“This paper… gives wrong solutions to trivial problems.”

by Jonathan Kujawa

220px-Trekkies_VideoCoverWhile I was in graduate school the film “Trekkies” was released. You can see the trailer here and the full film here. What could easily be mocking is in fact a heartfelt look at a group of people who choose to devote their lives to something they love. After seeing the film my friends and I semi-seriously suggested that mathematicians would make a great subject for a documentary. We have more than our share of interesting folks. And, like Trekkies, there is an entire subculture.

One corner of that subculture is Mathematical Reviews. An arm of the American Mathematical Association, Math Reviews is a compendium of everything published in mathematics. It was founded in 1940 and contains over three million publications, with the earliest published in 1810. What makes Math Reviews invaluable is the reviews. Each research paper, monograph, book, etc., is assigned to a volunteer mathematician who has the expertise to write a review of the work. Short of personal attacks, slander, and the like, the reviewer is pretty much free to write what they choose. The usual thing is to give a summary of the work along with commentary. As a reviewer you might discuss how the results fit in the broader field or highlight aspects of the work which might be of particular interest. Oftentimes it's hard to tell from the title and abstract if a paper, say, contains needed results. Well written reviews can save the reader countless hours in the library.

Since reviewers have a free hand there are plenty of exceptional reviews amongst Math Reviews's vast collection. Ten years ago my colleague, Kimball Martin, began a compilation of truly great reviews. If you have access to a library with a subscription to Math Reviews, you can read his entire collection for yourself. Some are rave reviews, but there are some real zingers in there as well (see the title of this essay) which I thought the readers of 3QD would appreciate [1].

With decades worth of publications, some truly terrible papers have appeared. Reviewers aren't ones to let rubbish slide through. Sometimes it is the mathematics itself which is questionable:

It is hard to imagine in a single paper such an accumulation of garbled English, unfinished sentences, undefined notions and notations, and mathematical nonsense. The author has apparently read a large number of books and papers on the subject, if one looks at his bibliography; but it is doubtful that he has understood any of them…. What is amazing to the reviewer is that such a thing was ever printed.

Or:

Not every text containing mathematical formulae or terminology may be considered as a scientific work. Sometimes it is a mere imitation. My impression is that this is exactly the case of the paper under review. The paper deals with some relations between Riemann theta functions, but I have a feeling that the authors have only a rather vague notion about this subject. I doubt that they have read items 1,2,3,6 of their own references. All of the authors' statements are either tautological or false.

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Monday Poem

“The Holy Land is everywhere” —Black Elk


Holy Land

moving to one side
out of traffic, off the shoulder
into the weeds, listening

it occures to me that nothing
is tangential, life happens here
regardless

not unscathed
by the mechanical operations of man,
just essentially unmoved

not unscathed
by the myopic visions of man,
but essentially unaware

not unscathed
by the moneyed obsessions of man,
but essentially disinterested

yet all essential to the planet of man
by just belonging to this moment
like secret cogs and wheels:
the unsung, unseen necessities of
breath and beauty
not at all unscathed by the wanton
recklessness of man
.

Jim Culleny
7/14/16

Faster, Pokémon! Kill! Kill!

by Misha Lepetic

“The scent, the scent alone is enough for our beasts.”
~ Marinetti

RK_5There's that old saying that goes “When the going gets weird, the weird turn pro”. Certainly, weird times such as these demand weird explanations. Old explanatory frameworks that have been dying long, slow deaths continue to have nails pounded into their coffins. Consider how the post-Cold War triumph of neoliberalism, as promoted by Francis Fukuyama's The End Of History, has had the crap beaten out of it first by 9/11, then by the global financial meltdown, and now by Brexit (the best tweet I saw concerning Brexit was all of three words: “Francis Fukuyama lol”).

