Buddhist Musings in Ramadan

by Jalees Rehman

Ramadan is the month of fasting and a time for spiritual growth among Muslims. The traditionalist approach to “spiritual growth” is for Muslims to complement their fasting with performing additional prayers at night and regular reading of the Quran throughout the month. My own approach is somewhat different, I tend to complement my fasting with the reading of writings and scriptures from other philosophies or faith traditions, including atheist and humanist teachings. This year, I decided to study the Dhammapada (in the translation of Gil Fronsdal), one of the most widely read and revered writings in the Buddhist faith.

Buddha statue from Takht-i-Bahi

Buddha Statue from the Takht-i-Bahi monastery in Pakistan

I was inspired to learn more about Buddhism because I was reading the remarkable novel “A Tale for the Time Being” by Ruth Ozeki, who is not only a brilliant author but also an ordained Zen Buddhist priest. The first person narrator in the novel is a 16-year old Japanese girl Nao who is bullied by her classmates. Nao's parents moved from Japan to Silicon Valley but were forced to return to Japan when the Dotcom bubble burst. Nao's father loses his job and the family is forced to live in poverty. The family's poverty and the fact that Nao is seen as an alien “transfer student” lead to her being ostracized at school. But her classmates go even further and begin psychologically and physically torturing her, leaving scars and scabs all over her body.

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Waiting On Rhoda

by Tamuira Reid

I'm pregnant.

You say the words the same way you say I'm an alcoholic, but this time you aren't sitting in a church basement with a shitty assortment of store-bought cookies on your lap. You hear a small, unmistakable gasp on the other end of the line – “Mom, are you there?”

You weren't drunk when you got pregnant. Those days are over. You were lucid and clear-headed and saw a future in his face.

Then you saw two lines on a stick. Then you saw nothing except the darkness.

This is the thing; you were trying to get pregnant.

And it happened. And then he happened.

The baby. Eight pounds of flesh and bone and gumption.

Control is not your forte. Blame it on being from “Gypsy stock” on your mother's side. It's in your blood. Erratic behavior just comes with the territory. “Take it one day at a time”. Or “This too shall pass”. Funny how those annoying aphorisms apply more to this situation than they ever did to your drinking.

Now they will come out of the woodwork, flood your life like blood through a cracked artery. It's okay. You didn't notice how many Honda Accords were on the road until you owned a Honda Accord. This is like that. Now everything is babies. Their faces will peek out at you from billboards towering over Times Square, from the Gerber ads plastered to the side of an M16 bus, from Toys-R-Us coupon books rubbing up against the lit mags in your mailbox. Ignore them.

During your office hour, go onto Amazon and find a reputable Spanx dealer. Buy in bulk. And when a writing student walks in, hurriedly minimize the screen. Your face is red and sweaty. Say something about the weather. He thinks you're looking at porn and feels sorry for you. It must be hard to get laid when you're someone's mom.

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Monday Poem

Invisible

Disassembling the invisible
has its own mathematics, different rules apply,
the process has its special calculus
because the unseen is huge and impudent,
powerful and odd

When we were dumb and ignorant
the spirit wind would startle us, would frighten us,
shatter shelters, split the sky with light
—unseen, but real, we named it God

The invisible has popular cachet,
being as it is among us
in the interstices of the known
It seeps through everything

It colors the fabric of our thoughts
as ultraviolet works to build our bones
and ultrasonic whistles through the atmosphere
alerting some

it fills the trellis of our oughts
persuading us we’re not alone
.

by Jim Culleny
7/14/14

The War on Terroir

by Dwight Furrow

6a019b00fffe15970b01a73df0ad7a970d-150wiFew terms in the wine world are more controversial than “terroir”, the French word meaning “of the soil”. “Terroir” refers to the influence of soil and climate on the wine in your glass. But the meaning of “terroir” is not restricted to a technical discussion of soil structure or the influence of climate. Part of the romance of wine is that it (allegedly) expresses the particular character of a region and perhaps its people as well.

