In defense of armchairs

Matrix_094Pyxurz

by Charlie Huenemann

Generally, in any conflict between long-held, seemingly obvious beliefs and new research challenging those beliefs, defenders of the old beliefs will find themselves charged with sitting in armchairs. It never is a rocking chair, park bench, hammock, or divan. It is an armchair, the sort of chair one finds in venerable, wood-paneled clubs where stodgy old men opine about the world's events more from preconceived opinions than from any well-grounded knowledge. An armchair represents both laziness and privilege, a luxurious class of opinion-mongers who simply will not bother themselves with actual empirical research – the original La-Z-Boys, as they might be called.

Such armchairs – unfortunately, from my perspective – are often associated with philosophers, for those who argue from the armchairs are arguing from broad, philosophical perspectives. These perspectives are allegedly grounded in a priori truths, but those “truths” are in fact little more than prejudiced opinions born of casual reflection. But of course the world has no obligation to pay any attention to what philosophers take to be obvious, and if we want to know what really happens, then we must rise from our armchairs and take up residency in the sciences.

Reflective and informed people will recognize that this is a poor characterization of philosophers, who usually are very well aware of empirical research. One could not find a more ambitious researcher than Aristotle, who is said to have spent his honeymoon collecting biological samples (and no, that's not a euphemism). Descartes busied himself with experiments and dissections. Leibniz knew all the science known by anyone of his day. Kant offered expert lectures on physics, anthropology, geography, and mineralogy in addition to topics in philosophy. Hegel knew his physics, and even the latest research findings in phrenology. Russell and Cassirer published good books on general relativity, and, in general, the bulk of 20th-century philosophers working on matters connected to science have suffered the requisite pains to know what they are talking about – to a far greater degree (I pridefully add) than have scientists who take it into their heads to write philosophy.

Read more »

If we’re so rich, why aren’t we happy?

by Thomas Rodham Wells

Not what we have but what we enjoy, constitutes our abundance.
Epicurus

Economists pay a lot of attention to productivity, the efficiency with which inputs are translated into outputs. This is quite reasonable since productivity is the source of the wealth of nations. But economists tend to focus on the supply side: the ratio of labour/capital to the final product. They tend to neglect the fact that productivity is also a feature of the other side of the market relationship: consumption. If we could be more efficient in our consumption decisions – if we were better at buying what we actually wanted – then we would be better off just as much as if we could afford to buy more stuff in the first place. We could achieve our present level of utility with a smaller outlay than present (allowing us to work less). Or, if our budget stayed the same, we would be able to get more utility for it than we do now.

ScreenHunter_679 Jun. 09 11.20The late Gary Becker was an economics genius who made a career out of applying perfectly orthodox economics methods in radically unconventional ways and to unconventional subjects, like crime, discrimination, and fertility. (Unfortunately, his 'economic approach to human behavior' has also led to excesses like Steven Levitt's Freakonomics, where the “Hidden Side of Everything” turns out to be only always about incentives, but that's another issue.) One of Becker's contributions was to point out that consumption itself requires production. For example, if you buy a book for $20 completing that transaction does not mean that the book has now been 'consumed'. In order to consume the book (in the normal way) you still have to read it. In other words, to enjoy your purchase you will have to put several hours of your own labour into producing utility out of it. The same goes for restaurant meals, clothes and so on. (This, by the way, is something to bear in mind when giving gifts. Just how much work are you implicitly imposing on your friends and family if they are to appreciate your present properly?)

If one prices the labour you put into this 'productive consumption' at even minimum wage levels (let alone your actual wage levels), one will often find that the market price of a good is less than it will cost you to actually enjoy it. And this should not be a surprise. The reason we have outsourced so much from the household to the market is that it allows us to access the productivity pay offs from vast economies of scale and divisions of labour. Indeed, there is some further scope for increasing the productivity of consumption with the help of the market. For example, eating at a fast food restaurant like McDonald's is not only quite cheap in price but also in the time it requires of you. There is even specialised capital equipment available to make the household a more efficient factory for turning purchases into utility, like the dishwashers and washer-driers which make meals and clothes cheaper to consume. Yet it must be noted that some kinds of consumption activities, like watching a movie with your friends or reading Jane Austen, stubbornly resist such market efficiencies. That is because the time and attention they require are intrinsic to their enjoyment.

