Israel, Gaza, and Robert McNamara’s Lessons for War and Peace

by Ashutosh Jogalekar

Once again the world faces death and destruction, and once again it asks questions. The horrific assaults by Hamas on October 7 last year and the widespread bombing by the Israeli government in Gaza raise old questions of morality, law, history and national identity. We have been here before, and if history is any sad reminder, we will undoubtedly be here again. That is all the more reason to grapple with these questions.

For me, a particularly instructive guide to doing this is Errol Morris’s brilliant 2003 film, “The Fog of War”, that focuses on former Secretary of Defense Robert McNamara’s “eleven lessons” drawn from failures of the United States in the Vietnam War. Probably my favorite documentary of all time, I find both the film and the man fascinating and the lessons timeless. McNamara at 85 is sharp as a tack and appears haunted with the weight of history and his central role in sending 58,000 American soldiers to their deaths in a small, impoverished country far away which was being bombed back into the stone age. Throughout the film he fixes the viewer with an unblinking stare, eyes often tearing up and conviction coming across. McNamara happens to be the only senior government official from any major U.S. war who has taken responsibility for his actions and – what is much more important than offering a simple mea culpa and moving on – gone into great details into the mistakes he and his colleagues made and what future generations can learn from them (in stark contrast, Morris’s similar film about Donald Rumsfeld is infuriating because unlike McNamara, Rumsfeld appears completely self-deluded and totally incapable of introspection).

For me McNamara’s lessons which are drawn from both World War 2 and Vietnam are uncannily applicable to the Israel-Palestine conflict, not so much for any answers they provide but for the soul-searching questions which must be asked. Here are the eleven lessons, and while all are important I will focus on a select few because I believe they are particularly relevant to the present war. Read more »



Monday, May 27, 2019

On the Road: Mekong Postcard

by Bill Murray

OUTBOUND

We’re off to meet a small live-aboard motorboat about three hours drive south of Ho Chi Minh City to cruise the Mekong Delta for a few days. The older gentleman driving has a deep, rich voice we don’t understand, speaks no English and we no Vietnamese besides pleasantries, the names of some food and a particular local beer, 333, not very challengingly pronounced baa baa baa, like the black sheep.

He’s a pro driver, no doubt about that, all turned out in a nice golf shirt and slacks, and he works our little sedan to the Saigon River then south out of town, and holds a steady course until the city falls away. He appropriates the left lane and proceeds with zealous caution, a campaign strategy he follows every bloody deliberate inch of the way.

Steady ahead. If he hurtles inadvertently to 60 kph, even on long, empty stretches, his face flushes and he brakes abruptly. Could he be working by the hour? If they say this trip should take three and a half hours, no way will he make it three hours and a quarter.

We first came to Saigon twenty-five years ago. Since then women have largely dispensed with the demure way they rode the back of cycles, both legs to one side. Back then many more women wore the traditional Ao Dai, the thin, body length robe. Perhaps that made it hard to sit any other way.

The river yields to a web of canals. Smart electronic overhead signs show the way through less kempt industrial outskirts. Now we roll along a divided six-lane highway, with extra outside lanes for every variety of two-wheeler, and this goes on for miles and undifferentiated miles. Read more »

Monday, June 29, 2015

Burning My Confederate Flag

by Akim Reinhardt

1967 Summer of Love WardrobeTo be born in America in 1967 is, to some degree, to fall through the cracks.

The Baby Boom was most certainly over by then, its most senior elements old enough to vote and drink. But the Millennials, now the focus of every drooling advertising executive and marketing guru, were naught but twinkles in the eyes of their Boomer sires and dames.

Bookmarked between bigger generations, being born in the late 1960s and early 1970s meant you were conceived and suckled amid the tumult of the Civil Rights and Vietnam protests; in (cloth) diapers when the moon landing occurred; discovering kindergarten as President Richard Nixon’s Plumbers were bumbling the Watergate break-in; and learning to read when the final U.S. helicopters evacuated Saigon.

To be born in 1967 means that when the late 1960s and early 1970s were becoming iconic, you were there, but you weren't. You didn't get to partake in the Summer of Love. You're what it spit out.

Thus, when coming of age, many important things were very familiar to you, but their meanings were muddled. Cultural symbols like bell bottom jeans and rubber Richard Nixon masks were still common enough to be lodged in your consciousness, but deeper insights were lacking. By the time you were waking up in the late 1970s, they seemed to be little more than goofs, unmoored from the bloody anti-war protests that divided a nation, or the collapse of a presidency that shook Americans' faith in their government.

Sure, we understood our own moment well enough. Late Cold War and early computers. AIDS and acid rain. Crack cocaine and homelessness. But the gravitas that had conceived us was by then little more than parody and catharsis. Black Power surrendered to Blacksploitation. Protest songs gave way to disco and synth pop. Vietnam was reduced to Rambo.

And if the late 1970s began glossing over so much of what had immediately preceded it, then the 1980s buffed it into a smooth, porcelain sheen. In pop culture representations of the 1960s and early 19790s, substance had been overtaken by style. Symbols, absent their meaning, were rendered fashion accessories and punch lines. A case in point was the Confederate flag.

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