According to some “terroirists”, when we drink wine that expresses terroir, we feel connected to a particular plot of land and its unique characteristics, and by extension, its inhabitants, their struggles, achievements, and sensibility. Can't you just feel their spirit coursing through your veins on a wild alcohol ride? The most extreme terroirists claim that the influence of soil and climate can be quite literally tasted in the wine. If this strikes you as a bit of, well, the digested plant food of bovines to put it politely, you are not alone. Many in the wine business are skeptical about the existence of terroir claiming that winemakers should make the best wine they can without trying to preserve some mystical connection with the soil. But the issue is an important one because the reputation of entire wine regions rests on the alleged unique characteristics of their terroir, not to mention the fact that the skill and discernment of wine tasters often involves recognizing these characteristics.

There is confusion, however, regarding what this concept of terroir conveys. Some uses of the term simply imply that wine grapes are influenced by climate and soil so that wines from a region with broadly similar soil types and macroclimates have common characteristics discernable in the wine. This is obviously true and unobjectionable. Factors such as the ability of soil to drain or absorb water, the presence of stones that radiate heat into the vineyard, and the effects of nutrients on plant metabolism are among the important known effects of soil on vineyards. The soil and climate in Bordeaux differs from the soil and climate in Burgundy and thus they grow different grapes and make wines of quite contrasting styles that are apparent in the glass.

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Shaping Ramadan

by Shadab Zeest Hashmi

The fridge is between pesto and grasshopper green; the dining table is oval. A cubist picture hangs on the wall. It changes meaning, depending on the time of the day and the way I fall into its shapes and clever shades. The fish in the painting’s octagon looks like a remote control car or a scarf sometimes, then it goes back to being a fish; the face is sometimes benign, sometimes not. On a good day, this dining room has the aura of sweet cream, parathay (fried bread) and chilled mangoes, otherwise, cabbage and beets. There is a door that opens to the foyer; I am the height of the doorknob.

S1-500x332My seat at the dining table faces the window. Here is where I practice “joining handwriting” (what “cursive” is called in Pakistan), glancing, from time to time at Sadequain’s Quranic calligraphy on the wall: a composition that has Arabic letters made to look like sailboats in which other letters nestle. It cools the room. As an adult there will be many reasons to recall this piece— its placid dignity, its nests of words from the holy book— in a world where my Muslim identity will know no nests, no dignity, where verses from the book will be twisted, desecrated by fellow-Muslims, where large populations of Muslims will be brutally punished by the enemy for the crimes of a few, or for no crime at all.

It is the month of Ramadan. I have many notebooks of summer homework to fill but the heat makes it hard to concentrate. I study the pattern of the tablecloth, the occasional lizard on the wall. The swinging door to the kitchen startles me every now and then as my brothers come running through it. They use motion to navigate the world, I, reverie. We balance each other’s energies and are most in harmony in the loquat or guava season, or in Ramadan when the family bonds over Iftaar, the meal at sundown, typically consisting of dates, lemonade or lemon barley squash, mango milkshake, pakoray (chickpea fritters), spicy fruit salad, samosay and other snacks. There is a certain aroma associated with the fasting season, owing to this traditional menu. It is the aroma of festivity and fatigue, chatter and silent meditation.

At age seven, I insist on keeping my first Ramadan fast. I’m old enough to practice a bit of self-discipline, not old enough to appreciate the full meaning of fasting (that slight detail having to do with spiritualty!). The day is immeasurably long. I stand by the window to watch the slow day wilt. I give my mother a (long and badly spelt) list of treats for iftaar. She cooks every single item and finds the misspelt list too amusing not to save for posterity. I add drawings to my menu: triangular samosay, coils of orange jalaibi, round parathay. It will be important for posterity to know the shapes and colors of Ramadan food, I imagine.

