Tesla at the Movies

by David Kordahl

Many of the best historical movies featuring “hard” scientists have used social problems, rather than than scientific controversies, to propel their action.1 Two recently released films that address the legacy of Nikola Tesla reverse this trend. The Current War, a plummy costume drama whose planned 2017 distribution was delayed by the Harvey Weinstein scandals, mainly addresses the famously public feud between Thomas Edison and George Westinghouse. But at its heart is the question of whether the future of electrical power would run on direct current (DC) or alternating current (AC), a debate that Tesla’s polyphase AC generators eventually won. And the newly released Tesla, a formalist exercise in the postmodern style, takes Tesla’s story farther, leading viewers into his controversial work on wireless power transmission, work that, depending on which parts of the Internet you ask, was either awesomely visionary or deeply confused.

Nikola Tesla (1856-1943) was a truly odd person, the only scientist whose name a hair band and a car company might both want to borrow. It isn’t hard to figure out what has made him a mainstay of popular culture. Had Tesla merely been an inventor of genius, he might have been remembered only by engineers. But Tesla was also an entertainer. My Inventions, a compilation of Tesla’s scattered popular writing, includes many quotes that sound openly anti-scientific. In between his anecdotes about curing personal ailments with his mind and an exposition of his law of compensation (“true rewards are ever in proportion to the labor and sacrifices made”), here’s how Tesla described his method of invention:

When I get an idea I start at once building it up in my imagination. I change the construction, make improvements and operate the device in my mind. It is absolutely immaterial to me whether I run my turbine in thought or test it in my shop. […] When I have gone so far as to embody in the invention every possible improvement I can think of and see no fault anywhere, I put into concrete form this final product of my brain. Invariably my device works as I conceived that it should, and experiment comes out exactly as I planned it.

For a person of sufficient genius applying solidly established scientific principles, this method might work. But where the empirical principles haven’t been firmly established, this seems like a pretty bad method, and Tesla’s later explorations, which pushed ever farther into questions of basic science, were increasingly unfruitful, perhaps as a result of this. Read more »



Debating. Ourselves.

by Paul Orlando

Two days after the 2016 presidential election I turned one day of my normal university classes into a history of recent presidential campaigns. I looked at a few of the more famous moments from campaigns of the previous 50 years, none of which the students knew.

If you’re reading 3QD you probably know these moments. But you might also want to remind yourself that not everyone does, especially if they have not lived through them. If it’s a help, here is a short list that you might send others who are interested.

The 1960 Kennedy – Nixon debate

Before this debate even begins, the first thing you might notice is the way JFK sits. He crosses his legs. He’s also in a dark suit against a light background. He is also the better looking of the two candidates. Nixon, on the other hand, sits with both feet awkwardly on the floor and can’t find a place for his hands.

As a televised debate — and the first ever — these things unfortunately matter.

The next thing you might notice is that the moderator announces that there will be opening statements of eight minutes. Eight minutes! (And JFK only used about seven). And while it was not stated, there were to be no interruptions. This, after all, was formal debating. If you watch the debate, the striking thing is how different that style now seems.

Presidential candidates didn’t debate on television again until the 1976 campaign. Read more »

This sentence is false.

by Tim Sommers

There’s something wrong with the sentence, “This sentence is false.” Is it true or false? Well, if it’s true, then it’s false. But then if it’s false, it’s true. And so on. This is the simplest, most straightforward version of the “Liar’s Paradox”. It’s at least two thousand five hundred years old and well-known enough that you can buy the t-shirt on Amazon.com.

I’ve been thinking about the “Liar’s Paradox” lately, because I’m teaching an “Introduction to Philosophy” class on paradoxes (and writing a book) called “Life’s a Puzzle: Philosophy’s Greatest Paradoxes, Thought-Experiments, Counter-Intuitive Arguments, and Counter-Examples from AI to Zeno”. It starts with the “Liar’s Paradox” because it’s one of the oldest and most well-known, but also simplest and most daunting, of philosophical paradoxes. Some people think that while “puzzle” cases in philosophy are fun and showy, they are not where the real action is. I think every real philosophical puzzle is a window onto a mystery. And proposed solutions to that mystery are samples of the variety and possibilities of philosophy.

