by Pranab Bardhan
All of the articles in this series can be found here.
We arrived in Berkeley and found it to be a pleasant place to live. I always have a partiality for small university towns that are culturally and politically alive. And yet Berkeley is not far from a thriving major city (San Francisco—“the unfettered city/resounds with hedonistic glee”, as Vikram Seth describes it in his verse-novel The Golden Gate) on the one hand, and from wide-open spaces on the other. Nature in Berkeley itself is quite beautiful, nestled as it is on a leafy hillside and facing an ocean and its bay, with gorgeous sunsets over the Golden Gate Bridge (on days when it is not shrouded by the mysterious fog—which appears almost as a character in San Francisco noir, like in the crime novels of Dashiell Hammett). Once driving in the dense fog in a winding street in the Berkeley hills I missed a turn and lost my way; I fondly remembered that famous scene in Fellini’s semi-autobiographical film Amarcord, where one winter-day in Rimini, his childhood town, the fog shrouds everything, the piazza disappears, and the grandpa loses his way home.
I found the people here also somewhat more laid back than in the intense cities of the east-coast. (Once a friend from New York visiting Berkeley told me that when a shop-assistant at the end of the transaction gave him a smile and said ‘have a nice day’, his first instinct with his New-Yorker neurosis was: ‘what? what did she mean?’) The cafes, restaurants, book shops, music stores and cinemas just outside the campus hummed with lively people. Strolling through the Sproul Plaza in the campus you sometimes get an experience associated with the soap-box speakers at Hyde Park in London or the performers in Latin Quarter in Paris: at one corner a religious preacher with Bible in hand is sternly telling us that the wages of sin is death, while a group of non-believers is busy mocking him; at another gathering some group is loudly bashing Israel for oppressing Palestinians while some Hillel International students are protesting; at another place five women are silently standing each exposing one breast, pointing toward donations for research on breast cancer; at another some Punjabi men and women are doing a vigorous bhangra dance; at another a group of PETA women for animal rights is protesting the abuse of those rights in university labs; at another a stand-up comic is entertaining a large crowd; in a quiet corner you see a man covered with gold dust standing perfectly still like a golden statue, and so on. Read more »





The President and the Provost have both been urging a whitewashing (if I can use this term) of the College’s history by such measures as removing Huxley’s name and bust from one of Imperial’s most prominent buildings. As I explained earlier, they attempted to accomplish this using a deeply flawed process. A History Group lacking in any higher level expertise in Huxley’s own areas of biology and palaeontology was set up, with the College archivist restricted to a consultative role, as was the Imperial faculty member best qualified to comment on historical matters. Two outside historians were consulted, but their areas of expertise did not really include Huxley.1 Adrian Desmond, Huxley’s biographer, was consulted but as I documented in my earlier article, his unambiguous vindication of Huxley was completely ignored. In October (revised version November), the
I am a modern-day scrapbooker. Which is to say that, like scrapbookers and notebook keepers across the ages, I am incessantly recording: things I have read, things I want to read, ideas I have come across or had, ways I want to be or to look, memorabilia from places I have been or want to go, inspiring or thought-provoking words, song lyrics, images, film clips, you name it. Like those who went before me, I record things in physical notebooks, but – and this is the new thing – my canvas is far larger than this original form. Digital photo albums, the iPhone ‘notes’ pad, emails to self, 
I used to sit in class with songs in my head, loud enough to feel their beat in my fingertips. I used to blare Adele instead of listening to my teacher. I would sing voicelessly with Hozier while my classmates read a paragraph out loud. Passenger, P!nk, The Lumineers, Steven Sondheim. Billie Eilish, too, though not openly as it’s not cool to like anything that’s cool.
Daniel Everett’s 2008 book Don’t Sleep: There are Snakes tells two stories of loss. First, it tells how the young missionary linguist, who had been trained to analyse languages at the Summer Institute (now 
Lots of things don’t exist. Bigfoot, a planet between Uranus and Neptune, yummy gravel, plays written by Immanuel Kant, the pile of hiking shoes stacked on your head — so many things, all of them not existing. Maybe there are more things that don’t exist than we have names for. After all, there are more real objects than we have names for. No one has named every individual squid, nor every rock on Mars, nor every dream you’ve ever had. The list of existing things consists mostly of nameless objects, it seems.



A couple of weeks ago, the main healthcare provider in my city sent me a newsletter. One of the items was a brief blurb about how laughter is good for you, with a link to “Learn More About the Benefits of Laughter.” No! If you think laughter is good for our health, link to a video of a cat riding a Roomba or bear cubs on a hammock. I might click through to see those; I might even laugh. I’m not going to look at an article about the benefits of laughter, because it will become another open tab, a nagging chore, an obligation that stands between me and the conditions for laughter.
Sughra Raza. Mood … , Our Pale Blue Dot.