Read more »

Science and the Supernatural (II): Why we get it wrong and why it matters

by Paul Braterman

Science, some say, rejects supernatural explanations on principle; this is called intrinsic methodological naturalism (IMN). In Part I I argued, following the work of Boudry et al. (here, here , and here), that this strategy is misguided. Here I go into more detail, using actual past and present controversies to illustrate the point.

Paul1“I have no need of that hypothesis.” So, according to legend, said the great astronomer and mathematician Piere-Simon, marquis de Laplace, when asked by Napoleon why he had not mentioned God in his book. If so, Laplace was not referring to the hypothesis that God exists, but to the much more interesting hypothesis that He intervenes in the material world. And Laplace’s point was not, fundamentally, philosophical or theological, but scientific.

The planets do not move round the Sun in circular orbits, but in elliptical pathways, moving fastest when closest. All this and more Newton had explained using his laws of motion, combined with his inverse square law for gravitational attraction. There is one small problem, however. The planets are attracted, not only to the Sun, but to each other, perturbing each other’s pathways away from a perfect ellipse. These perturbations are not trivial, and in fact it was the perturbation of the orbit of Uranus that would lead to the discovery of Neptune. Newton himself surmised that they could, eventually, render the entire system unstable so that God would need, from time to time, to intervene and correct it. Laplace devoted much of his career to developing the mathematical tools for estimating the size of the perturbations, and concluded that the Solar System was in fact stable. So Newton’s hypothesis of divine intervention was redundant, and it was this hypothesis that Laplace was supposedly referring to.

Read more »

Monday, June 2, 2014

Unfit to Own a Gun

by Katharine Blake McFarland

Norinco-CQ
I was in my office at the Children's Defense Fund when I heard that someone had shot and killed an unknown number of children at a school in Newtown, Connecticut. I picked up the phone and called one of the top gun safety organizations in the country, and asked to speak to their policy director. When I told him who I was, and where I was calling from, he said, “Wow, I'm so sorry. What a day for you guys.” I digested the misplaced apology—there I sat, safe in my office in Washington, D.C. while mothers and fathers pulled in to the Sandy Hook Elementary School parking lot—but managed to say something like, “you, too.” Then there was a beat of silence that would have felt uncomfortable on another day, like standing too close to a stranger, but on that day it was forgiven because words prove themselves deficient on days like that, and in the face of events for which we are all to blame, apology might be the truest beginning. “So, what are you guys going to do?” I finally asked him, and we starting talking strategy.

This is how it felt in D.C.: even in the earliest moments after the earliest Newtown headlines, change seemed close enough to touch. The shooting was like a terrible wave rising in the distance, but it was a wave that might carry us to shore if we could catch it and the current stayed strong. It was opportunistic, surely, but the alternative seemed worse: to grieve and then do nothing, to let it pass, until the next mass shooting when we would grieve and do nothing again.

So I did what we do in D.C. In my role at CDF, I attended and organized meetings, rallies, and press conferences. I went to events on Capitol Hill and at the White House. We asked volunteers to call and visit their elected officials, and we supported the work of incredible grassroots groups like Moms Demand Action for Gun Sense in America. I researched numbers and drafted statements. I hugged mothers who had lost their children in previous mass shootings, like Virginia Tech and Aurora. I hugged mothers who had lost their children in the crossfire of gang violence in Chicago. This was my first time working on guns, in my first job out of law school, but it was not new subject matter for CDF, who first began collecting data on children and guns in 1979.

How do you get people to listen? Numbers help put it in perspective. If you add up the soldiers killed in action in Vietnam, Afghanistan and Iraq, you get 52,183 lives lost. During that same time (1963 to 2010), 166,500 children and teens were shot and killed by guns here at home. That's three times as many children as soldiers in war, and averages out to 3,470 children and teens killed every year. Or, 174 classrooms of 20 children a year. Or, 174 Newtown's a year.

Read more »

Monday Poem

Hummingbird Acetylene

The turquoise flame of a hummingbird’s head Hummingbird2
is a blazing torch of acetylene

burning, as when my father put a welding tip to steel
joining parts of his world with the bluegreen flame
he held between

this hummingbird burns in afternoon light
at the mouth of a flower in god’s machine

jabbing her tip at a perfect hour
joining her flame to mine
in a darting iridescent sheen
.

by Jim Culleny
5/30/14

The Evil That Republicans Do

by Evert Cilliers aka Adam Ash

Code wordsWhat do these six statements from Republicans have in common?

1.