Reflections on the Hypodermic Needle

by Gerald Dworkin

Image_previewRecently a ghastly case of capital punishment by means of lethal injection was featured in the news. A convicted murderer and rapist, Clayton Lockett, died 43 minutes after his execution began. He was described by many witnesses as writhing in pain and struggling to speak.

After administering the first drug, “We began pushing the second and third drugs in the protocol,” said Oklahoma Department of Corrections Director Robert Patton. “There was some concern at that time that the drugs were not having the effect. So the doctor observed the line and determined that the line had blown.” He said that Lockett's vein had “exploded.”

The execution process was halted, but Lockett died of a heart attack.

A somewhat bizarre aspect of the story was that Lockett had been taken for routine x-rays at 5 am that morning. When he refused to be restrained for the procedure he was tasered. I leave it as an exercise for the reader why the protocol for x-rays is in place. (1)

For me one of the features –the participation of physicians in the execution–was of particular interest since I had published an article opposing such participation in 2002. (2) In this article I began by assuming for the sake of argument that capital punishment is a legitimate mode of punishment. I did so, not because I accepted this, but because I wanted to focus on the much narrower issue of physician participation.

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A Square Peg for Every Round Hole

by Jonathan Kujawa

Mathematicians have a soft spot in their hearts for mathematical trifles. These beguiling little puzzles are more amusing than important, and also often devilishly hard. These are the sorts of math problems professional mathematicians are embarrassed to admit they spend time thinking about (but would be the first to tell you if they solved it!). Call them mathematical guilty pleasures.

Fermat's Last Theorem is such a trifle. Those old enough to remember might recall seeing it in the news twenty or so years ago. It's the theorem which says that for any natural number n greater than three, you can't find integers a, b, and c which satisfy the equation:

FermatBut, to be honest, at the end of the day people don't seriously care that it is impossible to find a, b, and c which solve, for example:

Fermat3

But what fun would life be if you're always serious? Let's be unserious for a moment. Fermat's Last Theorem is tantalizing. It is easy to find a, b, and c which are solutions when the n is equal to two. For example, 3, 4, and 5 work. These solutions are called Pythagorean Triples because they exactly give the three sides to a right triangle and the equation becomes the famous Pythagorean Theorem [1]. There are infinitely many Pythagorean Triples, so shouldn't there also be infinitely many solutions when n is three, four, or five? What makes two so special?

The first person to ask the question was Fermat in 1637. He wrote a note in his copy of Diophantus's Arithmetica that:

It is impossible to separate a cube into two cubes, or a fourth power into two fourth powers, or in general, any power higher than the second, into two like powers. I have discovered a truly marvelous proof of this, which this margin is too narrow to contain.

You would have to have a heart of stone to not be tempted to try a few examples after reading that.

Fermat never wrote down his proof and in all likelihood he was mistaken. Indeed, it took 300+ years for math to develop enough high powered tools to tackle his simple little challenge. It wasn't until the mid 1990s that Andrew Wiles was able to affirmatively prove Fermat's “Theorem”. And while there was a great deal of excitement about Wiles's work, the real benefit Fermat's trifle was all the high powered tools mathematicians developed while wrestling with it. They are now invaluable in number theory, cryptography, and elsewhere [2].

Let me now tell you about another enticing mathematical morsel which is still unsolved: the Square Peg Problem (SPP). The history is a bit murky, but it is generally credited to Otto Toeplitz in 1911. The SPP is the conjecture that if you draw a curve on a sheet of paper without picking up your pencil and which begins and ends at the same place, then you can find four points on the curve which form the corners of a square. Such a square is called an inscribed square.

