by Bill Benzon

When I was a child I sought out the first blossoms of spring. The forsythia bushes were first. Then tulips perhaps? I don’t really remember. I’m guessing, though the guess is not groundless. Daffodils, yes daffodils, yellow and white.
But I DO remember the irises. Not vividly, for it was a long time ago and, as I sit here running through memories while typing these lines, none of them are vivid. But distinct. I even remember bowing down to see them more clearly. This memory is kinesthetic.

And I remember my mother kneeling in front of the flower bed. Brown slacks. Heavy gloves. She was breaking up the ground and weeding the bed. Her flowers.
She loved the irises. At least I think she did. I know I did. Why? They were tall flowers, the tallest in the bed. Was that it? Perhaps, in part, height brought the blossoms closer to the yes. Was it the color? They were colorful. It was only much later that I would learn how many different colors and colorways found homes on irises. These irises were what I have come to think of as “canonical” or “standard” irises – light blue, deep purple, white, flecks of yellow on the beards.
Yes, that’s what they’re called, at least colloquially, those fuzzy yellow things radiating from the center – beards. The more or less vertical petals are called standards; the droopy ones are called falls. And that complicated stuff in the center – anther, crests, stigmatic lips (stigmatic!?). It’s all so complicated. Read more »

Jon Hassell is one of America’s musical treasures, and I’ve been listening to his music for forty years, so when I heard he needed help for his medical care, I decided to make a mix of his music. This mix actually grew into two mixes, so look for another one next month. This one features Jon playing with other musicians, and part two will feature other musicians whom Jon has influenced (and a bit more from Jon himself).




Something has happened in the last forty days. The planet has gone quiet, a vast, reverberating, gesticulating global chorus suddenly muted by something wee and invisible which is borne across continents, streets and rooms by friends and strangers. Mass extinction, once the whispered woe of a distant future, suddenly sounds louder and doable in the here and now. The world is compelled to gaze at its own mortality.
The month of Ramadan is at once a time of respite from the external— when one’s focus shifts from worldly affairs to the spiritual— and a time to deepen one’s sense of compassion and fellow-feeling via the rigors of daily fasting, prayer, reflection and generous giving. It is a time to break free from day to day concerns and to pay attention to one’s lifelong inner journey, whether it is through revitalizing the connection with the Divine or investing in human relations: personal, communal, and global.

The COVID-19 pandemic has instigated talk of the systemic- or societal relevance of institutions and professions. Quickly, attributions of systemic relevance have become a matter of distribution of resources. In Germany, for example,
What is worse – coronavirus itself, or the social and economic catastrophe that comes with it?
Like most people who have time to think in these stressful days, I have been thinking about life after the COVID-19 pandemic has passed – mostly at a personal level, but also a little about the world at large. This essay is an attempt to put some of these thoughts down as a time-capsule of how things appear from this perch in May of 2020, the first year of the New Plague.
What’s the universe made up of? Most people who have read popular science would probably say “Mostly hydrogen, along with some helium.” Even people with a passing interest in science usually know that the sun and stars are powered by nuclear reactions involving the conversion of hydrogen to helium. The dominance of hydrogen in the universe is so important that in the 1960s, two physicists suggested that the best way to communicate with alien civilizations would be to broadcast radio waves at the frequency of hydrogen atoms. Today the discovery that the stars, galaxies and the great beyond are primarily made up of hydrogen stands as one of the most important discoveries in our quest for the origin of the universe. What a lot of people don’t know is that this critical fact was discovered by a woman who should have won a Nobel Prize for it, who went against all conventional wisdom questioning her discovery and who was often held back because of her gender and maverick nature. And yet, in spite of these drawbacks, Cecilia Payne-Gaposchkin achieved so many firsts: the first PhD thesis in astronomy at Harvard and one that is regarded as among the most important in science, the first woman to become a professor at Harvard and the first woman to chair a major department at the university.
I sometimes consider becoming a skeptic, but then I’m not so sure what that entails.

So, here she is Bharat Mata, or as Sabila saw my mother, wrapped in a bright sari, superimposed on a map of India painted on a box of safety matches. It’s incendiary. Kashmir crowns the Mata who wields a trident in her right hand. A multi-color flag erases Afghanistan and Pakistan. Left-hand shadows Bangla Desh gesturing towards Myanmar. Her foot seems bigger than pearl-shaped Sri Lanka which forms the central story of the Hindu epic Ramayana. Here’s how Sabila told Mother the story.