Manet’s Sources

Michael Fried at Artforum:

IF A SINGLE QUESTION is guiding for our understanding of Manet’s art during the first half of the 1860s, it is this: What are we to make of the numerous references in his paintings of those years to the work of the great painters of the past? A few of Manet’s historically aware contemporaries recognized explicit references to past art in some of his important pictures of that period; and by the time he died his admirers tended to play down the paintings of the first half of the sixties, if not of the entire decade, largely because of what had come to seem their overall dependence on the Old Masters. By 1912 Blanche could claim, in a kind of hyperbole, that it was impossible to find two paintings in Manet’s oeuvre that had not been inspired by other paintings, old or modern. But it has been chiefly since the retrospective exhibition of 1932 that historians investigating the sources of Manet’s art have come to realize concretely the extent to which it is based upon specific paintings, engravings after paintings, and original prints by artists who preceded him. It is now clear, for example, that most of the important pictures of the sixties depend either wholly or in part on works by Velasquez, Goya, Rubens, Van Dyck, Raphael, Titian, Giorgione, Veronese, Le Nain, Watteau, Chardin, Courbet . . . This by itself is an extraordinary fact, one that must be accounted for if Manet’s enterprise is to be made intelligible.

more here.

Tuesday Poem

Who Would Be a God?

“Oh, I would be a god”
Lenny Everson

—A Debate in Poetry(with Lenny Everson).
Kitchener: Passion Among the Cacti Press, 2004.

Who would be a God?—Such juggling!
Scheduling rivers to run backwards
or a crack to lengthen and widen
boiling up black smokers beneath the sea.
And what to do about Popo Chang’s petunias
soccer-balled by red-necked boys,
or Antarctica melting,
while ants wobble a giant breadcrumb
toward their hungry mountain of sand?
The bluest skies have ignited with suicide drones.
Within the next sixty seconds,
how many thousand more
babies—which genes? what gender?—should be conceived?
Churches, synagogues, mosques, gutters, or temples,
the centuries’ dizzying Babel deafens.

Infinities of invisible sprockets!
From orbits to neutrons, keep all spinning
across string theory’s ten dimensions.
What of that fat firecracker, chaos?
Forever its sizzle is so tempting
to shatter every well-oiled cam and pinion
in any present and possible universe.

Isn’t mere mortal fussing enough of a headache
—to dig from clean laundry two navy socks that match
and remember not to sprinkle the cactus
except every fifteenth day,
let alone halt wars, seed famines,
and recharge a global economy?
Each body is, after all, a whole cosmos
revolving joints in their sockets,
dodging those rogue asteroids
cancer, Parkinson’s, pneumonia,
not to mention woofing and warping
around space-time’s white hole,
the soul.

Too much!
God only knows.

Susan Ioannou
from Ygdrasil, December 2003

A horror show of technological and moral failure

by Ashutosh Jogalekar

A B-29 dropping bombs over Japan. The drift in the bombs because of the jet stream is apparent.

“Black Snow: Curtis LeMay, the Firebombing of Tokyo and the Road to the Atomic Bomb”, by James M. Scott

On the night of March 9, 1945, almost 300 B-29 bombers took off from Tinian Island near Japan. Over the next six hours, 100,000 civilians in Tokyo were burnt to death, more possibly than in any six hour period in history. James Scott’s “Black Snow” tells the story of this horrific event which was both a technological and a moral failure. It is also the story of how moral failures can result from technological failures, a lesson that we should take to heart in an age when we understand technology less and less and morality perhaps even lesser.

The technological failure in Scott’s story is the failure of the most expensive technological project in World War 2, the B-29 bomber. The United States spent more than $3 billion on developing this wonder of modern technology, more than on the Manhattan Project. Soaring at 30,000 feet like an impregnable iron eagle, the B-29 was supposed to drop bombs with pinpoint precision on German and Japanese factories producing military hardware.