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Malevich at the Tate Modern until 26 Oct 2014

by Sue Hubbard

021Iconic is a much overused word but there are certain artworks that have changed the course of art history. Without them what we take for granted as contemporary art might have been totally different. Picasso’s 1907 Desmoiselles D’Avignon reconfigured the human form. His chthonic women act as a metaphor for psychological insecurity and the breakdown of old certainties rather than as a description or likeness. Duchamp’s Fountain, 1917, introduced the readymade and challenged the concept of elitist craft-led art, while Andy Warhol’s early 1960s soup cans appropriated banal everyday commodities, placing them within the sanctity of the museum and gallery. But without Kazimir Malevich’s Black Square, 1915, what he called ‘a bare icon… for my time’, contemporary abstract painting, as well as contemporary architecture, sculpture and design might have taken another direction altogether. It’s rare that an artist does something completely new. But Malevich, it might be argued, did. After him, painting no longer represented the world but became an end in itself, a new reality.

Born of Polish stock in Kiev in 1879, Malevich moved to Kursk in 1896. By the age of 27 this talented young man was living in the dynamic city of Moscow where successful merchants were collecting works by Cézanne, Gauguin, Matisse and Picasso. Malevich was to find himself – like Russia – balancing on the cultural fault line between Eastern and Western Europe. Should artists look back to traditional icon painting to create an authentic national art form or to the new movements coming from France?

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Monday, July 14, 2014

Caliphs as Entrepreneurs

by Ahmed Humayun

Abu-dua-time-100-featIslam has a new caliph, at least if the Iraq-based militant organization that calls itself the Islamic State is to be believed.* In what was touted to be his first public appearance, self-proclaimed caliph Abu Bakr al-Baghdadi spoke about the necessity for implementing Sharia and using war to defeat the enemies of God, the obligation incumbent upon all Muslims to choose a leader, and issued a call for Muslims to join the jihad under his tutelage. While Bin Laden was fond of holding forth wearing commando jackets in rugged terrain, Baghdadi wears resplendent black robes and delivers his incitement to war in the form of a Friday sermon from a grand and stately pulpit in a mosque in the northern Iraqi city of Mosul.

The media-savvy proclamation of Abu Bakr al-Bagdadi is not a response to popular grassroots clamor in the Muslim world. Nor should we overstate the success of the Islamic State – twenty thousand fighters, at the most, will not suffice to restore a transnational global caliphate. Polls conducted in different Muslim majority societies certainly indicate strong support for Islam in public life—and in particular, for the role of Islamic law in delivering justice and organizing society. Yet there is no indication that Muslims yearn for the return of the caliphate, an institution that was already moribund at the dawn of the 20th century before its abolition by Turkey in 1924.

As with any fledgling movement, militants assert their ideological claims to be natural and inevitable, rooted in history and justified by theology. The truth, however, is that there is little consensus among Muslims on the specific role that Islam should play in contemporary state and society. While this ambivalence has limited the moral and political resonance of militant proclamations, it has also created an opportunity to exploit the general ideological appeal of Islam. This is why militant ideology matters.

Yet we will have to look beyond religious debates in order to understand the growing strength of militant groups such as the Islamic State across large swathes of Muslim majority societies. A key factor has been the growing weakness of the political status quo and the perception of its illegitimacy for various reasons that might include failing authoritarianism, the corruption of ruling elites and the dysfunctional governance they impose, and the force of kinship bonds that disdain the boundaries of modern nationalisms.

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Monday Poem

In the beginning was the word —John 1:1

Entreaty

send me a poem that hunkers on haunches
watching for the day to begin, that waits
for the right word to come with the sun
during the last hours of the night-watch
when all are asleep except the watcher
and there is still rustling in the underbrush,
the wordless sounds of something moving in the dark,
in the raw underpinning of the day,
in the interval between now and now,
at the birth of light, at the end of night
send me a poem that does not lie
that does not yield, but does not smite
.

by Jim Culleny
7/7/14

Science: the Quest for Symmetry

by Yohan J. John

Attitudes toward science in the public sphere occupy an interesting spectrum. At one extreme there are the cheerleaders — those who seem to think that science is the disembodied spirit of progress itself, and will usher us into a brave new world of technological transcendence, in which we will merge with machines and upload our minds to the cloud. At the other extreme there is decidedly less exuberance. Science in its destructive avatar is often called scientism, and is seen as a hegemonic threat to religions and to the humanities, an imperial colonizer of the mind itself.

