by Sarah Firisen
Google the phrase “is it time to care about the metaverse?” and there are a wealth of articles, mostly claiming that the answer is yes! Are they right?
In the next six months, I’m going to start on a home-building project. While I’ve done home renovations before, building a house from the ground up is a new and scary experience. I’m not a good visualizer; during the home renovation project, I couldn’t look at a bathroom tile and imagine what an entire bathroom would look like using that design. Given this, it was great that our architect used 3D software that enabled us to “walk through” the house plan. But how much more effective would it be if I could really “live” in a virtual copy of the house for a while? If there was a digital twin of the house design in the metaverse, my avatar could inhabit it for a while and get a real feel for whether that kitchen is big enough and whether the tile for the floor is a bit much or just right.
As I’ve written before, my ex-husband and I were very into Second Life about 16 years ago. He was a Senator in the ROMA sim, while I used my software development skills to learn the language for building and scripting to become a fashion designer. Dabbling in virtual architecture and construction, I built my own stores, and I also built my ex-husband a villa on a plot of virtual land he bought in the ROMA sim. Way back then, virtual worlds were mostly escapes from the real world. There was the occasional brand that set up a Second Life store, but they never really seemed to know what to do with the technology. Read more »

Like most people, I have been baffled, mystified, unimpressed and fascinated by 

1. In nature the act of listening is primarily a survival strategy. More intense than hearing, listening is a proactive tool, affording animals a skill with which to detect predators nearby (defense mechanism), but also for predators to detect the presence and location of prey (offense mechanism).
Njideka Akunyili Crosby. Still You Bloom in This Land of No Gardens, 2021.

A metal bucket with a snowman on it; a plastic faux-neon Christmas tree; a letter from Alexandra; an unsent letter to Alexandra; a small statuette of a world traveler missing his little plastic map; a snow globe showcasing a large white skull, with black sand floating around it.
I liked to play with chalk when I was little. Little kids did then. As far as I can tell they still do now. I walk and jog and drive around town for every other reason. Inevitably, I end up spotting many (maybe not 




In The Art of Revision: The Last Word, Peter Ho Davies notes that writers often have multiple ways to approach the revision of a story. “The main thing,” he writes, “is not to get hung up on the choice; try one and find out. … Sometimes the only way to choose the right option is to choose the wrong one first.” I’m easily hung up on choices of all kinds, and I read those words with a sense of relief.
A friend just sent me a copy of materials that the Cornwall Alliance is sending to its supporters. Here is an extract [fair use claimed]: