Tag: history

The Past of Islamic Civilization

Posted on by Muhammad Aurangzeb Ahmad

by Muhammad Aurangzeb Ahmad

“Those who control the present, control the past and those who control the past control the future.”

― George Orwell, 1984

Cyprus_by_Piri_ReisThese days every other person seems to be concerned about the future of Islamic Civilization. From the Islamists, the traditionalists, the Liberals, the Conservatives etc. almost everyone seems to have a stake in the future of Islam. While these different groups may have different vision of the future they do have one thing in common – they almost always define the future in terms of the past: From the Salafis harkening back to a supposed era of purity, to the academics yearning for the Golden Age of Islam and to the more recent Ottoman nostalgia in Turkey and the wider Middle East. The study of history becomes paramount in such an encounter since a distorted view of the past can become a potentially unrealizable view of the future.

As any historian will tell us each group reads history in terms of its own aspirations and agenda. For the Muslims world in general the nostalgia for the past usually seems to be heavy on reviving the glories of the past. The danger here being that one may start living in a non-existent romanticized past and be condemned to repeat the mistakes of the past. In the West every other political pundit seems to be calling for an Islamic Reformation even though parallel religious structures do not exist in Islam. What do these visions of the future-past look like and what can be learned from these?

Read more »



Monday, February 17, 2014

The Enemies of History

Posted on by Gautam Pemmaraju

by Gautam Pemmaraju

Haram aur dayr key jhagdey, kahan tak koi suljhayey

Jisey har tarah fursath ho, voh is maidaan mey aayey.

(Till when can we unravel what is sacred, what is profane?

He, who has nothing else to do, let him enter that battlefield.)

—Habib Painter Qawal

Over twenty years ago, if memory serves me well, travelling in Zaheerabad district of rural Telangana in central India, a group of us, all students on a college project, stopped to watch a folk performance at a local village fair, or jatra, as they are popularly known. The chitukulaata was to be performed by thirty odd men arranged in two concentric circles. In the dead centre sat two musicians and in between the two circles, the sutradhar, or narrator, pranced about animatedly, punctuating his vivid storytelling with a stick and a shrill whistle. The whole night affair, with a eager crowd huddled in blankets, for it was a chilly February night, was to be a long narration of stories of the gods from the Bhagavata Purana, in all likelihood from the regional saint Pothana's vernacular Telugu language version, Bhagavatamu. Before the performance, the troupe raised an invocation: “Yesu murthi ki jai“, they sang, “Hail the Lord Jesus”, for the men were lower caste converts, who in all likelihood, would have converted during the colonial era. Many such people over the centuries have chosen alternate identities through a variety of social mechanisms and for a varied set of motivations and provocations, but a common desire for social justice and dignity has broadly informed the breaking free from an exclusionary, exploitative and often brutal, social hierarchy. Some have retained certain acts of popular ritual, of culture and tradition, (perhaps linked to employment), and their process of repudiation is often a complex, graded act over generations. The histories of such complex social and religious life demonstrating a dense synthesis of identities, deftly conflating diverse strands through equally diverse influences and interlocutors, are numerous to say the least. While such syncretic identities can certainly be looked at with a degree of surprise and anthropological curiosity, the pitfalls of syncretism are also numerous; it is a bad word in contemporary humanities and scholars such as Peter van der Veer, Carl Ernst amongst others have alerted us to the traps that the casual usage of such ideas may present, for the proposition of a simple, benign, humanistic blending is generally a false one, often viewed with a ‘Hindu' lens, and in egregious ways, deployed towards an opportunistic polemical gain.

