by Robyn Repko Waller

Cringy. Real. Surreal. Socially Suspect. A lot can (and has been) said about Nathan Fielder’s HBO docu-comedy The Rehearsal. Are the clients actors? Are the actors acting? Is Fielder an actor or client? Script becomes life and life becomes script in a recursive dream (nightmare?) of which one cannot help but be an onlooker. [Season 1 spoilers ahead.]
The initial premise seems wholesome if it was not so intrusive. Help folks live out their fraught future endeavors with a host of trained actors, replica sets, and practically limitless rewinds. ‘Immersive’ doesn’t do The Rehearsal justice. Fielder, the former magician, spins realism. Fielder and HBO seem to spare little expense to engineer clients’ test scenarios — the full-scale bustling bar down to the torn chairs and spices and patrons, an Oregon farmhouse homestead with the dream garden and steady supply of child actors. Creator of worlds of possibility. Worlds of possibility for action and transformation.
But can being embedded in a rich social simulation transform us? Prepare us for a changed future self? Plenty of shows and movies exploit the intrigue of transformation to capture viewers, but few are philosophical enough to explore the conditions for transformation, for shaping the self. Read more »


Port Sunlight was a model village constricted in the Wirral, in the Liverpool area, by the Lever brothers, and especially under the inspiration of William Lever, later lord Leverhulme. Their fortune was based on the manufacture of soap, and the village was built next to the factory in the Victorian/Edwardian era, for the employees and their families. It’s certainly a remarkable place, with different houses designed by various architects, parks, allotments, everything an Edwardian working class person might want. An enlightened employer, Lever was still a paternalist: he claimed his village was a an exercise in profit sharing, because “It would not do you much good if you send it down your throats in the form of bottles of whisky, bags of sweets, or fat geese at Christmas. On the other hand, if you leave the money with me, I shall use it to provide for you everything that makes life pleasant – nice houses, comfortable homes, and healthy recreation.” Overseers had the right to visit any house at any time to check for ‘cleanliness’ and that the rules about who could live in which house were observed (men and women could only share accommodation if they were in the same family). Still, by the stands of the day it was quite progressive – schools, art gallery, recreation of all sorts for the employees were important. 
In 1930, the German anthropologist Berthold Laufer published a monograph on the phenomenon of people eating dirt.
My grandmother’s bird of choice is the rooster. She was raised in rural Kentucky and now lives in rural Wisconsin. She collects all sorts of roosters (and, by extension, some hens): wall art, printed dish towels, ceramic statues as small as a pinky and as large as a lamp, coin bowls and blankets and something nostalgic in each one.

Sughra Raza. Shadow Self-Portrait in a Reflection of a Window in a Window.
A couple of years ago I briefly became famous for hating Vancouver. By “famous” I mean that a hundred thousand people or so read 


It was announced last week that scientists have integrated neurons from human brains into infant rat brains, resulting in new insights about how our brain cells grow and connect, and some hope of a deeper understanding of neural disorders.
Visualize a purple dog, the exercise said. Imagine it in great detail; picture it approaching you in a friendly way. So I did. I thought of a spaniel: long silky ears, beautiful coat, all a nice lilac color. Pale purple whiskers. The dog was friendly but not effusive. I’m not a dog person, but I wouldn’t have minded meeting this dog. All right, now what? The exercise went on to say something along the lines of “Wonderful! If you can visualize that purple dog, can’t you imagine your own life as being full of amazing possibilities?”


