by Malcolm Murray

The Paris AI Summit the other week might have been the end of a 10-year run for AI safety as Azeem Azhar, the creator of Exponential View, put it. The concept of AI safety, which can be said to have started in earnest with Nick Bostrom’s 2014 book Superintelligence, had a 10-year run, in which it grew in understanding and acceptance among the public and decisionmakers. Subsequent books, like Max Tegmark’s Life 3.0 and Stuart Russell’s Human Compatible, further established the field. High-level AI safety principles were declared in Asilomar in 2017, at that time by all notable AI scientists and leaders.
Further, this was already of course before AI was even actually any good at anything but very narrow tasks. When AI capabilities actually caught up with the hypothetical concerns, with GPT-3 in 2020 and came into the eye of the public in a broad way with ChatGPT in 2022, it led to AI senate hearings, the UK Bletchley Park summit, the Biden Executive Order, the voluntary commitments on the AI labs, the attempted bill SB-1047 in California and the addition of general-purpose models to the EU AI Act.
That 10-year run now seems to be largely over, or at least severely weakened. We had already seen the Trump administration repealing Biden’s Executive Order on AI, removing the ability for the US government to test AI developers’ models for safety. Then, at the Paris AI Action Summit, it became abundantly clear that the world has turned away from AI safety. The main summit had banners stating “Science, not Science Fiction”, the speech from J.D. Vance was very clear that the focus would be only on AI opportunities, Macron focused on investments – the announcement of a new French data center – not mentioning any downsides (“plug, baby, plug”). The voluntary AI developer commitments – the Frontier Safety Frameworks – that had been a focus of earlier UK and Korea summits were glossed over completely. Perhaps most significantly, the formidable State of the Science report led by Yoshua Bengio, the IPCC-style report which was commissioned at the earlier summits and completed for this one, was not mentioned at all in the main event. This report, which was meant to establish a common basis for discussion, was in fact relegated to a side event the week before, at a university two hours outside of Paris. Read more »


Nandipha Mntambo. (Unknown title) 2008.

I recently watched the lovely film, 
That’s a highly condensed form of an idea that began with this thought: You have no business making decisions about the deployment of technology if you can’t keep people on the dance floor for three sets on a weekday night. There are a lot of assumptions packed into that statement. The crucial point, however, is the juxtaposition of keeping people dancing (the groove) with making decisions about technology (the machine).

During the year I lived in Thailand, I learned it was common for businesses to pay “protection fees” to the local police. When I subsequently worked in Taiwan, I learned the same basic rules applied. In China, a little money ensured government officials stamped contracts and forms. When I lived in Bali, the police sometimes setup “checkpoints” along key roads where drivers slowed, rolled down their windows and handed cash – usually 20,000 rupiah (roughly $2 USD at that time) to an officer – not a word exchanged.


The National Library of Kosovo is perched above downtown Prishtina. Built in the early 1980s and now with holdings of some two million, the complex resembles a mashup of Moshe Safdie’s Habitat with a flying squadron of geodesic domes, the whole unaccountably draped in chainmail. During the war in Kosovo in the late 1990s, the building served as a command center for the Yugoslav Army, which destroyed or damaged much of its collection of Albanian-language literature; the Library’s refurbishment and maintenance today thus signals the young Republic’s will to preserve and celebrate its culture.
Reverence for that culture—Albanian culture in general, not limited to the borders of contemporary Kosovo—is on egregious display throughout Prishtina. The library looks across at the Cathedral of Saint Mother Teresa, erected in honor of the Skopje-born Albanian nun in the postwar period; her statue and a square bearing her name can also be found further north, on Bulevardi Nënë Tereza.
Mother Teresa Boulevard ends in a broad piazza in which Skanderbeg (or Skënderbeu), the nom de guerre of Gjergj Kastrioti, the 15th-century hero of Albanian resistance to Ottoman rule, faces a statue of Ibrahim Rugova, the Kosovo-Albanian man of letters who served as the Republic’s first president during the 1990s and until his death in 2006. The piazza also features an homage to Adem Jashari, a founding member of the UÇK whose martyrdom at the hands of Serbian police, along with 57 members of his family at their home in Prekaz in 1998, is commemorated with a national memorial site, while his name has been bestowed on Prishtina’s airport and other notable institutions.


I know teachers who imagine
Sughra Raza. Crystals in Monochrome. Harlem, February, 2025.
Last spring, American documentary film maker Ken Burns gave a commencement address at Brandeis University in Boston. Burns is a talented speaker, adept at spinning uplifting yarns, and 