Visual Histories: Peter de Swart and Rachelle Reichert

by Timothy Don

The current economic crisis is crushing artists, museums, and galleries everywhere. In the San Francisco Bay Area, where I live, an exorbitant rental market made maintaining a practice difficult before this crisis hit. It’s even harder now. With 3QD’s permission, I’m going to use this column to talk about the work of some of the artists and art professionals I have met here. I ask you to support artists wherever and however you can.

Peter de Swart, works on paper: Triptych

The triptych form is associated with religious painting. It first appeared as a feature of early Christian art and became popular for altar paintings and devotionals during the Middle Ages. While Peter de Swart’s Triptych is not overtly religious, it emanates an undeniably religious or spiritual aura. It is, in a word, numinous. To encounter this painting is to witness a sacred transaction. You’d have to be a stone to look at it and not experience a yearning for the divine. Why, apart from its rearticulation of the history and symbolism of the triptych form, is that?

It must have something to do, first of all, with the simple purity of the object pictured, which appears to be a bowl of some sort. Bowls are one of those inventions (like scissors or chopsticks or the hourglass) that we got right the first time. They were perfect the moment they appeared. In the bowl, function lives harmoniously with form. Its shape is so ideal as to be almost Platonic. Furthermore, bowls are used to prepare and serve food and drink, which means that they give sustenance, enable shared meals, and consequently help to strengthen communal bonds and deepen human relationships. Finally, bowls are vessels. Like hands and pockets and ships, they hold and contain and convey things—but they are not grasping like hands, nor like pockets do they secret away their contents, and they don’t trade goods and gold like ships. Quite the opposite, in fact: Bowls are generous, open, gratuitous. They give away the things they hold.

All of these attributes (form, use value, ethos) lend bowls a quasi-spiritual redolence, but they do not make bowls sacred. If this triptych depicted a bowl no different from any other bowl, then its effect would be decorative rather than numinous. This bowl is special. Again we must ask: Why is that? Read more »

You Win Again Finn Again

by Thomas O’Dwyer

It seemed like a good idea. What better time than a pandemic lockdown to tackle again a feat that no human has so far accomplished and yet which seems to require nothing more than a comfortable chair, fingers that can turn pages, and a slice of uninterrupted time. It was another perfect opportunity to try just once more to read Finnegans Wake. It’s a book. How hard can it be? There are no spoilers here; it’s hard, and I failed and will most likely never try again.

Finnegan's Fall, from an illustrated edition of Finnegans Wake, by John Vernon Lord for the Folio Society.
Finnegan’s Fall, from an illustrated edition of Finnegans Wake, by John Vernon Lord for the Folio Society.

When he published Finnegans Wake in May 1939 after 17 years writing it, Joyce said that he wrote the book “to keep the critics busy for 300 years” and “the only demand I make of my reader is that he should devote his whole life to reading my works.” So far, so good – they’re still going strong, critics and masochistic readers, 81 years later. But most unusually, the critics began trying to decipher the Wake before it was even written. In 1929 Joyce’s friend Samuel Beckett and a group of writers produced a symposium on what Joyce then called Work in Progress. This was ten years before the final Wake emerged. They published their erudite musings in a booklet ominously titled Our Exagmination Round His Factification Of Work In Progress. We readers can’t say we weren’t warned.

Jerry Seinfeld is unlikely to pose the question, but here it is: “What’s the deal with Finnegans Wake?” First, what is it? The Wake built on Joyce’s already formidable reputation for reconstructing the English language – Portrait of the Artist as a Young Man, Dubliners, and the astonishing saga of one insignificant man’s ordinary day in Dublin, Ulysses. Finnegans Wake was something else – so dense, incomprehensible and apparently pointless that even today it is perfectly respectable to argue that it was a giant hoax which Joyce produced for his own amusement and to confound his critics. Read more »

Naomi Klein: Under Cover of Mass Death, Andrew Cuomo Calls in the Billionaires to Build a High-Tech Dystopia

Naomi Klein in The Intercept:

For a few fleeting moments during New York Gov. Andrew Cuomo’s daily coronavirus briefing on Wednesday, the somber grimace that has filled our screens for weeks was briefly replaced by something resembling a smile.

“We are ready, we’re all-in,” the governor gushed. “We are New Yorkers, so we’re aggressive about it, we’re ambitious about it. … We realize that change is not only imminent, but it can actually be a friend if done the right way.”