Millionaire rancher Cliven Bundy, whose cattle are on government welfare:

“I want to tell you one more thing I know about the Negro. They abort their young children, they put their young men in jail, because they never learned how to pick cotton. And I've often wondered, are they better off as slaves, picking cotton and having a family life and doing things, or are they better off under government subsidy? They didn't get no more freedom. They got less freedom.”

2.

Milllonaire President Ronald Reagan describes the welfare fraud of a mythical welfare queen:

“She has eighty names, thirty addresses, twelve Social Security cards and is collecting veteran's benefits on four non-existing deceased husbands. And she is collecting Social Security on her cards. She's got Medicaid, getting food stamps, and she is collecting welfare under each of her names. Her tax-free cash income is over $150,000.”

3.

Millionaire President Ronald Reagan on states' rights:

“I still believe the answer to any problem lies with the people. I believe in states' rights and I believe in people doing as much as they can for themselves at the community level and at the private level. I believe we have distorted the balance of our government today by giving powers that were never intended to be given in the Constitution to that federal establishment.”

Read more »

Thoughts of Things

by Tara* Kaushal Question-of-Consumerism-Sahil-Mane-Photography

I spent a whole year without shopping. Here's why, and what I learnt. Conceptual image by Sahil Mane Photography.

We consume more in every successive generation, more as we get richer, more as quality of life improves, more as the population explodes, more as mass production makes things cheaper, and so I'm compelled to believe that environmental concerns aren't alarmism but plain common sense. I, you, we're the target audience for millions of brands owned by thousands of corporations, vying for our attention—that they often get, along with our money, begging the question of indoctrination and the commercialisation of our tastes, needs and wants. And these corporations big and small… who are we making rich and what ethics do we end up supporting, literally buying, with our money? (Slaveryfootprint.org has a simple, if simplistic, survey to tell how many slaves work for you.)

Truth be told, I've never been overtly concerned with possessing or attached to things, and it's not like I shop a lot. I'm no ascetic: I dress up to look good and pander to the pull of fashion, and I've spent as much on the experience of a meal, a holiday, an adventure, rescuing an animal, surprising a loved one, a massage, as others do on jewellery, clothes and gadgets. Plus, I bought two houses as soon as I could: homes to fill the emotional void of an unstable childhood. And how can you ignore the better utility of a Mac and iPhone vs the PC and Blackberry, irrespective of the cost and show-off value. Of course, I need to feed my pride and ego with other things, let me not be confused for a saint. But brandishing brands, having things for the sake of having things, keeping keepsakes, ascribing objects with emotional value… never and decreasingly has that been for me.

Things, however, have always found me. Circumstances conspired to make me the proud owner of a houseful of hand-me-down things, courtesy my parents' migration to Australia and my ex-husband's transfer to Indonesia. At 23, in a house the size of a matchbox, in a new city where other strugglers like me slept on mattresses and could count on one hand the dishes they owned, I drowned in sofas and Kenwoods, artefacts, a king-sized bed, a sofa set and a rocking chair. Eight years later, my home is almost purged of all these expensive things, once pregnant with memories and too precious to give away (though not necessarily necessary nor my aesthetic).

Read more »

2000 Words

by Akim Reinhardt

Turn your radio on and listen to the music in the airAs far as human experiences go, there's not much that tops doing something you love. But when doing it means you're not only indulging your personal creativity, but also sharing it with hundreds or thousands of other people who are appreciative, and you're contributing to something larger by helping to keep a valuable public institution alive, the feeling is hard to describe. It's transcendent, really. To have a creative outlet that allows you to be free and individualistic, yet at the same time to be part of something bigger that provides a service to your community is simply exhilarating. From 1988-2000, I got to have that experience in public radio. And it was not even something that I bothered pursued; rather, I was lucky enough to have it find me.

During the late 1980s and early 1990s I was a DJ at WCBN-FN, a college radio station in Ann Arbor, Michigan. The University of Michigan provided space in the basement of the old Student Activities Building while also footing the bill for electricity and equipment, but none of the DJs got paid a dime. Instead, most everyone down there, including some local older non-students, spun records and CDs because they loved music and wanted to share it with the public.

Working in radio had never been a goal of mine. I only got involved with the station my junior year because a friend was working there as a DJ. I did love music, both listening and playing, and had already taken to writing about it for the student newspaper, cranking out record concert reviews. But radio had simply never occurred to me until he suggested it. Nevertheless, I took to it almost immediately.

