Oppenheimer VI: “Batter my heart, three-person’d God.”

by Ashutosh Jogalekar

“Oppenheimer, Julius Robert”, by David A. Wargowski, December 7, 2018

This is the sixth in a series of essays on the life and times of J. Robert Oppenheimer. All the others can be found here.

Colonel Leslie Groves, son of an Army chaplain who held discipline sacrosanct above anything else in life, had finished fourth in his class at West Point and studied engineering at MIT. He had excelled in the course of a long career in building and coordinating large-scale projects, culminating in his building the Pentagon, which was then the largest building under one roof anywhere in the world. In September, 1942, Groves was wrapping up and eager to get an overseas assignment when he was summoned by his superior, Lieutenant General Brehon Somervell. Somervell told Groves that he had been reassigned to an important project. When Groves irritably asked which one, Somervell told him that it was a project that could end the war. Groves had learned enough about the fledgling bomb program through the grapevine that his reaction was very simple – “Oh”.

Robert Oppenheimer is the most famous person associated with the Manhattan Project, but the truth of the matter is that there was one person even more important than him for the success of the project – Leslie Groves. Without Groves the project would likely have been impossible or delayed so much as to be useless. Groves was the ideal man for the job. By the fall of 1942, the basic theory of nuclear fission had been worked out and the key goal was to translate theory into practice. Enrico Fermi’s pioneering experiment under the football stands at the University of Chicago – effectively building the world’s first nuclear reactor – had made it clear that a chain reaction in uranium could be initiated and controlled. The rest would require not just theoretical physics but experimental physics, chemistry, ordnance and engineering. Most importantly, it would need large-scale project and personnel management and coordination between dozens of private and government institutions. To accomplish this needed the talents of a go-getter, a no-nonsense operator who could move insurmountable obstacles and people by the sheer force of his personality, someone who may not be popular but was feared and respected and who got the job done. Groves was that man and more. Read more »



Monday Poem

(Known Miniscule) + (Unknown Immense) is . . .

before the sun rose, they rose,
they were soft-spoken to shadows
so as not to stir them

they let blood and would sometimes sweat and spit.
when shadows were too cruel. they prayed for light

tree’s sunlit shadow: big trunk moves in wind
limb dangling, brushes asphalt

ah! Matryoshkas, nesting shadows easily swallowing
tiny others,
……………….huge devours small
shadow peas in a shell-game of
ballooning unknowns in onion-like layers of doubt
balanced upon a fulcrum, at rest in a dissatisfying
but absolute equation:

(the known-miniscule) + (the unknown-immense)
are ever balanced
…………………………………………………………………………  So,

Jim Culleny
©11/15/15-Rev. /6/25/23

Merit in Science: One More Time, With Feeling

by Joseph Shieber

An elderly alchemist sitting next to his equipment. Engraving by C. Weigel, 1698. Contributors: Christoph Weigel (1654-1725); Abraham a Sancta Clara (1644-1709). Work ID: a4hpxd23.

In “The Bizarre Bad Criticisms of Our Merit Paper,” a recent blog post in defense of the “Defense of Merit in Science” paper, the Rutgers psychology professor Lee Jussim doubles down on the conflation of “merit” with “objective truth.”

For example, in highlighting what he takes to be an underlying logical incoherence of criticisms of the “Merit” paper, Jussim writes this:

Anyone who believes the critics [sic] claims have merit (including the critics themselves) implicitly accepts our central argument that science has to be judge [sic] on its merits, even if they pose as critiques of our paper.

And this:

It is impossible for there to be no scientific merit and for the claim that there is no scientific merit to … have merit.

The problem is that there is a difference between saying that scientific CLAIMS should stand and fall on their merits and that scientists’ success should be determined by their merits. The former statement has to do with standards of evidence and objective truth. The latter statement, in contrast, has to do with qualities of scientific researchers correlated with advancing science, as well as with our confidence in our abilities accurately to assess those qualities.