The inspiration for these uncharacteristically good vibes was a video visit from former Google CEO Eric Schmidt, who joined the governor’s briefing to announce that he will be heading up a blue-ribbon commission to reimagine New York state’s post-Covid reality, with an emphasis on permanently integrating technology into every aspect of civic life.

“The first priorities of what we’re trying to do,” Schmidt said, “are focused on telehealth, remote learning, and broadband. … We need to look for solutions that can be presented now, and accelerated, and use technology to make things better.” Lest there be any doubt that the former Google chair’s goals were purely benevolent, his video background featured a framed pair of golden angel wings.

Just one day earlier, Cuomo had announced a similar partnership with the Bill and Melinda Gates Foundation to develop “a smarter education system.” Calling Gates a “visionary,” Cuomo said the pandemic has created “a moment in history when we can actually incorporate and advance [Gates’s] ideas … all these buildings, all these physical classrooms — why with all the technology you have?” he asked, apparently rhetorically.

More here.

Sunday Poem

VI—The Stare’s Nest by My Window

The bees build in the crevices
Of loosening masonry, and there
The mother birds bring grubs and flies.
My wall is loosening, honey bees
Come build in the empty house of the stare.

We are closed in, and the key is turned
On our uncertainty; somewhere
A man is killed, or a house burned,
Yet no clear fact to be discerned:
Come build in the empty house of the stare

A barricade of stone or of wood;
Some fourteen days of civil war;
Last night they trundled down the road
That dead young soldier in his blood:
Come build in the empty house of the stare.

We had fed the heart on fantasies,
The heart’s grown brutal from the fare,
More substance in our enmities
Than in our love; oh, honey-bees
Come build in the empty house of the stare.

W.B. Yeats

On Ancestry

Justin E. H. Smith at his own blog:

Two thoughts have long come unbidden to my mind whenever I hear people talking about doing their family trees, or, more recently, getting their DNA done. The first is of Bruce Willis’s character in Pulp Fiction, the boxer Butch Coolidge in the back of the taxi, who, when asked by his South American driver what his name means, replies, “I’m an American, baby, our names don’t mean shit.” The other is of Seneca, who wrote in his Moral Letters to Lucilius: “If there is any good in philosophy, it is this, — that it never looks into pedigrees. All men, if traced back to their original source, spring from the gods.”

To be an American is to bear a name with no historical resonance, or at least none worth looking into, to orient oneself in the world without regard for lineage. To be a philosopher is to know consciously what the American feels by instinct: that the reason lineages are not worth looking into is the same for all of us, namely, that we all derive from the same divine source.

But I am, or like to think of myself as, an American philosopher, and so of course I always scoffed when my late father –who did not share my sensibility, did not see being American in the same way– used to come home with all sorts of vital-statistics records from Utah and Arkansas, with genealogical scrolls stretching back to Olde England. I always got a vague whiff of prejudice moreover from those family-history buffs more extreme than my father ever was, displaying with pride their ancestors’ tartan patterns above the fireplace, or hanging up a coat-of-arms and explaining with pride why the stag is rampant as opposed to statant, say, or offering an embroidered pillow with some implausible sentiment about Irish or Polish or Swedish superiority. No, I always thought, to hell with all that. I come from nowhere. I come from no one but the gods.

More here.

Postcard From the Pandemic: Tolstoy Under Quarantine

Wayne Scott at Poets & Writers:

In the dark days of quarantine, I have a habit, born of a fretful insomnia, of rising before dawn. Descending the stairs from my attic room, passing second-floor bedrooms, I imagine I am an all-knowing god of some small universe, like Leo Tolstoy in War and Peace, and can peer into the dreams of my loved ones.

My wife, who works for a health insurance plan that takes care of low-income people, argues in her sleep (even in her dreams she is in meetings, grappling with the tattered safety net, so many sick and soon-to-be-sick people). My twenty-two-year-old daughter, who will be next to wake up to work on her senior thesis, consoles herself that she wasn’t enthusiastic about the graduation ceremony anyway. My seventeen-year-old son, who fell asleep a few hours ago, will sleep until afternoon. He misses his friends, even as he chides them on social media for their lax compliance with social distancing. He worries about having a lonely eighteenth birthday in two weeks.

One bedroom is empty. My twenty-year-old son, still at an English-speaking college in Berlin, convinced us he was safer to wait out the pandemic there, rather than undertake a risky journey home. On a Facetime call we agreed his plan was best. My wife cried; Berlin is five thousand miles away from us.