This precision bombing was considered not only a technological achievement but a moral one. Starting with Roosevelt’s plea in 1939 after the Germans invaded Poland and started the war, it was the United States’s policy not to indiscriminately bomb civilians. The preferred way, the moral way, was to do precision bombing during daytime rather than carpet bombing during nighttime. When the British, led by Arthur “Butcher” Harris, resorted to nighttime bombing using incendiaries, it was a moral watershed. Notoriously, in Hamburg in 1943 and Dresden in 1944, the British took advantage of the massive, large-scale fires caused by incendiaries to burn tens of thousands of civilians to death. Read more »

If the Medium is the Message, What is the Message of the Internet?

by Tim Sommers

What’s the greatest prediction of all time?

By “greatest,” I mean something like how big a deal the thing predicted is multiplied by how accurate the prediction was.  I would love to hear other proposals in the comments, but mine is Andy Warhol’s prediction that, “In the future, everyone will be famous for 15 minutes.”

It was made somewhere around 1968. Not only were there no social media and no internet at the time, but computers were barely even a thing. Could you have looked around at celebrity culture in 1968 and predicted Instagram and Twitter and influencers?

Yes, I know. Many doubt that Warhol said this. Wikipedia, for example, baldly asserts that this quote is “misattributed” to Warhol, while the Smithsonian Magazine more judiciously reports that he “probably never said” that. But I don’t think the evidence that they cite really confirms their skepticism. The Smithsonian Magazine, for example, reports that art critic Blake Gopnik (never even mentioned as one of the suspects in the Wikipedia article) claimed credit for the quote, and then they take it as confirmation of Gopnik’s story that later on Gopnik also said that he (Gopnik) heard Warhol say that he (Warhol) never said that. It’s like Wittgenstein’s example of someone trying to confirm what’s in the newspaper by buying a second copy of the same newspaper. Yoko Ono, John Lennon, and David Bowie all credit the quote to Warhol. That’s good enough for me.

On the other hand, maybe the fact that it’s hard to figure out to whom to attribute the quote, works better for our subject. Which is this. ‘If the medium is the message,’ as media theorist Marshall Mcluhan said, ‘what is the message of the internet as a medium?’ (Mcluhan, despite being an academic, became so widely recognize, largely for that line, that he did a cameo as himself in Annie Hall.)

My philosophy training forces me to begin by saying that I think Mcluhan should have said, ‘The medium of any particular media technology is itself also itself a kind of message in addition to the particular messages merely conveyed by that medium…” (Or something like that.)

Anyway, what is the message of the internet as a medium? The techno Utopian message of the internet, according to early enthusiasts, is that, “Information wants to be free.” Unfortunately, that’s wrong. The real message of the internet is, “All information is equal.” Read more »

Is Human Suffering Metaphysical or Mundane?

by Dwight Furrow

If we are to believe the most prominent of the writers we now lump under the category of “existentialism,” human suffering in the modern world is rooted in nihilism. But I wonder whether this is the best lens through which to view human suffering.

According to existentialism, as the role of God in modern life receded to be replaced by a secular, scientifically-informed view of reality, the resulting loss of a transcendent moral framework has left us bereft of moral guidance leading to anxiety and anguish. The smallness of human concerns in a vast, uncaring universe engenders a sense that life is inherently meaningless and absurd. There seems to be no ultimate purpose in life. Thus, our individual intentions are without foundation.

As Camus wrote:

The absurd is born in this confrontation between the human need and the unreasonable silence of the world. (From the Myth of Sisyphus)

And so, for Camus, human suffering is like the toils of Sisyphus condemned to endlessly roll the boulder up the mountain only to have it roll down again—life is a series of meaningless tasks and then you die.

Sartre, for his part, argued that the demise of a theistic world view means we must now confront the incontrovertible fact of human freedom—no state of affairs can cause us to act in one way rather than another. Furthermore, there are no values that have a claim on us prior to our choosing them. Instead, at each moment, we make a choice about the significance of facts and our relation to them. If life is to be meaningful, we must invent that meaning for ourselves. We are thus “condemned” to be free and must take full responsibility for our actions and the meaning we attribute to them. Read more »

Iceland and the Reverend Egilsson

by Eric Bies

Jules Verne sent Lidenbrock and Axel over—to crawl down the throat of a dormant volcano.