And no one, least of all Fukuyama, could have predicted the circus slated to begin in Cleveland, with the most unlikely candidate in recent political history about to receive the nomination of the Republican Party for President. Actually, I should amend that: perhaps Upton Sinclair did, 80 years ago. But Sinclair had the dubious benefit of witnessing firsthand the rise of fascism; few people are alive today who remember how wide the Overton Window actually used to be. We need to get much, much weirder.

But it's not just that things are getting weirder. Even more germane is that things are getting weirder, faster. This is nowhere more evident than in the ways in which technologies are insinuating themselves into the social fabric. As I've argued before, each technological development creates the substrate upon which a further, faster and even more unpredictable set of technologies and their circumstances manifests. Perhaps I'm biased, since I've been observing these phenomena for a while, but consider a few recent developments.

Exhibit A: Racially inflected police brutality is an old story. But awareness of it has skyrocketed in the past few years with the prevalence of video cameras. However, this prevalence was only made possible when video recording was bundled into the larger rubric of the smart phone. If video cameras as objects were sufficient unto themselves, we would have seen a very different trajectory following the 1991 Holliday videotape of the Rodney King beating. But it took nearly a full generation for the creation of not only the means of cheap and easy recording, but also its equally cheap and easy distribution. And until recently, even this latter infrastructure was fairly staid: YouTube and perhaps a few other platforms.

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TRANSITUS GLORIOUS

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by Brooks Riley (who is standing on the bow of the ship above on September 11, 1959)

The freight trains at night are so loud that in my dreams they become horizontal twin towers spewing sound into the air in horrifying percussive bursts. Sometimes they sound like jumbo jets landing beside my pillow. Or a full-throttle matriarch with her brood in tow. Or Wotan at the height of his wrath in Die Walküre. I know these trains now, their varied speeds and decibels depending on the number of cars trailing the locomotive. If I’m awake I count freight cars instead of sheep, adding up the metronomic ticks of the wheels as they cross a switch.

When I was growing up on the right side of the tracks, I never imagined I would one day live right beside them on another continent. But I do remember a crossing near Berryville, Virginia where the Baltimore & Ohio, (or was it the Chesapeake & Ohio?) snailed by on its way to the rest of the vast country out there. It took 15 minutes and more than 100 freight cars to pass before the barrier was raised (I counted them then, too).

That may be why this little girl wanted a toy train for Christmas. I got one, nothing fancy, just a circular track, a locomotive and a couple of freight cars. I loved its simplicity, the kinetic pleasure of its motorization. Most of my friends were into horses. I was into mechanisms of the vehicular kind, those that could move me from one place to another in an interesting way, or better, take me somewhere. A horse could also fit that bill, but I was rarely allowed to race my pony through the countryside, hair blowing in the wind. I would really do this only years later in Monument Valley when a kindly Navajo let me canter through an arroyo seco without supervision, just like John Wayne in a John Ford Western.

I have a full-scale model train now, right at the front door. It’s nothing to look at, nothing you’d want to open up on Christmas morning, just a deadpan locomotive, a chain of grey tank cars and the occasional thread of flatbeds hauling VW Tiguans in an array of colors to places east of here. I get wanderlust every time I hear it go by.

Those trains have traveled well along the synapses in my brain, their siren songs now identifiable as I play name-that-train with my eyes closed. The Südostbayernbahn is especially witty, with its second locomotive as coda, the extra oomph of base tones filling the air as it mysteriously adds push to pull.

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Algocracy: Outsourcing Governance to Algorithms

by Muhammad Aurangzeb Ahmad

AlgorithmIn the late 17th century Gottfried Leibniz conceived of a machine that could be used to settle arguments so that instead of arguing people will just settle dispute by saying “let us calculate.” On closer inspection this idea has an uncanny resemblance to deciding disputes by delegating the decisions to algorithms. This is no longer the realm of Science Fiction as not only do algorithms already make decision on our behalf but they also make biased decisions on our behalf. Welcome to the world of Algocracy, which refers to a system of governance based on rule by algorithms.