It shouldn’t need stressing, but perhaps it does. What makes a statement or claim meritorious – its originality, interest, truth-likelihood, etc. – is different than what makes a PERSON meritorious. One obvious difference, of particular importance given Jussim’s own focus on objective truth, is that PERSONS aren’t truth-evaluable.  Read more »

Special Pleading: On The Origin Of Force II

by Jochen Szangolies

Magnetic field lines, made visible via iron filings. Image credit: public domain

In the previous column, I wrote about how forces originate from quantum mechanics, using the electric force as an example. Rather than being caused by ‘virtual’ particles being tossed back and forth, which is a picture that seems alluringly intuitive, but ultimately misleads more than it clarifies, a better way is to think in terms of the most characteristic feature of quantum mechanics: interference. Quantum objects, you recall, may appear as particle-like dots upon measurement (say, causing a tiny dark spot on a photographic plate), but are best described in a wave-like manner otherwise. And, while particles can only pile up, waves can both reinforce each other and cancel out, which leads to the familiar pattern of interference.

Interference is most often discussed in terms of the double slit experiment, where, say, electrons are aimed at two narrow, nearby apertures, and, rather than just piling up behind each slit, produce a picture of bands of greater and lesser intensity. But in fact, interference isn’t just important in the quantum realm in the course of clever experiments in which scientists try to get the quanta to identify, once and for all, as wave or particle, only to be frustrated by their refusal. In an often quoted heuristic, suppose what happens if one particle is sent to an aperture with three slits, or four, or five, or more than one aperture: each time, you have to sum the contributions along each possible path to obtain the final intensity at any possible end point of its journey. But once you take that process to the limit, where you have ‘slits everywhere’, at every point in space, you find you can still use that same prescription: sum up the contribution of every possible path, to obtain the intensity (or the probability of finding the particle) at each final point. Thus, we were led to Feynman’s ‘sum over paths’-picture of quantum mechanics. Read more »

Nanni Moretti, from the End to the Beginning

by Ada Bronowski

Nanni Moretti has always been a melancholic in denial. Perhaps more than any other film-director raised on the French New Wave – born in 1953, shooting his first short in 1973 – Moretti has been turning around the question that François Truffaut posed as a key to the seventh art: is cinema more important than life? But where for Truffaut, or Rossellini, as for many amongst their long and glorious lineage (from Spielberg to Tran Anh Hung) the dilemma has been between a painful reality full of obstacles on one side and a ‘harmonious’ path where ‘there are no traffic jams’ (to speak like Truffaut in his 1973 Day for Night), on the other – in other words, where cinema is the path of escape towards a world where dreams (or nightmares) come true – for Moretti, it is the dilemma itself which is the essence of cinema.

Film is a fact not a possibility. As such, the world of film-making, from its fabrication to the way “these people” are and speak is part of everyday life. In a Moretti film, it is completely normal for the characters to walk down a street and pass by a film crew setting up for a shoot, to comment on it, walk in and out of a scene.  Films in the film are the norm: sometimes we see the shoot and sometimes we hear a shoot is taking place. With Moretti, what is in the frame and what is out of the frame is always arranged so as to give us the impression of mere chance: when we see in the frame first a group of high school kids plotting to occupy their school (and therefore think the occupation is the drama) in Ecce Bombo (Moretti’s second film from 1978), and then realise, because the camera moved back a little, that the older brother of one of the kids, played by Moretti himself, is staring at the group barely hidden behind the door, only to then, through a further retreat of the camera, see that Moretti’s father is standing behind him watching his son watching his sister, it is a whole new philosophy of the camera that is put in place. A philosophy whose axiom is that the unframed life is not worth living, by Socrates-the-Cameraman. Read more »

Moonstruck

by Mike O’Brien

Montreal is quite safe from natural disasters, relatively speaking. We should be regularly tossed by earthquakes, given our tectonic environs, but in my two-score-and-change lifetime the rumblings have been so minor as to be mistaken for a passing truck. When everyone on the island feels a passing truck at the same moment, it is evident that the disturbance was rather an earthquake, but only for reasons of statistical probability.

We are also subject to invasions of smoke from the burning forests north of us, but, owing to the vagaries of wind currents, not much more so than are New York or Philadelphia, apparently. We had a tornado years back, striking the only mobile home park in the area (apparently tornadoes have bought into the myth that they are especially drawn to such modes of living). We also have worsening heat waves, exacerbated by the swampy humidity of the St-Lawrence valley and the thermal properties of modern city construction. But this is hardly a distinguishing mark, given that every place from the Arctic to the Antarctic suffers heat waves these days.