Read more »

The Walls of Jerusalem

by Leanne Ogasawara

GrafittiA city of heavenly gates, Jerusalem is also a city of ill-fated walls.

There are the multiple lives of the glorious city walls, finally re-built by the Sultan of Magnificence in the 16th century; and there is the wailing wall (in my opinion the most beautiful wall on earth) where the Jews go to pray and to remember; and of course there is the new wall, or barrier, built to separate the state from the West Bank. A 26 feet tall concrete monstrosity, it has been attacked by artists and opposed by many international organizations dedicated to conflict resolution, from the Red Cross and the UN to Amnesty International and the World Council of Churches.

When we were in Jerusalem, friends said, “you must visit Bethlehem.” Of course, we wanted to go. To get there from Jerusalem, we boarded Bus #24 from the “Arab Bus Station” outside Damascus Gate. We were told to bring our passports–though this bus drops you within the checkpoint, a bit outside of the town. The ugly Wall dominated the drive into Bethlehem, and I found myself thinking a lot about something I read in book about the history of the Church of the Holy Sepulchre that the Church could in many ways serve as a great model for conflict resolution in the region.

This is very funny, of course, to anyone who knows anything about the contentious history of the church! For the history of the church reads more like comedy or sometimes even melodrama than anything else…. Contributing to the tensions leading up to the Crimean war, down to today all rights of use and maintainance are divided between the main players: the Orthodox, the Armenians, the Roman Catholics and the Copts; with the Ethiopians having been pushed up on to the roof, where they still remain languishing (Chart here). Part of the War's conclusion saw the Status Quo Agreement put into effect whereby not one inch of the church can be changed without the agreement of all parties–and this is why, there has remained a ladder on the roof for well over a hundred years.It takes an awful lot to get all the sides to sit down together to talk, much less to agree to anything!

So bad was it that during the Ottoman times, the keys to the church were entrusted to two prominent Muslim families–whose descendents continue to open and shut the doors of the church each day.

Like always, fact is stranger than fiction. And yet, despite the fact that history has seen the religious groups come to blows again and again over the centuries (with vivid scenes of monks pulling out crucifixes and candletsicks to attack and murder each other right next to the Empty Tomb!); still, being there, I had to admit, I'd take the chaotic and crazy AD-HOC style of conflict resolution and mutual existence to that ugly wall anyday! I kind of saw the writer's point, is what I am saying. Indeed, people said again and again that it is in the Old City, where peoples have lived on top of each other for centuries–bickering nastily, but for the most people in mutual existence–that things were better.

It is, as the saying goes, the walls that divide. Even if it is effective in the short-term, over the long haul, all dialogue ends and relations sour when people are divided. Monologue being a symptom of the colonial imagination, I've never really been a fan of short-term performance/ stop-gap measures…

Read more »

Protecting the lying liars who lie?

by Sarah Firisen

LiarsPrivacy; Do we have it? If we don’t, should we care? With the news today that the NSA is now collection millions of faces from web images and using face recognition software on them, I think the answer to the first question is clearly, no. But of course, the NSA, at least in this instance, is only making use of digital images of ourselves that we’ve allowed to proliferate on the web. For the all the ballyhoo about government spying, most of us are our own worst enemies. Most people in the Western world, me included, have huge digital footprints. Probably bigger than we even realize. I remember the early days of admitting that I regularly Google myself and the titters as if that was a vaguely dirty thing to do. But honestly, anyone who doesn’t regularly check to see what is out there about them is foolish.

And I don’t just mean Google your name, Google your photos and your phone number. It’s amazing how many people discount those last two. I do a fair amount of online dating these days and I usually do some preliminary searches on men that I’m considering meeting – I honestly consider this a very basic safety precaution. And it’s amazing what I can find in about 20 seconds. People tend to use the same photos for multiple purposes, so the photo that cute guy has used on Match.com is often also the same photo he uses on his LinkedIn and Facebook profiles. And what do you know, when I Google that photo and find his Facebook page, I see what a charming couple he and his wife Susan make and how thrilled they are to be celebrating their 10th wedding anniversary.

