by Thomas R. Wells

Climate change is a huge and urgent problem. It is natural to suppose that it is therefore a terrible mistake, an unforced error that we should regret and try to prevent ever happening again.

I disagree. Climate change is the unfortunate outcome of the economic growth that has transformed human civilisation for the better. We cannot regret climate change without regretting the vastly better world for most people that the fossil-fuel powered industrial revolution brought. Nor should we draw the anti-technology lesson that solutions are always worse than the original problems, that humans should retreat to living within the bounds of nature rather than attempting to escape them.

The argument I am trying to oppose is not often made explicitly, but seems to lurk around and underneath the response to climate change, especially among people younger than me. It looks something like this:

P1. Climate change is a huge and urgent problem

P2. Climate change is human-made, the result of the industrial revolution and the striving for economic growth

C1. Therefore, climate change is the result of bad choices based on bad values that we should regret. (This often takes the form of a quasi-religious sense of ‘original sin’ among the climate woke)

C2. Therefore, we should prevent such mistakes from happening again (This further anti-technology/anti-growth conclusion is not drawn by everyone, but is powerful within the environmentalist movement)

Let me take each conclusion in turn. Read more »

Sughra Raza. This Moment … late June 2022.

Digital photograph.

by Michael Abraham

I have been told it is a bad thing. I have been told this by doctors and friends and my parents and lovers. They worry over me, worry over me the way a Catholic worries over her rosary. They insist on the medication and the therapy and anything but this feeling, anything but this feeling you relish so intensely. 

O, but to live without it is a waste, a wasteland, and not in the TS Eliot way: not a wasteland overbrimming with meaning, but a wasteland devoid of even the potential for meaning. Hypomania is summer thunder, is getting crushed by the rain. It is having sex with two men in one night, and learning their names, and learning their deepest fears because one is so open that deep fears tumble out. It is falling into Triangle Park, into the puff-puff warm feeling. It is taking ecstasy on the tongue and dancing all the night long. It is spending all your money and calling it good, for a good night out is only the sign of one who hopes. O, it is sex and drugs and money, but it is more than that, so much more than that. It is a deep thrum like a drum struck at the center of the being, an immaculate sound that emanates through the vibration of the whole body. It is an easy slide into Exactly Who He Wants To Be. The world is an oyster, and hypomania is the pearl: it is gorgeous; it is extravagant; it deserves to be worn at the neck as a sign of glamour and appeal. For one who has experienced it, there is nothing quite as quick as the slice of its blade upon the throat. It bleeds one out. It makes from one who is merely body, merely mind, something spectacular: a fountain of bright red conundrum, a spill of the holy stuff onto the ground. There is no living without it once you’ve had it. It is the best drug on the street. It is top-shelf liquor. It leaves nothing in its wake but wanting for it. Staying up to write all night, sweating profusely as you dance your aches out alone in front of the DJ booth, falling into the arms of any boy, falling into your own embrace, embracing yourself as a broken thing full of yearning: it is a true human condition. It is maybe the human condition laid bare. There is no proper way to say it, but to say that all the stars align for a moment, and in that moment, you are immortal; you are the absolute apotheosis of chance and luck. You take the world in your hands, and then you take the succor of the world in your mouth, and then you fill yourself until your greed for all the world has to offer is finally satiated. O, but it is never satiated!—not until the hypomania passes, and you pass with it, into the doldrums, into the never-ending blue of regret and depressive reconstruction of the self. You lose your ground in the hypomania, and then, in the depression, you get your ground back. And your ground is such a burden. To be free of oneself, to be an onslaught, to be a trick in the back pocket of a satyr prancing wild to a Madonna song: it is so very difficult to leave it.  Read more »

by Claire Chambers

I know Lyn Innes from her career as an eminent postcolonial critic at the University of Kent. Since retirement, Innes has turned her hand to life writing. This is unsurprising when one learns of her unique and fascinating family history.

Her book The Last Prince of Bengal: A Family’s Journey from an Indian Palace to the Australian Outback is a story of two marriages and two British colonies, India and Australia.

Innes’ great-grandfather Mansour Ali Khan (1830–1884) was the final Nawab of Bengal, eighth in succession to Mir Jafar (1691–1765). As is well known, Mir Jafar collaborated with the British East India Company. His payment was to become the Nawab of Bengal, Bihar, and Orissa: the greater part of eastern India. The East India Company also bestowed on Mir Jafar honour and rights, including a large pension or stipend. In return, the Company got freedom to tax the region, which they did with gusto.

