Incoherent Incoherence: Freedom In A Physical World II

by Jochen Szangolies

Figure 1: Statue of Ibn Rushd, author of the Incoherence of the Incoherence, in Córdoba, Spain. Image credit: Saleemzohaib, CC0, via Wikimedia Commons.

The Incoherence of the Philosophers (Tahâfut al-falâsifa) is an attempt by 11th century Sunni theologian and mystic al-Ghazâlî to refute the doctrines of philosophers such as Ibn Sina (often latinized Avicenna) or al-Fârâbî (Alpharabius), which he viewed as heretical for favoring Greek philosophy over the tenets of Islam. Al-Ghazâlî’s methodological principle was that in order to refute the assertions of the philosophers, one must first be well versed in their ideas; indeed, another work of his, Doctrines of the Philosophers (Maqāsid al-Falāsifa), gives a comprehensive survey of the Neoplatonic philosophy he sought to refute in the Incoherence.

The Incoherence, besides its other qualities, is noteworthy in that it is now regarded as a landmark work in philosophy itself. Ibn Rushd (Averroes), in response, penned the Incoherence of the Incoherence (Tahāfut al-Tahāfut), a turning point away from Neoplatonism to Aristotelianism.

In modern times, most allegations of ‘incoherence’ levied against philosophy come not from the direction of religion, but rather, from scientists’ allegations that their discipline has made philosophy redundant, supplanting it by a better set of tools to investigate the world. The perhaps most well-known example of this is Stephen Hawking’s infamous assertion that ‘philosophy is dead’, but similar sentiments are readily found. While the proponents of such allegations have not always shown shown al-Ghazâlî’s methodological scrupulousness in engaging with the body of thought they seek to refute, these are still weighty charges by some of the leading intellectuals of the day. Read more »

The Roots of Wittgenstein’s “Anthropological” Philosophical Perspective

by Joseph Shieber

One of the pleasures of reading Amartya Sen’s new memoir, Home in the World, is stumbling upon little anecdotes that provide new perspectives on, or an opportunity for a deepening engagement with, major intellectual figures.

One such occasion for me was Sen’s discussion of the influence of the economist Piero Sraffa, one of Sen’s academic mentors at Cambridge in the 1950s, on the later thought of the philosopher Ludwig Wittgenstein.

That Sraffa was influential on Wittgenstein is undeniable. In his preface to the Philosophical Investigations, Wittgenstein describes the path that led him to repudiate his earlier philosophical positions, as elucidated in his first book, the Tractatus Logico-Philosophicus, and to arrive at the positions that he develops in the Philosophical Investigations. Wittgenstein notes that, “since beginning to occupy myself with philosophy again, sixteen years ago, I have been forced to recognize grave mistakes in what I wrote in that first book. I was helped to realize these mistakes—to a degree which I myself am hardly able to estimate—by the criticism which my ideas encountered from Frank Ramsey … . Even more than to this … criticism I am indebted to that which a teacher of this university, Mr. P. Sraffa, for many years unceasingly practised on my thoughts. I am indebted to this stimulus for the most consequential ideas of this book.” (Philosophical Investigations, viii)

Though Wittgenstein doesn’t elaborate on the nature of Sraffa’s contributions, Sen locates Sraffa’s influence on Wittgenstein in Sraffa’s insistence that Wittgenstein’s earlier reductionist theory of meaning (more specifically, the picture theory of meaning of the Tractatus) was inadequate to capture the complexities of human language use. Sraffa emphasized the complex social arrangements that sustained and gave meaning to language, social arrangements that Wittgenstein attempted to capture with his notion of “language games” in the Philosophical Investigations. Read more »

If we could all be good for just one day….it wouldn’t make much difference

by Thomas R. Wells

Suppose that we could all be good for just one day. No one would be tempted away from doing the right thing and towards their own selfish interests or illicit urges. No one would be afraid of retribution. We would be free of all internal and external obstacles to being good. What would happen?

Some good things would happen and would last beyond one day. For example, dictatorships would collapse into rubble. If no one would do evil or allow evil to be done for just one day then the thugs would stay home (or join in) while the people took back their country.