People are quick to give their phone numbers away, but many seem not to realize that if they’ve ever posted that number somewhere, on a bulletin board, on EBay, on Twitter, that number is going to link right back to who they are. It never ceases to astound me how easy it is to get some pretty identifying information on people very quickly and easily. It particularly amazes me when these people are clearly trying to cheat on a spouse or are lying about some other aspect of their lives. I cannot tell you how many men contact me online who are using photos of Bollywood actors as their profile photos and passing them off as their own. Yes, Bollywood actors seem to be the fake photos of choice, not sure why. I’m guessing that it’s because they’re usually good looking guys who aren’t well known in the west so men think they’ll get away with the lie. My one exception to this was the “gentleman” of a certain age who used a photo of John Gotti! And if you say that you’re Peter from New York who works in sales and I Google your photo and find it on the online bio of a neurology researcher who lives in California, I’m probably going to get suspicious and decline that friendly glass of wine you’ve offered.

Read more »

Fierce Patriot: The Tangled Lives of William Tecumseh Sherman

by Eric Byrd

Have you ever seen Sherman? It is necessary to see him in order to realize the Norse make-up of the man – the hauteur, noble, yet democratic: a hauteur I have always hoped I, too, might possess. (Whitman)

51Va+HTg1FLAbraham Lincoln, Ulysses Grant and William Tecumseh Sherman are the conspicuous figures in the revolutionary re-founding of the United States. The victory of which they were the grand strategists and the most acclaimed media actors seemed to decide some of the fundamental questions the Founders had left to ambiguous laws and a faith in future compromise; a victory that eased, though it did not resolve, the existentially divisive “Negro Question” James Madison noted at the Constitutional Convention of 1787: “the States were divided into different interests not by their difference of size, but principally from their having or not having slaves. [Difference] did not lie between the large and small States: it lay between the Northern and Southern.”

In his essential orations – the Gettysburg Address, the Second Inaugural Address – Lincoln is a civic priest or poet, rhetorical guardian, keeper of ideals whose phrasemaking points to a transcendental order. He promised Americans that though their republic had collapsed in an orgy of violence, their ideals were imperishable, and waited be reborn from the bloody struggle. Grant, ancestor of all our taciturn gunslingers and laconic detectives, is the heroic everyman, the homely knight, the General-in-Chief who wore a private’s blouse in the field and appeared apolitical, ambitious of nothing beyond speedy victory, and so able to allay Americans’ traditional republican fear that a powerful general is a potential dictator.

06-1292aSherman is the scourge, the eccentric terror. The harsh style of his widely reprinted reports and official letters provided the public with a “vocabulary of the drastic,” wrote Charles Royster, and ensured that to many Unionists “his public character embodied the severity needed for the crushing of the rebellion.” He embodies that severity still, reduced to a now nearly anonymous aphorism (“War is Hell”), to the cinematic image of Atlanta in flames, and to the famous Matthew Brady portrait that made Evan S. Connell think of a “vulture with scrofula.” Of course Sherman, like Lincoln and Grant, is far more than his image, and a deeper study of the man is essential for the student of America’s consolidation and expansion. Sherman is one member of the late nineteenth century power elite who will tell you how the sausages were made, and in prose of nervous vehemence, half despairing, half gloating, with that note of philosophic detachment that creeps into discussions of the inevitable. He could also wax lyrical; the Mississippi River was to him a national Tree of Life, and he reminded a New Orleans correspondent that the city was

the root of a tree whose branches reach the beautiful fields of western New York, and the majestic cañons of the Yellowstone, and that with every draught of water you take the outflow of the pure lakes of Minnesota and the dripping dews of of the Alleghany and Rocky Mountains.

He was subject to bouts of depression and reread Shakespeare constantly; he ends his memoirs with lines from Jaques’ melancholic soliloquy. He was prominent in the ruin of the rebellious slaveholders and the destruction of the nomadic tribes that hunted on the Great Plains; and for someone perched on the usually euphemistic heights of American power, he was villainously candid about the requisite violence and terror, and he was full of personal paradoxes.

Read more »

Graffiti and the Spirit of the Place

by Bill Benzon

Triceratops Dawn

Over the past few years I’ve spent a great deal of time photographing graffiti in Jersey City, which is on the West bank of the Hudson River across from lower Manhattan. Most of that time I’ve photographed a handful of sites, over and over again, week after week, month after month. What I’ve seen is that things change. Of course the graffiti is eroded by the weather; in some cases it may also be “buffed” (eradicated) by the authorities. More likely, though, is that it will become over-written by other graffiti writers – that’s what they call themselves, by the way, writers, for their art is grounded in letters.

