A Mexican Road Trip

Sara Wheeler at Literary Review:

What does Theroux do on his trip? In Nogales he has his teeth whitened, in San Diego de la Unión he attends a first communion, in San Miguel de Allende he drops in on a wedding and in Monte Albán he inspects pyramids built at a time when ‘Britain was a land of quarrelsome Iron Age tribes painting their bellies blue and huddled in hill forts’. Sometimes he abandons his car, which has Massachusetts plates, in a secure car park and goes on bus journeys. Mexican highways are well maintained, he notes, but the off-ramp ‘always leads to the dusty antique past – to the man plowing a stony field with a burro, to the woman with a bundle on her head, to the boy herding goats, to the ranchitos, the carne asada stands, the five-hundred-year-old churches, and a tienda, selling beer and snacks, with a skinny cat asleep on the tamales’.

Theroux quotes widely from published sources in both Spanish and English, interviews officials and, as always, talks to ‘ordinary’ people, including some who barely speak Spanish (the Mexican government recognises 68 languages and 350 dialects).

more here.

Harold Bloom, Critic Who Championed Western Canon, Dies at 89

Dinitia Smith in The New York Times:

Harold Bloom, the prodigious literary critic who championed and defended the Western canon in an outpouring of influential books that appeared not only on college syllabuses but also — unusual for an academic — on best-seller lists, died on Monday at a hospital in New Haven. He was 89. His death was confirmed by his wife, Jeanne Bloom, who said he taught his last class at Yale University on Thursday. Professor Bloom was frequently called the most notorious literary critic in America. From a vaunted perch at Yale, he flew in the face of almost every trend in the literary criticism of his day. Chiefly he argued for the literary superiority of the Western giants like Shakespeare, Chaucer and Kafka — all of them white and male, his own critics pointed out — over writers favored by what he called “the School of Resentment,” by which he meant multiculturalists, feminists, Marxists, neoconservatives and others whom he saw as betraying literature’s essential purpose. “He is, by any reckoning, one of the most stimulating literary presences of the last half-century — and the most protean,” Sam Tanenhaus wrote in 2011 in The New York Times Book Review, of which he was the editor at the time, “a singular breed of scholar-teacher-critic-prose-poet-pamphleteer.”

At the heart of Professor Bloom’s writing was a passionate love of literature and a relish for its heroic figures. “Shakespeare is God,” he declared, and Shakespeare’s characters, he said, are as real as people and have shaped Western perceptions of what it is to be human — a view he propounded in the acclaimed “Shakespeare: The Invention of the Human” (1998).

More here.

An ambitious effort to map the human body’s individual cells gets backing from NIH

Elizabeth Pannisi in Science:

The National Institutes of Health’s (NIH’s) latest foray into turning emerging technologies into useful data sets is focusing on how the body’s trillions of cells interconnect and interact. The Human BioMolecular Atlas Program (HuBMAP) aims to describe the biochemical milieu and the locations of individual cells in the body’s major organs, researchers write this week in Nature. It uses technology heralded by Science as the 2018 Breakthrough of the Year. The goal is to “establish a baseline of what constitutes a healthy system,” says HuBMAP grantee Julia Laskin, an analytical chemist at Purdue University in West Lafayette, Indiana. That way, she says, researchers will be able to see what goes awry in disease. Until recently, biomedical scientists had just a broad-brush view of how organs functioned. In particular, they had succeeded in getting only a sense of gene activity—when genes turn on and off—in specific tissues. Gene activity defines what a cell does. But organs consist of many kinds of cells, each with their own molecular profiles.

In 2016, drawing on technologies that enable researchers to routinely study individual cells, a group of 90 scientists from the around the world launched the Human Cell Atlas (HCA), which aims to catalog how cells operate in different tissues. The effort now involves 1500 scientists from 65 countries, and draws support from many sources, including the Wellcome Trust and the European Union’s Horizons 2020 program, says Aviv Regev, one of the HCA’s founding members and a computational systems biologist at the Broad Institute in Cambridge, Massachusetts.

