How to Avoid Paradoxes While Traveling Thru Time

by Tim Sommers

Stuck inside? Unable to travel? Have you considered traveling through time instead of space? Time travel is impossible, you say? Wrong. We are, each and every one of us, time travelers, traveling forward second by second, hour by hour, day by day into the future.

Why not consider traveling in the other direction? If you are afraid of traveling to the past because you fear paradoxes – killing your own grandfather, stepping on a butterfly while fleeing from a dinosaur, etc. – I have great news for you. My new theory of time travel will allow you to travel into the past without creating any paradoxes – guaranteed! (Time machine not included.)

Let’s not go straight to the big payoff. Let’s work our way up to it. Hannibal Buress has pointed out that when people go through something rough in life, they sometimes say, “I’m taking it one day at a time.” Hannibal says, “Yeah. So is everybody. That’s not a philosophy. That’s how time works. If there’s a way to go faster, let me know?”

I am here to help. You can move through time more quickly than your friends and family (that is, travel to the future faster than they do). Here’s how. Either go very fast or stand close to something really massive.

You might say, Tim, I know that it follows from Einstein’s general theory of relativity that there is no universal “now”, that simultaneity is an illusion, and that we all travel through time at different rates depending on our speed and proximity to extremely massive objects, but do you have any empirical evidence that this actually, really happens in the real world?

I’m glad you asked. Read more »



Sighs and whispers

by Brooks Riley

Something has happened in the last forty days. The planet has gone quiet, a vast, reverberating, gesticulating global chorus suddenly muted by something wee and invisible which is borne across continents, streets and rooms by friends and strangers. Mass extinction, once the whispered woe of a distant future, suddenly sounds louder and doable in the here and now. The world is compelled to gaze at its own mortality.

When the coronavirus forced us to retreat from daily life, the blanket of silence that fell was like the muffled air after a fresh snowfall—eerie, familiar, cozy even, and not entirely unwelcome. We are not the only beneficiaries of the newfound hush. Birds who have had to compete with our noise to sing to mates are suddenly alone on stage, ready for their seldom solos.

As a species, we are a noisy bunch, our decibels swelling with our need to grab attention where only the most aggressive bring home the prizes. We attach ourselves to machines that make even more noise than we do—cars, buses, trucks, trains, airplanes, bulldozers, amplifiers. And we fill the spaces in between with idle chatter, raised voices, music turned up high, leaf blowers, and hair dryers. Most are idle now, even cries behind closed doors are muffled. The soundtracks of our lives have moved into the adagio phase—softer, interim, slower. Read more »

Ramadan in Lockdown

by Shadab Zeest Hashmi

The month of Ramadan is at once a time of respite from the external— when one’s focus shifts from worldly affairs to the spiritual— and a time to deepen one’s sense of compassion and fellow-feeling via the rigors of daily fasting, prayer, reflection and generous giving. It is a time to break free from day to day concerns and to pay attention to one’s lifelong inner journey, whether it is through revitalizing the connection with the Divine or investing in human relations: personal, communal, and global.

In the face of unprecedented grief, anxiety and uncertainty brought on by the COVID-19 pandemic, this Ramadan has been a rare opportunity for reflection. Where social distancing has taken away the comfort of breaking the fast in communal settings and sharing the challenge and peace of the sacred season with family and friends, it has shown a hitherto unknown way to experience this sacred time.

On a typical Ramadan day, I would wake up to make the pre-dawn meal, and get the family ready for the usual morning routine— school and work, balancing the day between Ramadan demands and the family’s routine demands such as work deadlines, tests, after-school activities and work-related social commitments that required us to participate in a state of fasting, feeling exhausted and isolated. Being able to share with others, often only on weekends, the singular sense of contentment that comes from Ramadan-fasting always makes the challenges feel worthwhile.