Meister_der_Bhâgavata-Purâna-Handschrift_001
An immediate danger here is presented by people such as Dina Nath Batra, the serial right-wing litigant, whose strident advocacy has forced the publisher Penguin India, to cravenly capitulate and agree to withdraw Wendy Doniger's The Hindus: An Alternate History, and pulp the existing stock. For many, and one can safely assume that his ilk will no doubt agree, such converted Christians singing stories of the ‘Hindu' gods is evidence of the greatness, ‘plurality' and enduring continuance of an ancient three thousand year old tradition, of an essential, undying ‘Hindu' character belonging to the nation-state. This ‘Hinduism' of the political arena, a fierce, militant, puritanical, anti-erotic, ahistorical force is quick to attack heterodox ideas that challenge its centralizing agenda. This ‘Hinduism' of the political arena is in deep conflict with the ‘Hinduism' of the scholarly arena and the current disturbance with Doniger's book brings this conflict to the fore yet again, igniting a wide range of debates. Some apportion blame, some analyse it in the light of the current political climate, some critique the ‘brahmanical' bias of the commentary and point to dubious claims of 'Hindu plurality', others decry and lament, and most others discuss the principle of free speech. Beyond these debates lies the realm of history itself, and in particular, religious history of this land.

Read more »

Monday, October 28, 2013

The Syncretic Crucible: Another Trip To Medieval Deccan

Posted on by Gautam Pemmaraju

by Gautam Pemmaraju

Aib na Rakhe Hindi bola

Maine to chak dekhe khola

Hindi bola kiya bakhan

Je gur Prasad tha muje gyan.

[Don't think bad if I speak in Hindi,

What I experience I speak openly

In Hindi I have preached in detail

All the wisdom from my teacher's blessing]

– From Burhan ‘al Din Janam's Irshad-Nama (Oudesh Rani Bawa, Deccan Studies, 2009)

Rauza1The rich, complex synthesis of the arts, culture, mysticism, shared sentiments, and indeed, of serendipitous winds passing through the open doors of history and influence, are more than amply evident at Ibrahim Rauza, the mausoleum of the medieval sultan of the Bahmani succession state of Bijapur, Ibrahim Adil Shah II. From the striking domed entrance gateway, the serene lawns, to the two structures upon a plinth (the tomb and the adjacent mosque), all fecund with the intense intermingling of a staggering range of ideas, Ibrahim Rauza is truly, a feast for the eyes. “If you look up sir, you will see a carved phanas ka phal (jackfruit)”, says our immaculately dressed elderly guide in the regional Dakhani Urdu, coloured gently with a practiced lilt. “There, sun rays, lotus forms, and there, almost faded away, you will see painted in the alcove, a kalash” he points out, adding that one finds numerous features of southern temple design in the structure. This new phase of Bijapur architecture, “almost synchronizing with the reign of Ibrahim II”, writes Z.A Desai in History of Medieval Deccan (ed. Sherwani & Joshi, 1974), “was marked by better and more refined forms”. From more deftly integrated minars, elaborate bracketed cornices, to foliated parapets and refined arches, Ibrahim Rauza is widely considered to be one of the most glorious examples of syncretic Indo-Persian architecture. The lavishness of the Bijapur style “had reached its culmination” with Ibrahim Rauza, and the “most striking feature of the tomb”, Desai writes on, “is the amazing wealth of surface decorations, comprising of low relief carvings in a variety of geometric and foliage patterns, as well as in the form of beautifully interlaced inscriptions of the entire exterior walls of the central chamber.”

Read more »

Monday, June 3, 2013

Washed Away

Posted on by Gautam Pemmaraju

by Gautam Pemmaraju

It is that time of year in Bombay when the city collectively awaits relief from the heat and humidity of the summer months. “The creature of grandeur and complexity that defies comparison with anything” (see here) is but round the corner, and if recent newspaper reports are to believed, relief from the sweltering heat aside, we are to expect a graver visitation – “the ghost of 2005”. It was on July 26th of that year that the city witnessed an event of unprecedented magnitude. Lashed by rains in excess of 944mm within 24 hours, the flooded city came to a standstill, hundreds died, and the loss of property was enormous. Of biblical nature, much like the hurricanes and tsunamis that have wreaked havoc across the globe in recent times, the flooding was truly, a deluge. A dangerous combination of high tidal movements and higher than normal rainfall are anticipated in June and July this year, according to the city's civic authority, and this indeed was a primary cause for the dramatic 2005 flooding. The colonial era hierarchical network of storm water drains was overwhelmed, and the rushing waters that would have otherwise been carried out to sea, were spat back upon the city, and effectively, in the words of a civic official I spoke to more than a year ago, “the roads became the storm water drains”.