HuBMAP represents the U.S. government’s commitment to this international grassroots effort, says the corresponding author on the 9 October Nature paper, genomicist Michael Snyder from Stanford University in Palo Alto, California. “Hopefully [HuBMAP] will have a major role in leadership and building the framework” that will help meld the HCA with about a dozen other projects focused on single cell analyses of specific organs, such as the brain, lungs, kidney, and pretumor and cancerous tissue, he explains. Such melding would involve establishing common standards, protocols, and ways of presenting the data. “As much as possible, we want to be able to compare apples to apples and oranges to oranges,” Snyder says.

More here.

Tuesday Poem

Trampoline

My mother bounced up and down
the night before I was born. Freckled
arms pumping, she prayed with each fall

that the confetti of us would rain down,
fly up, float for a moment, as I would—
a nest, awaited nine months and gone in a blink.

It would dissipate to settle around us
on the playful canvas still rippling,
straining under the weight of us.

We cry at the sight of one another, a part
of one another newly apart from one another.

All the while, woven strands strain.
The small spaces between are windows
we ignore until the woven strands fray,
give way, and all the small windows
become one, through which we fall.

We land years later on a lawn,
its green faded golden
and breath thick with morning
mosquitos and memories.
I, 24. She, 48.

Both of us dig through the roots
to those dry golden stalks, flimsy
and elusive. She looks for her lineage
before her, whose worried jawlines
look like hers, and I for the other half of
mine behind me, taut with absence.
My lineage stolen by ships, then
misunderstandings, miscommunications.
My fingers pierce precious places,

but my mother is milky
comfort, always confusing,
always forgiving,
my search for a blackness
to hide how different
she made me.

When, in all that mulched earth,
our frenzied fingers brush,
we lace them to butterfly and wiggle
their prints together into topsoil
growing sticky with effort and joy.

by Kendal Thomas
from Brooklyn Poets,
10/14/19

The Iceberg And The Pressure Cooker

by Michael Liss

The Iceberg has broken off from the ice sheet, and it’s a whopper. It groaned and teetered and shook, hanging on maybe longer than science said it should have, and, then, with a mighty roar, it slid into the ocean. It’s been floating about ever since, banging into things.

Last week, I attended the 17th annual conference of Columbia University’s Center on Capitalism and Society: “Progressivism, Socialism, and Nationalism.” Everyone talked about the Iceberg—where it came from, what it might hit next, what could stop it.

It was a full day, with over two dozen speakers from a variety of backgrounds and outlooks. Two Nobel Prize winners, Joseph Stiglitz and Edmund Phelps, were joined by panelists from across the political spectrum, from the (real) Socialist Bhaskar Sunkara, Founding Editor and Publisher of Jacobin magazine, to Douglas Holtz-Eakin, President of the American Action Forum, and Ryan Streeter of the American Enterprise Institute. Add a variety of luminaries, including Richard Sennett of the London School of Economics and the ubiquitous (and engagingly scary) Jonathan Haidt, and there were a lot of perspectives.

I don’t have the space to cover everything (I will post links to the sessions when available from the Center), but the issues raised were important and worth examining. Read more »

Why Philosophy? (1) Becoming Articulate

by John Schwenkler

This is the first in a planned series of posts discussing different ways of pursuing philosophical understanding.

I am the sort of person who can be very good at finding my way around a place, while having almost no ability to translate that capacity into a realistic map of the place that I am able to find my way around.

This place could be a building, a neighborhood, a city, or a more distant set of locations that are connected by major roads. In each case what allows me to get around is the knowledge of what I can do at various landmarks that will take me from one location to another: for example, turn left at the Exxon station to get to the supermarket; walk past the bathrooms and then up the stairs to the right to reach the department office; take the interstate south to exit 53A, then follow the highway over the bridge and take the first left to get to the beach.

My mastery of these landmark-based strategies means that sometimes I am able to give good directions concerning how to get from here to there in places that I know my way around, though doing this requires me to simulate in my imagination what the next relevant landmark will be after taking a given step—and this sort of remembering is something else that I am not always good at doing. Still, when I do manage to remember, or am reminded of, a given landmark along my memorized route, then what I remember is something I already knew: for example, that the road out of the neighborhood goes past an Exxon station, at which one needs to turn left to get to the supermarket.

