Tag: Byung-Chul Han

On Burnout: ‘Can’ is the New ‘Should’

Posted on by Marie Snyder

by Marie Snyder

I started reading about burnout when I walked away from teaching earlier than expected. Suddenly, I couldn’t bring myself to open that door after over thirty years of bounding to work. A series of events wiped away any sense of agency, fairness, or shared values. Their wellness lunch-and-learns didn’t help me, and I soon discovered I’m not alone.

An article published in JAMA last June looked at rising rates of burnout in healthcare, where 40% of physicians surveyed intended to leave their practice. They suggest, “To prevent a health care worker exodus, experts argue that the emphasis needs to shift from individual resilience to broader system-level improvements.” They are looking for standardized methods to affect organizational management with “evidence-based interventions.”  

Over 25 years ago, Michael Leiter and Christina Maslach came to the same conclusion. They identified six areas of worklife affecting burnout and created a specific assessment for educators. They determined the cause to be a “mismatch” between employee expectations and employer behaviours leading workers to be closer to the bleak end of a continuum from burned out to engaged. They suggest that “the task for organizations and individuals is to achieve a resolution.” This is not just a matter of throwing wellness initiatives or resilience-speak into the mix, but addressing any reasonable expectations of employees with appropriate employer interventions in all six interrelating areas. 

Feels vindicating, right?!

One problem with this solution and possibly a reason why it’s not widespread, however, is that it’s often the employees that hold the highest standards and care for the workplace who are the most affected by burnout, and they might make up a small minority of workers. People who show up to learn the right buzzwords and put in the least effort required to hit their hours without concern for the process and product of the company can feel unscathed, and those employees can make up enough of the workforce to provoke organizations to continue the micromanaging and questionable reward schemes for the many.  Read more »



Monday, April 25, 2022

Zizek and the Noh Mask

Posted on by Leanne Ogasawara

by Leanne Ogasawara

1.

Noh 能

The masked actor walks slowly forward. Pausing, he ever so slightly tilts his head upward. The audience is astonished; for with that tiniest upward tilt of his head, the facial expression of the mask is transformed –and he now appears smiling. How had these mask carvers, now long dead, managed to create these works of art that appear so different depending on the angle they are viewed?

The Noh theater is often cited as being the longest continuously-performed theater tradition in the world—with masks considered to be amongst the finest ever created.

Attending a performance, the first thing you might notice is the way time itself immediately slows down and takes on a stretched-out quality.

You suddenly have time to notice all kinds of things.

Like how long it takes the actor to walk toward center butai stage from the curtain. Several years ago, I worked on a translation on the traditional Japanese walking style, Nanba aruki. Commonly associated with Edo period samurai dramas, the style is to walk with knees slightly more bent and to move the arms as little as possible—But if moved the right arm moves in tandem with the right leg, the opposite of modern styles of walking.

At first, it was surprising to realize that people might not have always have walked like we do now. But some people think this nanba aruki style is healthier since hips and shoulders move together, rather than opposed. Also, I learned that because the center of gravity is lower due to slightly bent knees with feet gliding on the surface, it is an effective way of moving through marshes or other tough terrain. Read more »