By, Leanne Ogasawara
It is one of my life regrets that when in Delhi, I did not take the time to go down and see the Taj Mahal. This is not even the worst travel regret I have either. But it is the second worst. There was so much to see and do in Delhi back then. And I guess I tend toward a pathological dislike for the popular and fashionable. So, I missed seeing the building with my own eyes.
Filled with regret, I sat down at LA's Geffen Playhouse last week to watch Rajiv Joseph's Guards at the Taj.
The play opens as two friends are standing guard in front of the almost completed Taj Mahal. Childhood friends, they cannot keep to the strict rule of silence that their job demands. Surreptitiously, they talk of the stars and their dream of “moving up” to become guards in the emperor's harem… the ultimate job, they decide. Birds are singing. The beauty of their friendship and funny dialog, however, belies the extreme violence that follows in Act 2.
It is an old legend that after having the Taj built as a monument to his beloved dead wife, the emperor Jahan decreed that the architect and all the workers who had built the building would all have their hands cut off. When I was in India, I had actually heard that it was only the architect who was put to death. In any case, it is just a dark legend. Anyway, as the two friends stand guard happily dreaming of the emperor's harem, one tells the other about a rumor that is going around. The emperor, it seems, in his desire to ensure that nothing more beautiful than his glorious Taj ever be built again, will amputate all 20,000 workers' hands.
One friend says, “What a horrible job that would be to cut off the hands of 20,000 men.”
“Yeah” says the other, “that's 40,000 hands.”
In that moment, it then dawns on them that of course this is a job that will fall to themselves–as the lowliest grunts in the army.
And sure enough in Act 2, the stage is awash in blood and severed hands. (My friend Guita called it an early Halloween).