by Tim Sommers

Or, rather, the very real threat to Physicalism posed by Philosophical Zombies.

On the one hand, there are the Night of the Living Dead, Dawn of the Dead, Shaun of the Dead, Walking Dead, zombies, which are rotting, but animated, corpses that devour human flesh and can only be stopped by destroying their brains. They pose a physical threat.

On the other hand, there are philosophical zombies that pose a much deeper, more unsettling threat to physicalism itself. Philosophical zombies look and act just as we do, but they have no internal, phenomenal mental life. Like celebrity influencers.

Physicalism is, roughly, the view that everything real is either physical or reducible to something that is physical. Arguably, it’s the philosophical view that undergirds modern science. The physicalist slogan that I grew up with was “all concrete particulars are physical.”

That is, there are abstract objects (like numbers or sets) as well as generalizations about concrete objects (say, about horses having four legs). And these are in some attenuated sense real. But any given example of a nonabstract object will be physical. When it comes to the human mind, physicalism does not have to mean that “redness” or “pain” is some particular unitary brain state, but rather that every time you perceive something as red your perception is caused, and constituted, by you being in some particular brain state. That’s called token physicalism or nonreductive materialism.

There are plenty of objections to this view. In a recent 3 Quarks Daily article Katalin Balog discussed the problem of causality. Since most philosophers accept the “causal closure of the physical” – every physical event has a physical cause, so nothing nonphysical can cause something in the physical world – mental events like pain or redness are, at best, epiphenomenal*. Even if they exist, in other words, they are caused by physical events or processes, but they can’t cause anything. Yet, the causal objection goes, isn’t it the fact that I see a light exemplifying the phenomenal property of redness (as philosophers used to say) that causes me to stop?

I want to discuss a different argument, however. The one about zombies, which Balog also mentions in passing. Rather, than being causal this is an objection to physicalism from phenomenal consciousness. Read more »

by Ed Simon

Alternating with my close reading column, every even numbered month will feature some of the novels that I’ve most recently read, including upcoming titles.

There was a meme that circulated a few years back amongst the tweedier of the interwebs which roughly claimed that when it came to literature, great French novels are about love, the Russians focus on existence, and Americans are concerned with money. Like most jokes in that vein, the observation is more funny than perceptive, though it’s not really much of either. Regardless, there is some truth to the quip, one worth considering no more so than right now, the month that sees the centennial of that greatest American novel of upward mobility and conspicuous consumption F. Scott Fitzgerald’s The Great Gatsby. “Let me tell you about the very rich,” promises Fitzgerald through his narrator Nick Carraway, they “are different from you and me.” From Edith Wharton’s The Age of Mirth to Brett Easton Ellis’ Less Than Zero, American literature has long focused on money, even if it’s under the guise of “freedom” (the former being a prerequisite for the later anyhow). Whether or not that’s the intrinsic, essential, integral deciding difference and definition for American letters is too sweeping a claim to make, for certainly there are Frenchmen not concerned with love and Russians of a lighter disposition, but for the four new American novels I read this month, and the single English novel concerned with class – which is just money baked for four centuries and dressed in a tuxedo and top hat – money was certainly the major topic of concern.

Sara Sligar’s deft and entertaining new novel Vantage Point, published this past January, imagines inherited wealth as the wages of a historic curse, returning to that earliest and most American of genres in the gothic. Vantage Point’s narrative is loosely based on Charles Brockden Brown’s 1798 Wieland; or, The Transformation: An American Tale, arguably the first example of the American novel and one that you’re unlikely to ever heard of unless you’re a specialist, for the simple reason that it’s more interesting than it is good. In Brockden Brown’s original, the titular Wielands are Pennsylvania gentry, cursed by the memory of their father spontaneously combusting in his library overlooking the Schuylkill as a result of his alchemical experiments, only a generation latter to be taken in by the nefarious machinations of a biloquist named Carwin. Read more »

Tell me Something I don’t Know

Don’t tell me the earth’s a sphere
and the sun’s kiss amounts to half-day
terminal bliss with a dark end,

or that seasons have to do with angles,
mystics have to do with angels,
and lovers are about orbiting passions,
that pulse like binary stars across
light years and come in telescopes

Don’t tell me the wind’s a metaphor
for a longing to fill vacuums that
sometimes spit typhoons
or that cardinals seen
in the high reaches of cherry trees
are no more sublime than worms
who burrow among turnip roots
for a living