This Ramadan, we are cut off from loved ones and friends; we cannot invite anyone or visit the mosque for special prayers and have festive Iftar meals together. While the daylong hunger and thirst of every Ramadan is a bodily reminder of those among us who struggle with basic needs, this year I’m also reminded of those who live under lockdowns imposed by military occupations. The idea of a lockdown suddenly feels much more immediate, more oppressive. How does one bear curfews that go on for months and months— the uncertainty, the impossibility of accessing ordinary necessities such as food and medicine, of gathering for prayers, weddings and funerals? Read more »

Value, Merit and Desert

by Christopher Horner

Its only when the tide goes out that you learn who has been swimming nakedWarren Buffett

Buffett’s famous remark has usually been applied to the shock of the 2008 financial crisis: the over-leveraged, the under-financed, the chancers and the over-exposed in general were embarrassed when the tide went out and left them shivering on the seashore. But we can apply that image to our present troubles. The tide that has been COVID-19 has exposed those very highly paid professions that do not count as essential, by most people’s standards. How many hedge fund managers, for example, do we need out there, working for us right now? We seem to be getting on just fine without them. Contrast a ‘job’ like that with the much lower paid nurses, care home workers, security guards, service and delivery personnel of all kinds who face the real prospect of illness and even death, often in contexts in which there is insufficient personal protection equipment and where social distancing isn’t observed, either because it would be impracticable, or because their employer doesn’t care enough to ensure it it happens. And beyond what we are learning to stop calling ‘unskilled’ and are now calling ‘key’ workers are a larger group that either keep society going or who help make it something we would want to keep going. Crudely put, we need bricks and mortar but we also want art, entertainment and education. 

Marx’s distinction between use value and exchange value is helpful here. The former, for my purposes, is the rough and ready criterion of adding personal and social value – the things we need and want. The latter is the production of commodities or services to be exchanged for money, with the aim of making a profit. In a capitalist system like ours, the two sides of value are always in an uneasy relationship, to say the least – commodities need to be of some use to the buyer and must produce profit. However, in our current crisis they have split asunder. Not completely, of course: this pandemic is almost perfect for online companies like Amazon, whose profits will surely rocket beyond the already stratospheric up into outer space. But there is now a stark distinction staring us in the face between the two kinds of value and the people who create it. Read more »

‘Systemic relevance’ and the value of philosophy

by Michael Klenk

The COVID-19 pandemic has instigated talk of the systemic- or societal relevance of institutions and professions. Quickly, attributions of systemic relevance have become a matter of distribution of resources. In Germany, for example, a union recently demanded extra financial support for systematically relevant professions. Whether your profession is deemed systemically relevant may thus be of material consequences for you, and eventually for the constitution of our societies.

But in my previous post, I raised a question about the societal relevance of academic philosophy. Academic philosophers do not predict the virus’s spread like epidemiologists. They don’t take care of patients in hospitals like nurses, and they do not stack the much-desired toilet paper into supermarket shelves. What, then, is their societal relevance?

As we will see, there is little hope for providing an a priori argument for the societal relevance of academic philosophy. But, in an interesting twist, the way of thinking that leads to that conclusion is paved by philosophy. At the end of this post, I’ll briefly consider what this means for questions about societal relevance in general and how it reflects back on the value of philosophy. Read more »

What Oedipus can teach us about the COVID crisis

by Cynthia Haven

What is worse – coronavirus itself, or the social and economic catastrophe that comes with it?

René Girard, one of the leading thinkers of our era, argued that the biological and social aspects of a plague are interwoven: he points out that historians still debate whether the Black Death was a cause or a consequence of the social upheavals in the 14th century.

The Stanford professor, who died in 2015 at age 91, has been called “the new Darwin of the human sciences,” but he began as a literary theorist. His work, beginning in the 1960s, offered a new concept of human desire: our desires are not our own, he said, but are “mimetic.” As social creatures, we learn what to want from each other. Imitation leads to competition, which leads to conflict, which then spreads contagiously throughout a community. Eventually, the community targets one person or group to blame for the disorder, someone like Oedipus. The targeted scapegoats are punished, expelled, or in the past, often killed. Girard began in literature, but quickly took on anthropology, sociology, religions, and more. And while he initially wrote mostly about myths in archaic societies, he eventually became an observer of contemporary culture, focusing on rivalry, violence, and warfare today.

Towards the end of his life, he wrote about the social ramifications of natural disasters, and plagues are no exception. Certainly our desires and hostilities have proven as contagious as COVID-19, which has in many ways fueled and exacerbated them, and variously targeting presidents, governments, protestors, and the Chinese for blame.

In 2005, Girard met with Robert Pogue Harrison, author of Juvenescence: A Cultural History of Our Age; Forests: The Shadow of Civilization, and The Dominion of the Dead, for a two-part interview on Harrison’s celebrated “Entitled Opinions” radio and podcast series, available on iTunes.