The natural disaster that really sets Montreal apart from other cities is ice storms. Historically, this city has suffered nasty winters. They are cold, but not so cold as the wind-lashed prairies out west. It is the snowfall that really makes them iconic, and also expensive, given that our car-based infrastructure requires us to scoop up and relocate all the snow that falls on our roadways. The cold has abated over my lifetime; I can remember waiting for delayed trains in -40C weather (factoring in “wind chill”, which is a deceptively mild label for something that can cost you your fingers and toes, or even your life). Such extreme cold is rarer now, but so is cold in general. Read more »

Stoicism Just Won’t Go Away

by Derek Neal

An essay about Stoicism appeared on this website about a month ago. The essay was critical, seeing Stoicism and its contemporary manifestation as a sort of individualistic therapy that excluded the possibility of political and collective action. Instead of attempting to improve society or grapple with its problems, the turn to Stoicism, the article seemed to be saying, allowed one to ignore political and social ills in favor of a personalized approach focusing on one’s wellbeing. This is probably true, at least with regard to the way Stoicism is portrayed on social media and the internet, but it is also an argument could that be made about almost any mental health approach, whether it’s ancient philosophy repackaged for the 21st century or a contemporary self-help routine.

This may simply be a result of living at the end of history. When other possible constructions of society become unimaginable, there is no reason to diagnose society’s ills because one cannot hope to change them. Thus, one turns inward, or, on the other hand, embraces their fate by turning themselves into a self-optimizing marketable product. What other choices are there? My father and I were discussing this the other day when planning the movies we would watch at our family cottage. At the moment, our favorite genre is European thrillers about political corruption from the 70’s. So far, we’ve watched French Conspiracy (1972), Illustrious Corpses (1976), and next on our list is Z (1969) by Costa-Gavras. In these films, everyone is guilty; everyone is corrupt. The people who try to do the right thing end up sacrificing their ideals, or if not, dead. There is no escape. My father argued that this genre doesn’t exist anymore because it was one that expected the audience to be outraged by political scandal. Now, we are desensitized. Scandals come and go with such regularity that we turn off the news and go do yoga instead. I, being a millennial, argued that this was, on the whole, a sensible choice. My father was disconcerted by this but found it difficult to disagree. Read more »

On Houses and Towers

by Nils Peterson

To 3 Quark Daily Readers:

I write to you as an ambassador from the Kingdom of Old Age. It a country near to some of you and far, far away for others. It is a good country to be able to visit. I hope you can come, but don’t hurry. It will be there when you have time.

On Houses and Towers

Living in a house/ we live in/ the body of our lives….   “House,” Robert Hass

Packing up to leave the house I’ve lived in for 50 years, deciding what books to take and what to leave behind to create their own fate, I came across Hass’s Field Guide. It won for him the Yale Younger Poets Prize. I’d already packed his collected poems so I thought to leave it behind with a couple a hundred other poetry books finding their own fates, but I leafed through and eye caught the words above.  They seemed so true, I tucked it in the bag I was taking with me in my drive north with my younger daughter and my dog.

For fifty years the house I’m leaving made up the body of my life and the life of my wife and daughters. My daughters tell me they think of it as “Home,” even though neither one has lived in it for 30 years and more. 

Mostly it was a good body, though like even in the best of bodies, there were aches and pains in it and us. The new owners will have to exercise it some to renew its elegance but it has, as is sometimes said of a face that looks good no matter what its age, good bones.

I found this this morning in The London Review of Books, “There is a fine Scots word for the sale of a house, farm or factory: a displenishment.” Well yes, that’s exactly what the emptying of my house felt like, a displenishment, the “plenish” of 50 years is gone, and one heads towards a minimalist world. Haven’t gotten there yet. Dragged a lot of stuff with me. Daughters not yet off the hook. 