Don’t tell me the chance of being
is equal to the odds of not being

——tell me something I don’t know

Tell me how to weave
tomorrow into yesterday
without tangling, without
strangling today

Jim Culleny
from Odder Still
Lena’s Basement Press, 2015

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by Daniel Shotkin

Last summer, I wrote an article about Affirmative Action, college admissions, and what it meant for me as a high school senior. At the time, I’d just begun the arduous process of applying to colleges, and I was frustrated. Getting into a ‘top’ college had been my dream for the past four years, but the admissions process I had to go through to achieve said dream seemed to be purposefully designed to be as opaque as possible. So, while many of my friends developed fixations on ‘dream schools,’ I adopted an ultra-cynical view on the whole ordeal—I’d play the admissions game, but I’d expect nothing more than a loss.

But that view has been slightly complicated by a recent development. Last week, I was accepted to Harvard.

As streams of digital confetti floated down my refreshed application portal, I felt like I’d won the lottery. No, it couldn’t be true. Harvard’s acceptance rate sits at a measly 3.6%, meaning to get in, I’d have to squeeze past 50,000 chess prodigies, olympiad winners, and violin virtuosos. Add the fact that my suburban New Jersey public school had only had one accepted student in the past ten years, and such a feat was impossible. But somehow, there I was, mouth agape, mom hollering, and acceptance letter in hand.

So what now? Was my pessimism an overreaction? 

The irony of my situation isn’t lost on me. In discussions with friends, family, and teachers, I’d been the Ivy League’s biggest critic. But I’d also worked hard to craft an application that appealed to their admissions system. How do I reconcile these two truths? To answer that, we first need to understand why a certain Boston-area liberal arts college has such a hold on high-achieving high schoolers. Read more »

by Abigail Tulenko

On March 25th, Tufts University PhD student and Fulbright scholar Rümeysa Öztürk was forcibly detained and taken into ICE custody. Though the young woman posed no physical threat, she was surrounded and restrained by no less than six plain-clothed officers. Video footage shows that badges were not presented until after Rümeysa was restrained. No charges have been filed against her, and she was not afforded the right to due process. As they arrested her, the officers covered their faces with masks. In the Nation, Kaveh Akbar writes that “they looked suddenly…like they needed to hide from God their ghoulish glee at disappearing a…student who, it was later reported, was walking to break Ramadan fast with her friends.”

Like the masks, the words we use for this incident often function to obscure. Take the word “detained.” Rümeysa isn’t being detained in any sense of the word as we use it in non-legal contexts. It’s not as though the officers have held her up or made her late to her dinner. For over 24 hours, her family and friends were not able to contact her or informed of her whereabouts. Rümeysa’s belongings were taken from her, she was barred from communication, and disappeared to Louisiana- over a thousand miles from the city she lives in.

Take the word “custody,” which implies care, protection, guardianship. Gardeners are custodians of their plot, parents have custody over their children. To call the violence of the state “custody” is a profound perversion of the word’s historical meaning. The violence Rümeysa experienced and continues to experience is the opposite of care and protection.

Take the “detention center.” This too, glosses over the reality of her situation. “Detention” evokes a stale classroom after-school. In actuality, as a special report from the American Immigration Center argues, the US immigration detention center is in many ways virtually “indistinguishable from criminal incarceration” from the layouts of its facilities, to its systems of punishment and surveillance.

I begin with this analysis of words because Rümeysa herself holds language dear. Her academic work reveals a profound attention to the manner in which our concepts have real consequences in the world, shaping and demarking the realm of political and personal possibility. As we can see in the news coverage of Rümeysa’s abduction, the language we use to refer to state violence covertly shapes our imagination of its nature. Words like “custody” and “detention” obscure the reality of what Rümeysa experienced. But Rümeysa’s work shows us how words can also be liberatory- revealing not only what is, but what can one day be.

Like Rümeysa, I am a third year PhD student in the greater Boston area. Read more »

by Adele A.Wilby

In his inaugural speech on 20 January 2025, Donald Trump jumped into the fray on the contentious issues of gender identity and sex when he announced that his administration would recognise “only two genders – male and female”. At this point there is no conceptual clarity on his understanding of the contested issues of ‘gender’ and ‘male and female’, but we do not have to wait too long before he clarifies his position. His executive order, ‘Defending Women from Gender Ideology Extremists and Restoring Biological Truth to Federal Government’ signed by him soon after the official formalities of his inauguration were completed, sets out the official working definitions to be implemented under his administration.

