by Mike Bendzela
By “worm” I mean not earthworm but larva of the
infamous lepidopteran, Cydia pomonella, or codling moth. The pom in its species names comes from the Latin root “pomum,” meaning “fruit,” particularly the apple (which is why they’re called pome fruits), wherein you’ll find this worm. It’s the archetypal worm inside the archetypal apple, the one Eve ate. (Not. The Hebrew word in Genesis, something like peri, just means “fruit.” No apple is mentioned. And please, give the mother of all living a break.)
The imperative Let in the title is a bit rich, given that this worm does not need your permission to decimate the core: It will do so anyhow, once you have let it in. Short of destroying the apple, there is nothing you can do about it.
This worm is quite the animal. In spite of humanity’s scorched earth campaign against it in orchards worldwide, this worm persists. There is great irony in this: Persistence proceeds not just from chemical resistance but from the simple fact that, in addition to poisoning this worm, we continually feed it. It basks in our attentions, however antithetical. Plant an orchard, it is there. In the presence of so much fruit, the fruit-eater becomes, well, fruitful.
We’re quite chummy with this worm in our tiny northern New England grove. Decades (which seem centuries) ago, we planted a few dozen heritage seedlings and counted on our organic virtue to see us through seasons of pruning and growth, to autumns of cider and pies. We patrolled the orchard with backpack sprayers full of kaolin clay mix (basically diluted kitty litter) hoping to impede and disrupt the worm’s feeding. Seeing holes in fruit, we immediately zapped them. To no effect.
It took some time and training to learn that prophylaxis is key. Read more »





The Australian author Richard Flanagan is the 2024 winner of the prestigious Baillie Gifford Prize for Non-Fiction for his book Question 7. The book is a brilliant weaving together of memory, history, of fact and fiction, love and death around the theme of interconnectedness of events that constitute his life. Disparate connections between his father’s experience as a prisoner of war, the author H.G. Wells, and the atomic bomb all contributed towards making Flanagan the thinker and writer he is today. The book reveals to us his humanity, his love of family and of his home island of Tasmania; it is what Flanagan expects of a book when he says, ‘the words of a book are never the book, the soul is everything’, and this book has ‘soul’.


After I moved from the UK to the US it took me only a couple of years to cede to my friends’ pleas and start driving on the right. When in Rome, and all that. But I still like to irritate Americans by maintaining that we Brits are better at this essential mechanical skill. I mean, when we drive, we
Sughra Raza. Ephemeral Apartment Art. Boston January 4, 2025.
The same media that warned us against Donald Trump now warn us against tuning out. Though our side has lost, we must now ‘remain engaged’ with the minutiae of Mike Johnson’s majority 


What do swimming, running, bicycling, dancing, pole jumping, tying shoelaces, and reading all have in common? According to John Guillory’s new book On Close Reading, they are all cultural techniques; in other words, skills or arts involving the use of the body that are widespread throughout a society and can be improved through practice. The inclusion of reading (and perhaps, tying shoelaces) may come as a surprise, but it is Guillory’s goal in this slim volume to convince us that reading, and in particular, the practice of “close reading,” is a technique just like the others he mentions. This is his explanation for the questions he explores throughout the book—namely, why the practice of “close reading” has resisted precise definition, and why the term itself was so seldom used by the New Critics, the group of theorists most associated with it.
A number of books published in Ireland in the past few years relate to the centenaries of the First World War and the fight for Irish independence. Apart from being an opportunity to sell books, the conjuncture afforded readers an opportunity to reflect while delving into a receding page of history. Mary O’Donnell’s narrative collection Empire includes interlinked short stories dealing with the revolutionary period, along with a novella-length title piece. Notwithstanding its historical tie-in and informative potential, the true raison d´être of this book is the pleasure of reading.
When I started as a Monday columnist at 3 Quarks Daily in July of last year, my debut