Some other nice things might get done. People might take the day off work and spend it doing good deeds like picking up the garbage in their neighbourhood. This wouldn’t last since the effects of those deeds wouldn’t last (it is easier to dismantle something evil and build something good). But even in their own right these good deeds probably wouldn’t amount to very much. This is not only because there is only so much that can be done in one day, but also because most important things require cooperation and coordination to achieve. We wouldn’t know which of the many possible good things to try to do, in what order, or to what extent. Should we give our life savings to Oxfam? Should we go adopt a cat from the shelter? Should we volunteer to teach English to recent immigrants? Where should we start and when should we stop? Merely acting on the intention to be good is not enough to actually do much good. Read more »

The grandfather of modern self-help

by Emrys Westacott

1859 was not a bad year for publishing in Britain. Books that came out that year included Darwin’s On the Origin of Species, John Stuart Mill’s On Liberty, and George Eliot’s Adam Bede. The first installments of Dickens’ A Tale of Two Cities and Wilkie Collins’ The Woman in White also made their appearance. And Samuel Smiles published Self-Help.

The fiction in this list remains fairly popular. Mill’s essay is generally considered a foundational text of modern liberalism and is widely used in political science undergraduate courses. Few people other than serious historians of science read On the Origin of Species in its entirety, but its standing as one of the most important and influential works ever penned is unassailable. Self-Help, by contrast, is rarely read or referred to these day except by literary and cultural historians of the Victorian era. Yet in its day it was an immediate bestseller, was quickly translated into several languages, and established Smiles’ reputation, thereby enabling him to settle into the ranks of those who, by dint of their own efforts, had achieved success and security.

Self-help books have been around for a long time, of course. One of the purposes of Plato’s dialogues was to direct people towards living the good life for a human being. Epictetus’ Handbook offered the same promise from a Stoic perspective. Plutarch’s Lives, at least some of them, have long been taken to provide inspirational models. But in the modern era, few texts in this category have been as influential, at least in their day, as Self-Help. Perhaps its most important precursor was Ben Franklin’s Autobiography, which tells how its author rose from an impoverished nobody to a highly respected somebody, and was explicitly written to illustrate the process. Read more »

The Right to Remember

by Dick Edelstein

Republican Prisoners – Spanish Civil War

Hello, my name is David Coronado. The grave where your grandfather is buried is being exhumed. I think you can come to collect his remains and say a proper goodbye to him.

The above quote from a recent article in the Spanish newspaper El País illustrates how David Coronado approached relatives of people executed in 1940 by the forces of General Franco’s regime. The bodies of their family members had been buried in a common grave in Paterna, a townland near Valencia. Coronado was working with the Asociación para la Recuperación de la Memoria Histórica (ARMH), an NGO founded by journalist Emilio Silva following the exhumation in the year 2000 of a common grave containing the bodies of thirteen Republicans. Silva’s grandfather was one of those buried in the grave, and relatives of other victims asked him to help them recover the remains of their loved ones. Thus, Spain joined the vanguard of the current movement for the recovery of historical memory, a worldwide movement whose general aims have become a topical issue during the past two decades.

A longtime Spanish friend, Concha Catalan, told me her family’s Civil War story:

My family experienced trauma too. My grandfather was imprisoned by both sides during the Civil War. After the war, he was sent by the regime to various prisons and later to one of General Franco’s colonias militarizadas penitenciarias [penal colonies], where he worked as an engineer directing a crew of fellow prisoners forcibly assigned to public works tasks. His absence and suffering had a lasting effect on my family.

Concha is one of the founders of Innovation & Human Rights, a Spanish NGO that focuses its efforts on facilitating public access to archival data relating to Civil War casualties and victims of reprisal. Concha, who had worked and trained as an investigative journalist, met co-founder Guillermo Blasco at a hackathon in Barcelona, an event that brought together journalists and computer experts to share skills and resources and develop solutions to specific problems involving data and information technology. Blasco, a proficient coder, took an interest Concha’s work as an open data activist in the field of human rights, and their subsequent collaboration resulted in the founding of Innovation & Human Rights. Read more »

The Case for Non-Standard Philosophy

by Omar Baig

“One day, after I had completed my studies” at École normale supérieure, philosopher François Laruelle reminisces in From Decision to Heresy (2012), “I sat at my desk and I cleared away all the books of everything that had already been written” (1). On a blank sheet of paper, Laruelle resumed taking notes, except this time he scoured himself for insights. Before starting his master’s thesis, “The Absence of Being,” however, he saw Michelangelo Antonioni’s moody, atmospheric film, La Notte (1961): inspiring Laruelle to inform his legendary graduate supervisor, Paul Ricoeur, of his intent to abandon their planned exegesis of G.W.F. Hegel’s early work. After earning his doctorate, he spent the next three decades quietly pondering the materiality of philosophy and, by the 1980s, explored philosophy as the material for an art. 