Given that Innes is a respected postcolonialist, I was interested in her reaction to the lineage from Mir Jafar, widely regarded in India as a traitor. Furthermore, Mansour Ali Khan and other family members supported the British in the so-called Mutiny of 1857. After this Rebellion, the Governor-General of India was appointed by the British Parliament instead of the East India Company. Many members of Innes’ family were not nationalists and opposed Indian independence. However, it is clear from her dispassionate and rigorous account in this book that Innes is no royalist and that she is neither proud nor ashamed of her ancestors. Read more »

by Brooks Riley

by Joseph Shieber

More than any other, one article I read last Friday, June 24, brought home to me how difficult it is to maintain respect for the law in the face of injustice.

You’re probably thinking that it was one of the articles reporting on the United States Supreme Court’s having struck down the 50 year old precedent in Roe v Wade, constitutionally guaranteeing to women in the United States the right to exercise control over their own bodies. It wasn’t.

Rather, it was an article in the South China Morning Post announcing the death, on Friday in Beijing, of the lawyer Zhang Sizhi at the age of 94.

Zhang, known as the “conscience of the lawyers” in China, was born in Henan province in 1927. After serving for three years in the Chinese Expeditionary Force, Zhang began studying law in 1947, graduating from the Renmin University of China in 1950. Zhang was only able to handle a few cases in the 1950s before being thrown into a reeducation camp as a “rightist” and intellectual. He spent 15 years in prison.

After his release, Zhang resumed his legal practice and began a career as a defender of the developing Chinese rule of law – and the principle of the freedom to dissent – that spanned over thirty years, from the 1980s to the 2010s. Read more »

Self-portrait at a wedding last week.

by Derek Neal

In last month’s column, I wrote about the opening pages of Philip Roth’s Nemesis, and how Roth creates the backdrop of 1940’s Newark upon which the events of the novel play out. I’m using the words “backdrop” and “play out” intentionally, as these pages really do function as a sort of stage set that provides the context for the story which follows. This kind of storytelling is, I suppose, somewhat traditional or old fashioned. What it suggests is that the characters are products of their environment, and it’s important to explain the context in which they exist if the characters are to be understood. The setting of the story can also be seen as its own character, such that we must have a grasp of 1940’s Newark to comprehend the protagonist of the story, Bucky Cantor, because his understanding of the world and how he moves through it, his hopes, his dreams, and his fears, have been shaped, or to use a stronger word, created, by the fact of being born and growing up in Newark, New Jersey in the middle of the first half of the 20^th century.

This may seem obvious, but in foregrounding the setting of the story, it also goes against the idea that people are unique, ahistorical individuals, which seems to be an increasingly common contemporary assumption. Nemesis makes this point explicit by placing the narrator in the present, or at least in the future in terms of the events of the story, and then having him relate what has taken place in the past. This is an acknowledgement that to attempt to tell a story about a certain time period from within that time period would in some ways be deceitful and anachronistic, running the risk of assuming that people in past times thought about themselves and the world in the same way that we do, or mapping a contemporary morality onto the past. Because it would be nearly impossible to faithfully recreate a past consciousness (although this is what any story about the past attempts to do), the practical solution is to frame the story from the viewpoint of a narrator in the present and admit defeat from the outset. This serves the purpose of recognizing the futility of the attempt while still trying to achieve the goal of fully recreating a different time and place. Read more »

by Pranab Bardhan

All of the articles in this series can be found here.

Some years after Carlos died, another friend and another noted development economist, Hans Binswanger, was diagnosed as HIV-positive. He initially took that as a death sentence and gave away much of the material things he had. But by then the new antiretroviral drugs were in use, and possibly because of them lived an active life for another quarter century, until he died in Pretoria, South Africa in 2017 at age 74. In 2002, shortly before he left his World Bank job, he founded and endowed an NGO in Zimbabwe, that supported about 100 mostly HIV-positive children and their families by providing education, supplemental health care, and counseling. In South Africa he married his boyfriend Victor in a traditional multi-day Zulu celebration. Since then he has always identified his last name as Binswanger-Mkhize.

Hans was born in Switzerland in a prominent Swiss family. He was a major agricultural economist with pioneering work on peasants’ behavior in the face of risk. This work was based on experiments carried out in India. I think I met him first in Hyderabad at ICRISAT, the International Crop Research Institute for Semi-Arid Tropics, where he was the principal economist for 5 years, before joining the World Bank.

In 1977 he invited me and Kalpana to present papers at a conference in Hyderabad on the subject of rural labor markets (later he co-edited a book where these papers were published). I remember the lavish party he gave for all the conference participants at his home which was a stunning converted-fortress in Hyderabad. The intensive ICRISAT village studies that started under his leadership in India made possible data-intensive work by many agriculture researchers all over the world, and generated over the years hundreds of Ph. D’s. Since then I have interacted with him many times, particularly when he was doing some policy work for the World Bank on land reform in South Africa. He came to Berkeley and addressed my graduate seminar on Economic Development. I last saw him at a meeting in Delhi, just a couple of years or so before his death. Read more »

by Michael Liss

Carved in marble above the entrance to the Supreme Court Building is the motto: “Equal Justice Under The Law.”