The full transcript is among the interviews included in the Conversations with René Girard: Prophet of Envy, edited by Cynthia L. Haven, published this month by Bloomsbury. Read more »

Monday, May 11, 2020

The World After COVID-19

by Ali Minai

Like most people who have time to think in these stressful days, I have been thinking about life after the COVID-19 pandemic has passed – mostly at a personal level, but also a little about the world at large. This essay is an attempt to put some of these thoughts down as a time-capsule of how things appear from this perch in May of 2020, the first year of the New Plague.

The most important lesson that the current calamity should teach every one of us is humility, though it will surely fail to do so until it is too late. The armchair thinker, however, has the luxury of indulging in the vanity of speculation without risking anything more than a proverbial dish of crow – delivered, one hopes, untouched by human hands and at a safe distance. But the time for that will come later, in a different world with different delicacies and intimacies. This is a message from the “here and now.”

So what will the world come to?

The biggest – and totally unknown – factor that will influence the answer to this question is the future course of the pandemic. Broadly there are four possibilities:

  1. An effective vaccine or prophylactic is found by late 2020 and is deployed worldwide by next spring, resulting in virtual eradication of the SARS Cov-2 virus sometime in 2021.
  2. No vaccine or prophylactic is found soon, but a post-infection treatment is developed by early 2021 so that COVID-19 becomes a treatable disease – possibly at significant expense and/or inconvenience.
  3. Finding a preventive or treatment takes much longer than a year, resulting in a second, third, and more waves of infections before something usable is found or herd immunity develops everywhere.
  4. No preventive or treatment is found, and herd immunity fails to develop for some reason.

Possibility 4 is the stuff of apocalypse, so let us assume that it is extremely unlikely. Possibility 1 is conceivable given the scientific firepower being directed at the problem, but seems rather optimistic. If it does come to pass, most things will probably go back to the way they were in November 2019, leaving behind a detritus to bankrupt businesses, lost jobs, disrupted lives, and a deep economic recession. Possibility 2 has similar prospects, but would lead to more significant changes in areas such as work patterns, wearing of masks, large gatherings, etc. The more realistic possibility is number 3, which will have a profound effect on humanity. Going through such an extended trauma will alter life in ways that defy imagination. While humanity waits on science, uncertainty will grip the world. Everything – social interaction, work, education, healthcare, entertainment, sports, travel, politics, business, the media –will change so much during this time that it will be impossible to return to earlier ways. Read more »

Star Maker: The Life of Cecilia Payne-Gaposchkin

by Ashutosh Jogalekar

What’s the universe made up of? Most people who have read popular science would probably say “Mostly hydrogen, along with some helium.” Even people with a passing interest in science usually know that the sun and stars are powered by nuclear reactions involving the conversion of hydrogen to helium. The dominance of hydrogen in the universe is so important that in the 1960s, two physicists suggested that the best way to communicate with alien civilizations would be to broadcast radio waves at the frequency of hydrogen atoms. Today the discovery that the stars, galaxies and the great beyond are primarily made up of hydrogen stands as one of the most important discoveries in our quest for the origin of the universe. What a lot of people don’t know is that this critical fact was discovered by a woman who should have won a Nobel Prize for it, who went against all conventional wisdom questioning her discovery and who was often held back because of her gender and maverick nature. And yet, in spite of these drawbacks, Cecilia Payne-Gaposchkin achieved so many firsts: the first PhD thesis in astronomy at Harvard and one that is regarded as among the most important in science, the first woman to become a professor at Harvard and the first woman to chair a major department at the university.

Donovan Moore has performed a service in bringing this remarkable woman’s life story to a broad audience, and he tells it with sensitivity and a wonderful sense of place. His story focuses on the human personalities, and while I was a bit disappointed that the book is way too light on the science, it is still a worthy read. Payne grew up in a quintessentially Edwardian England in the late 19th century, a time when women were all supposed to be like those in “Little Women”, grooming themselves to be proper girls who spent all their time cultivating skills that would make them prime prospects for marriage to a wealthy man. But Cecilia was different from the start, largely because of her parents; she did not care much for looks and dresses and much more instead for exploring nature and playing with her two siblings. Her doting father, a lawyer, writer and musician who was fifty-five when he had her, spared no efforts to get her interested in science, music and books. Read more »

Skepticism in the 21st century

by Jeroen Bouterse

I sometimes consider becoming a skeptic, but then I’m not so sure what that entails.