Trump issuing orders for ‘defending women’ would have undoubtedly raised the hackles of many and sniggers from even a greater number of women who are only too aware of his derogatory comments about women and his questionable and contested long history of relationships with them, but that is not the issue here. What is at issue is the clarification the executive order expounds on his conceptual understanding of sex when it says, “Sex’ shall refer to an individual’s immutable biological classification as either male or female. “Sex” is not a synonym for and does not include the concept of gender identity’. This delinking of sex and gender allows space for gender diversity, but that is a short-lived optimism. The executive order continues to elaborate the gender essentialist view that ‘women are biologically female, and men are biologically male’.  In other words, he denies the fluidity of gender identity and the diversity of cultural constructions of ‘man’ and ‘woman’ and posits gender as inextricably linked to biology.

The gender concepts of ‘woman’ and ‘man’ remain unclarified in the text, but by grounding these identities in biology, the executive order, in one sweep, rejects the cultural constructions of gender and delegitimises the identity of transgender persons or any other gender identity an individual might feel and experience themselves to be. Read more »

by Steve Szilagyi

Edgar Watson (E.W.) Howe (1853–1937) was a small-town newspaperman who became nationally known for his plainspoken wit, tart epigrams, and relentless skepticism. “I must make everything so simple that people will see the truth,” he once said. His sayings—blunt, dry, and often astringent—were the fruit of decades spent editorializing in the Atchison (Kansas) Daily Globe and later in his one-man magazine, E.W. Howe’s Monthly.

How famous was he? Howe’s Daily Globe had subscribers not only across the U.S. but in thirty countries. His columns were praised by the likes of Heywood Broun and Mark Van Doren—who called them “the best in the language.” H.L. Mencken became a devoted admirer. At the 1915 San Francisco Exposition, his sayings were spelled out in electric lights. A 1927 testimonial dinner in New York drew a crowd of luminaries: Bernard Baruch, Ring Lardner, Walter Winchell, Rube Goldberg, and John Philip Sousa.

Though Howe also wrote novels, memoirs, and travel books, his enduring reputation rests on the sharpness of his aphorisms. These were collected in volumes like Country Town Sayings, Ventures in Common Sense, and Sinners Sermons. A few examples:

• A man will do more for his stubbornness than for his religion or his country.
• A loafer never works except when there’s a fire; then he will carry out more furniture than anybody.
• When men are not regretting that life is so short, they are doing something to kill time.
• No wonder teacher knows so much—she has the book.
• The most natural man in a play is the villain.
• If the women had money, how well they could get along without the men.

His personal story was every bit as compelling as his quips. Howe was the son of a hellfire Methodist preacher who forbade toys, candy, or any whiff of fun. The defining calamity of his youth came when he was eleven: his father abandoned the family and ran off with a woman from church. Howe became a tramp printer, working odd jobs and roaming the West. Read more »

by Mindy Clegg

The popular TV horror-drama The Walking Dead followed an evolving cast of characters in the aftermath of a zombie apocalypse. The comic on which it was based called it “a continuing tale of survival.” And that it is. Time after time, the survivors settle into some particular situation, only to be met by some new threat that upends their safety and sends them out into a dangerous world time and again. The real danger is other people, not the zombies who become a manageable threat. By the end of the series (SPOILER ALERT) some of the original core group manage to find a community large enough to ensure some peace and normalcy, even as the apocalypse grinds on outside their gates. Many read the show/comic as a warning about humanities’ propensity for unbridled violence in the absence of civilization. Without the threat of the state monopoly on violence, most humans will turn to some sort of violent primitivism, goes the argument. But different messages can come from the show and comic.

Rather than being evidence of man’s Hobbsian state of nature, I’d argue that it’s evidence of what happens when the structures of neo-liberalism begin to crack, but not the underlying ideology of neo-liberal individualism. This precisely describes what we’re seeing under the second Trump administration and in other authoritarian regimes around the world. Since the emergence of capitalist modernity and especially in the wake of two global wars, the world has been organized into nation-states in the international rules-based order. Authoritarians of the postmodern right tell us that these systems are the problem, and destroying them will fix it. But they seek to tear apart systems in order to benefit themselves, not to replace it with anything beneficial for humanity. But can these systems now under attack be employed for more democratic ends? I’d argue yes, they can. Systems are tools and tools can be used in multiple ways, for good or ill. We can turn these systems for good.