The successes of science give the impression that it has no limitations, either in outer space or inner space. But this attitude attributes to science somewhat magical powers. The discourse surrounding science might benefit from an awareness that its successes are closely tied to its limitations. The relationship between scientists and the rest of society needs mutual understanding and constructive criticism, rather than a volatile mix of reverence, fear, and mistrust. The veil of the temple of knowledge must be torn in two — or at least lifted up from time-to-time.

To this end, it might be illuminating to see scientific ideas as tools forged in workshops, rather than spells divined by wizards in ivory towers. The tool metaphor also reminds us that science is not merely an outgrowth of western philosophy — it is also the result of the painstaking work of “miners, midwives and low mechanicks” whose names rarely feature in the annals of Great Men. [1]

So what sort of toolbox is science? I'd like to argue that it's a set of lenses. These lenses allow us to magnify and clarify our perceptions of natural phenomena, setting the stage for deeper understanding. The lenses of science reveal the symmetries of nature, so we might call them the Symmetry Spectacles. The Symmetry Spectacles are normally worn by mathematicians and theoretical physicists, but I think that even laypeople interested in science might find that the world looks quite interesting when viewed through them.

TrianglesM

So what is symmetry? Most people have an intuitive sense of what symmetry is. Symmetry connotes evenness, or balanced sameness. An asymmetrical object is skewed, off-balance, and uneven. It is easy to grasp that a scalene triangle is asymmetrical, whereas an isosceles triangle is symmetrical. To many people an equilateral triangle seems even more symmetrical than an isosceles triangle. The goal of a formal approach is to make explicit our intuitions about symmetry. Mathematicians and theoretical physicists define symmetry as follows:

Symmetry is immunity to a possible change.

How can we apply this notion of symmetry to the scalene, isosceles and equilateral triangles?

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A Thought Experiment, and One (or More) Earnest Questions

by Debra Morris

Asr-cover2010Imagine flipping through a copy of the academic journal Sociology and Social Research. One article in particular—”Our Schizoid Culture”—catches your eye. The author is well-known: a professor of sociology, soon-to-be editor-in-chief of the American Sociological Review, and, in something of a blow to “two cultures” thinking, future poetry editor for the Humanist magazine. Certainly you could quibble with a number of statements, and some of them seem so wide-ranging as to be inarguable, but in general you share the author's dismay at the “great deal of irrational, contradictory behavior” within contemporary American culture. You agree: “When an individual exhibits similar symptoms, the psychiatrist calls him neurotic, or if he lacks ‘insight' into his difficulties, psychotic.” This is what accounts for, and in your mind fully justifies, the article's tone: honest, emphatic, no-nonsense, but also deeply attuned to ordinary pain and suffering—quite unlike the academic caviling to which you're accustomed. Yes, someone needs to say it: in many domains of life our culture is so confused, so riven, as to be quite, well, unwell. Really, all politics aside, it would be hard to argue with any of this:

We praise competition, but practice merger and monopoly…. We praise business organization but condemn and prevent labor organization…. We give heavier and more certain sentences to bank robbers than to bank wreckers. We boast of business ethics but we give power and prestige to business [disruptors]…. Everybody is equal before the law, except … women, immigrants, poor people.… We ridicule politicians in general but honor all officeholders in particular and most of us would like to be elected to something ourselves. We think of voting as the basis of democracy, but … seldom find more than fifty per cent of eligible voters actually registering their ‘will.'… Democracy is one of our most cherished ideals, but we speak of upper and lower classes, ‘look down on' many useful occupations, trace our genealogies…. We believe in the brotherhood of man, but we are full of racial, religious, economic, and numerous other prejudices and invidious distinctions. We value equality, but tolerate greater inequality of wealth and income than has ever existed in any other society…. We drape nude statues and suppress noble books…. We try to foster participative recreation, but most of it is passive, much of it vicious, and almost all of it flagrantly commercialized…. This is the age of science, but there is more belief in miracles, spirits, occultism, and providences than one would think possible…. Our scientific system produces a specialism that gives great prestige and great technical skill, but not always great wisdom…. The very triumphs of science produce an irrational, magic-minded faith in science….