A single frame from the 1961 Italian drama film directed by Michelangelo Antonioni’s 1961 Italian drama, La Notte: starring Marcello Mastroianni, Jeanne Moreau and Monica Vitti (with a cameo by Umberto Eco).

Instead of pursuing so-called philosophical wisdom, Laruelle wondered if he could make art with philosophy or make poetry of thought that expresses “something poetic with concepts.” He sought to “forward some philosophical thesis” or “practice that could destroy, in a certain way, the classical usage of philosophy” (Heresy, 29). His first five books, from 1971 to 1981, offered fairly standard critiques of French and German philosophers: like Friedrich Nietzsche, Martin Heidegger, Giles Deleuze, Jean-Luc Nancy, and Jacques Derrida; yet he did not probe “the destruction of philosophy” until his sixth and seventh books in 1981 and 1985. Deconstructionists, like Derrida and Ricoeur, momentarily eclipsed the then prevailing phenomenological approach of their predecessors, such as Husserl and Heidegger: “only to become precisely a repetition of Philosophy or philosophy qua philosophy” (Principles, xiv).

Even these iconoclasts, however, had ultimately protected the dignity of philosophy and bared the burden of their homage, affirming the very tradition they once rebelled against: which relies on opposing poles, or philosophical dyad—like subject vs. object, transcendental idealism, etc.—claims to “reinvent” how human’s access or translate between their subjective experiences and an external reality. Yet philosophers can neither “objectively” translate reality into definitive true or false statements nor verify its claims outside their recursive expression (i.e., by language games): which both over- and under-determine reality with each account. In short, philosophy was made for man, as “the pure and general form of the World and the World as the immanent object of philosophy,” but man was not made for philosophy (xx). Instead of philosophical homage, Laruelle integrates scientific theories and practices to life. Read more »

The Rotten Tomatoes Equation

by Derek Neal

According to the website Rotten Tomatoes, there are four types of movies: good-good movies, good-bad movies, bad-good movies, and bad-bad movies. These types can be identified using the Rotten Tomatoes score for each movie, particularly the relationship between the critics’ score and the audience’s score. Let me explain. Rotten Tomatoes is a website that collects movie reviews and assigns them a rating of either “fresh” (if the review is positive) or “rotten” (if the review is negative). It then calculates the percentage of fresh reviews and assigns this as a score to the movie. If the score is 60% or greater, the film itself is considered fresh, whereas if the score is lower than 60%, the film is rotten. This is a useful way of rating a movie, but there’s a problem here, too. Let’s imagine every reviewer gives a movie three out of four stars, indicating a good film but not a great one. These reviews would all be classified as fresh, and the film would receive a misleadingly high score of 100% (The Terminator has a 100% rating, for example, while The Godfather does not). Let’s imagine another film receives all two out of four-star reviews. These would be classified as rotten, and the film would receive a rating of 0%, indicating one of the worst movies of all time. But the movie wouldn’t really be that bad.

In addition to the critics’ score, there is also the audience’s score, which simply calculates the ratings of the website’s users to decide whether a movie is fresh or rotten. This is based on hundreds to thousands of reviews as opposed to the 40 or 50 that make up the critics’ score, and in its relationship to the critics’ score it can give us valuable insight into the characteristics of a movie. Read more »

Film Review: “I’m Your Man” Is a Smart, Bittersweet Meditation on Desire

by Alexander C. Kafka

Is loneliness a choice? Is love?

Such timeless questions resonate particularly a year and a half into the coronavirus pandemic as we continue to weigh the risks and rewards of companionship, of intimacy, and calculate our capacity for solitude. Those quandaries propel the bittersweet romantic, sometimes droll meditation I’m Your Man, a new German film directed by Maria Schrader from a script she wrote with Jan Schomberg off a short story by Emma Braslavsky.

Alma (Marren Eggert) is an anthropologist pressured into participating in an evaluation of humanoid, robotic, made-to-order mates. Hers is a dapper, dignified database named Tom (Dan Stevens), who can rumba, recite Rilke, or cite a just-published journal article written by Brazilian cuneiform experts. Alma’s tastes, atop the crowd-sourced desires of millions of other women, dictate his algorithms, which are fine-tuned as he interacts with her. Out of the box, he comes on a little strong. “You’re a very beautiful woman, Alma,” he says upon first meeting her. “Your eyes are like two mountain lakes I could sink into.” But he’s a quick study and soon tones it down. Read more »

Charaiveti: Journey From India To The Two Cambridges And Berkeley And Beyond, Part 10

by Pranab Bardhan

All of the articles in this series can be found here.