The problem of Algocracy has been brought to the fore recently when reporters from ProPublica did an investigative analysis of a prisoner scoring software and determined that it was negatively biased towards black people. Consider two people, one black and the other one white, given the same criminal record, a commercial tool called COMPAS employed by law-enforcement agencies, would give a higher risk score for the black person. This would result in tougher convictions and longer sentences for Black people. ProPublica found a large number of examples where the non-black person with a lower risk score went on to commit more crimes but the black person did not commit any crime. Even Eric Holder weighed in on this debate by cautioning that such scoring systems are biasing the system against certain minority groups. One of the implications here is that algorithms already have much say in how our society is run. Given the proliferation of big data the role of algorithmic governance is only going to get bigger not smaller. We are already living under an Algocracy, its just that it is not evenly distributed yet.

Where does the allure of Algocracy come from? What Algocracy offers us is an “opportunity” to absolve us of moral responsibility by outsourcing it to machines, a point raised multiple times by the Philosopher Evan Selinger.

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Little Girls

by Tamuira Reid

I get the call in the middle of night. Calls that come in the middle of the night can never be good. And it isn't.

It's about Amy, the voice on the other end says. It's a voice I don't know. Someone who calls himself her friend, a friend of the family. I wonder where this guy was when Amy was at her worst. I don't remember anyone but me ever sticking around.

The bottom line is she's dead. Gone. Not ever coming back.

Our strip of photo booth pictures are still tucked into my mirror. Happy faces, the newly sober glow. Back when there was still a chance of something good happening.

A year before those photos were taken, Amy left her kids to almost fry to death in her Subaru while she shot dope in a nearby apartment complex. When the judge offered her treatment instead of jail, she cried. She'd rather be high for the rest of her life than constantly replay the moment the ambulance drove off with her two little girls in the back. Two little girls, locked for two hours in a hot car.

I should have just killed myself on the spot, she told me.

And now she's gone, too.

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AMERICAN RABIES

by Genese Sodikoff

Woman with gun and dog 1910The rabid opposition of American gun owners to stricter gun regulations in the wake of mass shootings is reminiscent of dog owners' opposition to rabies-control measures amidst rashes of “mad dog” attacks in in the late nineteenth and early twentieth centuries. (Poodles in the 1920s were especially mad, for some reason).

Every disease has its particular cultural expression. Societies have their unique spins on the causes and treatments of disease and the experience of suffering. And as I read old newspapers about rabies, it struck me how efforts to control the virus in the United States stirred a familiar anti-government, Freedom-loving, dog-loving ethos, along with a deep distrust of policy-makers and their reasons. In the anti-dog-vax, anti-dog-tax days, some doubted that “hydrophobia,” the clinical term for human rabies, even existed.

Until the 1950s, canine rabies blighted the American cultural landscape and people's inner lives. In Rabid: A Cultural History of the World's Most Diabolical Virus (2012), Bill Wasik and Monica Murphy explain that the rising popularity of pet-keeping in the West made the threat of rabies “an object of disproportionate panic throughout the nineteenth century.” Their gripping book follows the the virus from Ancient Greece to modern medical labs, where scientists are exploiting the rabies peptide as a means to penetrate the blood-brain barrier.

Transported from Europe to America during colonization, and then frequently spilling over from foxes, wolves, raccoons, skunks and bats into domestic animal populations, rabies brought wildness into American towns and cities. Before Louis Pasteur and Emile Roux developed the human rabies vaccine in 1885, the virus destroyed families. Children frequently died of mad dog attacks, as did beloved pets and farm animals.

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Return to a May Swenson Poem

by Olivia Zhu

That poem pulled me to a stop. Through some gravitational mechanism or another, it drew a page to fall exactly right as I rustled through my 700-plus-page poetry textbook; it drew my eye to a blocky section unlike all the rest. I had to write about it. No, really—I had to. My final paper for a Gen Ed poetry class desperately needed starting, and out of laziness or ennui or something else, nothing in those hundreds of pages drew my interest quite like one of May Swenson’s untitled poems.