W. H. Auden visited between wars and found the place wanting for souvenirs. “Of course,” he wrote, “one can always bring home little bits of lava for one’s friends—I saw the Manchester school-teachers doing this at the Great Geysir—but I am afraid I have the wrong sort of friends.”

William Morris went twice: once in 1871, again in 1873. To what purpose he did, his daughter, May, elucidates in her introduction to the Journals he kept during those journeys:

not to shoot their moors and fish their rivers but to make pilgrimage to the homes of Gunnar and Njal, to muse on the Hill of Laws, to thread his way round the historic steads on the Western firths, to penetrate the desert heaths where their outlaws had lived…. The whole land teems with the story of the past—mostly unmarked by sign or stone but written in men’s minds and hearts.

In the summer of 1627, a decade after the death of Shakespeare, a trio of ships appeared off the southern coast of Vestmannaeyjar. The people of the island—the Einars, Helgis, Gudrids, and Sigrúns—assisted by nearly eighteen hours of sunlight, kept their eyes fixed on the horizon for close to an entire day, during which they convened and debated; they watched and waited, weighing their options. In the end, they threw up a meager bulwark of stone and went to bed.

The following day, just when it seemed they could stand the menacing presence no longer, the ships dispatched a fleet of boats: then the boats disgorged a mass of men ashore—pirates—who descended on the town with spears drawn. Those who were quick on their feet managed to flee over hills and down through the caves that dotted the erupted landscape. The rest were captured or killed. Among the former was a man in his sixties, the Reverend Olafur Egilsson, who was taken together with his wife and children. Read more »

Things to Come: See, Hear and Read in 2023

by Chris Horner

A look forward, and backward, to some ‘cultural stuff’ for the coming year, old and new things worth seeing, hearing or reading. Here we go:

Tár. 

Unless you have been cut off from all media in the last few months, you probably will have heard of this new movie from Todd Fields. Cate Blanchett plays Lydia Tár, star conductor in the Berlin Philharmonic. She has a lifestyle of the celebrity conductor and as wee see her prepare to record Mahler’s 5th symphony we also see her life beginning to fall apart. It turns out she is not immune to the temptations of power that go with the role of Maestro.

Blanchett’s performance has been much praised, and it is indeed a tremendous thing: she must be near the head of the queue for an Oscar this year. It’s a great performance in a genuinely worthwhile and absorbing film. I don’t think it really expands our understanding of the themes it features: power and the exploitation young hopefuls by the (seemingly) all powerful star, the question of great art and flawed artists and so on, but it’s possible to come out of the movie thinking that it has. Blanchett’s performance has a lot to do with that. So a great performance in a very good rather than great film (assuming such categories can really be employed so neatly). Read more »

Confession

by Ethan Seavey

“Sometimes, before I take a piss, I spit into the toilet as a sacrifice to a false idol.”

The priest nods. He’s heard this one before. He was somewhere else before. Now he’s a resident of the confessional inside the attic of the home inside my head. 

“I’m gravely concerned about coyotes, how easily they’re conquering the foxes, and the wolves, and how they’ll soon fill every niche humans have left in their wake. But I do nothing about it.”

He pulls his face closer to the wood surrounding the meshy grate, and inhales. The confessional’s distinct smell, that of a cedar box baking in the moist heat of an Illinois summer, hangs in the air, as thick as the tension between listener and listened to. 

“Once, I had this dream—I was driving a car down the road, and then I just opened the door and stepped outside, leaving the car running, in drive. I watched it run 15 feet forward, running head-on into another car.”

Dreams are not sins.

“But I remember feeling no remorse.”

Before my family home was our home, it was a convent, and before that, it was a farmhouse. It hasn’t seen many renovations. I’ve spent years learning which of the aged floorboards creak, which doors squeak, and which of the fireplaces actually provide heat. My father tells guests that the original electric fireplace used to be a symbol of wealth. (A technological marvel! Who wants to sit around the standstill flames of the retro-future?)

