by Nils Peterson
My last 3QD piece ended with Whitman interrupting my poking around the attic of my past by chanting, “Who, constructing the house of himself or herself, not for a day but for all time, sees races, eras, dates, generations,/The past, the future, dwelling there, like space, inseparable together.” My response was “Whoa, this attic’s a bigger than I thought, thought – this has turned into a hell of a job.”
So, today I thought I’d explore what he meant:
Summer school. California. 1965. I was walking to a class on the short story thinking about opening paragraphs, the where, who, and what of them. I was smoking a cigar, nerves before class. (I quit smoking shortly after.) I was wearing (as one did then) a seersucker jacket and a dull, striped, polyester tie when a gust of wind blew up and my tie billowed out and settled on the ash-deep fire riding above my index and middle fingers, and Presto! a hole the size of quarter.
Well, I’d been thinking about exposition. Suddenly, my mind is with the birth of the weather and the new wind shaking itself loose and setting out from the Sea of Japan, the Sea of Okhotsk, carrying at first low gray wet clouds, and I follow as it crosses Kamatchka, the Bering Straits, the Aleutians, the Kuskokwim Mountains, and curls down towards Coos Bay, Eureka then along the coast to get here just in time to flip my tie (Is this how change enters our lives? I marveled—it begins last week or last year and far far out at sea).
Now it is 1492 and I’m with the Nina, and the Pinta, and the Santa Maria to the New World, and then with Raleigh and Virginia Dare and Indians and the ceremonious inhaling of dried native flora—then slavery and plantations and the Civil War and depressions and soil erosion and crop quotas and subsidies and the ache of my lungs a couple of years before which made me give up the cigarettes began as a declaration of independence at 16 and switch to the cigar which just burnt my tie. Read more »

unenlightened temperature scales) is a kind of touchstone temperature for Canadians – a midsummer sort of heat, usually restricted to July and August, permissible in June and September, but out of its proper place elsewhere. (Its mirror image, -30 degrees (-22 degrees F) is likewise to be restricted to the depths of January and February – though increasingly infrequent even there.) These 30 degree days at the beginning of October had intruded on a moment when every instinct was attuning itself to the coming rituals of autumn, and it thus accorded jarringly, like the rhythm section had suddenly lost its way in the middle of the song.


In earlier essays, I argued that beauty can orient our desires and help us thrive in an age of algorithmic manipulation (
The full title of Charles Dickens’ 1843 classic is “A Christmas Carol in Prose: Being a Ghost Story for Christmas.” Inspired by a report on child labor, Dickens originally intended to write a pamphlet titled “An Appeal to the People of England on behalf of the Poor Man’s Child.” But this project took a life of its own and mutated into the classic story about Ebenezer Scrooge that virtually all of us think we know. It’s an exaggeration to say that Dickens invented Christmas, but no exaggeration to say that Dickens’ story has become in our culture an inseparable fixture of that holiday.








