by Richard Farr
Lucky you, reading this on a screen, in a warm and well-lit room, somewhere in the unparalleled comfort of the twenty-first century. But imagine instead that it’s 800 C.E., and you’re a monk at one of the great pre-modern monasteries — Clonard Abbey in Ireland, perhaps. There’s a silver lining: unlike most people, you can read. On the other hand, you’re looking at another long day in a bitterly cold scriptorium. Your cassock is a city of fleas. You’re reading this on parchment, which stinks because it’s a piece of crudely scraped animal skin, by the light of a candle, which stinks because it’s a fountain of burnt animal fat particles. And your morning mug of joe won’t appear at your elbow for a thousand years.
What could be worse than the cold, the fleas, the stink, and no coffee? Well. The script you are reading is minuscule, to save ink and space, and it’s written in scriptio continua. That’s right: you are plagued by headaches because spacesbetweenthewordsaremodernconveniencesthathavelikepunctuationandcoffeeandreadingglassesanddeodorantforthatmatternotyetbeeninvented. Even for someone like you, with years of prayer and special training under your greasy rope belt, this is a constant source of difficultyambiguityfrustrationeyestrainanderrer.
Thank goodness for modernity, eh? Except for one strange fact. In our smugly “digital” age, our numbers are still waiting for modernity to happen. Read more »