by John Ambrosio
In a recent speech at the World Economic Forum in Davos, Mark Carney, the prime minister of Canada, drew on a paper written by the renowned Czech dissident, and later president, Václav Havel that discussed how totalitarian regimes, like the former Soviet Union, seek to control the population by providing individuals with an “ideological excuse” that enables them to conceal from themselves their silent capitulation, in the face of real and threatened state repression, in order to avoid the shame and indignity of having their obedience to the regime exposed.
In The Power of the Powerless, Havel used the example of a greengrocer who put a sign with an official slogan in his shop window to illustrate how totalitarian regimes seek to control and manipulate the population. Havel wrote that “the sign helps the greengrocer to conceal from himself the low foundations of his obedience, at the same time concealing the low foundations of power. It hides them behind the façade of something high. And that something high is ideology. It is a veil behind which human beings can hide their own fallen existence, their trivialization, and their adaptation to the status quo,” an “excuse that everyone can use” to maintain an “illusory identity, dignity, and morality,” to “live within a lie.”
As the Italian Marxist theorist Antonio Gramsci argued, in capitalist systems with highly developed civil societies the ruling class exercises power through a combination of force and consent. That is, it achieves hegemony through coercion and state violence, and by obtaining the passive or active consent of the masses of people by exercising moral and intellectual leadership. Hegemony is never complete or final and must be continually reproduced, which is why authoritarian regimes strenuously repress criticism of their ideological excuses, of the official stories people tell themselves about themselves, one another, and the nation that enable them to conceal from themselves their obedience to the regime. For most people, avoiding the shame of having their accommodation to the regime exposed is a powerful motivational force. Read more »



I find myself increasingly unable to read anything resembling AI text, that is, anything seemingly preformed, readymade, or mass produced, like an IKEA chair; but even as I write this, I think to myself—why an IKEA chair? Why does this object, or rather, this unit of language—IKEA chair—come to me unbidden? “IKEA” as signifier of anonymous, impersonal and practical furniture, and “chair” as typical illustrative example—Wittgenstein’s theory of family resemblances as shown by how the concept of “chair” functions in language, for example—combining to form the perfect analogy: IKEA chair is to furniture as AI text is to human writing; and yet, when I visualize an IKEA chair, or rather, when I see myself walking through the showroom in Burlington, Ontario, I see many chairs of all shapes and sizes, some hard and made of wood, some soft and upholstered, some big and roomy, some ergonomic and sleek, and I realize that, in fact, IKEA makes a wide variety of chairs, and perhaps my analogy is flawed.







Sughra Raza. Esplanade Walks As Days Get Longer. Boston, March 2022.
I recently read about a man who arrived in the United States from India with just thirty dollars in his pocket and, three decades later, had become a billionaire. When asked about the most important lesson of his journey, he answered without hesitation: money matters.