Presidency College had a good Department of Economics and Political Science. I’d say that the teaching standard at my time there would compare quite favorably with the standard I found later when teaching undergraduate classes in Berkeley. I remember in my first lecture in Berkeley in a large undergraduate class I was using some bit of calculus. After my class a female student came to see me to complain about the use of calculus in class. I told her that I was not using any advanced calculus, so if she brushed up her high school-level calculus she should have no difficulty in following the class. She said that in her high school in Carmel, a California coastal town, there was the option to take either calculus or yoga, and she had chosen the latter. I told her, unhelpfully, that this was a choice unheard-of in the land of yoga, India, and, I thought to myself, certainly in Presidency College.

One outstanding teacher I had there was Bhabatosh Datta. I can say that if I have to count four or five best Economics teachers anywhere in the world, I’d include him in the list. He not merely had an excellent expository style, more importantly he inspired us, even as undergraduates, to aspire to reach the frontier of the subject. I remember once rushing to the Library to take out a front-ranking research journal (Quarterly Journal of Economics) to read up some new article that he referred to in class. This is somewhat rare at the undergraduate level in most parts of the world. Of course, I did not understand half the article without taking his help. As the poet Robert Browning said, a man’s reach should exceed his grasp; by pushing us this way Datta wanted to see us achieve more. Read more »

The Perpetual Hygiene Regime and the STEMification of the Intellectuals

Justin E. H. Smith in his Substack Newsletter:

Recently I was sent an article about “Glocalqueering in Singapore”, which had something to do with the ways in which queer communities in that strict city-state move in creative ways between the local and the global. The article struck me as ridiculous, and suitable for the mocking spirit in which it was sent to me. Yet when I think about the actual subject, I have to admit I find it interesting, and I want to know more. I find everything interesting, pretty much, including the queer communities of Singapore, and yet I find articles of this sort exasperating.

Why is that so? It seems to me that it is not the subject in question, but rather the rendering of the author’s observations of an entire form of life in the pseudoscientific terms of an “abstract” accompanied by “keywords”, reducing that form of life to data, that somehow makes the whole venture seem fraudulent to me.

More here.

A new mathematical theory unlocks the mysteries of slumber

Van Savage and Geoffrey West in Aeon:

Humans have long wondered why we sleep. A well-rested prehistoric mind probably pondered the question, long before Galileo thought to predict the period of the pendulum or to understand how fast objects fall. Why must we put ourselves into this potentially endangering state, one that consumes about a third of our adult lives and even more of our childhood? And we don’t do it grudgingly – why do we, along with dogs, lions and virtually every other animal, apparently enjoy it? Unlike measuring the period of the pendulum, scientists would have to wait much longer to obtain reliable answers, since it’s not so easy to sleep while strangers watch. Doing so involves building sleep disorder clinics for humans and elaborate structures such as platypusariums to observe the REM (rapid eye movement) repose of platypuses.

Over the past few decades, huge amounts of data about the duration of sleep states have been gathered across species, as well as from birth to adulthood in humans. These findings have also been tallied with potential correlates such as melatonin, brain size, metabolic rate, lifespan, and sleep-promoting genes and neurons. Even so, until very recently we’ve lacked a quantitative theory that can predict, for example, why mice sleep roughly 10 times more per day than whales; why baby humans sleep roughly twice as long as adults; why REM and total sleep times change much faster as a baby grows in size than they do with similar size differences across species; and why temperature affects sleep times in cold-blooded animals such as fruit flies.

More here.

Omar Little and moral complexity

Kenan Malik in Pandaemonium:

It’s not often that a shotgun-wielding thief and killer comes to be seen as possessing a moral core. But then it’s not often that you have a character like Omar Little. Or an actor like Michael K Williams to bring him to life. Or a TV series like The Wire that allowed both character and actor to breathe.

The death last week of Williams, possibly of a drugs overdose, has robbed us of one of the most subtle, supple actors of our time. He was outstanding in a number of roles, from Boardwalk Empire to Bessie, from The Night Of to The Road. But it was his portrayal of Omar Little that truly lives in the memory.