The nation-state is the building block of the modern international rules-based order. Modern nationalism, a modern understanding of political belonging, was deployed during the 19th century against eastern empires that western empires sought to destabilize. The Ottoman Empire was one such target of this process of destabilization. Nationalist activist from the Balkans, often educated in Paris or London, brought back new-fangled ideas about an immortal national body being suppressed and abused by an illegitimate imperial (orientalist) power.¹ Such ideological machinations would not just disrupt the peace of the Ottomans, but would soon boomerang back on the French and British empires, such as with the Irish rebellion against British colonialism or Vietnamese and Algerian uprisings against the French, among others. By the time the Second World War ended, a war which some have described as imperial rule coming home to roost, a new system was emerging that favored the nation-state over empires, the US and Soviet-led interstate system. Read more »

by TJ Price

My first job, like so many others before me, was in customer service at a grocery store. I started as a bagger, positioned at the tailboard of a register, waiting for the cashier to slide down the items the customer chose from the store at large, though eventually I moved up to manning the register myself. I learned the PLUs for various items of produce, and even in the intervening twenty-odd years, none of them have changed. It’s stil 4011 for bananas, 4065 for green bell peppers, 4048 for limes, 4664 for tomatoes on the vine. Organic? Toss a 9 on the front of the number, and the price magically raises—but so, too, ostensibly, does the quality of the item. 

I remember with great clarity these days, standing behind the belt, greeting each shopper, sending them on their way, besieged by the inane requests and tyrannical behavior of managers. I remember one day in particular, when an elderly woman was checking out at the register next to mine, manned by a tough-as-nails woman named Deb with iron-gray hair and no-nonsense attitude that nonetheless often bore the thin twist of an acidic smile. I liked Deb—she didn’t take shit from anyone, and the customers appreciated her briny, forthright manner too, as well as her brisk pace. 

On this day in particular, a man approached the line from behind, licking his lips and looking nervously around. He wore a pair of ratty sweatpants and a long coat, and looked disheveled, but otherwise non-threatening. He greeted Deb, and then the elderly woman in front of him. I didn’t hear how he got her attention—perhaps a dry, “Excuse me, ma’am,”—but the next thing I knew, he’d pulled down the front of his sweatpants and exposed himself to the woman. She gasped in shock, reeling backward. I only caught the briefest glimpse, and a similar horror froze me in place—but Deb didn’t even blink. With one hand, she seized one of the plastic separators from its sill next to the belt and, in one swift motion, smacked the man right in his … let’s call it his “display area.”

“Put that away, you pervert!” Deb shouted over his howl of pain—like a flash, the man was gone in a cartoonish tousle of coat and a shocked, blinking expression. I’ll always remember the look on the elderly woman’s face—a confused mix of horror and admiration—and yet, after her transaction, she hurried out of the store without so much as a thank you to Deb. Read more »

by David J. Lobina

No, this column is not a retrospective of What’s Left? How Liberals Lost Their Way, a book by the British journalist Nick Cohen, even though the title of that forgettable volume is apposite here (I’ll come back to this below). Rather, my title is a reference to a conference that took place in Torino in 1992 under the title of What is Left?, though the post itself is meant as a revisit to Norberto Bobbio’s Destra e Sinistra (Left and Right, in its English edition), a short book from 1994 first thought up at the just-mentioned conference.

The more immediate background to Bobbio’s book, in fact, was the 1994 general election in Italy, when the post-fascist party Alleanza Nazionale (National Alliance) became part of the first Berlusconi Cabinet, the first time since the fall of Fascism that a party on the far right spectrum had entered an Italian government; this was also the background to Umberto Eco’s overtly influential (in the US) Ur-Fascism article from 1995, as discussed here and here, though this context is mostly ignored in American commentary. In a way, then, this piece is a 30-year retrospective of the 1994-95 period; a 2024-25 edition, if you like.