Illness and aging have made this move necessary. Read more »

Monday, June 19, 2023

Invention

by Terese Svoboda

I never heard Henry Bull, my father-in-law, claim he invented the Whee-Lo, but his proud sons have on occasion. He manufactured and distributed the toy, and made it into a nationwide sensation in 1953, just before the hula hoop and Frisbee. A curved double metal track that held a spinning plastic wheel, the gyroscopic magnetic Whee-Lo is still available for purchase, most frequently at airport gift shops.  By flicking your wrist, you propel the wheel and its spinning progress down the track and back. Mesmerizing, it’s a sort of fifties’ analog Game Boy. First called the Magnetic Walking Wheel, it came  packaged with six colorful cardboard discs known as “Whee-lets” that created optical illusions as the wheel spun. According to Fortune, Henry’s company, Maggie Magnetics, sold two million units its first year.[1]   Like the hula hoop, which Arthur K. “Spud” Melin and Richard Knerr claim to have invented in 1958, the Whee-lo had been around for a while, although maybe not for the uncounted centuries of the hoop. One version of the Whee-Lo was known as “Uncle Spinny Dervish” in the 30s.

Someone had given Henry a prototype, which he brought home to test on his sons. My husband remembers it being about a quarter of the size of the eventual model. His father had to improve its engineering because the wheel didn’t have enough diameter and mass to create sufficient centrifugal energy to spin well. Terrible design, but interesting proof of concept. That someone was paid a licensing fee, and Maggie Magnetics manufactured it and patented improvements to the toy in 1972.

Two stories account for the genesis of Henry’s interest in the magnetics business. During the Depression, he managed to get a job selling refrigerators for GE. He became frustrated because he had no way to affix the prices in the showroom until he discovered that magnets held the labels to the fridge fronts without leaving a mark. Voila! The fridge magnet. Dull and utilitarian-looking, they came nine to a box, displayed like chocolates, each with its own compartment. Read more »

Satire in the Age of Outrage

by Akim Reinhardt

Jonathan Swift | Satirist, Poet & Clergyman | Britannica
Jonathan Swift

Satire seems all but dead for now. Maybe it’s because the world became increasingly ludicrous, culminating with a real-life president as ridiculous as any satire Jonathan Swift or Dorothy Parker could dream up. Donald Trump’s bizarre presidency may have been the peak of absurdity (fingers crossed), but it had been building for a while as right wing extremism became more and more cartoonish, TV evolved into formulaic lunacy, and QAnon convinced millions to believe the Lizard People conspiracy. This rising tide of insanity neutralized satire by making reality itself seem like parody.

As the world became almost unfathomably strange, many people reacted by demanding seriousness; social and political critics understandably turned very sober. And this too marginalized satire, which addresses serious issues by mocking them.  Its seriousness is dressed up in pasquinade. Satire doesn’t loudly demand righteous justice or offer up moralistic lessons. It exposes crimes by spoofing them. It’s neither judge nor jury, but rather the jester who sends up the corrupt and lecherous court.

For a while I’ve observed that satire is caught in the middle, between the craziness and the sanctimony. Between the outrageous and the outraged. This was driven home to me last week when I watched the film Slapshot, which I’d not seen in over 30 years. A 1977 comedy about minor league hockey, it comes from an era that was ripe with satire. But I suspect most audiences today would not recognize its satirical edges. Partly because it’s nearly half-a-century old and the culture has shifted in numerous ways. But also because satire currently flies over many people’s heads. Read more »

Monday Poem

Race is a Political Animal

white is a color not a race
red is a color not a race
black is a color not a race
yellow is a color not a race
brown is a color not a race
human is a race of many colors

equines are animals that come in colors, not race
canines are animals that come in colors, not race
bovines are animals that come in colors, not race
felines are animals that come in colors, not race
homo sapiens are animals that come in colors, not race

race is a political animal

Jim Culleny © 6/15/23

An Intemperate Man: The Impeachment of Justice Samuel Chase

by Michael Liss

On their part they have retired into the Judiciary as a stronghold. There the remains of Federalism are to be preserved and fed from the treasury, and from that battery all the works of Republicanism are to be beaten down and erased. —Thomas Jefferson to John Dickenson, December 19, 1801

Portrait of Samuel Chase, by John Wesley Jarvis, 1811. National Portrait Gallery, Smithsonian Institution.

