The road was generally somewhere in the Capital District of upstate New York. Think of it as a group of small cities and towns and centered on Albany, the state capital, Troy, where I lived at the time, and Schenectady, incidentally, where my grandfather had his first job in the United States, and where the band rehearsed in the basement of a photography studio in a somewhat sketchy part of town. The studio was owned by Rick Siciliano, lead vocalist and drummer for The Out of Control Rhythm and Blues Band. I played with the band from about 1985 or 86 to 1990 or so.
Not Exactly the Birth of the Blues
I am told that Siciliano started the band in the early 1980s as a means to attract women; I believe Duke Ellington was thinking the same thing when he decided to play piano. Rick got some of his buddies together to form a band. I hear he was better at attracting ladies than getting gigs. Somehow, though, he managed to gather reasonably good musicians. Chris Cernik joined on keyboards and served as den leader; he brought in his high school friend, John Eof on guitar. Then along came “Bad” Bob Maslyn on bass, Ken Drumm on alto and baritone sax to replace Rick’s buddy, Jimmy, and Rick Rourke on alto and tenor sax. There were others in and out of the band, Giles, some trumpeter whose name’s been forgotten, and then John Hines, who’d studied jazz trumpet at Berklee – that’s BerKLEE, the private music school in Boston, not BerKELEY, the flagship campus of the University of California.
They developed a repertoire organized around Blues Brothers tunes and Rick Siciliano’s taste in pop. They even had a couple of originals, “Lady DJ” (for Rick’s lust object du jour) and “Baby Tell the Truth.” Now we’re getting serious. Before you know it, Out of Control was getting gigs, but other bands were after John Hines. They put an ad in the local entertainment weekly, Metroland, looking for a substitute trumpet player.
I saw the ad, needed money, another tried and true motive for playing music. I called Ken, who acted as business manager, and set up an audition. I forget just how the audition process went, but it’s not like there were 30 trumpeters lined up to get the gig. Fact is, the time when trumpet was king was long gone by then so there weren’t many trumpeters, period. I forget just how I learned the tunes, but there were no charts. Perhaps Chris or Ken got me a set of rehearsal tapes. Whatever. I just listened and learned by ear, like all real musicians play, except for classical cats and other advanced miscreants. I soon became the one-and-only full-time trumpeter for the band. Read more »


In debates about hedonism and the role of pleasure in life, we too often associate pleasure with passive consumption and then complain that a life devoted to passive consumption is unproductive and unserious. But this ignores the fact that the most enduring and life-sustaining pleasures are those in which we find joy in our activities and the exercise of skills and capacities. Most people find the skillful exercise of an ability to be intensely rewarding. Athletes train, musicians practice, and scholars study not only because such activities lead to beneficial outcomes but because the activity itself is satisfying.


I’m excited about the imminent Halloween publication date of
South Asian literature. As part of this, I was delighted to be sent 



The most intimidating item by far was 



Shilpa Gupta. Untitled 2009.