With maps, things are different. Even if I am extremely adept at getting around a place, often I will have had no idea that the place I am able to get around has the layout that a map displays it as having: no idea, that is, that the locations I know how to get between are located with respect to one another in the ways that the map displays. In knowing how to find my way around, all I knew was what to do, upon seeing a certain landmark, in order to continue on the way to a given place. And I knew all of this very well without knowing much of anything about the spatial structure of the place I was able to navigate, or the spatial relationships between the landmarks I could find my way between.

Based on conversations with other people about these matters, my sense is that I may be a sort of person who is peculiarly bad at aligning my knowledge of how to get around a place with a representation of that place in the form of a map—though there is some experimental evidence suggesting that landmark-based navigation is the default human strategy for getting around an environment. My present interest, however, is not in these questions, but in a wider phenomenon that this is only a single example of, and which I believe provides a common impetus for philosophical inquiry. Read more »

Perceptions

Agnes Denes. Model for Teardrop—Monument to Being Earthbound. The Shed, New York, October 2019 – March 2020.

“The artist’s original Teardrop depicted a monumental teardrop-shaped sculpture “levitat[ing] above the center of the base afloat on an elastic cushion of magnetic flux.” Impossible then and now, a scale version magically floats on a table top in the middle of the gallery.

At the far end of the gallery is the only splash of color in the exhibition design by New Affiliates; a glowing blue-purple wall hints at something special out of sight.”

(Congratulations New Affiliates!)

More here, here, and here.

Searching for Exoplanets with Christopher Columbus

by Leanne Ogasawara

Imagine finding out that intelligent life had been discovered in our galaxy. To learn that across the endless ocean of intergalactic space there exists a planet filled with new forms of life –and riches unimagined: this was how it must have felt for the people of the Renaissance, when Christopher Columbus discovered the New World. After all, there was a reason why the people of the time called it the New World, instead of just the new continent. For this was a revelation; not just of new land, but of sought-after minerals, like gold and silver. It was a new world of tastes. From potatoes to tomatoes and chocolate to corn, the dinner tables of Europe would be transformed in the wake of Columbus’ trip. There were animals never seen in Europe, like the turkey and bison. And there were wondrous new plants and flowers. There was even a new shade of red. Made from the female cochineal insect, this new dye became– after gold– the second largest import from the New World.

Perhaps most astonishing were the people. At a time when Europe was itself organizing into nation-states, often under all-powerful monarchs, Columbus found in the Americas, what seemed to his eyes, to be free and egalitarian societies. Not only did the people not use money, but even more remarkable was their lack of private property. Private property was, after all, the bedrock of the new banking system back home.

And theologically, how were the Europeans to explain a population of people who could not be descended from Noah’s three sons; of human beings ignorant of the New Testament for over a thousand years? Read more »

On Joker (with Spoilers)

by Akim Reinhardt

I saw Joker last week. I think it’s an excellent film. But the two friends I was with, whose tastes often overlap with my own, really hated it, and we spent the ensuing 90 minutes examining and debating the film. Critics are likewise fiercely divided. Towards the end of our conversation, one friend admitted that, love it or hate it, the film evokes strong reactions; it’s difficult to ignore.

One reason Joker is so divisive and controversial is that several issues have dogged the film.

  • The film seriously confronts issues of nihilism. Because this is almost unheard in major Hollywood movies, it’s challenging even sophisticated viewers.
  • Director Todd Phillips has recently said some very stupid shit.
  • In this Trumpist moment, it is difficult to separate the film from current concerns about violence, toxic masculinity, misdirected raging populism, and possibly even oppressive whiteness.

Any serious discussion of the film must deal with these and other issues. Let’s start with the bookends of Phillips’ intentions and possible audience interpretations.

Director Todd Phillips, he of the massively popular and progressively redundant Hangover film franchise, has recently joined the chorus of spoiled Gen X comedians whining about “cancel culture,” and opined quite stupidly that “woke culture” has made it impossible to do comedy, and thus, feeling cornered, he has turned to drama.

Phillips’ sentiments are moronic, fragile, self-absorbed, and immature. In the real world, “cancel culture” is called “business decisions.” If Saturday Night Live fires a new writer because some of his prior comedy amounted to little more than tired old racism, they have done so because they’re worried about their bottom line, not your feelings. But if you really want to put the lie to “woke culture” ruining comedy, just watch the raunchy comedy of a talented, young, boundary-pushing comic like Nikki Glaser. In that context, Phillips just sounds like another middle-aged, straight white guy angrily bitching that no one laughs at his dumb locker room jokes anymore. Rat tail!

