
I have been thinking about the culture of AI existential risk (AI Doom) for some time now. I have already written about it as a cult phenomenon, nor am I the only one. But I that’s rather thin. While I still believe it to be true, it explains nothing. It’s just a matter of slapping on a label and letting it go at that.
While I am still unable to explain the phenomenon – culture and society are enormously complex: Just what would it take to explain AI Doom culture? – I now believe that “counter culture” is a much more accurate label than “cult.” In using that label I am deliberately evoking the counter culture of the 1960s and 1970s: LSD, Timothy Leary, rock and roll (The Beatles, Jimi Hendrix, The Jefferson Airplane, The Grateful Dead, and on and on), happenings and be-ins, bell bottoms and love beads, the Maharishi, patchouli, communes…all of it, the whole glorious, confused gaggle of humanity. I was an eager observer and fellow traveler. While I did tune in and turn on, I never dropped out. I became a ronin scholar with broad interests in the human mind and culture.
I suppose that “Rationalist” is the closest thing this community has as a name for itself. Where psychedelic experience was at the heart of the old counter culture, Bayesian reasoning seems to be at the heart of this counter culture. Where the old counter culture dreamed of a coming Aquarian Age of peace, love, and happiness, this one fears the destruction of humanity by a super-intelligent AI and seeks to prevent it by figuring out how to align AIs with human values.
I’ll leave Bayesian reasoning to others. I’m interested in AI Doom. But to begin understanding that we must investigate what a post-structuralist culture critic would call the discourse or perhaps the ideology of intelligence. To that end I begin with a look at Adrian Monk, a fictional detective who exemplifies a certain trope through which our culture struggles with extreme brilliance. Then I take up the emergence of intelligence testing in the late 19th century and the reification of intelligence in a number, one’s IQ. In the middle of the 20th century the discourse of intelligence moved to the quest for artificial intelligence. With that we are at last ready to think about artificial x-risk (as it is called, “x” for “existential”).
This is going to take a while. Pull up a comfortable chair, turn on a reading light, perhaps get a plate of nachos and some tea, or scotch – heck, maybe roll a joint, it’s legal these days, at least in some places – and read.






Sughra Raza. Shredder Self-portrait, NYC, August 2023.


Harry Frankfurt, who died of congestive heart failure this July, was a rare academic philosopher whose work managed to shape popular discourse. During the Trump years, his explication of bullshit became a much used lens through which to view Trump’s post-truth political rhetoric, eventually becoming deeply associated with liberal politics.
Aesthetic properties in art works are peculiar. They appear to be based on objective features of an object. Yet, we typically use the way a work of art makes us feel to identify the aesthetic properties that characterize it. However, dispassionate observer cases show that even when the feelings are absent, the aesthetic properties can still be recognized as such. Feelings seem both necessary yet unnecessary for appreciation of the work.
ed to be protected from blasphemy, I must have overheard someone say
The other day, over cigarettes and beer, my friend M. told me the story of the Ghost Cop of Rowan Oak. She was speaking from authority, as she had just encountered it a few days before. Her boyfriend P. was there—both at Rowan Oak and on my front porch with the cigarettes and the beer—and it was nice to watch them swing on the swing and finish each other’s sentences.