Screen Shot 2016-07-17 at 3.47.07 PM

It’s been a poetic earworm for me ever since, which makes me feel a bit bad that I ended up reading it, learning it, loving it, and returning to it only because I found it by chance, in the middle of self-punishing procrastination. I hadn’t even read her poem in full before deciding to write about it, so drawn I was to how its beating cadence in the first few lines matched the look of the whole work entire.

And what cadence, what structure it has. The piece is devoid of standard punctuation, with great spaces dividing each word from the next. Those spaces imply a pattern, and back when I first wrote about the poem, I really could not figure out what was going on with the meter. That confusion was obscured by my dashing off some quick lines about how everything was mostly monosyllabic, with a “preponderance of iambs.” There’s no need to be so strict with Swenson here, and ever. It’s enough to say that there’s a throbbing beat to her piece, and it’s a beat that begins right away, in the first line: “I will be earth you be the flower”.

And yet somehow, the melody of it all comes through, on top of the semi-regular meter. Because Swenson’s content—her addressee, and their intimacy—is presented up-front, the rest of the piece can be read with the inflection of that relationship. When I hear the poem in my head, it’s at once tender and determined, as if the speaker is making clear to her lover what is so obvious to her. The tenderness comes from the carefully chosen images, and the determination from the steadiness of the underlying rhythm.

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Parenting Muslim Children in an Age of Terrorism

by Jalees Rehman

Shoes“These terrorists aren't true Muslims” is a phrase that I have often heard being used by American Muslims when talking about terrorist attacks committed in the name of Islam. Recently, I encountered another version of this comment. Parents at a suburban Islamic Sunday School were encouraged to use this same approach when talking to their children about the recent spate of terrorist attacks. Arguments for denying the Muslim identity of the perpetrators include the moral incompatibility of the atrocities committed by the terrorists with Islamic law, which does not sanction the extrajudicial killing of civilians or suicide, which is frequent element of the attacks. This is an understandable reaction. The views of the perpetrators and their actions seem so abhorrent that it is impossible to reconcile their perception of Islam with those of the vast majority of American Muslims. However, even though one may sympathize with the desire to distance oneself from the terrorists, declaring terrorists to be non-Muslims or not “true” Muslims is the wrong answer.

The first problem with the arbitrary post-hoc excommunication of terrorists is that it is not really grounded in Islamic law. The process of takfir (excommunication Islam) requires very strong evidence and is difficult to uphold in most Islamic legal traditions if the person in question continues to see himself or herself as a Muslim. Someone may commit a grave sin or terrible crime, but these actions alone do not propel the person outside of the faith.

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The Aesthetic Value of Simplicity

by Dwight Furrow

Malevich

Black Square, Malevich 1923

However, traditional Western aesthetics apparently demurs on this point since it enshrines complexity as a fundamental aesthetic value. Works of art are considered great if they repay our continued attention. Each new contact with them reveals something new, and this information density and the way it is organized to reveal new dimensions is what brings aesthetic pleasure. Achieving unity in variety is the sine qua non of aesthetic value according to most accounts of our aesthetic tradition. Unity, balance, and clarity are valuable only if they are achieved by organizing complex phenomena. Novelty and the availability of multiple interpretations in part define the kind of interest we take in aesthetic objects. Monroe Beardsley in his influential work Aesthetics: Problems in the Philosophy of Criticism (1958, 1981) went so far as to argue that complexity along with unity and intensity provide logically necessary (and perhaps sufficient) conditions of aesthetic value.

It's worth noting that in my own small corner of the world of aesthetics, wine-tasting, complexity is admired and simplicity a sign of inferior quality. Legendary and high scoring wines all exhibit complex flavor profiles and extensive evolution on the palate. Simple wines might be enjoyable for dinner but seldom induce rapture.

Since complexity and simplicity at least superficially appear to be contradictory criteria it would seem that simplicity has no role to play in Beardsley's attempt to codify aesthetics. Of course, as I noted above, there are art works that apparently don't exhibit complexity, and today Beardsley is regarded as over-reaching if he intended his criteria to be logically necessary or sufficient. Such definitions have fallen out of favor in most philosophical circles to be replaced by generalizations that hold only for the most part. Yet, complexity, unity, and intensity are useful reference points for evaluating works of art despite the exceptions.

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Monday, July 11, 2016

Swamping

by Scott F. Aikin and Robert B. Talisse

SwampManIn last month's column, we introduced a name for what we suppose is a familiar phenomenon. Spitballing is a tactic of deflection, where a speaker repeatedly interjects vague, but self-contained, and overtly provocative statements into a discussion. The aim of the spitballer is to overwhelm his interlocutors and critics by providing them with so many outrageous claims that they are unable to adequately reply to any of them. Spitballing is rampant in public political discussion because, in the forums were such discussion commonly occurs, significant benefits accrue to those who appear to the onlooking audience as having gotten the last word.

Spitballing is closely allied with a companion tactic that is also rampant in contemporary public political discussion. Swamping is a tactic for controlling public discourse. Like the spitballer, the swamper introduces into a discussion multiple pointed, self-contained, and overtly provocative statements. Yet the swamper's aim is not to overload his interlocutors, but to dominate the political conversations conducted by others. The swamper's intention is to say something so overtly bizarre or inflammatory as to force others to discuss what he said. In doing so, the swamper seeks not to deflect criticism, but rather to direct political discussion away from the ideas, proposals, policies, and platform of his political competition. As a consequence, the swamper stays at the center of the conversation, forcing every other topic to the periphery. One important motive for swamping is that, in making oneself the topic of conversation by being overtly either vague or controversial, one crowds out time for critical exchange with others. One swamps the competition.

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Decision-making: the fine art of throwing away information

by Yohan J. John

Albrecht_Dürer_-_Melencolia_I_-_Google_Art_Project_(_AGDdr3EHmNGyA)Human decision-making routinely confounds our attempts at understanding. Right now, the western world is in a state of bafflement and anxiety brought on by unprecedented collective decisions. From the British public's vote to leave the European Union to Republican voters' selection of Donald Trump as their presidential candidate, the past month or so has been a vivid illustration of the unpredictability of human choice.

There is a temptation, particularly among elites who see themselves as well-educated, to see Brexit and the rise of Trump as a failure of intelligence. According to this perspective, disgruntled working class voters are stupid: willfully ignoring the “facts” offered to them by the experts. (Michael Gove has surely captured the spirit of the era with the statement: “People in this country have had enough of experts”.) There may be some truth in the Stupidity Hypothesis, but a far more interesting thing to think about is how statements come to be seen as relevant facts in the first place. And perhaps even more fundamentally, how exactly do facts influence our decisions?

What I would like to say about decision-making strikes me as both obvious and easy to miss. The process of arriving at a decision necessarily involves ignoring information. However much information is available beforehand, at the time a decision is made, much of it is effectively disregarded. And this is not just true of democratic decisions, for which the opinions of the losing side have little or no direct effect on subsequent events. Whenever a situation involves multiple facets, the process of deciding on a course of action involves a simplification that must abstract away from the initial complexity. From a mathematical perspective, decision-making is the process of collapsing a high-dimensional system into a one-dimensional system.

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Monday Poem

5 White cops fatally shot in Dallas: 7/7/2016
Philando Castile fatally shot in Falcon Heights: 7/6/16
Alston Sterling fatally shot in Baton Rouge: 7/5/16,
David Duke’s back: 2016 … and more.
…………………………………………
—US News
.

Jittering on a Rim

with all this shooting going on
it’s hard to tell who’s good
and who’s bad.

it must be one or the other
nuance having no place
in the middle of a race war.

injustice, divide
the lid’s been on for many years
which made many glad,

but now it’s jittering on a rim
steam shooting out the sides
clanging like bell
threatening to blow
a locked door
.

by Jim Culleny
7/8/16

.

The brain’s I

by Katalin Balog

This is the first of a series of three essays on understanding the mind.

Archangel-gabrielAs I am writing this, I am behind schedule for my deadline. In the past I thought procrastination was a moral issue; perhaps not a failing, but a moral issue: a choice. Growing up in a Communist country, I have viewed career and achievement – like many of my peers in disaffected opposition circles – with a certain amount of suspicion. I have often told myself ever since my move to the United States that I don't want to put professional advancement ahead of life: family, daydreaming, various interests mundane and arcane take precedence over productivity.

HeadwBrain_editedBut a recent diagnosis of ADD has cast these self-stories in a different light. I now have another explanation, one that doesn't have to do with the inner recesses of the self, but chemicals in my brain. I have been prescribed medication that, on the occasions I take it, is enough to stop my mind from wandering, from making extraneous connections, perfectly useful in a general sense, but not conducive to the focused attention needed to actually complete projects. My condition turns out to be a chemical deficiency of sorts, my behavior the result of my brain working in slightly abnormal ways.

Are these two stories complementary? Or does the chemical explanation obviate, or even disqualify my earlier, non-scientific understanding? The problem of “double take”; that we have two, seemingly incongruent modes of understanding the human being, once as embodied, there for the whole world to observe, once as possessed of a mind aware of itself, is not exactly new, and in some sense has been with us, I suspect, since the beginning. We are bodies and minds – and the intimate connection between them is one of the basic facts of life. We can investigate how our behavior is affected by the stuff we ingest, the health of our body, and the state of our brain, the same way as we would study any other human. But we are also capable of self-awareness and insight into our own soul that defies third person observation. And more than just acquiring knowledge, we have a great ability to be transformed by our own experience and insight.

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Scenic Overlook

by Elise Hempel

DSC00083

As a traveling companion, my dog, Groucho, is both good and bad. He's quiet. He mostly just sleeps, sprawled on the torn wool blanket on my Pontiac Vibe's back seat, occasionally sitting up and looking around at the passing cornfields, signs and trucks. He gobbles down his whole McDonald's sausage biscuit when we start out, and he puts up with my steady baby-talked commentary (Gritch – Look at the sweet cows! Oh, Gritch, here comes that bridge!). Best of all, he never throws up.

But he's tentative and skittish. And stubborn. Last month, on another trip to my sister's house in Minnesota, he repeated his traditional refusal to get out of the car at the first rest area. I put on his collar, hooked his leash, and tugged and tugged. But nothing. So I made a quick trip to the bathroom, and we drove on. The second rest area was more successful. This time, as I tugged, he slid himself out, cautiously sniffed the grass, and finally let me take him on a five-minute walk.

After that, I had no need to stop again: I didn't need gas, caffeine or bathroom, and I wasn't hungry. But I figured the now-confident Groucho could use an extra stretch, and suddenly there was the sign for another rest area, with the intriguing added words “Scenic Overlook.” This time, as I'd hoped, Groucho got right out, happily exploring the parking lot and the weedy pet-walking area behind it. So where was this so-called scenic overlook? We kept walking, getting further from the car, arriving at the very back of the rest area, at an inconspicuous educational sign describing that part of Wisconsin's natural resources. And next to it was an even more inconspicuous entranceway. Groucho and I entered….

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Hope, Statistics and Cancer

by Saurabh Jha

Stephen_Jay_Gould_2015,_portrait_(unknown_date)

Stephen J. Gould

When diagnosed with abdominal mesothelioma, a rare cancer with a blighted future, evolutionary biologist and writer, Stephen Jay Gould, turned his attention to the statistics; specifically, the central tendency of survival with the tumor. The central tendency – mean (average), median and mode – project like skyscrapers in a populated city and are the summary statements of a statistical distribution.

The “average” is both meaningful and meaningless – you could say that the average utility of average is zero. Consider a gamble – fair coin toss where you get $50 if it lands heads and lose $50 if it lands tails. The average (net) gains of this coin toss, if the coin is thrown hundreds of time, is zero. But no one gets nothing – you either get $50 or lose $50. The average is twice wrong – it over estimates for some and under estimates for others. Yet the average of this gamble has important information. It helps you decide if you could profit from making people play this gamble – you wouldn’t profit unless you charged a small fee to play the gamble.

The median is the mid-point of a distribution. Gould’s cancer had a median survival of eight months. This means that half (unlucky half) lived fewer than eight months and half (lucky half) lived more than eight months with this tumor. The mean is affected by outliers but the median is not – billionaires of Mumbai raise the average, not median, income of the city. That is skewness of a distribution affects the mean, not the median. Put another way, the median (Mumbai’s slums) conceals the skewness (Bollywood).

Gould, describing in his classic essay “The median is not the message,” ignored the median but looked at the skewness, which was right-sided – some who lucked out with survival lucked out big. Gould was initially despondent when he saw that the median survival of his cancer was only eight months. Gould was naturally disposed to optimism. He was dealt a rough hand but was not going down without a fight. His optimism, and fight, increased as he unraveled the distribution – first with the hope that he could be in the lucky half of the distribution, then with the hope that he could be one of the outliers in that skewed distribution, then with the hope that the treatment that he was being given, an experimental cocktail, could make him an outlier.

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Viva La Revolucion

by Max Sirak

Tubman“I freed thousands of slaves; I could have freed more if they knew they were slaves.” (Harriet Tubman.) (Although there's no historical evidence she ever said it. But it's a good line. And she was a bad bitch.)

Freedom has been on my mind a lot lately. This makes sense. I'm an American. It's July. And, a week ago today, I did my patriotic duty – gorging myself on grilled flesh, drinking cheap beer, and watching fake bombs burst in the air.

‘Merica!

4th of July half-kidding aside, the real reason I've been thinking about freedom is because a couple weeks prior, I was thinking a lot about it's opposite. See – I co-host a podcast appropriately titled, Ignorant and Uninformed. Last week we were discussing the topic, “What gives you the right?” Over the course of the EpiDose (that's what we call them. It's not a typo. I mean, sure, it was originally. But still.) the topic of slavery came up.

Now, the whole premise of the podcast is myself and two friends randomly drawing listener submitted topics and talking about them for thirty minutes. We don't edit. We don't use the Internet. We just sit down, pull a piece of paper out of a bowl, discuss, and see where it goes.

About a year ago or so ago, I started toying around with the idea of producing additional content inspired by our weekly release. I came up with two ideas. The first was fact checking all the ridiculous nonsense we say and calling us out. The second, in attempts to make us all a little less ignorant and uninformed, was to shine light on an idea, concept, event, etc. that came up during the show.

All of this is to say, while doing research for that EpiDoses' auxiliary releases, I found a website and it made me sad. Then I got real mad.

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Emma Sky

Emma_sky_1_3267548bby Maniza Naqvi

We will be taking evidence from you today in your roles as Governorate Coordinator for Kirkuk, and then Governance Advisor to CPA North from 2003-4, and your subsequent role as an advisor to the US military, both General Odierno and General Petraeus, between 2007 and 10.' So said, Sir John Chilcot, Head of the Iraq Inquiry, to Emma Sky at the start of her testimony to the Iraq Inquiry Committee on January 14, 2011.

In November 2009, a couple of years before this testimony was taken, an article was published about Emma Sky, it read:Rarely does the hulking commander of American forces in Iraq meet with Iraqis or go to a news conference without a slight, dark-haired woman standing just a little to one side — as if to give him space, but almost always in his line of sight and within earshot' (here and here).

Emma Sky—the woman who assisted in the unravelling of Iraq and the region, who became the right hand of General Odierno in Iraq—and the architect of the ‘Sunni Awakening'—is perhaps, the Mother of Daesh, the word for terror in Iraq and Syria and the entire region or as the West calls it, ISIS. To understand how such a catastrophe, could have been unleashed we must shed a light on the characters who played a critical role in its making. What happened when and who was where when it happened—and who and what event caused the next one.

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