So is it fair then to ask about Phillips’ artistic and political intentions in making this film? Yes and no. Read more »

Reading China in a Sci-Fi Novel

by Robert Fay

Chinese writer Liu Cixin

In The Three Body Problem by Cixin Liu, China has made contact with a technologically-advanced alien civilization called Trisolaris. The aliens plan to invade earth and are cultivating a cadre of earthling collaborators, most of whom are Chinese nationals. The Trisolarians accomplished this, not by using sex or blackmail to recruit agents a la the FSB or CIA, but by creating a seductive computer game designed to both introduce the nuances of Trisolarian civilization, as well as to weed out unworthy recruits. As recruits progress in the game, they proceed through evolutionary epochs of Trisolarian history, which curiously enough, includes historical personages from earth. In one early stage of Trisolarian development, the great Chinese Emperor Qin Shin Huang supervises the successful creation of a massive human computer, involving the recording of endless semaphore signals conducted by tens of thousands of Trisolarian soldiers raising up and down flags.

The emperor is filled with pride: “Each individual’s behavior is so simple, yet together, they can produce such a complex, great whole!” he says. “Europeans criticize me for my tyrannical rule, claiming that I suppress creativity. But in reality, a large number of men yoked by severe discipline can also produce great wisdom when bound together as one.”

It’s not impossible to imagine Chinese President Xi Jinping saying this in a moment of candor. If China continues to skillfully counterbalance all of its many contradictions, why wouldn’t Xi stand before the U.N. General Assembly and proclaim the singular superiority of his one-party, authoritarian model of capitalism? For the Chinese today are no longer content with praise, they believe the world should begin studying and imitating China. Read more »

The Cancer Questions Project, Part 11: David Steensma

Dr. David Steensma specializes in care and research for myelodysplastic syndromes and leukemia. He and colleagues were the first to identify and understand the clinical implications of the clonal hematopoiesis of indeterminate potential (CHIP). He is an Associate Editor of the Journal of Clinical Oncology responsible for the “Art of Oncology” section and has more than 150 publications in peer-reviewed journals. Dr. Steensma currently serves as an Associate Professor of Medicine at Harvard Medical School, consulting physician at Brigham & Women’s Hospital, and a faculty member in the Adult Leukemia Program at Dana-Farber Cancer Institute in Boston.

Azra Raza, author of the forthcoming book The First Cell: And the Human Costs of Pursuing Cancer to the Last, oncologist and professor of medicine at Columbia University, and 3QD editor, decided to speak to more than 20 leading cancer investigators and ask each of them the same five questions listed below. She videotaped the interviews and over the next months we will be posting them here one at a time each Monday. Please keep in mind that Azra and the rest of us at 3QD neither endorse nor oppose any of the answers given by the researchers as part of this project. Their views are their own. One can browse all previous interviews here.

1. We were treating acute myeloid leukemia (AML) with 7+3 (7 days of the drug cytosine arabinoside and 3 days of daunomycin) in 1977. We are still doing the same in 2019. What is the best way forward to change it by 2028?

2. There are 3.5 million papers on cancer, 135,000 in 2017 alone. There is a staggering disconnect between great scientific insights and translation to improved therapy. What are we doing wrong?

3. The fact that children respond to the same treatment better than adults seems to suggest that the cancer biology is different and also that the host is different. Since most cancers increase with age, even having good therapy may not matter as the host is decrepit. Solution?

4. You have great knowledge and experience in the field. If you were given limitless resources to plan a cure for cancer, what will you do?

5. Offering patients with advanced stage non-curable cancer, palliative but toxic treatments is a service or disservice in the current therapeutic landscape?

