Speak Our Truth

by Jerry Cayford

The coastline of the United Kingdom as measured with measuring rods of 200 km, 100 km and 50 km in length. Creative Commons Attribution-Share Alike 3.0 Unported

I was always attracted to that old dichotomy: people must be either stupid or lying when they claim to believe some obvious falsehood. This dichotomy is a staple of Democratic theorizing about our political culture. (Sometimes the choice is between stupid and evil, which amounts to the same.) For example, Adam-Troy Castro’s social media classic “Why Do Liberals Think Trump Supporters Are Stupid?” has been circulating since halfway through Trump’s first term. But this simple dichotomy is losing its appeal. It is just not plausible that tens of millions of ordinary Republicans—our neighbors, friends, and families—are stupid or evil. There have been many proposed explanations of this puzzle: information siloes hide the obvious from otherwise intelligent people; tribalism exerts a powerful evolutionary draw. I believe, though, that there is a different and hidden complexity here.

I use the word “complexity” deliberately, because my argument draws on one of the icons of chaos theory (aka complexity theory) known as the “Coastline Paradox.” That name refers to a 1967 paper, “How Long Is the Coast of Britain?” by one of the pioneers of chaos theory, Benoit Mandelbrot. James Gleick provides a quick introduction to the topic in “The Man Who Reshaped Geometry” (1985), and a thorough treatment in his book Chaos: Making a New Science (1987). But the Coastline Paradox itself is easy to understand.

Imagine you measure the coast of Britain by putting markers every ten miles and summing the distances between them. You get a certain result. If you put markers every mile, you get a larger result. Measure the coast with a yardstick: longer still. With an inch ruler: longer. The coast will continue to get longer as you trace it around ever-smaller irregularities, around every grain of sand. So, how long is the coast? As Gleick says in his article, “In fact, it depends on the length of your ruler. As the scale becomes finer and finer, bays and peninsulas reveal new subbays and subpeninsulas, and the length—truly—increases without limit, at least down to atomic scales.” In a sense, physical length does not exist. Or, physical lengths are all infinite. Or, better, length depends on your method of measuring.

Examining length gives us a glimpse into a new picture of how the things we say and believe relate to reality. Read more »

Monday, August 9, 2010

‘The Thing Itself’ : A Sci-Fi Archaeology

by Daniel Rourke

Mid-way through H.G.Wells’ The Time Machine, the protagonist stumbles into a sprawling abandoned museum. Sweeping the dust off ancient relics he ponders his machine’s ability to hasten their decay. It is at this point that The Time Traveller has an astounding revelation. The museum is filled with artefacts not from his past, but from his own future: The Time Traveller is surrounded by relics whose potential to speak slipped away with the civilisation that created them.

Having bypassed the normal laws of causality The Time Traveller is doomed to inhabit strands of history plucked from time’s grander web. Unable to grasp a people’s history – the conditions that determine them – one will always misunderstand them.

Archaeology derives from the Greek word arche, which literally means the moment of arising. Aristotle foregrounded the meaning of arche as the element or principle of a Thing, which although indemonstrable and intangible in Itself, provides the conditions of the possibility of that Thing. In a sense, archaeology is as much about the present instant, as it is about the fragmentary past. We work on what remains through the artefacts that make it into our museums, our senses and even our language. But to re-energise those artefacts, to bring them back to life, the tools we have access to do much of the speaking.

The Things ThemselvesLike the unseen civilisations of H.G.Wells’ museum, these Things in Themselves lurk beyond the veil of our perceptions. It is the world in and of Itself; the Thing as it exists distinct from perceptions, from emotions, sensations, from all phenomenon, that sets the conditions of the world available to those senses. Perceiving the world, sweeping dust away from the objects around us, is a constant act of archaeology.

Kant called this veiled reality the noumenon, a label he interchanged with The-Thing-Itself (Ding an Sich). That which truly underlies what one may only infer through the senses. For Kant, and many philosophers that followed, The Thing Itself is impossible to grasp directly. The senses we use to search the world also wrap that world in a cloudy haze of perceptions, misconceptions and untrustworthy phenomena.

In another science fiction classic, Polish writer Stanislaw Lem considered the problem of The Thing Itself as one of communication. His Master’s Voice (HMV), written at the height of The Cold War, tells the story of a team of scientists and their attempts to decipher an ancient, alien message transmitted on the neutrino static streaming from a distant star. The protagonist of this tale, one Peter Hogarth, recounts the failed attempts at translation with a knowing, deeply considered cynicism. To Peter, and to Stanislaw Lem himself, true contact with an alien intelligence is an absolute impossibility:

“In the course of my work… I began to suspect that the ‘letter from the stars’ was, for us who attempted to decipher it, a kind of psychological association test, a particularly complex Rorschach test. For as a subject, believing he sees in the coloured blotches angels or birds of ill omen, in reality fills in the vagueness of the thing shown with what is ‘on his mind’, so did we attempt, behind the veil of incomprehensible signs, to discern the presence of what lay, first and foremost, within ourselves.”

Stanislaw Lem, His Master’s Voice

Read more »