So, let’s start with this. Why is it called the “Liar’s Paradox”? Let’s go to the Christian Bible for that one, specifically, “St. Paul’s Letter to Titus” (Ch. 1, verses 12-14)

“They must be silenced, because they are disrupting whole households by teaching things they ought not to teach – and that for the sake of filthy lucre.12 One of Crete’s own prophets has said it: ‘Cretans are always liars, evil brutes, lazy gluttons.’13 This statement is true.14

Verse 12 has philosophers dead to rights. We are disrupting whole households, teaching things we ought not to teach and – speaking for myself at least – it’s all about the filthy lucre (hence, the book). But verse 13 is what we want here. It has “Cretan’s own prophet” saying “Cretans are always liars.” Now, if that just means that all Cretans lie a lot, but not all the time, there’s no problem. But if it means that Cretans are always lying whenever they speak, given that this is asserted by a Cretan (read: liar), we have a paradox. This then is the primordial, liar’s version of the “Liar’s Paradox”. If that’s unclear you can simplify the liar’s version down to: “I am lying right now.” Read more »

A View from Afar: Trump’s Presidency

by Adele Wilby

Donald Trump’s presidency has generated a greater than normal interest in American politics, but not necessarily for the right reasons. How, people wondered, could such a poorly qualified candidate, and, as we have seen over the years, of equally poor calibre possibly become the President of the United States and leader of the ‘free’ world?

Events over recent days have added to that curiosity, not least his performance during the Presidential debate on 29 September. Moreover, his refusal to endorse a peaceful transition of power should he lose the presidential race in November in 2016, is troubling enough, but equally, and arguably of greater concern, are the recent revelations surrounding Trump’s business dealings and tax returns.  That a man of such purported wealth has not paid taxes for ten to fifteen years or has paid just 750 dollars since he assumed office in 2016, is not only outrageous, but is substantial evidence to raise legitimate concern about the integrity of the man sitting in the White House. Furthermore, given the business losses he is said to have incurred suggests that Trump is not the savvy businessman that he likes to portray to his base and the public, but rather is incompetent and reckless with finances: he is neither honest nor  a safe pair of hands with the national economy. Worrying also are the suggestions that he has used his office for financial gain. His tax returns confirm what his reluctance to reveal them has always implied: they have been worked in such a way to his financial benefit and exempted him from paying the amount of tax equivalent to his wealth, of not paying his required contribution to the national purse.

Theories abound to account for the support that Trump has enjoyed  and continues to enjoy: the emasculation of white working class men; his appeal to sections of white women voters; his criticism of  globalisation and his commitment to bring jobs home again; a rejection  of a liberal political elite that dominates US politics; anti-immigrant sentiments; a dislike of America’s contribution and participation in international institutions such as NATO and the United Nations; nationalism,  to name a few. There are also arguments that critically examine the problems with the American Constitution and democracy, and here I refer to the way the Electoral College works to allow the individual with the least number of popular votes to assume the office of President.

Each of these theories has its own credibility as an explanation to account for Trump’s appeal and electoral success in 2016. However, considering Trump’s track record over the past four years, many people scratch their heads in disbelief as to how he became the uncontested Republican candidate for the forthcoming presidential elections. Surely his record and behaviour would deter the American public from even considering him as a potential President. Read more »

Matters of the Heart

by Sabyn Javeri Jillani

Sometimes it’s the anatomical heart, a muscle the size of a fist, pumping furiously to keep us alive, at other times it is the beating of the metaphorical heart that leads us astray. Fact or fiction, real or symbolic, the heart is central to the story of our lives. The heart is what connects us, what leads us, or misleads us. Heartbreaks, heartaches, heart to hearts, heartening and heartfelt, the heart is central to our emotions, and to our bodies. Although its bodily function is often underplayed in place of its emotional one, be it art, literature, cinema or even emojis. Like most people, I too had grown up associating the heart with recklessness, with spontaneity and intuition, and with love and sorrow rather than stability and strength.