Turner-delugeI was amongst the lucky that did not venture out early that day, but instead saw the onset of the storm from my balcony. The skies darkened rapidly shortly after noon as if in a time-lapse shot, and as it began to rain, the light progressively failed till it became almost pitch dark past two in the afternoon. The electricity went out. I could barely make out the large rubber tree right across from me, and as for the neighbouring building Immaculata, I could no longer discern its shape. It appeared as if I were staring at an opaque curtain, so densely composed of water, that it seemed to be of one seamless form, rather than of discrete water droplets. It seemed, as I sat out watching in bewilderment, that everything around me was, “enchafed”, and I could only but darkly imagine the condition of the sea, a short walk away from where I was.

Read more »

Monday, July 30, 2012

The Immutable, Dusty Path

Posted on by Gautam Pemmaraju

by Gautam Pemmaraju

He felt closer to dust, he said, than to light, air or water. There was nothing he found so unbearable as a well-dusted house, and he never felt more at home than in places where things remained undisturbed, muted under the grey, velvety sinter left when matter dissolved, little by little, into nothingness.

6a00d83451bcff69e2012875a9ed93970c-300wiThe narrator of WG Sebald’s The Emigrants informs us that the lonesome painter Max Ferber, worked in a studio in a block of ‘seemingly deserted buildings’ located near the docks of Manchester. His easel, placed in the centre of the room, was illuminated by “the grey light that entered through a high north-facing window layered with the dust of decades”. The floor, the narrator observes, was thickly encrusted by deposits of dried up paint that fell from his canvas as he worked, which in turn mixed up with coal dust, and came to resemble lava in some places. Thinking inwardly that “his prime concern was to increase the dust”, the narrator watches Ferber over the weeks working on a portrait, ‘excavating’ the features of the posing model. The melancholic painter’s tenebrous kinship with the accumulative debris of his days strikes him as profoundly central to the artist’s very existence, for as Ferber says to him, the dust itself “was the true product of his continuing endeavours and the most palpable proof of his failure”. Ferber had come to love the dust ‘more than anything else in the world’, and wished everything to remain unchanged, as it was. In the neon light of the transport café bearing the unlikely name of Wadi Halfa, Ferber’s haunt, and where the two often met after the day’s gloomy exertions in the ‘curious light’ of the studio that made everything seem ‘impenetrable to the gaze’, the narrator observes the dark metallic sheen of Ferber’s skin, particularly due to the fine powdery dust of charcoal. Commenting on his darkened skin, Ferber informs his companion that silver poisoning was not uncommon amongst professional photographers and that there was even an extreme case recorded in the British Medical Association’s archives:

In the 1930s there was a photographic lab assistant in Manchester whose body had absorbed so much silver in the course of a lengthy professional life that he had become a kind of photographic plate, which was apparent in the fact (as Ferber solemnly informed me) that the man’s face and hands turned blue in strong light, or, as one might say, developed.

Atmazagaon1In Carloyn Steedman’s Dust (2001), an intriguing collection of essays on a most curious set of concerns, she writes that in the early 19th century “a range of occupational hazards was understood to be attendant on the activity of scholarship”. She makes clear the distinctions between Derrida’s seminal meditations on Archive Fever (see some interesting entries here, here & here), the febrile “desire to recover moments of inception; to find and possess all sorts of beginnings”, from Archive Fever Proper. There was a specific attention to dust and the ill effects it had on artisans and factory workers, during the 19th century and the early 20th century. She points to Charles Thackrah’s investigations into the occupational diseases arising from various trades, particularly in the textile industry, wherein the employments produced ‘a dust or vapour decidedly injurious’. In John Forbes’ Cyclopeadia of Practical Medicine of 1833, Steedman writes, there was also an entry on ‘the diseases of literary men’, a subject of interest among investigators, albeit, for a short thirty year period between 1820 to 1850. In Forbes’ view, the ‘brain fever’, no mere figure of speech as Steedman points out, was a malaise of scholars caused predominantly “‘from want of exercise, very frequently from breathing the same atmosphere too long, from the curved position of the body, and from too ardent exercise of the brain.’”

