by Christopher Bacas
On a cloudy November afternoon, the runaway dog headed south through a Victorian Brooklyn neighborhood. Shuttling down sidewalks, a black spindle unwinding in lengthwise turns. Legs, wisps of yarn, whipping down, then up into the skein. Scuff and click of paws un-synced to their motion; lightning flashes before the charge splits air. Overhead, massive houses linked eaves.
The run zigzagged through irregular blocks; cells in a massive, supine body. Cell walls: bulging chain link or ornate iron fences, mottled from scraping and accretion of paint, hedges, brick walls or ivied slat fences; permeable at angles and in raw gaps. She could thread these breaches at whistling speed. Her sleek coat catching, leaving tiny clumps of fur.
Driveways ran deep into their nuclei, connecting a garage or backyard. In the maw of each: garbage cans, white, green or clear membranes flapping cilia-like, bikes with rubber-sheathed DNA chains twisted around signs, silent toys clumped along cement culverts.
She forded each capillary street, barely slowing, angling through traffic. Her rump banged a fender and she fishtailed away from the blow, then straightened, accelerating. Across the flat, her momentum made the ground seem to bend from view, as if earth were a hinged disc and with each kick she plunged further down. Behind her, sidewalks, streets, whole neighborhoods tilted away under the unraveling, invisible tether of her shucked harness and leash.
On a dead end street, a guardrail topped with fencing protected the steep descent to an abandoned rail line. At the corner, the fence post leaned away from its mooring. She slowed. Her body wiggled, slotted the gap and careened down the hill. Dust eddies swirled behind her. Between tree roots, soft dirt glinted with shards of plate glass and broken bottle necks.