And so when I recently went through a melancholic time in my life, I thought of myself as heartbroken. Little did I know that heartbreak could manifest itself medically too. For the last few days, every time I felt aggrieved, I felt my heart slam against my chest as if it was trying to break free of the hollow cavity that contained it. At other times when I felt anxious, my heart too felt overwhelmed as the world was closing in on me. Every time I thought of the anguish, I felt as if my heart was folding in on itself and sinking towards my stomach. At other times when the heartbreaking thought of losing someone I loved became too much to bear, I felt as if my heart was splitting in two, my pulse slowing down, my palms becoming cold. Read more »

Down With The Flu

by Claire Chambers

At the time of writing President Donald Trump is an inpatient at the Walter Reed Medical Center. He is of course receiving treatment for coronavirus, a virus he has repeatedly downplayed as being ‘like the flu’. Influenza causes a temperature, achy muscles, often a headache, and some upper respiratory tract symptoms such as a cough. Transmission is through droplet spread, handling of passive vectors like objects and surfaces, and physical contact with the infected. To be fair, this does sound rather like Covid-19, but it is there that the similarities end. Flu is a completely different virus, from which people mostly recover within a week. By contrast, with SARS-CoV-2 it is often in the second week of the illness that some sufferers become alarmingly sick. Influenza tends to kill younger people, because they sometimes have an overactive immune response to the virus leading to organ failure. Meanwhile, one of the reasons for the particular concern for Trump (out of all the Republicans who became infected in the last extraordinary week) is that it is old, obese men who are most at risk of dying. Thinking about the similarities and differences between influenza and Covid-19 brings me to two contemporary pandemic novels by women writers.

‘Changed utterly’: The 1918 Flu in Emma Donoghue’s The Pull of the Stars

Irish-Canadian author Emma Donoghue sets her latest novel The Pull of the Stars in Dublin against the backdrop of the final year of the First World War and the ‘Spanish Flu’ that killed more people than had died in the conflict. The intriguing creation story behind this publication is that Donoghue was almost at the proof-checking stage when the Covid-19 pandemic took hold globally. With the help of her publishers (Picador in the UK, and in America Little, Brown), the book was brought out quickly, and she was able to count on a readership sadly better educated about pandemics than she ever expected. Read more »

The Promise of Happiness

by Chris Horner

Beauty is nothing more than the promise of happiness —Stendhal

Colours of Lake Maggiore (Photo: C Horner)

How can beauty promise happiness? And what kind of beauty would this be? What sort of happiness? Happiness and Beauty have been central issues for thinkers since antiquity, and the question of what they really are, and whether we should even prize them as we do, have been subjected to sustained critique and discussion for millennia. I don’t intend to join that debate here. Happiness and Beauty: the more we try to get clear about them, the more they seem to recede from us. But, like Stendhal, we cannot do without them. 

The origin of the quotation at the top of the page is his On Love, in a footnote in about the possibility of loving that which is ugly. He gives an anecdote about a man who falls in love, not with a woman who is conventionally beautiful but rather one who is not good looking, is too thin and is scarred with smallpox. He falls for her because she reminds him of a past love. Stendhal’s claim here is that beauty isn’t based on physical perfection. The idea of beauty is distinct from the physical form of the thing we desire. This may seem an odd way of conceiving of beauty, but it has a lineage that goes back to Plato. Beauty is kind of message or sign of something else.

Happiness, it seems, is elsewhere. We recall it or anticipate it, and the thing desired is somehow Other to where we are in space and time. The pursuit is not necessarily pleasurable, as the recollection of past happiness can be painful [1]. For Stendhal it is prompted by an erotic encounter, but presumably anything might serves as a trigger: the smell of autumn leaves, the hills in summer, a piece of music. One is reminded of Proust’s Madeleine, and the onrush of unbidden memory in his In Search of Lost Time. We are a long way from conventional ideas of harmony of form, or pleasing combinations of colour or tone. It seems to be less about beauty as it is usually understood, and more about a longed for state of felicity, however it is imagined: for past loves, for home, for childhood. Read more »

Monday, September 28, 2020

Social Democracy and Capitalism: The Fraught Link

by Pranab Bardhan

In my earlier column, “Prospects of Social Democracy in a Post-Pandemic World” I did not have the time or space to discuss some systemic issues, like the fraught link of social democracy to the capitalist mode of production. Different people mean different things when they talk of social democracy and its somewhat close kin, democratic socialism. I usually associate the former with the mode of production remaining essentially capitalist, though with some important modifications, and the latter with the case where the ownership or control of the means of production is primarily with non-private entities (the state or cooperatives or worker-managed enterprises). In this sense Bernie Sanders and his followers wrongly describe themselves as democratic socialists, to me they are social democrats.