It is a noble sentiment, expressing the highest ideals of our nation. Here, in this building, before these nine robed figures, the one essential that soars above means, above influence, and above race, religion or class, is equality before the law. Here is the place where justice is blind so that justice can be served.

That is the theory. The reality is nothing at all like it. Public trust in the Supreme Court as an institution has dropped markedly (a Quinnipiac University Poll conducted May 12-16, 2022, shows that 52% of the public disapprove). Far worse, respondents, by an alarming 63-32 margin, answered “politics” to the question: “In general, do you think that the Supreme Court is mainly motivated by politics or mainly motivated by the law?”

John Roberts, a man who believes deeply that the mission of the Court to be a cool and impartial arbiter, has got to be in despair. He is now stuck with two stories of leaks and the growing sense of irrelevance inside his own conference. The Chief Justice is a gradualist, a man who wants conservative change, but by degrees, constructively, gently, and respectfully. As this Term has shown, the newly empowered hard right have brought the bulldozer and a healthy supply of scorn for the past to go with it. Read more »

Napoleon Jones-Henderson. TCB, 1970.

Woven tapestry.

More here, here, and here.

by Brooks Riley

When I was twelve, I ran away to Disneyland; not by myself. I went with an older kid, one or two grades above me. Ed, the older kid, was ‘bad to the bone’ – so much so, he deserves his own story.

Read more »

Moonrise from my window last week.

by Rafaël Newman

I had a colleague, a great reader, whose favorite material was mid-century Japanese short-form realism. Frequently epistolary and often featuring at least one frame narrative, these novellas typically have as their narrator someone captivated, not to say obsessed, by a memory; and that memory, it seemed to me when I read the works my colleague lent me, is almost inevitably fed by an erotic or romantic encounter, as well as by its often calamitous sequelae.

When I asked her about this preference, my colleague explained that what she admired in such novellas was the fact that they were—and here she paused briefly to seek the appropriate English term: for she was a native francophone, and read her Japanese literature, for the most part, in French translation—“pudique.”

Now it was my turn to consult a mental lexicon. Pudique? I was reminded of the anatomical term “pudendum,” meaning the human genitals, derived from the Latin gerundive and meaning “that about which one ought to feel ashamed”. I remembered a TV news clip, viewed during a sojourn studying in Paris years ago, in which a certain politician, accused of corruption (I no longer recall whether fiscal or sexual), was seen escaping in his limousine and admonishing the reporters hounding him for a statement: red-faced with indignation, he called for the paparazzi to exhibit “un peu de pudeur”—for shame, his expression suggested, and as an Anglo-American politician in the same situation might have said. Could this really be what my colleague valued in her bedside reading: a sense of shame, of the shameful, of being ashamed, especially as regards intimate affairs? Read more »

by Bill Benzon

The First Arena is that of inanimate matter, which began when the universe did, fourteen billion years ago. About four billion years ago life emerged, the Second Arena. Of course we’re talking about our local region of the universe. For all we know life may have emerged in other regions as well, perhaps even earlier, perhaps more recently. We don’t know. The Third Arena is that of human culture. We have changed the face of the earth, have touched the moon and the planets, and are reaching for the stars. That happened between two and three million years ago, the exact number hardly matters. But most of the cultural activity is little more than 10,000 years old.

The question I am asking: Is there something beyond culture, something just beginning to emerge? If so, what might it be?

Let us review.

Complexity and Abundance in an Evolving Universe
My basic thinking about the nature of the universe, about ontology and cosmology, is grounded in two ideas: 1) complexity, which I take from Ilya Prigogine, though he is by no means its only exponent, and 2) abundance, from the philosopher, Paul Feyerabend. Complexity of this kind is more than complication. It is, paradoxically, the capacity for simple systems to undergo self-organization and thereby to become more complex, and still more ever complex. And complexity accounts for the universe’s abundance.

Abundance? Here is a remark that Feyerabend made to John Horgan, the science journalist:

… he told me about a book he was working on, The Conquest of Abundance, about the human passion for reductionism. It would address the fact that “all human enterprises” seek to reduce the natural diversity, or “abundance,” inherent in reality.

“First of all the perceptual system cuts down this abundance or you couldn’t survive.” Religion, science, politics and philosophy represent our attempts to compress reality still further. Of course, these attempts to conquer abundance simply create new complexities.

The universe is complex, it is abundant, it is overflowing. It is, above all, the capacity of one arena to give rise to another: inorganic matter gives to life, life to mind and eventually to culture. Read more »