by Ethan Seavey
It’s halfway through the month of December and New York is filled with pine boughs and small yellow bells and horse-drawn carriages and scarves. We are seated on the edge of the fountain in Washington Square Park, though this time of year the water has been shut off. A group of five skateboarders are practicing jumps in the large basin. We just bought a pre-rolled joint from one of the stands in the park, of which there are many. But we only buy from one of them. Weed is legal in the city now, but it’s not legally sold, so it can be questionable, and you never want “questionable” when you’re prone to paranoia. We trust the woman who runs this stand, though, because we know where she buys it and she has a rainbow flag on the front of her table.
So we sit queerly on the edge of a queer fountain smoking some queer weed. We talk about something, I don’t know, maybe how Halloween is a gay holiday but Christmas is a straight one and we have fatigue. A New York Christmas is not one of comfort or much joy. Starting in November, there’s a pressure in the air that pushes you to believe you need to do a long checklist of items. You need to see Rockefeller Center, you need to go to this small pop-up and that department store extravaganza. You need to go to the holiday markets at Union Square, where people shuffle by long lines of other people waiting to shop at little stands, and the ones at Bryant Park, which you never see because Union Square was such a nightmare. A New York Christmas is hearing tinny bells played on speakers for weeks and drunk Santas racing from bar to bar. A New York Christmas is one where you can only find silence and darkness when you’re tucked away into your tiny apartment.
Certainly there is magic in the season as well and I am rarely as gleeful as when I have a quiet Christmas moment with friends. But it is finals week and I can’t see past a devastating head cold. Read more »


Numerology can easily result from free association and, given its assertions, it certainly seems like it has been. In any case, I thought I’d try my hand at it.


In 1995, I made two Christmas mixtapes that I labeled A Very Mary Christmas. I had recently gone through a period of wondering whether it made sense to go on celebrating Christmas, given that I’d stopped believing in the Christian story years earlier. In particular, I’d thought about whether I wanted to go on listening to Christmas music—especially the old traditional carols I love, many of which have explicitly religious lyrics. In the end, I decided that there were other good reasons to celebrate the time around the winter solstice. I made the mixtapes in a spirit of enjoying winter and celebrating both the darkness and the light to be found in family and friends. I kept some of the traditional carols (some only in instrumental versions) and religious music—Handel’s Messiah, for example. In addition, I included music that’s not traditionally considered Christmas music or even winter music; hence the now mildly embarrassing substitution of Mary for Merry.



When people take to the street to protest this is often supposed to be a sign of democracy in action. People who believe that their concerns about the climate change, Covid lockdowns, racism and so on are not being adequately addressed by the political system make a public display of how many of them care a lot about it so that we are all forced to hear about their complaint and our government is put under pressure to address it.

Loriel Beltran. P.S.W. 2007-2017 