Read more »

Monday, May 7, 2012

Summer, Mangoes, Birds, Bombay — Disjecta Membra

Posted on by Gautam Pemmaraju

by Gautam Pemmaraju

The hot summer months of April and May allow for some indolence. Slack jawed, enervated street dogs, seem somehow to be the most suffering. If their parched tongues say it all, their blinking eyes, bereft of the sharp darting aggression of cooler nights, seem to offer urgent supplication. In part alleviation, they sleep through whole afternoons in the reasonable comfort of a shady spot, on occassion lifting up their heat-stricken heads to cast a listless, impecunious glance at the fools who walk the hot streets. Asleep

Offering vivid descriptions of city life, the hustle-bustle, street hawkers and dwellers, SM Edwardes, in By-Ways Of Bombay (1912), writes,

During the hot months of the year the closeness of the rooms and the attacks of mosquitoes force many a respectable householder to shoulder his bedding and join the great army of street-sleepers, who crowd the footpaths and open spaces like shrouded corpses. All sorts and conditions of men thus take their night's rest beneath the moon,–Rangaris, Kasais, bakers, beggars, wanderers, and artisans,–the householder taking up a small position on the flags near his house, the younger and unmarried men wandering further afield to the nearest open space, but all lying with their head towards the north for fear of the anger of the Kutb or Pole star.

In Sleepy Sketches (1877), the diarist, troubled by the ‘endless accounts’ of Englishmen of privilege and high office, which he finds to ill represent the reality of Bombay life (and life in Bombay), sets out to correct some. Asserting quite vigorously at the outset that the native has ‘no prejudice either in favour of truth or falsehood’ and that they cannot but help mixing the two, he finds issue with “hot glare of the sun and constant heat”, which to his mind “destroy the mystery of life and lead one to look on death as the end of all things” [sic]. The climate threatens the European, the writer adds, and it is so enervating for the professional man, that upon return home at the end of a hardworking day “we have little desire for recreation, and so no recreation is to be found”. The month of May, he writes on,

…brings thirty-one days of close, oppressive heat, and thirty-one nights of close, oppressive heat…when all possibility of sound sleep is gone, and we wake every hour and minute wet with perspiration; when even the crows have lost every power but that of cawing, – a power, confound them! that they never lose, – and stand desolate, with their hot wings held comically apart from their hot bodies…but still in Bombay we go to bed with the thermometer at 89°.

Read more »

Monday, April 9, 2012

Another Friday Walk

Posted on by Gautam Pemmaraju

by Gautam Pemmaraju

Quintus Septimius Florens Tertullianus, or Tertullian, born at Carthage around 150 or 160 AD, is said to be the first great writer of Latin Christianity. He was a highly regarded scholar, having written three books in Greek, none extant, and was the first to write a formal exposition on the doctrine of Trinity. His principal area of study was jurisprudence. It is said that he converted to Christianity in 197 or 198 AD, and it is not conclusive if he was ordained a priest or not. Breaking away from the Church later, he became a schismatic and a leader and exponent of Montanism. His writings, which include thirty-seven tracts in Latin and Greek, of which thirty-one are extant, cover the entire theological themes of those times – apologetics against Paganism and Judaism, polemics, policy, discipline, and morals. He is said to have disliked Greek philosophy and to have declared philosophers as patriarchs of the heretics, philanderers, untrustworthy and insincere. He was scornful of Socrates, who in dying ordered a cock to be sacrificed to Aesculapius. Tertullian is said to have lived to a great age, and despite his schism, continued to fight heresy, in particular Gnosticism. TertullianRoad

I know all of this on account of the fact that I live on an eponymously named street. It was in fact, precisely on Friday, December 14 2001, that I decided so find out who Tertullian was, after walking out the gate of the building where I stay, to set off, as I had several times before, on a lazy, meandering stroll around Bandra, a western coastal suburb of Bombay. I recall this quite well – it was just the previous day that the Indian parliament had been attacked by five armed gunmen. The television images of September 11 were still quite fresh and there was a sense that something was afoot, and the world had changed.