In social democracy those important modifications to the capitalist mode of production may involve some substantial reform in the governance of the firm and in the fiscal power of the democratic state to raise taxes to fund a significant expansion of redistributive and infrastructure programs. Yet these modifications will remain constrained by what used to be called the ‘structural dependence’ on private capital. How far that structural limit can be pushed will vary with a country’s institutional history, political culture, and social norms. Much will depend on how far the modifications of capitalism can leave unhampered the mechanism of productivity growth and innovation, which Schumpeter considered the engine of capitalist dynamics. Is there a magic balance achievable under social democracy? This will be central to my discussion in this article, as I often find that my social-democratic and democratic-socialist friends do not pay adequate attention to the question of innovations. I shall also comment on the need for significant reforms in the financial system, labor market policy and election funding for a social democracy to function properly, Read more »

Voting and Hoping

by Joan Harvey

“Asked in an interview with Alex Jones, the far-right conspiracy theorist, what Trump should do against Democrats who “think they can steal” the election, Roger Stone — a close confidant of the president whose 40-month prison sentence for witness tampering and lying to Congress was commuted by Trump earlier this year — said that “the ballots in Nevada on election night should be seized by federal marshals and taken from the state” because “they are completely corrupted.” He also urged the president to declare “martial law” and invoke the Insurrection Act to arrest political opponents.” —Jamelle Bouie, “Trump’s Perverse Campaign Strategy” New York Times, September 15

“In case you didn’t notice, we’re being governed by armed thugs, criminals and traitors, who would as readily shoot you as spare you if it serves their purposes. This election is your last chance to save yourself and your family. Trust me, I’m not exaggerating. Not even a bit.” —Laurence Tribe @tribelaw on Twitter September 14

“I cannot speak with my voice, so I speak with my voices.” —Alejandra Pizarnik “Cornerstone” from A Musical Hell

More Powerful than a Molotov Cocktail (Orange Stain Remover).  Image courtesy of A Creative Resistance

Already Trump supporters are outside at the polls harassing voters. Like their president, they must know that without violence, intimidation, and voter suppression on their part, their candidate doesn’t have a chance. We’re more than a month out from the election but already the mob rule we’ve been expecting has begun. Trump says he may issue an executive order preventing Biden from being elected. And he is making a big issue about voter fraud (which is almost nonexistent) while at the same time suggesting people vote twice, no doubt in order to create voter fraud so he can blame that if he loses.

The despotism and desperation of this administration is very much out in the open, and his followers either approve of it or don’t care. An increasingly likely outcome to this election is that most Democrats, sanely not wanting to expose themselves to Covid-19 and harassment at the polls, will vote by mail, while Republicans will go in person to the polls. The mail-in ballots won’t be counted by election eve by states unaccustomed to mail-in voting (and could possibly be sabotaged by state officials who want a delay). Trump will declare victory that night, will be backed by the courts, and the actual result will not matter. Read more »

From Nudge to Hypernudge: Big Data and Human Autonomy

by Fabio Tollon

We produce data all the time. This is a not something new. Whenever a human being performs an action in the presence of another, there is a sense in which some new data is created. We learn more about people as we spend more time with them. We can observe them, and form models in our minds about why they do what they do, and the possible reasons they might have for doing so. With this data we might even gather new information about that person. Information, simply, is processed data, fit for use. With this information we might even start to predict their behaviour. On an inter-personal level this is hardly problematic. I might learn over time that my roommate really enjoys tea in the afternoon. Based on this data, I can predict that at three o’clock he will want tea, and I can make it for him. This satisfies his preferences and lets me off the hook for not doing the dishes.

The fact that we produce data, and can use it for our own purposes, is therefore not a novel or necessarily controversial claim. Digital technologies (such as Facebook, Google, etc.), however, complicate the simplistic model outlined above. These technologies are capable of tracking and storing our behaviour (to varying degrees of precision, but they are getting much better) and using this data to influence our decisions. “Big Data” refers to this constellation of properties: it is the process of taking massive amounts of data and using computational power to extract meaningful patterns. Significantly, what differentiates Big Data from traditional data analysis is that the patterns extracted would have remained opaque without the resources provided by electronically powered systems. Big Data could therefore present a serious challenge to human decision-making. If the patterns extracted from the data we are producing is used in malicious ways, this could result in a decreased capacity for us to exercise our individual autonomy. But how might such data be used to influence our behaviour at all? To get a handle on this, we first need to understand the common cognitive biases and heuristics that we as humans display in a variety of informational contexts. Read more »

Monday Poem

Imagine This

moon

unlikely thing
shaped like a dish

saucer moonspan wide in nightsky
laden with milk for a cat

still and perfectly crisp
who’s ever less than that
and ever more than this

sun up moon scats

have you noticed that in a miraculous way
fully backed by science, truth, even in the dark,
will always stare you down regardless
of how you may hate a fact?

