by Eric Bies

Birds talk in Chaucer. Three of his twenty-four Tales of Caunterbury practically center on speaking beaks, and a long poem preceding these, the Parlement of Foules, may have been written with no better motive than the trial and joy of Englishing chirps and squawks. We are told up front in “The Nun’s Priest’s Tale” that “beestes and briddes koude speke and synge,” a rather no-nonsense preamble to permitting Chauntecleer and Pertelote (a rooster and a hen) their colloquy on dream hermeneutics in a Jungian tongue, and though the word “auspice” hadn’t yet been coined in Chaucer’s day, the Latin from which it springs—auspex, literally “birdwatcher”—would have been familiar enough. Still, one never finds Chaucer’s birds articulating an oracular shape: there is nothing in them, really, to watch for. They resemble instead the simple, good-natured birds of Assisi, who helped form the first eager audience for an Umbrian friar’s itinerant preaching—birds of the same sort Henry David Thoreau mentions in the fifteenth chapter of Walden:
I once had a sparrow alight upon my shoulder for a moment while I was hoeing in a village garden, and I felt that I was more distinguished by that circumstance than I should have been by any epaulet I could have worn.
Although there is no evidence that the bird could communicate any further than the touch of its twiggy toes upon the writer’s shoulder, such a touch was enough. Had the sparrow tipped out from the end of Chaucer’s quill, however, it may have ventured to ask how the writing was going. For hadn’t Mr. Thoreau gotten it into his head, seated in his cabin at Walden Pond, to put pencil to paper and compose a book? Read more »

After LSE I have seen Jean Drèze mostly in India, usually in conferences in Delhi and Kolkata, and at Amartya Sen’s home in Santiniketan (where he used to stay whenever the two of them were writing books together). The Kolkata conferences were the annual ones that Amartya-da used to organize for some years, held usually at the Taj Bengal five-star hotel, which Jean would refuse to stay in. While others would take the 2-hour flight from Delhi to Kolkata, Jean would take the 24-hour train in the crowded second-class compartment. Then he’d call me and often stay with me in my Kolkata apartment. If Kalpana was around and it was winter she’d warm the bath water for him and arrange a comfortable raised bed for him; but Jean would refuse even those minor luxuries, and insist on taking cold showers and sleeping on the floor.
A little while ago my friend Bethany requested that I write an essay on the following topic: “Can/should pedantry be reconstituted as a virtue, maybe particularly for women.” I filed it away on my list of possible future essay ideas, but like a
Justin E. H. Smith’s recent book,
I’m not sure what Americans were like in the 18th and 19th century, but they have to have been a lot tougher, less whining, less self-important and paradoxically more exceptional without thinking they were exceptional than Americans of today.
Sughra Raza. Untitled, ca 2008.





This past spring, I found myself sitting, masked, at a wooden desk among a scattering of scientific researchers at the Museo Galileo in Florence. Next to me was a thick reference book on the history of astronomical instruments and a smaller work on the sundials and other measuring devices built into the churches of Florence to mark the cyclical turning points of cosmic time. The gnomon of Santa Maria del Fiore, for instance, consisted of a bronzina, a small hole set into the lantern ninety meters above that acted as a camera oscura and projected an image of the sun onto the cathedral floor far below. At noon on the day of the solstice, the solar disc superimposed itself perfectly onto a round marble slab, not quite a yard in diameter, situated along the inlaid meridian. I studied the explanations of astronomical quadrants and astrolabes and the armilla equinoziale, the armillary sphere of Santa Maria Novella, made up of two conjoined iron rings mounted on the façade that told the time of day and year based on the position of their elliptical shadow, when all at once it occurred to me that I’d wanted to write about something else altogether, about a person I occasionally encountered, a phantom living somewhere inside me: the young woman who’d decided not to leave, not to move to Berlin after all, to rip up the letter of acceptance to the art academy she received all those years ago and to stay put, in New York. Alive somewhere, in some other iteration of being, was a parallel existence in an alternative universe, one of the infinite spheres of possibility in which I’d decided differently and become a different woman.
Although by no means the only ones, two models of human beings and their relation to society are prominent in modern social and political thought. At first glance they seem incompatible, but I want to sketch them out and start to establish how they might plausibly be made to fit together.
Anneliese Hager. Untitled. ca. 1940-1950