Even this piece, which looks like a green triceratops, is a name: “Joe”, shortened from “Japan Joe”, the nom de guerre of the writer:

3tops-whole.jpg

It’s large; about 18 feet wide and seven feet high. Here you see a train going by:

3tops-spring-train.jpg

Think of Japan Joe in that spot, working for several hours, surrounded by greenery, but also the large freight trains rumbling by. The trains and the greenery travel into his mind where they fuse into the image of a large green animal, the triceratops.

That’s the spirit of the place.

And, in time, Japan Joe’s triceratops had been degraded by the weather to the point that Kemos and Jnub could go over it without insulting Joe:

IMGP0842rd.jpg

Life goes on.

Thus I have come to understand the graffiti site as more than a physical place. It IS that, but the physical place is to be understood, perhaps, provisionally, as a resource accessed by the graffiti, and thus by the graffiti writer. The site is a confluence of physical, social, and aesthetic energy.

Read more »

Martyrs (Earth, Air, Fire, Water) 2014, Bill Viola. St. Paul’s Cathedral, London

by Sue Hubbard

V-005-new-72dpi-srgb[2][4][1][1][1][1]It was a cold wet Bank Holiday Monday as I climbed the steps of St Paul's Cathedral and made my way down the right hand aisle to the four screens of Bill Viola's recently installed video, Martyrs, hoping, in the dank greyness, for a little spiritual nurture. I expected the screens to be bigger, more like those of his famous Nantes Triptych where the viewer is engulfed by the processes of birth and death being enacted out in front of them. Originally conceived to be shown in a 17th century chapel in the Musée des Beaux Arts in Nantes in 1992, it employs the triptych form, traditionally used in Western art for religious paintings, to represent through the medium of video, Viola's contemporary spiritual iconography. But the individual videos in St. Paul's, each based on the four fundamental elements and encased side by side in a simple metal frame like a modern altar screen, are much smaller, closer to the size of traditional paintings.

Install-003-72dpi-srgb[4][4][1][1][1]Encountering Bill Viola's images within this bulwark of Anglicanism implies a certain ecumenicalism, as though the church no longer minds much whether art works are ‘traditionally' Christian, so long as they are broadly ‘spiritual'. The canon chancellor of St. Paul's, the Reverend Mark Oakley, describes the piece as “not explicitly Christian… but a Christian looking at it will find resonances”. A crucified man hangs upside down by his feet, as water pours over him, in the far right screen. St. Peter was crucified in this way and lived by water. The scene also suggests full baptismal immersion and subsequent redemption as the hanging figure ascends feet-first, arms outstretched like an angel's wings. For non-Christians the image might elicit darker thoughts of water-boarding and torture. It's a work open to interpretation by those of faith and those of no faith, and asks the prescient question: what is worth dying for?

Viola is one of the artists who must be credited with moving video into the mainstream. Three of this year's Turner prize nominees use the form as their chosen medium. But he has his detractors as well as supporters. One critic savagely described The Passions, shown at The National Gallery in London, as “a master of the overblown…tear-jerking hocus-pocus and religiosity” and, it's true, that he does walk a fragile line between the ineffable and the naffly bathetic. Yet the Nantes Triptych, which simultaneously features a woman in labour, a man submerged in water and an image of the artist's dying mother has rarely been bettered as a visual expression of the cycle of life and death, while in Tiny Deaths, made in 1993 and again on show at Tate Modern, ghostly figures emerge in a darkened space, where light and sound bring about potent moments of drama.

Read more »

Strained Analogies Between Recently Released Films and Current Events: Godzilla and Public Policy

by Matt McKenna

ScreenHunter_666 Jun. 02 10.45Much has been made of whether this summer's Godzilla movie is a pro-environmentalist film or an anti-environmentalist film. While both readings are plausible on a surface level, neither addresses the dominant public policy critique embedded within the biggest monster flick since last year's Pacific Rim. While the lack of an environmental focus in Godzilla will surely rankle those who watch the film in the hopes of affirming their respective worldviews (whatever those may be), less politically motivated moviegoers will be pleased to discover that the film grapples with the more interesting problem of establishing a culture of open, data-driven public policy.