Setting off on desultory walks, particularly on Fridays, had become a sort of ritual; not one rigidly followed, but instead conducted on airy impulse. They help also to break the monotony of the regimented runs that have become a part of my daily routine in the last few years. Opening my gate precisely at 6PM, as always, I step out once again onto Tertullian Road. I'm certain there is no clear method to what and how one thinks on such walks; I’ve always thought the process to be imprecise, swaying and buckling at whim, setting adrift, only to eventually, run aground. Much like an asynchronous non-linear edit – apprehending a sight here, a form there, affixing these with a stray thought from the previous night, or from 30 years ago, to lead on to a cryptic composite.

Read more »

Monday, November 21, 2011

The Industrious God

Posted on by Gautam Pemmaraju

by Gautam Pemmaraju

Temple-balaji-7The beleaguered liquor baron/industrialist/MP Vijay Mallya, considered to be the ‘Richard Branson of India’ by many, is currently seeking ways to rescue his debt-ridden airline. Having drastically cancelled flights over the last few weeks, the colourful airline promoter, who also has an Indian Premier League cricket team, an F1 racing car, one of the biggest private yachts in the world, a slew of vintage cars, amongst other baubles, has been defending himself against widespread criticism. Speculations of a possible government bailout have angered many around the country.

He is also a patron of the historic temple in the hills of Tirupati, in southern Andhra Pradesh, bordering Tamil Nadu. With a prominent guesthouse there, he is known to be an avid devotee of the resident god Venkateshwara (also Balaji, Srinivasa), and has never been shy with either devotion or largesse. Newspaper reports abound that every new aircraft of his first takes a flight of obeisance around the Tirumala hills where the temple is located, before ferrying passengers.

A former BJP minister of Karnataka and mining baron, G Janardhan Reddy, who is now in jail on charges of illegal mining, had donated to the temple a ‘2.5 foot long, 30 kg’ diamond encrusted gold crown worth over $10 million then in 2009. Recently the temple administration (the Tirumala-Tirupati Devasthanam trust or TTD) stated officially that there was no question of returning the gift in response to demands calling for its return. Political parties and other groups led protests against the ‘tainted’ offering, claiming that it “polluted the sacred ambience of the sanctum sanctorum”. Earlier this year, the now incarcerated politician and his brother (known as the Reddy brothers – partners in the controversial Obulapuram Mining Company) donated yet another diamond studded crown, gold laden garments and other ornaments worth around $3.5 million, to the deity at Srikalahasti temple, which is at the foothills of the main temple.

A rather entertaining news report by a regional TV station in April last year, informed viewing public that the reason for the Mumbai Indians cricket team loss to the Chennai Super Kings in the IPL final was due to a transgression by the owners, Mukesh and Nita Ambani. The temple remains closed between 12 AM and 2 AM, giving a chance for the industrious god to rest a bit. It was apparently during these hours, the wealthiest man in India and his entourage paid a private visit to the temple to pray for his team’s victory. Angered at the intrusion, the resident god, according to locals, in an act of divine annoyance, caused Ambani’s team to lose. Quite emphatically at that.

Read more »