More here.

Epidemics and Society: diseases have shaped humanity as much as war – abetted by the hubris of our leaders

Tim Adams in The Guardian:

Twenty years ago, the US Department of Defense set out a clear warning: “Historians in the next millennium may find that the 20th century’s greatest fallacy was the belief that infectious diseases were nearing elimination. The resultant complacency has actually increased the threat.” Along with other western nations, federal and state governments in America had spent the previous decade or so dismantling public health programmes dealing with communicable diseases in order to concentrate funds on degenerative illnesses: diabetes, heart disease, cancer, stroke. Corporate investment in the development of new vaccines and antibiotics almost dried up, as if the battle that humans had waged over millennia against plague and pestilence had now been won – at least in the developed world. Michael Osterholm, the Minnesota state epidemiologist, informed US Congress in 1996: “I am here to bring you the sobering and unfortunate news that our ability to detect and monitor infectious disease threats to health in this country is in serious jeopardy. . . . For 12 of the states or territories, there is no one who is responsible for food or water-borne disease surveillance. You could sink the Titanic in their back yard and they would not know they had water.”

In the years since, as Frank Snowden’s illuminating history shows, that indifference became endemic. The World Health Organization has argued for years that the mechanics of our globalised economy, the dramatic increase in urbanisation and mass intercontinental travel has exponentially increased the chances for infectious disease to mutate and spread. It identified a record 1,100 “worldwide epidemic events” between 2002 and 2007. A year later, researchers identified 335 new human diseases that had emerged since the development of the polio vaccine in the late 1950s, most of them originating in animals (many in bats). “Their names now run the gamut from A to Z – from avian flu to Zika,” Snowden notes, “and scientists caution that far more potentially dangerous pathogens exist than have so far been discovered.” Yet still, when he finally acknowledged the destructive presence of Covid-19 in his nation’s population, the primary response of the president of the US was one of genuine surprise: “Who would have thought?”

More here.

Humera Afridi on the Quarantine State of Mind

Humera Afridi in Lit Hub:

In this half-life of quarantine, danger lurks in the unlikeliest of places: the touch of an elevator button, a store-bought carton of milk, my son’s sneeze. Insidious and cunning, death is everywhere around us.

I pattern sedulous days at home with occasional walks around the neighborhood, along silent streets trailing westward to the Hudson River. Solitary walks, for the most part, because the locked playgrounds and confiscated basketball hoops stir a sense of horror in my 12-year-old. My lung hurts, he says, panicked and teary, feeling the city’s pain as his own one afternoon days before his 13th birthday, when I drag him out to get some air. This is too depressing, he mopes. I just want to stay inside. All but two of his friends have left the city to shelter upstate, with room to roam in isolation and scamper unfettered amid the changing foliage. In times of disaster, fissures are stark, the lines of difference indubitable. He sulks, alternating between The Office and All American for relief. Grateful he’s engrossed in narrative and not a video game, I bite my tongue and indulge the screen time.

Waiting for New York City to reach the “apex” of the health crisis, we are held in a kind of limbo or “barzakh”—an interval between spheres of existence, as Ibn Arabi, the 13th-century Sufi mystic and poet, described. Barzakh is how I think of our suspension, the stasis between our lives before quarantine and the as yet unknown life to come after it’s lifted.

More here.

The Celestial Hunter by Roberto Calasso review – the sacrificial society

Stuart Jeffries in The Guardian:

Adam and Eve left the Garden of Eden wearing animal skins to hide the shame of their human flesh. “The Lord God made clothing” from the skins “for Adam and his wife”, Genesis 3:21 tells us. In a few Biblical pages, Creator had metamorphosed into Original Skinner. The Italian intellectual Roberto Calasso takes a dim view of this in his latest meditation on the roots of modernity in ancient myth. “Christian revelation is responsible not only for the declining reverence towards the cosmos … but also for a certain new, summary and almost brutal way of dealing with animals.”

Calasso doesn’t have only Christianity in his crosshairs. What unites Judaism, Christianity and Islam, he thinks, is not just an “obsession about divine oneness” but “the silent sacrificial war against the animal”. He finds that war prosecuted on the Rue Saint-Jacques in 18th-century Paris. An abbé recorded what happened when a pregnant dog rolled over at the feet of Cartesian theologian Nicolas Malebranche. “The Philosopher gave it a great kick, for which the dog let out a cry of pain and M Fontenelle a cry of compassion. ‘O, really,’ said Father Malebranche coldly, don’t you know that it feels nothing?’”