Mind you, I mean a proper skeptic, a Pyrrhonist or something. What attracts me is not this unsustainable Cartesian angst about maybe living in the Matrix, but the wholesome promise of the ancient skeptics: that if you can live with uncertainty, you unlock this treasury of psychological benefits. Suspension of judgment, not believing to know what you don’t know, supposedly allows you to level up intellectually: to be inquisitive and critical, to open your mind without your brain falling out. The ancient skeptics were smart and prescient about contrasting themselves to the ‘dogmatists’ – who wants to be a dogmatist anymore?

So what’s holding me back? Well, I’m ashamed to say that the first thing that comes to mind are those paradoxes. You know them. Does our skepticism extend to the truth of skepticism, and similar objections. Also, are we supposed to suspend judgment about the truth-value of identity-statements, tautologies or contradictions? And if not, don’t those simple tautologies bleed into more complicated analytical truths, or even into mathematics? I’m not sure. Do I have to have a clear-cut opinion on questions like these before I can, with conviction, call myself a skeptic – all the while maintaining my suspension-of-judgment? That is a difficult balancing act that sounds almost like work.

Even though I humbly admit that I don’t know enough about these issues, I fear that my very insecurity about them demonstrates that I don’t have the mind to be a skeptic. I’m afraid to be a dogmatist about any of these questions, because I’m afraid to be wrong. That’s a condition that can easily escalate into desiring to be right. The skeptic on the other hand, while interested in problems surrounding knowledge, somehow manages to see all of them as somebody else’s problems. Read more »

Housed

by Joan Harvey

At night you’d think
my house abandoned.
Come closer. You
can see and hear
the writing-paper
lines of light
and the voices of
my radio

Jerónimo’s House, Elizabeth Bishop

Don Quixote, and with him, of course, faithful Sancho Panza, inhabit my kitchen; primarily the space between the sink and the kitchen island. I listen to the tale of The Knight of the Sorrowful Face when I do the dishes and clean the counters and, as it is a very long book and I only spend around twenty minutes at a time doing these tasks, these two adventurers have been getting frightfully bashed up in my kitchen for months. While in other times I might have also listened on long car trips, I’m now programmed, when walking into that space, to immediately think of donkeys and basins and chivalry. At the moment I have only 17 hours 27 minutes and 56 seconds in the book left to go, but I suspect it will be even longer before my kitchen is free of knights errant and their faithful squires.

My Pavlovian response brings to mind that mnemomic device, the Memory Palace, in which you mentally put something you want to remember into a room in your house. To be honest I haven’t really tried this method, because I can never remember to use it when I need to remember something.

This is all to say that our houses are home not just to our bodies. Bodies are the condition of architecture, but the way in which our dwellings hold us, keep us warm, give us space and light (or lack thereof), also plays on our minds. Houses haunt us as much as we haunt them. And because during this virus most of us are home, most of the time, our relationship with our homes, with our houses (in French to be at home is to be at the house), comes to the forefront. Whether we’re alone in a tiny studio apartment, or with our three charming daughters and two charming dogs in a large house in the suburbs, or in a queer communal house in a small city, this place where we live and now rarely leave has come to have much more weight. We are aware of the homeless and hope that they are finding shelter as we do. And we might also grow aware that, with our heavy mortgages and loss of income, this shelter we’ve taken for granted is a somewhat precarious thing. Read more »

Obit

by Rafiq Kathwari

Mother passed away in her sleep at Hebrew Home, The Bronx. The last time I visited her was on 7th March. Hebrew Home locked down on the 10th. Mother died alone on 31 March. She was 96.

Mother’s caregiver, Sabila from Nepal, who over the last 10 years created an extraordinary bond with mother, called her Ami Jan, an endearment, and who follows the Hindu faith, once gave Mother a framed picture of Mother India or Bharat Mata, which Sabila thought symbolized her relationship with Mother who, in turn, taught Sabila to recite the first surah of the Koran which, consequently, Sabila did most beautifully and by heart.

So, here she is Bharat Mata, or as Sabila saw my mother, wrapped in a bright sari, superimposed on a map of India painted on a box of safety matches. It’s incendiary. Kashmir crowns the Mata who wields a trident in her right hand. A multi-color flag erases Afghanistan and Pakistan. Left-hand shadows Bangla Desh gesturing towards Myanmar. Her foot seems bigger than pearl-shaped Sri Lanka which forms the central story of the Hindu epic Ramayana. Here’s how Sabila told Mother the story.

