by Claire Chambers
Since 1855, both orthodox and non-practising Arab Muslim writers have produced an exciting, politicized, and high-quality body of artistic work. Among other aims, it seeks to portray the concerns of British-based members of the transnational faith group, or ummah. My research indicates that, particularly in the years following the riots in northern England in 2001, the attacks on America later that year, and the onset of the so-called War on Terror, British literature, film, and media have become increasingly preoccupied by Islam. In fiction at least, the strategies for representing Muslim communities are beginning to undergo significant alteration. Following the turning point of the Rushdie affair and accelerating since twenty-first-century wars of questionable legality, a surge in Islamophobia, the Arab Spring/Winter, and the refugee crisis, growing numbers of writers are representing specific British Muslim communities in a more nuanced way than had been attempted previously. Non-Muslim authors such as Martin Amis, John Updike, and Ian McEwan zero in on the figure of the terrorist. Arab Muslim writers tend to look at Islam in subtler ways, while often remaining highly critical of the religion's practices and accretions. Novelists such as Leila Aboulela and Robin Yassin-Kassab repudiate as distortions of the religion's pluralist history attempts to constrict Islam into an exclusive, singular identity.
The South Asian community constitute the biggest and most recognizable Muslim migrant population in Britain. However, Arabs, especially Yemenis, have also come to Britain in relatively large numbers since the late nineteenth century. In 2002, Caroline Nagel estimated that there were 200,000 Arab people in Britain, most of them Iraqi, Lebanese, Egyptian, and Moroccan. By 2011, when the British Census included 'Arab' as an ethnic category for the first time, numbers had risen to 230,600. This makes Arabs one of the largest immigrant communities from outside the Commonwealth living in Britain today.
Since the discovery that the 2005 London bombers (none of them from Arab backgrounds) were 'home-grown', cultural commentators such as David Goodhart and Trevor Phillips have argued that multiculturalism is to blame for alienation, a lack of community cohesion, and even terrorism. However, I follow Tariq Modood in arguing just the reverse, that more rather than less multiculturalism is needed, if Britain is to inculcate a genuine (and necessarily diverse) sense of citizenship in its populace.
