by Ethan Seavey
I used to sit in class with songs in my head, loud enough to feel their beat in my fingertips. I used to blare Adele instead of listening to my teacher. I would sing voicelessly with Hozier while my classmates read a paragraph out loud. Passenger, P!nk, The Lumineers, Steven Sondheim. Billie Eilish, too, though not openly as it’s not cool to like anything that’s cool.
I would fixate on one song all day, hear it bouncing around my head like a gnat trying to escape a glass box; or I would press the mental play button and enjoy every song of an album in order. Sometimes I could only hear one song and would grow very tired of it, and sometimes I would frustrate myself trying to recall a rapidly vanishing melody.
Often it wouldn’t distract too much from class but when the song reaches its crux, it’s nearly impossible to keep your pen focused on mitosis. It flies into the margins, it tears up the lyrics, it thinks it will finally achieve the ecstasy in your heart with a hasty font, a lyric that feels so much larger in your head. Of course you’ll look back upon it through the lens of failure. It will be sloppy instead of emotionally hasty. Read more »

Daniel Everett’s 2008 book Don’t Sleep: There are Snakes tells two stories of loss. First, it tells how the young missionary linguist, who had been trained to analyse languages at the Summer Institute (now 
Most of us were in deep admiration of my DSE colleague Sukhamoy Chakravarty (I used to call him Sukhamoy-da). He was a prodigious scholar, a voracious reader of books (when discussing a book it was not unusual for him to point out to us that the author had slightly changed his position on an issue in question in the third edition in a long footnote), a man of wide intellectual interests, but also a man of charming simplicity and other-worldliness. In my period at DSE as he was mostly in the Planning Commission, I’d occasionally meet him at his home (or at Mrinal’s) in the evenings. I remember one evening I was discussing something with him in his living room, while a whole army of children (his daughter and her neighborhood friends) were enthusiastically carrying books, shifting them from one room to another corner of the house under the general supervision of his wife, Lalita (his partner and fellow economist since their Presidency College days). At one point he digressed from what we were discussing, and pointed to the army of load-carrying children, and said, “You see this is how the Industrial Revolution came about, on the backs of child labor”.
Lots of things don’t exist. Bigfoot, a planet between Uranus and Neptune, yummy gravel, plays written by Immanuel Kant, the pile of hiking shoes stacked on your head — so many things, all of them not existing. Maybe there are more things that don’t exist than we have names for. After all, there are more real objects than we have names for. No one has named every individual squid, nor every rock on Mars, nor every dream you’ve ever had. The list of existing things consists mostly of nameless objects, it seems.



A couple of weeks ago, the main healthcare provider in my city sent me a newsletter. One of the items was a brief blurb about how laughter is good for you, with a link to “Learn More About the Benefits of Laughter.” No! If you think laughter is good for our health, link to a video of a cat riding a Roomba or bear cubs on a hammock. I might click through to see those; I might even laugh. I’m not going to look at an article about the benefits of laughter, because it will become another open tab, a nagging chore, an obligation that stands between me and the conditions for laughter.
Sughra Raza. Mood … , Our Pale Blue Dot.




Vladimir Putin’s decision to invade Ukraine is clearly a historically momentous event, already appearing to cause a seismic shift in the geopolitical landscape. What the long-term consequences will be are hard to say. The most obvious losers are the millions of Ukrainians–killed, injured, bereft, and displaced–who are the immediate victims of Putin’s onslaught. The most likely winner will probably be China, on whom Russia is suddenly much more economically dependent due to the sanctions imposed by the West, and who can therefore now expect Putin to dance to whatever tune it whistles.
The Ouvroir de Littérature Potentielle (Workshop of Potential Literature), Oulipo for short, is the name of a group of primarily French writers, mathematicians, and academics that explores the use of mathematical and quasi-mathematical techniques in literature. Don’t let this description scare you. The results are often amusing, strange, and thought-provoking.