So frustrating, so very frustrating. In 1800, Jefferson had captured the Presidency, his young Democratic-Republican Party the House and Senate,  and a new age was beginning. Out went the crabby, cranky John Adams and his bilious Federalists.  In came lightness and hope and liberty, a true “Second Revolution.”

All except for those gatekeepers, the ones manning the “battery,” those accursed Federalist judges. Twelve years of Federalist rule had left 12 years of Federalist judges. On top of those, a lame duck Federalist Congress had passed, and a lame duck President Adams had signed, the Judiciary Act of 1801, creating even more of them. The image of Adams feverishly signing commissions as the candle of his Presidency burned down rankled every good Republican, starting at the very top. 

Less than two weeks before he had written to Dickenson, Jefferson, in his first Annual Message, had called for Congress to repeal the Midnight Judges Act, and, within two months, they complied. All 16 of the new federal judges were shown the door. While there was some question about terminating the service of presumably lifetime appointments, there was little argument that Congress had the power to create or alter the composition of the federal bench, to add or subtract positions. 

Republicans had found the means to eliminate the Midnight Judges, but without new slots, Jefferson had to wait for vacancies to fill, and vacancies were slow in coming. His relatively conciliatory early approach was insufficient for some in his party seeking positions, and likely emotionally dissatisfying to him personally. Jefferson had the job; he had the votes in Congress; why shouldn’t he be permitted to govern, unencumbered by his political opponents on the Federal bench? His conviction grew after his Republican majorities in the House and Senate expanded with the Midterms. The public had spoken; the Federalists were in a political death spiral; it was time for the obstruction to end. Read more »

Party Like It’s 1848

by Rafaël Newman

“Barricade on Breiten Strasse, Berlin,” from “Erinnerung an den Befreiungskampf in der verhängnisvollen Nacht 18.-19. März 1848,” detail; tinting by Mahalia Newman.

It’s hard to feel sanguine about the human project these days, insofar as there still is, or ever was one. Canada has been on fire, in part evidently because we have yet failed to address the dire effects of our fossil fuel use; while a Ukrainian reservoir, willfully damaged by fascist-imperialist belligerents, is threatening eco-death by flooding, and imperiling the stability of the nuclear reactor it was built to serve. The United States, in the meantime, the country in which we are to place our faith for an end to the latest European violence, is seeing the forces of reaction on the march, waging a proxy war over sexual and reproductive rights (alongside similarly regressive anti-abortion activists in Poland and Italy) to distract from economic inequity, the police murder of Black people, and a brain-eating gun lobby. And all the while, that nation’s principal transatlantic allies—France, Germany, and Britain—have been rendered sclerotic by various strains of autocracy, historical compromise, and nativism.

Nor is a rosier prospect offered by the global south and its various satellites. In Iran, women are beaten to death for sporting the wrong headgear, while in Israel/Palestine a cutting-edge military power is deployed to kill children, there too no doubt in a bid—however vain—to distract attention from government malfeasance, which in Israel’s case constitutes an attempt to refashion the judiciary after ethno-nationalist whim. Female genital mutilation continues to be practiced in Guinea-Bissau, while “gender apartheid” is again the norm in post-occupation Afghanistan. In Turkey, the laicism foundational to the republic’s modern rebirth is being further eroded, by a religious conservative whose hold on power could not be shaken even by his sluggish response to a massive natural disaster (or who perhaps took advantage of that disaster to influence the election results). Over-burdened, under-maintained rail systems bring death and destruction to India (as, of course, to North America). Sudanese civilians are dying in a pointless dispute between military factions. And people trying to reach Europe from Africa, merely to survive, continue to capsize in the Mediterranean—often because they have been repelled by the “forces of order” to face the perils of the open waters in makeshift craft.

