by Rafaël Newman
My favorite bookstore closed this month. Well, my favorite bookstore in Zurich, where I live. Also it hasn’t actually closed, it’s only changing hands. But Pile of Books, opened in 2007 by Daniel Nufer and run by him and his wife, Verena Nufer-Huber, until two weeks ago, has been such an expression of Dani’s character that it is hard to imagine the form it will take in his absence.
There have been other bookstores in my life, of greater or lesser importance to me depending on my phase of development. There was for instance the gift shop on Saint Catherine Street, in Montreal, the city of my birth, where my grandparents took me in the mid-1970s to pick out a Passover present (actually my ransom for finding the afikomen), and I, in an early gesture of perversity, chose a glossy album commemorating the Tutankhamun exhibition. Then there was Britnell’s, at Yonge and Bloor in Toronto, the city in which I came of age following our move from Quebec in the wake of the Révolution tranquille—a shop now long gone but in the late 1970s an invitingly Dickensian emporium, and the site of my first agonized Christmas gift-buying with an embryonic disposable income. Later, after my departure from Canada, there was Micawber Books, the explicitly Dickensian shop in Nassau Street, in Princeton, New Jersey, where I had my copy of Time’s Arrow signed by its author, Martin Amis, who was in town to give a coruscating talk on American socio-politics and to reminisce about his childhood on campus when his father lectured at Princeton in the 1950s. Read more »




The season finale of
Two weeks ago, outside a coffee shop near Los Angeles, I discovered a beautiful creature, a moth. It was lying still on the pavement and I was afraid someone might trample on it, so I gently picked it up and carried it to a clump of garden plants on the side. Before that I showed it to my 2-year-old daughter who let it walk slowly over her arm. The moth was brown and huge, almost about the size of my hand. It had the feathery antennae typical of a moth and two black eyes on the ends of its wings. It moved slowly and gradually disappeared into the protective shadow of the plants when I put it down.
Philosopher Harry Frankfurt is best known for his article-turned-manuscript On Bullshit, in which he distinguishes between lying and bullshitting. Most of us are raised to condemn liars more than bullshit artists, but Frankfurt makes the claim that we’ve all got it backwards. His argument is philosophical, rather than scientific, which means observable evidence is hard to come by, but recent political events have filled the gap.
Sughra Raza. Untitled. Cambridge, 1999-2000.
Having 
On the night of July 13, 1977, the old god Zeus roused from his slumber with a scratchy throat. Reaching drowsily for the glass by his bedside, his arm knocked a handful of thunderbolts from the nightstand. Swift and white, they rattled across the floor to the mountain’s, his home’s, precipitous edge: off they rolled and dropped to plummet through the dark. That night, great projectiles of angular light splashed against and extinguished New York City’s billion fluorescent eyes.

When we speak about identity, we usually have in mind the various social categories we occupy—gender categories, nationality, or racial categories being the most prominent. But none of these general characteristics really define us as individuals. Each of us falls into various categories but so does everyone else. To say I’m a straight white male puts me in a bucket with millions of others. To add my nationality and profession only narrows it down a bit.
There are two possible attitudes towards Scripture. One is to regard it as the direct and infallible word of God. This leads to certain problems. The other one, equally compatible with devotion, is to regard it as the recorded writings of men (it almost always is men), however inspired, writing at a specific time and place and constrained by the knowledge and concerns of that time. This invites deeper study of what was at stake for the writers, the unravelling of different narrative strands and voices, and discussion of whatever message the Scriptures may have for our own times. I expect that most readers here will adopt the second approach, while those who adopt the first are not to be dissuaded by mere rational argument, so why am I even discussing it?

About a third of the way through a first-year humanities honors course, one of my more engaged and talkative students pulled me aside after class for a private chat. She waited, clearly anxious, while the rest of her classmates filed out and then turned to me with her eyes already filling up with tears.