One day, God Rama saw Sita  bathing nude in Sitaharan a spring near the Line of Control in Kashmir: It was lust at first sight. Enter Ravana, demon king who abducted Sita to Sri Lanka to avenge a previous wrong, angering  Rama who flew south to Lanka in his glitzy winged chariot Made in Prehistoric India using indigenous materials, piloted by a crew of monkeys.Rama, who shot a divine arrow which pierced Ravana in the heart and killed him, flew Sita back to Kashmir where legend has it they lived happily until India divided herself 73 years ago.

Mother said, broods of the Dogras want their land back, flora, fauna, valleys, peaks, pashmina goats, Mother said after I told her that Hindutva goons are calling it Zameen jihad.  Of course, they will, she said. It’s the nature of fascists to clasp opposite concepts to serve their own propaganda. Read more »

Time, Stand Still

by Mary Hrovat

Photograph of a path through a forest with a bend in the distanceOne of the things that fascinates me about history is the different ways we know historical periods. We know the times we live through in a very deep way, not just the events and how they affect us, but the details of daily life. We know the slang, the jokes, the mid-list books; the forgettable songs and the ephemeral news; what the world smells like and how it tastes and sounds. It’s very hard to know another time period in anything like the detail we know our own: what people wore to work, what they did on Saturday afternoons, what all the machines did and why they were made.

However, it’s easier to see more distant periods of history as a cohesive whole, or a completed story. As details inevitably fade from collective memory with time, and most of the possible futures are abandoned, meaning and coherence can emerge. Distillation and compression over time reveal story lines, themes, and meanings that weren’t obvious in the rich confusion and immediacy of experience.

The meaning we find or make may be illusory, but we value it anyway. Galen Rowell, in The Inner Game of Outdoor Photography, says, “Minute by minute, year by year, details fall away as our mental imagery becomes more iconographic. That’s how we see; that’s how we think.” Perhaps it’s also how we remember, and especially how we form collective memories.

I can only guess how future generations will view the times I lived through. It seems obvious that the Apollo moon landings and the COVID-19 pandemic will loom large. It’s more difficult to say which politicians or writers or entertainers will be remembered (or for what), or even which disasters or events. I don’t know how things will turn out. It’s even harder to guess which books or paintings or films will survive, or how much anyone will know about, say, how we worked or vacationed or died. Read more »

Visual Histories: Peter de Swart and Rachelle Reichert

by Timothy Don

The current economic crisis is crushing artists, museums, and galleries everywhere. In the San Francisco Bay Area, where I live, an exorbitant rental market made maintaining a practice difficult before this crisis hit. It’s even harder now. With 3QD’s permission, I’m going to use this column to talk about the work of some of the artists and art professionals I have met here. I ask you to support artists wherever and however you can.

Peter de Swart, works on paper: Triptych

The triptych form is associated with religious painting. It first appeared as a feature of early Christian art and became popular for altar paintings and devotionals during the Middle Ages. While Peter de Swart’s Triptych is not overtly religious, it emanates an undeniably religious or spiritual aura. It is, in a word, numinous. To encounter this painting is to witness a sacred transaction. You’d have to be a stone to look at it and not experience a yearning for the divine. Why, apart from its rearticulation of the history and symbolism of the triptych form, is that?

It must have something to do, first of all, with the simple purity of the object pictured, which appears to be a bowl of some sort. Bowls are one of those inventions (like scissors or chopsticks or the hourglass) that we got right the first time. They were perfect the moment they appeared. In the bowl, function lives harmoniously with form. Its shape is so ideal as to be almost Platonic. Furthermore, bowls are used to prepare and serve food and drink, which means that they give sustenance, enable shared meals, and consequently help to strengthen communal bonds and deepen human relationships. Finally, bowls are vessels. Like hands and pockets and ships, they hold and contain and convey things—but they are not grasping like hands, nor like pockets do they secret away their contents, and they don’t trade goods and gold like ships. Quite the opposite, in fact: Bowls are generous, open, gratuitous. They give away the things they hold.

All of these attributes (form, use value, ethos) lend bowls a quasi-spiritual redolence, but they do not make bowls sacred. If this triptych depicted a bowl no different from any other bowl, then its effect would be decorative rather than numinous. This bowl is special. Again we must ask: Why is that? Read more »

You Win Again Finn Again

by Thomas O’Dwyer

It seemed like a good idea. What better time than a pandemic lockdown to tackle again a feat that no human has so far accomplished and yet which seems to require nothing more than a comfortable chair, fingers that can turn pages, and a slice of uninterrupted time. It was another perfect opportunity to try just once more to read Finnegans Wake. It’s a book. How hard can it be? There are no spoilers here; it’s hard, and I failed and will most likely never try again.

