The Hunter
I hike up the hill at a clip
to keep this heart alive
Orion’s over my left shoulder
with arms raised always
in his almost-never-ending black
place in sky immersed in
blazing stars in utter space
Skirting single Cheryl’s
I wonder again what it is she does
in summer her shingled house
is ablaze with lilies
She works them in a goofy hat
stopping now and then to swab sweat
I watch while beyond the blue
the hunter stands with his legs apart
“I’ll live near forever,” he mocks,
and his belt-stars testify
I pick the pace up now and feel
the suck of cool air into my lungs
At the top of the hill the road’s crown
is the pate of a disturbed
menace standing, straining
beneath asphalt, bending it up
A cleat-pocked phone pole’s
draped life-line wires
disappear into the dark
An old sugar maple’s there too
its cleft bark bathed in amber sodium vapor,
bare limbs a wild, strobed lattice
moving at my pace as I pass
While the hunter in the background,
knees ever sprung for action
perseverates for years and years,
I whistle past the graveyard popping Lipitor
by Jim Culleny
from Odder Still
Lena’s basement Press, 2015

At the core of Susan Neiman’s new book Left is not Woke, which is an attempt to sever what she sees as reactionary intellectual tendencies from admirable progressive goals, is the idea that for progressive values to be sustainable, their roots in the philosophy of the European Enlightenment need to be recognized and nourished. “If we continue to misconstrue the Enlightenment”, she says, “we can hardly appeal to its resources.”
Sughra Raza. Santiago Street Color, Chile, November 2017.
Spanning just shy of a thousand years, al-Andalus or Muslim Spain (711-1492), has a riveting history. To picture the Andalus is to imagine a world that gratifies at once the intellect, the spirit and all the senses; it has drawn critical scholars, poets and musicians alike. Barring cycles of turbulence, it is remembered as an intellectual utopia, a time of unsurpassed plentitude and civilizational advancements, and most significantly, as “la Convivencia” or peaceful coexistence of the three Abrahamic faiths brought together as a milieu. Al-Andalus was a syncretic culture shaped by influences from three continents— Africa, Asia and Europe – under Muslim rule. This civilization came to be known as a golden age for setting standards across all human endeavors, a bridge between Eastern and Western learning, sciences and the fine arts, between the public and private, native and foreign, sacred and secular— a phenomenon hitherto unknown in antiquity. The decline and eventual collapse of al-Andalus is no less of a legend; it is a history of in-fighting and brutal intolerance perpetrated throughout the three centuries of the Spanish Inquisition (1478-1834) with ramifications to witness in our own times. The stark contrast between the Convivencia and the Inquisition makes al-Andalus a poignant story of reversals.
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Zaneb Beams. Untitled, 2022.