Bobbio’s main objective in the book, I should say, was to argue for the relevancy of distinguishing between left- and right-wing ideas at a time in Italy when many commentators did not think it meaningful any longer; this was partly due to the post-war political arrangement in the country, with the Constitution outlawing fascist parties, the centrist and conservative Christian Democrats (Democrazia Cristiana) dominating politics and society for 50 years, and the Communist Party barred from any of the many coalitions formed during that time, despite the wide support it boasted. Bobbio strove to revive the debate around left and right ideologies by approaching the dichotomy in terms of how proponents of either the left or the right position themselves towards the issue of equality (or, rather, inequality), and it is this argument that I would like to revisit here. Read more »

A macchiato I had in Brixen, South Tyrol. Just thought I’d post a somewhat soothing photo.

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by Mary Hrovat

When I was a child, one of my favorite colors in the box of 64 crayons was midnight blue. I thought the deep blue color was beautiful, but I was also drawn to the word midnight. One of my favorite things was to stay up late at night. It seemed to me that something interesting happened to time after everyone else was asleep.

I’ve always been fascinated by the passage of time. When I was a child, it seemed mysterious to me somehow. It’s hard to describe, but let me try. (My earliest memories have been overlain by decades of interpretation and other memories, so I’m feeling my way here.) As best I remember, I felt immersed in a flow of events that varied without accumulating noticeably. Experience added up only very slowly to something larger or more abstract than the moment. It was (it still is) hard for me to hover above the flood of details that surrounded me and see that the flow of time is a river, carrying me to someplace new. Life often surprised (and surprises) me.

It is always now, for everyone. For me, somehow the constant nowness of life dominates my consciousness to the point that I tend to think about things such as how today becomes yesterday. Midnight is when a new day officially begins, but there’s something about the appearance of a new day that the movement of the second hand on a clock can’t capture.

As a consequence of the way I experience time, I’m also fascinated by transitions. I especially enjoy observing nature’s slow gradual changes. As a child, I loved to watch all the signs of evening’s approach: sunset, twilight, street lights and lights in houses coming on. When I was maybe 12 or 13, I drew maps of the neighborhood as I could see it from various rooms in the house, and I noted the times at which various lights were turned on. If I was up late enough, I wrote down the times at which some of the lights were turned off. I couldn’t tell you now why the clock times mattered that much to me. Read more »

by Mike Bendzela

Back when our local university still believed that a survey of English literature was a prerequisite for a “higher” education; before a drop in enrollments triggered a huge budget crisis culminating in hiring freezes, “retrenchments,” and amputated departments; I still taught an Introduction to Literature course that allowed me the freedom to construct a syllabus of my choosing (a boon for an adjunct like me). Just before the ax fell, I added Yeats’ famous visionary poem “The Second Coming” to the poetry list, which turned out to be a mistake I would never get an opportunity to repeat.

Things start explosively in the poem. I don’t know that any poet has ever created such a stark, terse, quotable abstract of his dire times as Yeats does in that first stanza. Many of the lines are so often quoted and interpreted that they can go unremarked here. The stanza is a compendium and summary of Europe flattened by the First War, bloody revolutions, and the Great Influenza epidemic of 1918. Writers reach in here for commensurate phrasing whenever things ain’t going so well. The closing lines of the stanza are so apt that I’m getting tired of hearing commenters in the US quoting them these days: Yes, the “best” people do seem demoralized and hapless; yes, the “worst” idiots are yapping and animated.

Yeats’ eye so far, as it sweeps over his contemporary landscape, is accurate and scathing. Then he turns that eye inward . . . and begins hallucinating. The results are not so laudable. Quotable, yes. Memorable, yes. But crazy, even full-on bonkers. It is only much later that I am able to articulate what irks me about that second stanza: Yeats indulges in such tawdry mysticism, trafficks in so many moth-eaten biblical tropes, and heaves such breathless portentousness, that he alienates my modern, agnostic sensibilities. Why cavort with that crank, John of Patmos, rather than with someone more relevant to the times, like Charles Darwin? But such phrasing! . . . “moving its slow thighs” . . . “twenty centuries of stony sleep” . . . “Slouches towards Bethlehem”!

Engagement with students becomes problematic at this point, especially with believing Christians in class. Read more »

by Brooks Riley

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by John Allen Paulos

Voters are lazy and often pay little or no attention to numbers and facts presumably relevant to their concerns.