Finnegan's Fall, from an illustrated edition of Finnegans Wake, by John Vernon Lord for the Folio Society.
Finnegan’s Fall, from an illustrated edition of Finnegans Wake, by John Vernon Lord for the Folio Society.

When he published Finnegans Wake in May 1939 after 17 years writing it, Joyce said that he wrote the book “to keep the critics busy for 300 years” and “the only demand I make of my reader is that he should devote his whole life to reading my works.” So far, so good – they’re still going strong, critics and masochistic readers, 81 years later. But most unusually, the critics began trying to decipher the Wake before it was even written. In 1929 Joyce’s friend Samuel Beckett and a group of writers produced a symposium on what Joyce then called Work in Progress. This was ten years before the final Wake emerged. They published their erudite musings in a booklet ominously titled Our Exagmination Round His Factification Of Work In Progress. We readers can’t say we weren’t warned.

Jerry Seinfeld is unlikely to pose the question, but here it is: “What’s the deal with Finnegans Wake?” First, what is it? The Wake built on Joyce’s already formidable reputation for reconstructing the English language – Portrait of the Artist as a Young Man, Dubliners, and the astonishing saga of one insignificant man’s ordinary day in Dublin, Ulysses. Finnegans Wake was something else – so dense, incomprehensible and apparently pointless that even today it is perfectly respectable to argue that it was a giant hoax which Joyce produced for his own amusement and to confound his critics. Read more »

Monday, May 4, 2020

Living in bubbles

by Charlie Huenemann

“Every country is going through these decisions, none of us are through this pandemic yet, but some countries are starting to look at slightly expanding what people would define as their household — encouraging people who live alone to maybe match up with somebody else who is on their own or a couple of other people to have almost kind of bubbles of people,” she [Scottish First Minister Nicola Sturgeon] told BBC Radio Scotland.

Want to join my bubble? This is what your future social life could look like”, Angela Dewan, CNN, April 29th, 2020.

A crisis, by definition, has dramatic effects. It changes how we behave, where wealth goes, what policies we enact, and what we hope. But it also can bring into higher relief features of our lives that have not changed, but turn out to be more important than we realized.

Soap bubbles, by Jean Siméon Chardin (1733-4)

Like the fact that human life takes place in bubbles. This just means that humans like to form groups: somewhat closed networks of interactive relationships among a small number of relatives or friends whose principal job it is to care for one another. “Semi-permeable palliative social matrices” one could call them, but “bubbles” will work just fine. A bubble is an enclosed space, protected from the outside by a fragile boundary; all its points are equidistant from a center; it is almost invisible, but offers a hopeful shine when the light hits it right. All the same can be said of a circle of good friends. And all of human history has been built upon such bubbles.

This crucial anthropological insight has been explored in nearly inexhaustible depth by the contemporary philosopher Peter Sloterdijk, particularly in his trilogy Spheres. Humans are born from round wombs into family circles, sometimes gathered in igloos and tipis, or around a hearth, following a circle of seasons under the orbs of moon and sun, growing into adulthood before they start the cycle again. Read more »

Monday Poem

I look at my grandchildren and know that, being so young, they have little
serious understaning of Covid and wonder what parts of it they’ll recall.
Or will it linger…? How vague a memory will it be. What sort of meaning
will it have, one like mine of world war?
~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The Meaning of the Thing

             —May 8, 1945

Suddenly Mom ran out the door,
she’d yanked it’s stubborn latch-side free
bolting into open air
thick with sirens, bells,
the horns of cars, ecstatic yells,
everything that blew that May day free,
crammed with audible relief,
cacophonous confetti,
in a joyous requiem for war:
the death of hell

Mom sobbed kneeling in the drive
and thanked the god who’d just undone
his bloody recklessness by fiat & surprise,
suddenly, in May— coincidental with
when life re-bounds

and I said, Mom, what’s wrong,
what are you crying for?
 

—and she: It’s done!
 

—and I:  What’s done?

—and she: the War!

…… as if I’d known the meaning
of the thing at four

Jim Culleny
4/21/20