That war continues today, Calasso argues.

More here.

Adam Tooze on our Financial Past and Future

Tyler Cowen interviews Adam Tooze over at Medium:

COWEN: Let’s go back to the Spanish Flu of 1918–1919. Do you think that Western economies were better equipped to deal with the pandemic, in percentage terms, at that time than they are today?

TOOZE: Well, it’s an interesting question, and it’s an interesting way of putting the question. What’s been striking about the 2020 pandemic is that we have chosen an extraordinarily high-cost route. We have chosen a comprehensive lockdown as the default strategy for dealing with this. As far as I’m aware, no one attempted anything remotely like that in response to Spanish Flu.

At the local level, there were efforts, city by city, but there were no comprehensive national lockdowns. In fact, if you study the economic history record, the archive of that period, the policy decision-making in, say, the Weimar Republic, which I’ve spent some time on — all the minutes of the Versailles Peace Conference — the flu barely figures. It figures in a sense that occasionally a prominent person will get sick, famously President Wilson.

The idea of a kind of comprehensive lockdown as part of a public health response, as far as I’m aware — and of course, this has taken us all aback and has caused us to reflect on what we might have missed in the historical record — I don’t remember it arising anywhere as an option. And we know that the consequences were, of course, dramatic in terms of the loss of life, particularly in what was then the imperial world; the colonies, so-called, in Africa and India.

We’re much more affluent than we were then by an extraordinary . . . It’s very difficult to exaggerate in order of magnitude, broadly speaking, in terms of per capita income. And we’ve chosen a very high-cost route for dealing with the epidemic this time.

More here.

The Risks – Know Them – Avoid Them

Erin Bromage at his own website:

It seems many people are breathing some relief, and I’m not sure why. An epidemic curve has a relatively predictable upslope and once the peak is reached, the back slope is also predictable. Assuming we have just crested in deaths at 70k, that would mean that if we stay locked down, we lose another 70,000 people over the next 6 weeks as we come off that peak. That’s what’s going to happen with a lockdown.

As states reopen, and we give the virus more fuel, all bets are off. I understand the reasons for reopening the economy, but I’ve said before, if you don’t solve the biology, the economy won’t recover.

There are very few states that have demonstrated a sustained decline in numbers of new infections. Indeed, the majority are still increasing and reopening. As a simple example of the USA trend, when you take out the data from New York and just look at the rest of the USA, daily case numbers are increasing. Bottom line: the only reason the total USA new case numbers look flat right now is because the New York City epidemic was so large and now it is being contained.

So throughout most of the country we are going to add fuel to the viral fire by reopening. It’s going to happen if I like it or not, so my goal here is to try to guide you away from situations of high risk.

More here.

Models v. Evidence

Jonathan Fuller in Boston Review:

The lasting icon of the COVID-19 pandemic will likely be the graphic associated with “flattening the curve.” The image is now familiar: a skewed bell curve measuring coronavirus cases that towers above a horizontal line—the health system’s capacity—only to be flattened by an invisible force representing “non-pharmaceutical interventions” such as school closures, social distancing, and full-on lockdowns.

How do the coronavirus models generating these hypothetical curves square with the evidence? What roles do models and evidence play in a pandemic? Answering these questions requires reconciling two competing philosophies in the science of COVID-19.

In one camp are infectious disease epidemiologists, who work very closely with institutions of public health. They have used a multitude of models to create virtual worlds in which sim viruses wash over sim populations—sometimes unabated, sometimes held back by a virtual dam of social interventions. This deluge of simulated outcomes played a significant role in leading government actors to shut borders as well as doors to schools and businesses. But the hypothetical curves are smooth, while real-world data are rough. Some detractors have questioned whether we have good evidence for the assumptions the models rely on, and even the necessity of the dramatic steps taken to curb the pandemic. Among this camp are several clinical epidemiologists, who typically provide guidance for clinical practice—regarding, for example, the effectiveness of medical interventions—rather than public health.

More here.