Now they’re just tacky. Read more »

Caught in the Middle of Intermediate Hindi

by Claire Chambers

In my last blog post I wrote about starting to learn the Hindi language during the pandemic. I embarked on this linguistic journey partly from a sense I didn’t fit into my own culture – or, equally, that English culture wasn’t the right fit for me. The sociologist Edward Shils wrote in 1961 about pre-Second World War visitors returning to their South Asian lands after a long time in Britain only to feel a ‘lostness at home and homesickness for a foreign country’. This is something I can recognize, albeit in the opposite direction. 

As I became an intermediate learner, it felt as though my progress was glacially slow. In the early stage, every new word is a milestone. Yet once a solid linguistic framework already exists, forward momentum may be hard to discern. The learner can no longer see the yardsticks measuring progress as easily as they could at the outset. 

The beginner may have a blithe innocence about the size of their task. However, the more you know, the more you realize you don’t know. I read somewhere, on the Berlitz website perhaps, that it takes five years to learn a language. It depends on what you mean by learn. Almost three years in by now, I would question that cheery five-year prognosis. I am caught in the middle of a process that feels never-ending. Read more »

Changing the Definition of “Woman”: Patriotism and How Dictionaries Work

by Steven Gimbel and Gwydion Suilebhan

For the last several years, elected Republicans, full of anti-trans zeal, have challenged their opponents to define the word “woman.” They aren’t really curious. They’re setting a rhetorical trap. They’re taking a word that seems to have a simple meaning, because the majority of people who identify as women resemble each other in some ways, then refusing to consider any of the people who don’t.

Lexicographers—the people who put together the dictionaries—care more about words than most of us. Of late, they’ve noticed how their beloved definitions have been abused by conservatives, and now a few have struck back. On December 13, the Cambridge Dictionary broadened their definitions of “man” and “woman” to include people who identify as either.

The original definition of “woman”: an adult female human being.

The new addition to the definition: an adult who lives and identifies as female though they may have been said to have a different sex at birth.

Losing their gotcha question infuriated conservatives. Fox News howled that “this change was met with pushback from many, who argued that redefining society’s categorization of gender and sex is harmful and inaccurate.” Dan McLaughlin, a senior writer at National Review called the change Orwellian: “1984 wasn’t supposed to be a how-to manual,” he tweeted.

Unfortunately for conservatives, they’re wrong. That is precisely how dictionaries are supposed to work. Dictionaries have always been political documents. For that, we have a Founding Father to thank. Read more »

Here’s the truth about how to spot when someone is lying

Tim Brennen in Psyche:

Indeed, the study of lying is at least a century old, and thousands of scientific papers have been published. Researchers have mainly focused on the two key questions raised by that quote from Freud and the anecdote from India, namely: how good is the average person at detecting lies; and what, if any, are the behavioural signs of lying?

To answer the first question, researchers have typically shown participants video clips of people telling a story. In some studies, the videos are from real life, in other studies they are artificial, but in all cases the researcher knows which ones show someone telling the truth and which show someone lying, and the job of the research participants is to decide for each clip whether the person is lying or not.

More here.

For whales, study shows gigantism is in the genes

Will Dunham at Reuters:

The blue, fin, bowhead, gray, humpback, right and sperm whales are the largest animals alive today. In fact, the blue whale is the largest-known creature ever on Earth, topping even the biggest of the dinosaurs.

How did these magnificent marine mammals get so big? A new study explored the genetic underpinnings of gigantism in whales, identifying four genes that appear to have played crucial roles. These genes, the researchers said, helped in fostering great size but also in mitigating related disadvantageous consequences including higher cancer risk and lower reproductive output.

More here.

A tragedy pushed to the shadows: the truth about China’s Cultural Revolution

Tania Branigan in The Guardian:

In late 1968, the train and bus stations of Chinese cities filled with sobbing adolescents and frightened parents. The authorities had decreed that teenagers – deployed by Mao Zedong as the shock troops of the Cultural Revolution – were to begin new lives in the countryside. A tide of youth swept towards impoverished villages. Auntie Huang and her friends were among them. Seventeen million teenagers, enough to populate a nation of their own, were sent hundreds of miles away, to places with no electricity or running water, some unreachable by road. The party called it “going up to the mountains and down to the countryside”, indicating its lofty justification and the humble soil in which these students were to set down roots. Some were as young as 14. Many had never spent a night away from home.