Realize, now, that the article was written in 1935. The author was Read Bain, professor of sociology at Miami University in Ohio. As a founding editor of the American Sociological Review, he would become embroiled in early disputes between the “scientists” and “humanists” in his own discipline. He was thus involved in theorizing—and, in that spontaneous way of so many early- to mid-20th-century American academics—practicing in the mode of a “public intellectual,” that figure who today, apparently, is nowhere to be found.[i] In terms of Bain's analysis as synopsized above, and even more to the point, in terms of the social critique it so earnestly propounds, what struck me when first reading it was how contemporary it sounded and how apt its reproaches were.

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HOW TO BE A FRENCH GANGSTER

by Lisa Lieberman

As a break from the seriously depressing topics I’ve been writing about lately, and in honor of Bastille Day, I offer this tribute to French gangster films.

First off, you need the fedora. The gangster accessory de rigueur, Muni Scarface it was already iconic by the time Paul Muni popularized the look in Scarface (1932). Al Capone, Clyde Barrow, John Dillinger, Machine Gun Kelly were all photographed wearing one. Baby Face Nelson was astute enough to recognize the souvenir value of his trademark fedora, bartering it for food and a place to hide after a botched bank job.

By the time Bogey donned one to play ‘Bugs' Fenner alongside Edward G. Robinson in Bullets or Ballots (1936), it was a bit passé. Robinson, you will note, sports a derby, signaling his authority over his fedora-wearing lackeys. (That's Bogey on the right, with the gun.) Bullets Fedoras

Leave it to the French to reinvent the gangster look and give it panache. In Pépé le Moko (1937), Jean Gabin wears the hat, but he adds a gallic touch: a silk scarf. Gabin's character has style—something his American counterparts lacked—but more importantly, he's got heart. Love will be his undoing, and we're not talking about a fling with some cheap, two-timing dame. We're talking epic love, the kind of love that inspires poetry and songs. Ah, l'amour.

Director Julien Duvivier gives us a tragic hero in the classical tradition Le Moko 2who is the victim of fate. Pépé is wanted in France for various crimes. He's been hiding out in the Casbah of Algiers for two years, sheltered by the local inhabitants who will take any opportunity to defy the colonial authorities. He may be king of the Algerian underworld, but exile has turned bitter for Pépé, whose longing for Paris recalls Ovid's lament in the Tristia: “Say that I died when I lost my native land.” Here we see him looking mournfully out over the rooftops of the Casbah to the sea, toward France and freedom, both of which elude him.

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PROSE POEM

HISTORY’S MOST PERSECUTED MINORITY IS INSENSITIVE TO THE ASPIRATIONS OF WORLD’S MOST DISPOSSESSED TRIBE

by Rafiq Kathwari

My sister-in-law and I sat in the back seat of the Volkswagen as my older brother drove

in desperate rain through red lights to Maimonides. “Kicking,” she said, putting my

hand over her round belly. Shy, I lowered my gaze to her flip-flops on the car floor. She

gave birth to a son in Brooklyn eight years to the day JFK was shot in Dallas. A new

alien in New York, I babysat my cute nephew in a stark rental on Park Avenue in

Yorkville, with a view of Gimbels, now a long extinct department store. His dad rode the