The Wire was one of those TV shows that broke the rules of what TV should be, in terms of tone, narrative and pacing, “a television show that thinks it’s a novel”, as the New York Times suggested. But it was much more than that. There are few works in any medium that have more successfully burrowed beneath the skin of our age, exposing that spot where race, class, power and despair coalesce to entrap the human spirit and curdle the American Dream.

More here.

Why We Must Monitor the Sale of Surveillance Tech

Jack Poulson in The American Prospect:

When I left Stanford to join Google as an AI research scientist, I “went across the street,” as the saying went. I had been a young assistant professor, first at Georgia Tech and then at Stanford, doing research that was partially funded by the Defense Advanced Research Projects Agency (DARPA). At one point, I brought up the ethical issues of researching surveillance technology with the DARPA program manager, but frankly, raising ethical concerns in such a competitive environment felt a bit like labeling myself a troublemaker.

I was ready to move away from defense work, get recognized for software development, and—yes—make enough money to move out of my small, spider-infested apartment on Alma that shook every time the Caltrain went by.

Since then, I’ve learned that digging deeply into public records—combined with a modicum of data science—can lead to greater accountability and transparency.

In 2018, news broke that Google was secretly helping the Pentagon build artificial intelligence to ramp up its drone surveillance program through “Project Maven.” My instinct was that it would be hypocritical for me to complain, given that DARPA had partly funded my previous job.

More here.

100 years of the culture war

Frank Furedi in Spiked:

For almost two decades, I have been attempting to understand the origins and drivers of the culture war that has now engulfed the West. Many paint it as a continuation of the age-old conflict between left and right. But that is misleading. If anything, today’s cultural conflicts, be they arguments over statues or gender identity, coincide with the erosion of traditional ideological differences. Indeed, we have capitalists today who no longer defend capitalism, and an identity politics-obsessed left that is thoroughly hostile towards the working class – especially those who have white skin. The categories of left and right simply do not mean what they used to. And they certainly do not help us make sense of the culture war.

One reason why the culture war is so difficult to understand is that its main protagonists rarely lay out their cause systematically. There is no explicit philosophy or ideology of culture war. Indeed, as I argue in my new book, 100 Years of Identity Crisis: Culture War Over Socialisation, the culture war is driven by an ideology without a name. That is what I set out to explore – the historical origins and main objectives of this nameless ideology.

As I soon discovered, this ideology originated in the late 19th century in the most unlikely of places – namely, the nursery. The first clash in the culture war took place over the question of how children should be raised and educated. And it was this conflict over the socialisation of young people over 100 years ago that unleashed the forces that have led to today’s battles over identity and cultural values.

More here.

How Colm Tóibín Burrowed Inside Thomas Mann’s Head

D. T. Max in The New Yorker:

The Irish writer Colm Tóibín is a busy man. Since he published his first novel, “The South,” at thirty-five, in 1990, he has written eleven more books of fiction. He has also published three reported books, three collections of essays, dozens of introductions to other writers’ work, prefaces to art catalogues, an opera libretto, plays, poems, and so many reviews that it’s surprising when a week goes by and he hasn’t been in at least one of the New York, London, or Dublin papers. When I asked Tóibín—the name is pronounced “cuh-lem toe-bean”—how many articles he had written, he could only guess. “I suppose thousands might be accurate,” he said, adding that his level of output used to be more common among writers: “Anthony Burgess, whom I knew slightly, used to write a thousand words a day. He produced a great amount of literary journalism, as well as the novels.” But, unlike Burgess, Tóibín gravitates to assignments demanding considerable diligence. Reviewing a recent biography of Fernando Pessoa, by Richard Zenith, Tóibín read the eleven-hundred-page text and three translations of Pessoa’s “The Book of Disquiet.” Tóibín sometimes assimilates his subject to the point that the writer in question begins to sound like one of his own characters. His Pessoa essay, published in August in the London Review of Books, begins, “As he grew older, Fernando Pessoa became less visible, as though he were inexorably being subsumed by dreams and shadows.”

More here.

Sunday Poem

(Untitled)

I

In each soul, thousands of lives are imprisoned—
only one escapes,
.. but it would have been nice
…… if a few more could have gotten away —
maybe the actor who would have played an uncut Hamlet
or the fondler of the true grain of good wood
or the pianist who loved music enough to practice.

It would have been good if the whiner had not gotten away,
the one so besotted by the moment
that its consequence toward the next is forgotten.

by Nils Peterson
from The Dear Time of Our Talking
Frog On The Moon Press, 2020