The Restless Cosmopolitan

George Scialabba reviews Martha Nussbaum’s The Cosmopolitan Tradition: A Noble but Flawed Ideal in Inference:

MARTHA NUSSBAUM, an accomplished classicist and prolific philosopher, begins The Cosmopolitan Tradition with a well-known anecdote about Diogenes the Cynic (taken, like most details about his life, from Diogenes Laertius’s Lives of the Eminent Philosophers). Scorning convention, Diogenes slept in a tub, wore rags, ate scraps, copulated and masturbated in public, and spoke his mind pungently and uninhibitedly. This behavior did not lack for admirers, even in high places. One day as he lounged in his tub, sunning himself, he was visited by Alexander of Macedon, then in the process of conquering the world. Looming over the philosopher, he said, “I am the great Alexander. Ask anything of me.” Without looking up, Diogenes replied, “Would you please get out of the light?”

Alexander was reportedly amused, and many subsequent generations have been mightily impressed. But it was not merely a clever retort. There was, Nussbaum contends, a core of principle to Diogenes’s answer. He thought (that is, Nussbaum thinks he thought: like Jesus and Buddha, Diogenes left no writings; all we know of his opinions comes from the writings of his Cynic and Stoic successors, Zeno, Chrysippus, and others) all that mattered, or should matter, to human beings are our most important capacities: moral reasoning and free choice. These are what make us human, what confer on us that inner dignity that is the human essence.

More here.

The self unlocked

Peter Sjöstedt-H in iai:

“[W]hat we experience in our dreams … is as much a part of the overall economy of our soul as anything we ‘really’ experience.”

 – Nietzsche, Beyond Good and Evil

Such is it with dreams; even more so with psychedelics. But psychedelic experience not only enriches the self, it can contribute to our understanding of what the self is or can be. Psychedelic intake can violently alter aspects of the prosaic, or ordinary self; moreover it can add multiple further facets. In fact, it can in extremis destroy or multiply the “self” – with a range from individuality through unity to infinity, as we shall see.

First let us look at what can be meant by this ambiguous term, “the self”, in its ordinary sense. The self can be understood in its relation to matter, and in its relation to mind. In relation to matter, the self can be understood as, i. reducible to part of the body (materialism), ii. a soul distinct from the material body (dualism), iii. a mind that creates what appears as matter (idealism), and iv. the self can be understood as being at one with an extended body (processism). The common view is undoubtedly i. and ii., the biological and the predominantly religious – though both are fundamentally faith positions. As anthropologist, cyberneticist Gregory Bateson lamented:

“These two species of superstition … the supernatural and the mechanical, feed each other. In our day, the premise of external mind seems to invite charlatanism, promoting in turn a retreat back into a materialism which then becomes intolerably narrow.”

Whatever the mind-matter view, all will still understand by “self” its phenomenal aspects as well – the self in relation to mind. Certain thinkers, following Hume’s suggestion, consider the “self” to be an illusion of the mind in the sense that the word does not refer to any particular thing underlying the bundle of types of experience listed below. Such a belief claims that we cannot directly perceive the “self” as such, but only phenomena such as colour, sound, emotion, etc. Kant in response argues that though we cannot directly perceive the pure, underlying self, we must nonetheless assume it to exist (as “pure apperception”) as that which holds all such experiences together as one – a bundle is a unity that, as such, must be tied.

More here.

The World Is Taking Pity on Us

Timothy Egan in The New York Times:

“The country Trump promised to make great again has never in its history seemed so pitiful,” wrote Fintan O’Toole in The Irish Times. And he asked: “Will American prestige ever recover from this shameful episode?”

…“The United States reacted like Pakistan or Belarus, like a country with a shoddy infrastructure and a dysfunctional government whose leaders were too corrupt or stupid to head off mass suffering.” That’s the indictment of The Atlantic’s George Packer, calling the United States a failed state. He’s half right. As scientists note, you can’t stop an outbreak from happening, but you can stop it from becoming a catastrophe that brings down a society. The United States spends more on health care, per capita, than any other rich nation. And yet, here we are: a full-blown disaster, in lockdown with a narcissist for a president.

A country that turned out eight combat aircraft every hour at the peak of World War II could not even produce enough 75-cent masks or simple cotton nasal swabs for testing in this pandemic.

A country that showed the world how to defeat polio now promotes quack remedies involving household disinfectants from the presidential podium.

A country that rescued postwar Europe with the Marshall Plan didn’t even bother to show up this week at the teleconference of global leaders pledging contributions for a coronavirus vaccine.

A country that sent George Patton and Dwight Eisenhower to crush the Nazis now fights a war against a viral killer with Jared Kushner, a feckless failed real estate speculator who holds power by virtue of his marriage to the president’s daughter.

More here.