I remember initiating a discussion of the housing crisis in the US. I mentioned a headline I claimed to have just read, which stated “Experts Fear Annual Housing Costs in the U.S. – Rent and Mortgage Payments – Might Top $3 Billion.” I expressed my concern with, “Imagine that – more than 3 billion dollars per year.”

People to whom I related the number responded by bemoaning the mortgage crisis, foreclosures, Wall Street, immigrants, and a host of other issues. Only a couple ever really thought about the headline and noticed that 3 billion is a ludicrously low number. A population of 350 million translates to about 100 million households. Dividing 100 million into $3 billion results in about $30 per person in rent or mortgage paid annually by the average household. Just $30 a year! I’d probably run into the same numerical slothfulness and incomprehension if I initially said $3 trillion was the annual cost for housing in the US. I can imagine that if these numbers arose naturally and were not so obviously crazy, partisan differences between groups would inevitably develop.

This anecdote is not without relevance for larger issues such as Social Security, Medicaid, Health Care, immigration, climate change, and so on.

Regarding the latter and what now passes for the EPA, I note that terminating measures designed to limit climate change and replacing them with measures that encourage drilling and fracking constitute a sort of Ponzi scheme. The early investors and proponents (and everyone else) would see lower oil and gas prices for a while. Not much later, however, these same investors and proponents (and everyone else) would live in a much less pleasant and habitable world. Some of the proponents of “drill, baby, drill” have even signed on to the common, but absurd assertion that global warming is a hoax.  One needn’t be able to graph y = x + sin(x) to realize that a generally upward movement of average temperatures doesn’t preclude occasional local dips. Likewise, someone with terminal cancer will feel pretty good on some days without doctors revising their prognosis. In any case the business/environmental schism is as hard as ever.

The effects of ignorance and innumeracy are ubiquitous, so I’ll just mention one more salient issue. Read more »

by Mike O’Brien

This is a conversation I recently had with Dr. Larry Busk, a professor of philosophy who focuses on democracy and climate change, particularly within the sub-fields of critical theory and radical democratic theory. I trust it is not too opaque to an audience that is not familiar with these fields, or with Busk’s work in particular. For those who wish to have some more context in hand while reading/listening, I recommend the following freely accessible works. (Links to more of Busk’s work are included below the transcript).

– Climate X or Climate Jacobin? (with Russell Duvernoy), Radical Philosophy Review 23 (2): 175-200. 2020. (Regarding Mann and Wainwright’s book “Climate Leviathan”)

– Power to the (Right) People: Reply to Critics, Critical Review: A Journal of Politics and Society 36 (1-2): 92-118. 2024. (Regarding Busk’s book “Democracy in Spite of the Demos”)

– What Is “Totalitarian” Today?, Philosophy Today 67 (1): 35-49. 2023. (Regarding Arendt)

– Schmitt’s democratic dialectic: On the limits of democracy as a value, Philosophy and Social Criticism 47 (6): 681-701. 2021. (Regarding Schmitt)

-Beginning of transcript-

MO: So, if you want to just briefly introduce yourself, your role, your position, where you’re at in your research…

LB: Sure. I’m Larry Busk, I’m visiting assistant professor at Eckerd College in St. Petersburg, Florida.

MO: Great. So, I first came across your work in a paper that you co-authored, that was criticizing Mann and Wainwright’s book “Climate Leviathan”, and I went on to read a bunch of the rest of your work, and it largely circulates around this theme of criticizing the use of “democracy” as a critical concept in radical democratic theory, critical theory… How did you arrive at this area of research, this viewpoint, in your research? I mean, you’re still quite early on in your academic career, so I gather this is something that has carried on quite directly from your doctoral studies…

LB: Yeah, it absolutely has. My first book is really about the most sustained discussion of this theme that you’re talking about. The first book was actually, pretty much, almost verbatim my dissertation project, so you’re quite right that it started during my graduate studies. This idea, it really emerged out of my reading a lot of material, both in more popular forums and in more academic literature, that wanted to, in various ways and to varying degrees, point to popular movements, popular movements like Occupy Wall Street or Black Lives Matter or things like this, as exemplifying the normative and descriptive essence of “the political”- should I explain those terms, “normative” and “descriptive”? Read more »

by Alizah Holstein

How are we to live, to work, when the house we live in is being dismantled? When, day by day, we learn that programs and initiatives, organizations and institutions that have defined and, in some cases, enriched our lives, or provided livelihoods to our communities, are being axed by the dozen? Can one, should one, sit at the desk and write while the beams of one’s home are crashing to the floor? Or more accurately: while the place is being plundered? There have been moments of late when I’ve feared that anything other than political power is frivolous, or worse, useless. In those moments, I myself feel frivolous and useless. And worse than that is the fear that art itself is useless. Not to mention the humanities, which right now in this country is everywhere holding its chin just above the water line to avoid death by drowning. It can take some time to remember that these things are worth our while, not because they’ll save us today, but because they’ll save us tomorrow.