If there is any hope for our common endeavor, it comes currently not from our “leaders” but from our streets. Black Lives Matter, Fridays For Future, Jin Jiyan Azadî, Pussy March, Stonewall Was A Riot, Get Your Laws Off My Body, Métro Boulot Tombeau: such are the latest watchwords of a global grass-roots protest movement. Read more »

Mind Hacks R Us: The Psychedelic Computer

by William Benzon

During the last half of the 20th century various groups of insiders and outsiders adopted mind-altering drugs and computer technology to create cultural spaces in which we imagined and realized new venues for the human mind. These spaces engaged fundamental issues of freedom and control, of emotion and reason, which have bedeviled humans everywhere, and elaborates them in the through modern science and technology. The psychoactive drugs which, in some sense, free us, have been synthesized through laboratory techniques we have invented, but only recently. The computers which extend our powers of control and order in often surprising ways embody logical forms that date back to Aristotle but where only recently brought to fruition in the late nineteenth century work of George Boole and others. Science and technology thus provide us with objective physical touchstones for the otherwise abstract powers and activities of our hearts and minds.

Taken together with that great Victorian invention, childhood innocence, the technologies of drugs and computers would constitute a cultural arena which served as incubator, nursery, and playground for some of the major lines of development in late twentieth century culture. For, if a society is to progress it needs cultural playgrounds where new ideas can be conceived, tested and developed. Psychedelic drugs and computing – and their associated cultures – functioned as such playgrounds in the latter half of the 20th century. They were, in fact, among the most important cultural playgrounds in America.

Given the fundamental differences between drugs and computers – what they are and how people use them, between Dionysian drugs and Apollonian computers – it is not surprising that different groups of people have been most interested in one or the other. What is most curious is that these people, and their creations, have often interacted, either directly or indirectly. In some cases, drug people and computer people are one and the same, as was the case in the San Francisco-Silicon Valley area during the 1970s. Read more »

Frankl’s Logotherapy

by Marie Snyder

The second half of Frankl’s Man’s Search for Meaning was added in 1962 to provide greater detail of Logotherapy, in which patients must hear difficult things in contrast to psychoanalysts provoking telling difficult things. It’s less introspective and more focused on our place in the world:

“Logotherapy defocuses all the vicious-circle formations and feedback mechanisms which play such a great role in the development of neuroses. Thus the typical self-centeredness of the neurotic is broken up instead of being continually fostered and reinforced . . . the patient is actually confronted with and reoriented toward the meaning of his life. . . . Striving to find a meaning in one’s life is the primary motivational force in man. That is why I speak of a will to meaning in contrast to the pleasure principle on which Freudian psychoanalysis is centered, as well as in contrast to the will to power on which Adlerian psychology, using the term ‘striving for superiority,’ is focused” (98). 

Aside: A bit of history of philosophy here: Schopenhauer wrote about the will-to-live in World as Will and Representation in 1818: our very being is our will, our blind urges towards life, and it’s also the dynamic essence of the world. He was influenced by the Buddhist Four Noble Truths in this respect, although he focused less on the practice of decreasing striving in order to reduce the experience of suffering. He preferred to soothe his misery with art. Read more »

Can. They. Suffer.

by Jeroen Bouterse

Human treatment of animals is a moral calamity at an outrageous scale, that I can get from zero to really quite worked up about in a matter of seconds. For fear of hurting the cause, I allow myself to take part in polite conversation about the dead bodies on the dinner table only if there is a more soft-spoken ally nearby. Two minutes into the conversation, when I find myself suppressing the urge to yell at a meat apologist how that kind of excuse might equally well be used to justify eating human babies, I am often grateful that there is somebody who can steer the conversation instead towards the socially acceptable topic of plant-based recipes.

It especially helps if they look fit (which they always do!), and are able to say with a straight face that “it’s perfectly simple to lead a healthy lifestyle and cook a tasty dinner without using meat”. Meanwhile, I don’t know how to cook a tasty dinner no matter the ingredients, and I have rarely given a moment’s thought to what it takes to lead a healthy lifestyle. It’s completely beside the point, is what I’m really thinking while nodding along. We were not talking about precisely how full of life everyone feels when their alarm clock rings, were we; we were talking about the food on your plate; about the moral issue, about the crime

Luckily, things do not depend on my ability to express myself eloquently and effectively without alienating everyone present. I can also simply try to nudge people towards reading Peter Singer, especially now that he published an updated version of his Animal Liberation. What follows are basically my notes from reading this 2023 edition, with very few thoughts of my own mixed in. If you have immediate access to the book itself, switch to that; if not, you might as well keep on reading and buy or borrow it afterwards. Read more »