Godzilla begins by showing glimpses of the monster within the jittering frames of 1950s archival footage. We soon learn that those atomic bomb tests performed during the Cold War weren't tests at all–they were attempts to kill a mysterious giant creature known as Godzilla. Flash forward to 1999 when Joe Brody (Bryan Cranston) notices strange seismic activity while working at a nuclear power plant in Japan. When the seismic activity increases and the power plant collapses, a multinational governmental organization called Monarch quarantines the area and establishes a cover story about the plant being destroyed by an earthquake. Brody, skeptical of the official report, secretly researches the disaster and finds evidence for an enormous spider-like monster lurking about. Flash-forward once more to the present day where Brody finally has the opportunity to present his research to Monarch only to be interrupted a giant spider monster hatching from its giant spider monster egg. This creature subsequently spends its screen time and the film's budget destroying various American cities in search of the nuclear energy it needs to sustain its rampage. Conveniently for humans, however, Godzilla wakes up, rises from the depths of the ocean, and hunts the enormous spider for what appears to be sport.

With a plot like that, it would be easy to come to the conclusion that the Godzilla has aligned itself with environmentalists–mess with the environment and giant spiders will exterminate your species, it seems to say. At the same time, this message is undercut by the fact that a deus ex machina in the form of Godzilla appears and saves the day with no act of contrition required by humans. Why is Godzilla's environment-related message so muddled? Because there isn't one. When the first half of the film is taken into account, it becomes clear that Godzilla's primary message is actually a plea for policy makers to be less reactionary and more data-oriented.

Read more »

BELOVED STRANGERS — A Memoir

by Karen Engelmann

ScreenHunter_671 Jun. 02 17.17Memoir can be a dangerous choice for a writer; they reveal a slice of themselves that must cut deep in the extraction, but in the best examples, the genre is healing for both author and reader. Maria Chaudhuri's “Beloved Strangers” (Bloomsbury, 2014) is one such healing memoir. The story creates a circle from birth to rebirth, with Miss Chaudhuri's long and arduous journey into adulthood detailed in elegant and, at times, dreamlike prose.

Born to devout Muslin parents in Bangladesh — a newly formed nation still in turmoil from its own difficult birth — Miss Chaudhuri's prologue begins, literally, in the womb. In three brief, powerful passages set in different stages of her young life, the author introduces the theme of separation — a condition that is her greatest challenge and serves as the book's central query. The first passage is a poetic exploration of her own birth in Dhaka, the initial departure from the safety of the mother. The second examines a child's wish to run away, fueled by the wishes of the mother to be alone and free of the burdens of children. The third is a self-imposed displacement to a foreign land — the northeastern U.S and ultimately New York — the author describes as “rancid.” And yet a return to what was home in Bangladesh literally causes a kind of asphyxiation; the prodigal daughter cannot breath the air of her native city. In these first six pages, we enter a world where the author feels estranged from all that she is supposed to hold dear. Chaudhuri addresses this estrangement fearlessly, tackling topics like religion, familial dysfunction, gender roles, sex, depression and obsession with painful candor and surprising lyricism.

The author's questions regarding belonging begin with the family's strong religious traditions. Chaudhuri's innocent inquiries about God are rebuked and punished. She is taught to pray in Arabic — a foreign language that was only memorized and never learned or even translated. The pir sahib, a holy man who makes an annual visit to the family, tells the young Maria that he named her after a beautiful Christian slave that was a gift to the Prophet from the Byzantine Emperor. The pir's explanation is accompanied by a lecherous sexual tension that hints of intended pedophilia, arrested only by the arrival of her parents. Beauty, promiscuity, danger and desire are often connected in the work, a source of confusion and shame. When crowds of the devout arrive at the house to pray with the pir in the evening, the young Chaudhuri runs to the roof of the house to stare at the sky:

My grandmother said it was in the moment between twilight and darkness that all heavenly creatures left their earthly sojourns to fly back up to the heavens. The pink streaks in the sky were Heaven's doorway, flung open for the return of its inhabitants. I was always hunted down before the multi-colored easel of a sky had coagulated into a deep charcoal. (pg. 15)

Escape as a solution to life's problems is a method Chaudhuri dreams about often, inspired (and simultaneously terrified) by her mother's clearly expressed desire to escape the drudgery of home and family to pursue her own thwarted artistic dreams as a singer.

Read more »

Monday, May 26, 2014

Ahsan Akbar talks to K. Anis Ahmed about his new collection of short stories, Good Night, Mr. Kissinger

Ahsan Akbar: Jamaat-e-Islami, Bangladesh’s largest Islamist group, is currently being put on trial for committing war crimes during Bangladesh’s partition from Pakistan. Jamaat-e-Islami fought against Bangladesh’s independence and orchestrated mass murders of Hindus and Bengali nationalists. The stories in Good Night, Mr. Kissinger begin with Bangladesh’s war for liberation, how did the experience of the war inform your stories?

GNMKcoverK. Anis Ahmed: I wrote most of the stories in Good Night, Mr. Kissinger before the war crimes trials got underway. The tribunal was started in 2009 once the Awami League government came back to power. But there was an earlier movement to demand these trials in the early 90s and my family, through its media outlets at the time – Ajker Kagoj – was a strong supporter of that demand. Members of my family also took part in the Liberation War. One uncle was killed, a few others were captured and tortured by the Pakistani army. My own family were held as prisoners of war in Pakistan, and I was separated from my families – a strange story of logistics and mistiming – and was raised the first few years by my grandparents. So, like many families in Bangladesh, I grew up with a strong family lore about the war itself and its meaning and its sacrifices and also got to be a part with renewal of that spirit in the post-democratic era. All of that informs stories like “Chameli” or “Kissinger.”

AA: Gary J. Bass’s new book, The Blood Telegram: Nixon, Kissinger, and a Forgotten Genocide confirms many allegations against not only Jamaat but the failure and complacency of Western leaders amidst genocide. Did portrayals of the real Henry Kissinger influence your fictional version of him?

KAA: The Blood Telegram came out after my book, so there is no reflection of that book as such in my writing. But what The Blood Telegram does for us is provide serious testimony – and third party verification. No one can now dismiss the claims of genocide in ’71 as AL propaganda or Bangladeshi exaggerations. It is sad that we have suffered some serious revisionism since ’75, but sound academic works like The Blood Telegram will help set the record straight for the long term.

Read more »

Cannonball

by Tamuira Reid

Mary hears voices. Voices that awaken her from a deep, dark sleep. Voices that pull and laugh and tug. Voices that make her lock and unlock doors. Wash clean dishes. Fold and unfold clothes. Voices that make her tired.

There's an orange one. A tan one. A red one. A handful of white ones. She knows them by heart. Their purposes. Their functions. Her dysfunction. Standing over the kitchen counter-top, underwear but no bra, she faces the breakfast of pills staring back at her, a little army of soldiers going off to war.

There's a three-year-old somewhere in the back of the house, knee-deep in a pile of dirty clothes and linen, searching for his dinosaur, Pickles, who he'll flush down the toilet, because not only is he missing a leg, but a tail too. His daily routine consists mostly of flushing stuff down the toilet and hiding things from his mom. Car keys are buried in the soil of houseplants. Lipstick goes under a mattress (only after it is noted that “Rock Star Red” looks as good on his forehead as it does on the wall). Photo albums are dismantled, displayed, black and white pictures colored-in with a half-broken crayon. Baby dolls dismembered. Credit cards and day planners and unbalanced checkbooks stashed inside a toy box, under a bathroom sink, in the exhaust pipe of a life-sized motorcycle.

The voices make mornings hard.

Scrambled eggs take an hour to cook, shaking hands pick out bits of shell, burnt toast going unnoticed until the wail of a smoke alarm cuts into her consciousness.

She's making the day's “To Do” list, a mental log of errands to run, phone calls to make, appointments she won't keep. Her back and arms ache, the dark circles around her eyes intensifying, making her look old. L'Oreal concealer is added to the list of “Things To Buy”, and she massages the circles with the tips of her fingers, trying to rub the age out.

The boy wants cheese.

“No cheese for breakfast.”

“But I wancheeze mama! Cheeze! Cheeze! Cheeze!”

She plugs in the old Hoover, the one she bought at the flea market last year, while he triumphantly bites into a block of cheddar, legs stretched out in front of him, sitting intently on the cold morning linoleum. Mama's cleaning things again.

The voices make living difficult.

Long nights of drinking take a toll on the house. Empty bottles crowd coffee and end tables, tipping over forgotten ashtrays and discarded cups of soda, smashed butts and brown liquid falling to the floor. She'll later wrap these wine bottles in tissue paper and give them as Christmas presents to her family and friends, erasing any doubt there'd been about the status of her drinking. I'll quickly stuff a tapered candle into mine, Look – It makes a great candleholder. After dessert I'll offer to drive Mary home only to detour at the corner bar, a dank, smoky room and I won't think twice about buying her a beer, and I won't think twice about buying her another one and I won't think, just don't think about it, that this is wrong, that there is something inherently terrible about watching her drink. Because this is what friends do. This is normal.

They whisper.

Read more »