Jim Culleny
4/1/15

How I Learned to Stop Worrying and Love “Post-Truth”

by N. Gabriel Martin

Image @markusspiske

Is it still possible today, in the age of widespread and outlandish conspiracy theories, algorithmically induced filter-bubbles, and bullshitting demagogues, a generation after the US Republican party adopted a strategy of unprincipled obstructionism to anything that their democratic counterparts proposed, to believe that reason has a place in politics? When we are so polarised that finding any relevant common ground with our opponents at all is a far-fetched notion, it seems naive to think that it is still possible to move politics by making good arguments. If that were true, then there would be nothing more to politics than might making right. However, pessimism about political reason is only partially justified. While our ability to resolve political disagreements using reason is in crisis, other aspects of public debate are more vital than they have been in generations.

In the aftermath of the breakdown of the political consensus that dominated the broadcast era and persisted for a while into the internet age it is hard to be credulous about resolving disagreement by appealing to opponents’ reason. It’s not possible today, as it once was, to appeal to a common ground of faith in political and cultural institutions in order to bring opponents over to one’s side. The fragmentation and polarisation of the media landscape, contests over the validity of governmental institutions (such as the courts or elections) previously widely considered neutral, and denial of the credibility of experts have left us without much common ground. That’s true, even though we still share many beliefs and values. Politicians and commentators from across the political spectrum talk about the same values, such as democracy, freedom, and life, but on their own, without shared institutions to provide a common understanding of what threatens and what nurtures those values, shared values themselves are too hollow to help us resolve conflicts. The current battle over the legitimacy of the election shows how defence of a grand and nebulous value like democracy can be claimed by either side. Without trust in the expertise and neutrality of institutions, it is impossible for most of us to determine which purported threats to democracy are real and which are fake. Read more »

The Tale of the Eloi and the Morlocks

by Charlie Huenemann

A Morlock preying upon an Eloi child, as envisioned by Tatsuyo Morino

H. G. Wells’ novella, The Time Machine, traces the evolutionary results of a severely unequal society. The Traveller journeys not just to the year 2000 or 5000, but all the way to the year 802,701, where he witnesses the long-term evolutionary consequences of Victorian inequality.

The human race has evolved into two distinct species. The first one we encounter is the Eloi, a population of large-eyed and fair-haired children who are loving and gentle, but otherwise pretty much useless. They flit from distraction to distraction and feed upon juicy fruits that fall from the trees. “I never met people more indolent or more easily fatigued,” observes the Traveller. “A queer thing I soon discovered about my little hosts, and that was their lack of interest. They would come to me with eager cries of astonishment, like children, but, like children they would soon stop examining me, and wander away after some other toy.”

The Traveller is an adventurous explorer in the mold of Richard Francis Burton or Henry Walter Bates, so he is eager to begin theorizing about how the Eloi came to such a state. He is struck by the fact that the Eloi are nearly androgynous, and he thinks that both this fact and their docility must have resulted from a life in which there is no need for struggle. Read more »

Judging the Past versus Saving the Statues

by Peter Wells

“A man has been arrested in connection with the toppling of a statue of slave trader Edward Colston. A bronze memorial to the 17th Century slave merchant was torn down in Bristol during a Black Lives Matter protest on 7 June and was dumped in the harbour” (BBC, 1 July 2020).

Here is a poem by the current Poet Laureate of the UK, Simon Armitage. It takes the form of a ‘eulogy’ upon an imaginary man of a previous generation. As in a funeral, it lists the ‘achievements’ of the deceased, but includes, unlike a normal funeral oration, his failures:

And if it snowed and snow covered the drive
he took a spade and tossed it to one side.
And always tucked his daughter up at night
And slippered* her the one time that she lied. [hit her with a slipper]

And every week he tipped up* half his wage. [handed over]
And what he didn’t spend each week he saved.
And praised his wife for every meal she made.
And once, for laughing, punched her in the face.

And for his mum he hired a private nurse.
And every Sunday taxied her to church.
And he blubbed* when she went from bad to worse. [sobbed]
And twice he lifted ten quid* from her purse.  [stole £10]

Here’s how they rated* him when they looked back: [evaluated]
sometimes he did this, sometimes he did that.