IRT to work on Pine Street; his mom was a salesperson in Herald Square at Korvettes

another extinct store. The boy and I both discovered Big Bird on a Zenith console, my

first TV exposure at age 22. Our Park Avenue closets were stocked with handmade

Numdah rugs Grandfather had shipped from our ancestral home, Kashmir, hoping we’d

become rich fast carpeting America from sea to shining sea. I watched him dunk hoops

in Perturbia, his long hair swishing to Metallica, “Soldier boy, made of clay.” He hunted

jackrabbits at the family farm upstate, where he signed up at the local NRA, his dad’s

rifle on the boy’s shoulder. He scaled a peak one summer in Kashmir, the knotty dispute

forever a passionate subject at the dining table, sweetened often by ice cream after the

dishes were washed, and reruns of All In The Family wrapped up Prime Time. He

praised Allah at the Islamic Center Sunday School on California Road to which I once

gave a brand name vacuum cleaner that failed to suck up the holier-than-thou Talibs.

Allah alone knows what seeds they sowed in his receptive mind for he made his little

sister weep, shaming her for wearing leotards to her ballet class. She loved ballet classes,

and she always looked up to her big brother. He persuaded his dad to stop serving liquor

to guests, and he made his parents proud calling out the Call to Prayer at an annual apple

picking at the farm, an odd religious intrusion that on a crisp Fall day made me feel sad,

because I like my cider with a splash of vodka.

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The obstaclean theory of matter

by Charlie Huenemann

Obstacle_rock.jpg.scaled500Denying the existence of the material world never goes down well. No matter how clever and compelling the arguments, most of us want to insist that matter exists – and as our insistence becomes more vehement, we start pounding tables, as if that will impress our interlocutors.

Time and again over the years, I have tried selling idealism to students through George Berkeley's arguments. “You know, all you ever experience are perspectives of the world, right? So what idea can you possibly have of a world existing in itself, independently of any perspective? None, of course. So why not dispense with it, and just believe in perspectives that are coordinated with one another?” No dice. They are unmoved.

And I have also tried the more Greco-Germanic route. “You know, the more we strive to understand the physical world around us, the more we end up expressing the world in mathematical structures and relations. So why not think of the world as a set of mathematical structures, and forget about the alleged 'matter' that is supposed to instantiate those structures?” Again, blank stares (thought perhaps it is because I used the word “instantiate”).

In any case, most of us feel a deep need to assert the reality of the material world. Indeed, some of us sneer at the idea of trying to go without it. “Good luck crossing the street,” some may advise a would-be idealist. “The cars might not share your philosophy.” But I wonder – what is behind this deep need? What does the idea of “matter” do for us to earn such dedication on our part?

The more I have thought about it, the more I am drawn to an “obstaclean” theory of matter. To put the theory as simply as possible: matter is ultimately stuff that gets in our way. Material objects are obstacles, pure and simple. We might want this or that, and so we embark upon some plan, but then – wham! Something gets in our way. We didn't plan for that, and we certainly didn't want it. It's there independently, on its own. That's what matter does. That's what matter is. It is the sh*t that gets in our way.

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Monday, July 7, 2014

Revisiting Kristof’s Criticism of Academic Irrelevance

by D.E. Wittkower, Evan Selinger and Lucinda Rush

ScreenHunter_720 Jul. 07 18.46Some time has passed since Nicholas Kristof published his controversial Op-Ed “Professors, We Need You!“, and the time is ripe for us to approach the issue afresh. After briefly revisiting the controversy, we’ll offer some thoughts about how to promote public engagement by changing academic cultures and incentives.

When Kristof’s Op-Ed came out back in February, it provoked widespread discussion about whether academics—particularly in the social sciences and humanities—are socially relevant. Much of the heat stemmed from Kristof’s biting central claim: “Some of the smartest thinkers on problems at home and around the world are university professors, but most of them just don’t matter in today’s great debates.”

Rebuttals to Kristof came swiftly and appeared in different venues.

The New York Times itself published critical responses that highlighted the existence of socially relevant academic contributions in lots of places, including “use inspired research” and “blogs, TED talks, congressional and expert-witness testimony, support of social movements, advice to foundations, consultation with museums, summer programs for schoolteachers and work with prisoners.”

