their in-house language services or from the agencies to which they outsource their translation orders. Read more »

Nothing really

by Dave Maier

Last month in this space I posted the notes to my latest ambient mix, and you may have noticed at that time that in those notes I slagged my own composition “Nothing really” – even in its title! – as being nothing much, and promised to explain later. Here I fulfill that promise.

If you listen to that track as featured in the mix, my judgment may seem a little harsh. The track is on the static side, but that’s hardly a fault in the context: the textures are lovely, and there’s plenty of movement; and at under four minutes it can’t really be said to overstay its welcome. A minor work, perhaps, but as a brief linking interlude it works perfectly well. So what’s the problem?

Well, I’ll tell you. Here’s how I made it: first, I fired up one of my many synthesizers (here a software synth called Aparillo, purchased in a discounted bundle with a bunch of other entirely out of control plug-ins from the same developer on this last Black Friday). Then I selected a particular preset supplied by the developer. Then – after adjusting the routing a bit, so that I would record sound rather than MIDI – I clicked Record on my DAW and pressed a single key on my MIDI controller (G4, maybe), and held that key down for about four minutes. There, finished! I didn’t do any further processing (synths tend to have built-in effects now, so that lush reverb is already there in the preset) or mastering or anything. Nor did I tweak the preset’s parameters in any way. It took about five minutes in total, most of which, again, was spent holding the key down and listening.

My questions here seem at first to be of two distinct kinds: conceptual/ontological and evaluative. What is “Nothing really”? Is it a musical composition, or perhaps a composition of another kind? Who composed it? and what determines the answers to these questions? And are they really distinct from evaluative questions, the main such question obviously being: how good (or bad) is it? Here too, what determines that? Read more »

What We Can Do

by R. Passov

Recently, I watched a YouTube of a talk given by Jennifer Doudna. This past May, in front of some her UC Berkeley colleagues, Doudna shared, “a story … about some research … that led in an unexpected direction … ” producing “ … some science that has profound implications going forward…but also makes us really think about what it means to be human and what it means to have the power to manipulate the very code of life …”

It all started, Doudna explains, when she got a call from someone at Cal who said you don’t know me but you’re doing the type of research that’s connected to my work. Her colleague had noticed that “ …many types of bacteria in their chromosomes have a sequence of DNA that is a storage site for sequences that come from viruses that infect those cells.”

“These are the CRISPERS …” a record of the DNA from all prior infections, “… a genetic vaccination card for bacteria.”

Doudna is generous with praise, never missing an opportunity to share credit. One lucky lab member collected soil samples, then sequenced DNA from bugs in those samples looking for alternative CRISPER pathways. The result uncovered different flavors of the CRISPER-Cas immune system. Which got Doudna to thinking “… about the difference in the type of CRISPER systems in nature…” Read more »

Radical Reconciliation: Lincoln’s Second Inaugural

by Michael Liss

He is an enigma. He sits up there in his marble chair, set in a Greek temple, literally larger than life, and he defies us to understand him.

Many have tried. More than 15,000 books have been written about Abraham Lincoln, to say nothing of countless columns, essays, Masters and Doctoral theses. So familiar is the recitation of his story that there is an unmistakable sense of déjà vu when you pick up yet another, turn to a random page, and, after a few words, half-wonder whether the author was unconsciously participating in a form of soft plagiarism.

Yet, if there is any guide to the inner Lincoln, the double-minded Lincoln, the one who could prosecute an incredibly destructive war while engaging in countless acts of mercy, it has to be in the Second Inaugural Address, the one we remember mostly for its closing paragraph, “with malice towards none….”

In this speech, barely 700 words, is the distilled essence of what Lincoln learned through the wrenching years of seeking, and then possessing, the Presidency. He exposes his own inner anguish as he reconciles it. In doing so, in taking responsibility, accepting nuance, and embracing a broader vision, he sets a standard for “Presidential.”

He does all this in about seven minutes. Read more »

The Cancer Questions Project, Part 31: Seema Singhal

Seema Singhal, M.D., is a Professor of Medicine (Hematology Oncology) and Chez Family Professor of Myeloma Research at Northwestern Memorial Hospital and Feinberg School of Medicine, Chicago Illinois. Dr. Singhal has conducted numerous clinical trials and published more than 230 publications describing her findings. She is the key opinion leader in Myeloma treatment and authored the National Comprehensive Cancer Network (NCCN) guidelines for Myeloma Treatment.

Azra Raza, author of The First Cell: And the Human Costs of Pursuing Cancer to the Last, oncologist and professor of medicine at Columbia University, and 3QD editor, decided to speak to more than 20 leading cancer investigators and ask each of them the same five questions listed below. She videotaped the interviews and over the next months we will be posting them here one at a time each Monday. Please keep in mind that Azra and the rest of us at 3QD neither endorse nor oppose any of the answers given by the researchers as part of this project. Their views are their own. One can browse all previous interviews here.

1. We were treating acute myeloid leukemia (AML) with 7+3 (7 days of the drug cytosine arabinoside and 3 days of daunomycin) in 1977. We are still doing the same in 2019. What is the best way forward to change it by 2028?

2. There are 3.5 million papers on cancer, 135,000 in 2017 alone. There is a staggering disconnect between great scientific insights and translation to improved therapy. What are we doing wrong?

3. The fact that children respond to the same treatment better than adults seems to suggest that the cancer biology is different and also that the host is different. Since most cancers increase with age, even having good therapy may not matter as the host is decrepit. Solution?

4. You have great knowledge and experience in the field. If you were given limitless resources to plan a cure for cancer, what will you do?

5. Offering patients with advanced stage non-curable cancer, palliative but toxic treatments is a service or disservice in the current therapeutic landscape?

On the Road: Getting to Tasiilaq

by Bill Murray

 Kulusuk Airport Terminal in Greenland

First thing we have to do, we have to find Robert.

The men smoking outside the concrete block terminal are not Robert so I ask around inside. The man behind the check-in counter might as well be collecting Arctic tumbleweeds. No flights are pending; no one is checking in.

He does not know Robert.

Together we lean over his counter to look down to the harbor. One boat is speeding away and there don’t seem to be any others. He flips his palms up and shakes his head, “I think you just go down there and wait. That is your only chance.” Read more »

Connecting with the Jazz Tradition: Studying with Frank Foster in Buffalo

by Bill Benzon

Frank Foster leading and fronting the Count Basie Orchestra in 1994

I headed off to the State University of New York at Buffalo (aka UB) in the Fall of 1973. While I was going for my Ph.D. in English Literature, I was also interested in the school’s music offerings. I’d just gotten my trumpet out of “storage,” a year or so ago and I decided I wanted to sharpen my jazz chops. So I looked through the UB catalogue and noticed they had some guy named Frank Foster teaching jazz improvisation. I’d never heard of him. But, hey, I looked him up anyhow, you never know—played and arranged with Basie, Elvin Jones, Sarah Vaughan, “hmmm,” says I to my little-too-smart self, “maybe he’ll do.”

He did.

I forget just how I made my way into his improv workshop. While I was registered in the English Department and took courses there, there was no problem about showing up in Frank’s class and just hanging out. I didn’t even register for credit. Just showed up. (Maybe I officially audited the course, as it’s called, but I don’t really remember the arrangement.)

Frank had no problem with that. Neither did anyone else. Read more »