In my previous essay for 3 Quarks Daily, I wrote about how the acronym for the Department of Government Efficiency—DOGE—is possibly an allusion to the Venetian doge. For most of the Middle Ages, the doge was the city republic’s chief magistrate and its highest-ranking oligarch. The connection linking DOGE and doge, I suggested, was the video game Civilization V: Brave New World. In this game, players can choose to play the blind Doge Enrico Dandolo, who at ninety years old led the Venetian and crusader troops on the Fourth Crusade, ultimately diverting the crusade from its initial objective of Egypt and instead attacking two Christian cities, first Zadar on the Dalmatian coast, and then, more famously, Constantinople. Someone who has spoken publicly about playing this game is Elon Musk, and if I had to hazard a guess, I’d say he learned some of his history from it.

What does the Fourth Crusade look like in a video game? A Civilization V wiki supplies us with historical background and a summary sketch of Doge Enrico Dandolo: “He took control,” it explains, “of a mercantile power in decline, riven by corruption and inefficiency, challenged by great and small powers across the region. Trade had declined, and its military was moribund. By his death he had ended all outside threats to its influence, and made it the dominant power in Mediterranean trade again.” Corruption and inefficiency: those words ring a bell. Declining trade and complaints about a feeble military? Those too.

And yet there is much history that the wiki omits. Importantly, it neglects to mention that Doge Dandolo defied Pope Innocent III’s explicit prohibition against attacking allied lands. The pope excommunicated him for it, though in the two and a half years that Dandolo lived before dying on the crusade, the pope’s condemnation never appears to have made much of a difference. And another thing the wiki neglects to mention is the shocking violence of the plundering of Constantinople. Read more »

by Richard Farr

I read somewhere that Mexico City has more museums and art galleries than any city in the world except London. Seems plausible: two weeks wasn’t enough, and would not have been enough even without all the hours spent wandering the boulevards, exploring labyrinthine food markets, and drinking tall glasses of maracuya juice chased by marginally smaller quantities of pulque and mescal. The problem is, you can only gulp down so many cool historically significant artifacts before you cease to be able to see clearly, a fact that a single institution was enough to illustrate.

You get to the Museo Nacional de Antropología through Bosque de Chapultepec, nearly 2,000 acres of lakes and flowering trees that includes both the ruins of Moctezuma II’s private hot tub and so many lesser museums that they outnumber the squirrels. Built in 1964, the national cultural flagship is “only” a third the size of the Louvre but seems at least as big.

I’ve long assumed I’ll be on the shortlist if there’s ever a Nobel Prize for Loathing Brutalist Architecture, but I’m here to withdraw my nomination: Pedro Ramírez Vázquez’s design is clever, appropriate, imaginative, and (strange word amid all that concrete, but I’ll use it) lovely. And once you’ve absorbed the improbable grandeur of the monopole-canopied courtyard, everything inside seems monumental too, not just the twenty-ton carvings. 

The rooms devoted to “Introduction to Anthropology” looked fascinating but not all that specific to the story of digging up Mexico. So we skipped through it, were also pretty cavalier about the acres of modern ethnography upstairs, and instead concentrated our minds on the Toltecs. The Oaxacans. The Maya. The Olmecs. The Zapotecs. The Mixtecs. The Aztec/Mexica… 

It’s a brilliant assemblage beautifully displayed. Among many other thoughtful features, the main rooms open out into a series of gardens that are continuous with the indoor collection. But after four or five hours you reach historical-cultural overload – and the evidence for this is that you’re standing in front of something exquisite and realize guiltily that you’ve yet again confused Teotihuacán with Tenochtitlán. You’ve also started to hallucinate about the possibility of staring into space for half an hour over a plate of chilaquiles. Read more »