These educated urban youth were to be reeducated. Their skills and knowledge would drag forward villages mired in poverty and ignorance, improving hygiene, spreading literacy, eradicating superstitions. But the peasantry’s task, in turn, was to uproot a more profound form of ignorance: the urban elite’s indifference to the masses. Mao had seized on the rural poor as the engine of revolution, bringing the Communist party to power. Now they were to remake this young generation – teaching them to live with nothing, to endure, even love, the dirtiest labour; to not merely sacrifice but efface themselves for the greater good. The reformed teenagers would bear his revolution to its ultimate triumph: a country whose society and culture were as communist as its political system.

More here.

An Economist Breaks Down a Fundamental Misunderstanding of the Cause of Poverty in Poor Countries

Ha-Joon Chang in Literary Hub:

If the coconut symbolizes the natural bounty of the tropical zone in many people’s minds, it is often used to “explain” the human poverty frequently found in the zone. A common assumption in rich countries is that poor countries are poor because their people do not work hard. And given that most, if not all, poor countries are in the tropics, they often attribute the lack of work ethic of the people in poor countries to the easy living that they supposedly get thanks to the bounty of the tropics. In the tropics, it is said, food grows everywhere (bananas, coconuts, mangoes—the usual imagery goes), while the high temperature means that people don’t need sturdy shelter or much clothing.

As a result, people in tropical countries don’t have to work hard to survive and consequently become less industrious. This idea is often expressed—mostly in private, given the offensive nature of the argument—using coconut.

More here.

Nancy Pelosi, Liberated and Loving It

Maureen Dowd in The New York Times:

WASHINGTON — It’s not a pretty sight when pols lose power. They wilt, they crumple, they cling to the vestiges, they mourn their vanished entourage and perks. How can their day in the sun be over? One minute they’re running the world and the next, they’re in the room where it doesn’t happen.

Donald Trump was so freaked out at losing power that he was willing to destroy the country to keep it. I went to lunch with Nancy Pelosi at the Four Seasons to find out how she was faring, now that she has gone from being one of the most powerful women in the world — second in line to the presidency — and one of the most formidable speakers in American history to a mere House backbencher.

I was expecting King Lear, howling at the storm, but I found Gene Kelly, singing in the rain. Pelosi was not crying in her soup. She was basking as she scarfed down French fries, a truffle-butter roll and chocolate-covered macadamia nuts — all before the main course. She was literally in the pink, ablaze in a hot-pink pantsuit and matching Jimmy Choo stilettos, shooting the breeze about Broadway, music and sports. Showing off her four-inch heels, the 82-year-old said, “I highly recommend suede because it’s like a bedroom slipper.”

More here.

Sunday Poem

Letter From My Ancestors

We wouldn’t write this,
wouldn’t even think of it. We are working
people without time on our hands. In the old country,

we milk cows or deliver the mail or leave,
scattering to South Africa, Connecticut, Missouri,
and finally California for the Gold Rush—

Aaron and Lena run the Yosemite campground, general
store, a section of the stagecoach line. Morris comes
later, after the earthquake, finds two irons

and a board in the rubble of San Francisco.
Plenty of prostitutes need their dresses pressed, enough
to earn him the cash to open a haberdashery and marry

Sadie—we all have stories, yes, but we’re not thinking
stories. We have work to do, and a dozen children. They’ll
go on to pound nails and write up deals. Not musings.

We document transactions. Our diaries record
temperatures, landmarks, symptoms. We
do not write our dreams. We place another order.

make the next delivery, save the next
dollar, give another generation—you,
maybe—the luxury of time

to write about us.

by Krista Benjamin
from
The Best American Poetry 2006
Scribner Poetry, 2006