To summarise, for most of his life this nameless man was a model householder, father, husband and son, but he erred at least four times – once by spanking his daughter, once by punching his wife, and twice by stealing from his mother. In English lessons for 16-year-olds in the 90s this poem created an interesting polarisation. Half the class (mainly the boys) thought the man was basically OK, whereas the other half (mainly the girls) thought he was a monster – for, after all, he was a child-abuser, a wife-beater, and a thief (and all his victims were female).

In other words, all the students (not just the girls) fell into the trap set by Armitage, by allowing one side of the man’s story to trump the other. The boys (wrongly) insisted that his misdeeds were minor and irrelevant, considering his generally blameless life, whereas the girls, equally wrongly, thought that the four bad actions nullified all his good deeds. This clever little poem neatly illustrates the difficulty of judging (‘rating’) people, even when they are fictitious. We should not ‘judge’ people, not just because Jesus is said to have forbidden it (Matthew 7.1), but because it is wrong in principle and impossible in practice.

We can only judge actions. Read more »

The Alexandria Quartet: Reflections In Broken Mirrors

by Thomas O’Dwyer

Eve Cohen Durrell, the model for Justine in The Alexandria Quartet.
Eve Cohen Durrell, the inspiration for Justine in The Alexandria Quartet.

The Nobel Prize season is almost upon us and writers who cover the events are poised as usual to see if the awards ride in on any juicy scandals. In particular, we’re watching you, Peace and Literature. This pandemic year’s winners will have no glitter to adorn their prizes, no lavish dinners, no rubbing shoulders with royalty. Of all the Nobel Prizes, Literature has been the most battered in the 120 years of their existence. The very first prize in 1901 was roundly criticised. It went to a now-forgotten French poet, Sully Prudhomme, instead of to the literary world’s favourite candidate, Leo Tolstoy. And so it has continued, with annual winners variously denounced as too Swedish (seven of them), too obscure, too European, too male (only 15 women out of 101 awards), too white, too unworthy, too shallow (sorry, Bob Dylan). The Nobel Committee itself collapsed in 2018 and awarded no prize after an internal sex and finance scandal. The list of controversies over ignored worthy authors is itself book-length — among them were Henrik Ibsen, Émile Zola, Mark Twain, James Joyce, Graham Green, Robert Graves.

One of the more offensive rejections by the Nobel Committee was in 1962 when Lawrence Durrell was dismissed in favour of John Steinbeck. This was “one of the Academy’s biggest mistakes” wrote one Swedish newspaper. On the day of the award, a critic asked Steinbeck if he deserved it. He replied, “Frankly, no.” Swedish journalist Kaj Schueler in 2013 revealed that Durrell was not chosen because “they did not think that The Alexandria Quartet was enough, so they decided to keep him under observation for the future”. Read more »

On László Krasznahorkai’s “Seiobo There Below”

by Andrea Scrima

The stories in Seiobo There Below, if they can be called stories, begin with a bird, a snow-white heron that stands motionless in the shallow waters of the Kamo River in Kyoto with the world whirling noisily around it. Like the center of a vortex, the eye in a storm of unceasing, clamorous activity, it holds its curved neck still, impervious to the cars and buses and bicycles rushing past on the surrounding banks, an embodiment of grace and fortitude of concentration as it spies the water below and waits for its prey. We’ve only just begun reading this collection, and already László Krasznahorkai’s haunting prose has submerged us in the great panta rhei of life—Heraclitus’s aphorism that everything flows in a state of continuous change.

But the chapters of Seiobo There Below are not really independent stories; rather, they form a precisely composed sequence of illuminated moments that are interconnected in many complex ways. Of these, “Kamo-Hunter” is the only one that does not describe a process of artistic creation, but a bird’s (and by implication the narrator’s) power of focus, the heightened state of awareness necessary to stem itself against the wind and resist the pull of the current to remain perfectly still until the moment arrives to snatch up its prey. And suddenly it’s less a matter of the ceaseless movement of all things, but of absolute composure, a deepest possible being in the present tense, a kind of timelessness in which the moment and eternity conjoin to create a brief flash of transcendence. It is about “one time, immeasurable in its passing, and yet beyond all doubt extant, one time proceeding neither forward nor backwards, but just swirling and moving nowhere.” This, in short, is the nature of the concentration required to create art—and what makes “Kamo-Hunter” such a cogent opening to this novel. Read more »