Monday, March 14, 2011

Passion Play: Local history, poor governance and divisive politics

Posted on by Gautam Pemmaraju

by Gautam Pemmaraju

MtCarmelProtest As the picture here suggests, the local parish of Mt Carmel’s on Chapel Road in the western suburb of Bandra in Mumbai, is exhorting upon the Chief Minister of Maharashtra State to exert his efforts elsewhere. Recently, in a most controversial and aggressively conducted manner, the BMC (Brihanmumbai Municipal Corporation), the city’s main civic authority, went on a drive of demolishing ‘illegal’ religious structures, mostly ‘plague crosses’, around Mumbai – from the centre of the city in Mazagaon and Byculla, to the historic Portuguese Catholic suburb of Bandra. The local community, caught off guard and distraught by this unilateral action, has mobilized itself and is vigorously protesting the civic authority’s drive. Various newspapers as well as a few television channels have reported the events, speculating on a variety of issues – the legality of the structures, the timing of the civic body’s actions, official stances, the historical issues and community sentiments. The archbishop of Mumbai, Msgr Oswald Gracias has termed the action ‘unjust’ and ‘illegal’ and in contravention of existing policy wherein structures before 1964 are deemed to be of legal status. In 2009, a Supreme Court bench, while hearing a petition against a Gujarat High Court order instructing state municipalities to take action against illegal religious structures, issued an interim order to all states of the union, to review the status of existing structures that are constructed along roadsides and which obstruct traffic. In compliance of this Supreme Court order, the state government issued a regulation last October to all municipal bodies to take action against ‘illegal structures’. Following this government regulation, various municipal officials of the different wards began to post notices on numerous crosses and other structures (two temples) over the last two weeks to meet a February 28th deadline – there are 749 illegal structures in the city according to official figures. In the central district of Byculla, the officials posted a notice on a Saturday afternoon informing the residents of an impending demolition on Monday, leaving them no time to appeal the action. Subsequently, a cross in Hathi Baug, Love Lane, in the central district of Mazagaon, was removed and its plaque, dated 1936, was damaged. 1

In 2003 this matter had come before the state High Court and the civic body had then been instructed to take action against illegal structures. Members of the Catholic community had then submitted documentation to the civic body regarding individual structures in support of their historical value and legality. Now community members are accusing the municipality of disregarding this documentation and acting illegally.

Read more »

Monday, January 3, 2011

One Thousand Year Writers Block

Posted on by Omar Ali

William Burroughs famously remarked that Islam had hit a one thousand year writer’s block. Is this assessment justified? First things first: obviously we are not talking about all writing or all creative work. Thousands of talented writers have churned out countless works of literature, from the poems ofHafiz and Ghalib to the novels of Naguib Mahfooz and the fairy tales of innumerable anonymous (and amazing) talents . There is also no shortage of talent in other creative fields, e.g. I can just say “Nusrat Fateh Ali Khan” and be done with this discussion. But what about the sciences of religion and political thought, or the views of biology, history and human society to which these are connected? Is there a writer’s block in these dimensions?

0012 william burroughs

The correct answer would be “it depends” or “compared to what”? After all, it’s not so much that everyone else in Eurasia stopped thinking 500 years ago, but rather than an explosion of knowledge occurred in Europe that rapidly outstripped other centers of civilization in Eurasia. And after a period of relative decline, the rest of the world is catching up. Culture matters, but cultures also evolve. For better and for worse, cultures in Japan and Taiwan are now full participants in the global knowledge exchange, both as consumers and as producers. Iran has been trying to move beyond previous (and obviously flawed) models of personal autocracy and hereditary rule interspersed with violent and devastating civil wars, for over a hundred years, and the Islamic republic, for all its problems, is not a brain-dead culture.

Read more »

Monday, August 9, 2010

‘The Thing Itself’ : A Sci-Fi Archaeology

Posted on by Daniel Rourke

by Daniel Rourke

Mid-way through H.G.Wells’ The Time Machine, the protagonist stumbles into a sprawling abandoned museum. Sweeping the dust off ancient relics he ponders his machine’s ability to hasten their decay. It is at this point that The Time Traveller has an astounding revelation. The museum is filled with artefacts not from his past, but from his own future: The Time Traveller is surrounded by relics whose potential to speak slipped away with the civilisation that created them.

Having bypassed the normal laws of causality The Time Traveller is doomed to inhabit strands of history plucked from time’s grander web. Unable to grasp a people’s history – the conditions that determine them – one will always misunderstand them.

Archaeology derives from the Greek word arche, which literally means the moment of arising. Aristotle foregrounded the meaning of arche as the element or principle of a Thing, which although indemonstrable and intangible in Itself, provides the conditions of the possibility of that Thing. In a sense, archaeology is as much about the present instant, as it is about the fragmentary past. We work on what remains through the artefacts that make it into our museums, our senses and even our language. But to re-energise those artefacts, to bring them back to life, the tools we have access to do much of the speaking.