This crucial point that a wider net needs to be cast for defining ‘engagement’ was expressed elsewhere, too. Undeniably, counter-examples abound, including in high profile fora. “Kristof need only open the pages of the Nation, the New York Review of Books, the London Review of Books, the Boston Review, The American Conservative, Dissent, The American Prospect.” Indeed, a recent article in The Chronicle of Higher Education suggests that there’s actually robust public academic engagement occurring. “Spend a few hours reading news and opinion pieces, surfing interesting blogs, or dipping into conference-based hashtags on Twitter, and you will find academic voices speaking out—everywhere.”

Shortly after Kristof’s piece ran, the hashtag #EngagedAcademics gained traction on Twitter. Its creator Chuck Pearson lamented that when Kristof wrote about academics he was referring to “research one schools,” and perpetuating an argument predicated upon undue, elitist assumptions: “It still assumes that academics are those pipe-smoking, office-dwelling, masses-disdaining figures from another place. In other words—as the New York Times is so prone to do, when talking about higher education—it assumes that regional universities and state colleges don’t exist. It assumes that teaching-centered liberal arts colleges don’t exist. It assumes that most church-affiliated schools don’t exist. Good heavens, don’t even speak of the community colleges. And it assumes that everyone who could possibly serve as a public intellectual is a FULLPROF or is on the path to FULLPROF status. Non-tenure-track instructors? Visiting professors? God forbid, adjuncts?”

Finally, beyond the questions over whether Kristof was missing all the action happening right in front of him, some worried that asking academics to be more relevant might very well be a tacit invitation to requesting they avoid rocking the boat with controversial assertions: “. . . if ‘relevance’ means becoming mouthpieces of our new ruling class, then Kristof can keep it.”

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Leibniz’s Stepped Reckoner, and a clock for the next 10,000 years

by Charlie Huenemann

In 1671, in some letters exchanged with the French mathematician Pierre de Carcavy, Leibniz mentioned his plans to create a calculating machine. Apparently, he had been inspired by a pedometer, probably thinking that if machines could count, they could then calculate. Within a couple of years, he hired a craftsman build a wooden prototype of his machine, and he packed it along in a trip to London in 1673.

He presented the machine to the Royal Society, but his presentation failed. The machine was supposed to not only add and subtract, but multiply, divide, and even extract square and cube roots. But it just didn't work, though everyone was faintly impressed by the attempt. Well, almost everyone. Robert Hooke made close examination of the machine and asked detailed questions of its inventor. Afterward he set about both disparaging Leibniz's attempt to his friends and making a copy of the machine himself and showing it off.

Leibniz went back home, improved his design, and hired a better craftsman. Then, after two decades of tinkering, adjustments, and debugging, he finally had something to show: the Stepped Reckoner.

SteppedReckoner

A little over a year ago, Stephen Wolfram visited the Leibniz Archive in Hanover and saw the Stepped Reckoner for himself, as well as Leibniz's cramped and ingenious pages of calculations and designs. Wolfram notes that the most interesting “idea before its time” element in the device is Leibniz's appreciation for binary arithmetic. Really, the central idea of modern computing is right there, enshrined in beautifully sculpted gears, with a crank on the side.

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Monday Poem

Again

My father, at the kitchen table,
in a rare expression of mystery,
said, I think life is a cycle
But he was not a mystical man to me,
nose to the grindstone he ground
day after day, pressed
by incessant work, bound
to contingencies
like Sisyphus to his stone
linearly, but uphill
in his black boots and socks
his blue shirt and pants
cinched with a black belt,
sometimes a fedora,
often a smile through
cigarette-clinched lips,
he trucked on (unbeknownst to me,
and despite his flat trajectory)
mulling over vicissitudes,
contemplating repetitions,
weighing the properties of circles,
as does any common philosopher
hoping to unravel the hiddeness
under blood and bone,
coming to the conclusion
that to begin again
was the only thing that made sense
to him
.

by Jim Culleny
7/1/14