The Things ThemselvesLike the unseen civilisations of H.G.Wells’ museum, these Things in Themselves lurk beyond the veil of our perceptions. It is the world in and of Itself; the Thing as it exists distinct from perceptions, from emotions, sensations, from all phenomenon, that sets the conditions of the world available to those senses. Perceiving the world, sweeping dust away from the objects around us, is a constant act of archaeology.

Kant called this veiled reality the noumenon, a label he interchanged with The-Thing-Itself (Ding an Sich). That which truly underlies what one may only infer through the senses. For Kant, and many philosophers that followed, The Thing Itself is impossible to grasp directly. The senses we use to search the world also wrap that world in a cloudy haze of perceptions, misconceptions and untrustworthy phenomena.

In another science fiction classic, Polish writer Stanislaw Lem considered the problem of The Thing Itself as one of communication. His Master’s Voice (HMV), written at the height of The Cold War, tells the story of a team of scientists and their attempts to decipher an ancient, alien message transmitted on the neutrino static streaming from a distant star. The protagonist of this tale, one Peter Hogarth, recounts the failed attempts at translation with a knowing, deeply considered cynicism. To Peter, and to Stanislaw Lem himself, true contact with an alien intelligence is an absolute impossibility:

“In the course of my work… I began to suspect that the ‘letter from the stars’ was, for us who attempted to decipher it, a kind of psychological association test, a particularly complex Rorschach test. For as a subject, believing he sees in the coloured blotches angels or birds of ill omen, in reality fills in the vagueness of the thing shown with what is ‘on his mind’, so did we attempt, behind the veil of incomprehensible signs, to discern the presence of what lay, first and foremost, within ourselves.”

Stanislaw Lem, His Master’s Voice

Read more »

Monday, July 13, 2009

Desire Paths: Reading, Memory and Inscription

Posted on by Daniel Rourke

by Daniel Rourke

The urban landscape is overrun with paths. Road-paths pulling transport, pavement-paths and architectural-paths guiding feet towards throbbing hubs of commerce, leisure and abode.Beyond the limits of urban paths, planned and set in tarmac or concrete, are perhaps the most timeless paths of all. Gaston Bachelard called them Desire Paths, physical etchings in our surroundings drawn by the thoughtless movement of human feet. In planning the layout of a city designers aim to limit the emergence of worn strips of earth that cut through the green grass. People skipping corners or connecting distinct spaces vote with their feet the paths they desire. Many of the pictures on the right (from this Flickr group) show typical design solutions to the desire path. A delimiting fence, wall or thoroughfare, a row of trees, carefully planted to ease the human flow back in line with the rigid, urban aesthetic. These control mechanisms have little effect – people merely walk around them – and the desire path continues to intend itself exactly where designers had feared it would.

The technical term for the surface of a planetary body, whether urbanised, earth covered or extra-terrestrial, is regolith. As well as the wear of feet, the regolith may be eroded by wind, rain, the path of running water or the tiny movement of a glacier down the coarse plane of a mountain. If one extends the meaning of the term regolith it becomes a valuable metaphor for the outer layer upon or through which any manner of paths may be inscribed.

The self-titled first Emperor of China, Qín Shǐhuáng, attempted, in his own extravagant way, to re-landscape the regolith of time. By building the Great Wall around his Kingdom and ordering the burning of all the books written before his birth Qín Shǐhuáng intended to isolate his Kingdom in its own mythic garden of innocence. Far from protecting his people from the marauding barbarians to the West or the corrupting knowledge of the past Qín Shǐhuáng's decision to enclose his Kingdom probably expanded his subject's capacity for desire beyond it. There is no better way to cause someone to read something than to tell them they cannot; no better way to cause someone to dream beyond some kingdom, or attempt to destroy it, than to erect a wall around it. As we demarcate paths we cause desire to erupt beyond them. The regolith, whether physical or ethereal, will never cease to degrade against our wishes.

Read more »