Thinking Dangerously: Henry Giroux’s The Terror Of The Unforeseen

by Eric J. Weiner

The terror of the unforeseen is what the science of history hides, turning a disaster into an epic. —Philip Roth, The Plot Against America

The only clue to what man can do is what man has done. The value of history, then, is that it teaches us what man has done and thus what man is. —R. G. Collingwood

When he was seventeen years-old, my late father-in-law, Mario Gartenkraut, escaped from Poland two days ahead of the Third Reich’s invasion of his town. His family did not believe him when he warned them of the terror that he saw coming. They sent him off to Bolivia in South America, but stayed behind. By the end of the war, all of his sisters and his parents had been exterminated by the Nazis in the death camps. A few of his brothers survived. Mario foresaw the terror of fascism and it saved his life. Most of his family did not and they were murdered. The memory of the kind of fascism that he survived is both a tool for resistance and, ironically, can blind us to things we must resist and overcome. As a tool for resistance, the mantra that we should “never forget” is a powerful way to keep the memories of those we lost alive as well as remember the conditions as they have been represented in official history that led to the systematic murder of millions. But the phrase also plants the seeds of our undoing. The representations of fascism that construct these memories become indelible and as such make it difficult to imagine what fascism might look like in our current times.

Peering at the horizon of our withering democracy for jack-booted soldiers, transport trains, and smoke rising from the ashes of crematoriums makes memory a liability. If we are looking out for one kind of threat based upon the science of historical memory, then we are sure to miss threats to our freedom from other forms of fascism that may be hiding in plain sight. As was true for Mario’s sisters and parents, what we don’t see, won’t see, can’t see, or refuse to see might be the most terrifying thing of all.

The Terror of the Unforeseen, Henry Giroux’s latest salvo against what he calls neoliberal fascism is, first and foremost, a history book. It is, of course, also a cogent critical analysis of current events, particularly as they unfold in the story of Donald Trump’s presidency. But at its core is a deep respect for History’s pedagogical power to teach us as Collingwood writes “what man has done and thus what man is.” Like Collingwood, Giroux sees in History shadows cast beyond the present that reveal in hazy and sometimes horrifying outline what humans might become by taking a complex account of what they have done. Hiding in these late afternoon shadows is the terror of unforeseen advances toward negative freedom, dehumanizing technologies, and state-sanctioned violence against those who have been classified as disposable. Read more »

“A way of shutting my eyes”: Reflections on the Photographic Turn in Recent Literary Memoirs

by Rafaël Newman

For Fred Weinstein

“What is hidden is for us Westerners more ‘true’ than what is visible,” Roland Barthes proposed, in Camera Lucida, his phenomenology of the photograph, almost forty years ago. In the decades since, the internet, nanotechnology, and viral marketing have challenged his privileging of the unseen over the seen by developing a culture of total exposure, heralding the death of interiority and celebrating the cult of instant celebrity. The icon of this movement, the selfie, is now produced and displayed, in endless daily iterations, in a ritual staging of eyewitness testimony to the festival of self-fashioning.

This same period has also seen a parallel, related but in some senses opposed development: the use of photographic documents – occasionally, indeed, self-portraits, though fragmentary or denatured, and/or amateur photographs of their subject taken by the authors themselves – to illuminate non-fictional works, primarily literary memoirs, (pseudo-)biographies, or historical reconstructions; beginning in 2001 with W.G. Sebald’s epochal Austerlitz and continuing in books overtly or implicitly inspired by the Anglo-German’s peripatetic, omnivorous, documentary style. Orhan Pamuk’s Istanbul (2003), Daniel Mendelsohn’s The Lost (2006), Teju Cole’s Every Day Is For The Thief (2007), Aleksandar Hemon’s The Lazarus Project (2008), Gary Shteyngart’s Little Failure (2013), and Patti Smith’s Year of the Monkey (2019) all deploy photographic material obliquely, frequently quite bereft of deictic apparatus and often only remotely or tangentially associated with the adjacent narrative, as if to shadow the work’s textual body, to propose a secondary or paratextual level, or to serve as a form of punctuation (implicitly echoing Barthes’s polysemous term “punctum”, the ineffably affecting element in a photograph) in the rebus that is the written account of a life. These various, recent non-fictional works at once coopt a visual medium for the literary project and mount a subtle protest against the ongoing debasement of the (human, autoerotic) image in selfie culture by restoring to that image some of its Barthesian mystery, even as they borrow from the new idiom its demystification of the art of photography by placing it in the hands of non-professionals. Read more »

On the Road: In the Zambian Bush

by Bill Murray

Late morning heat rises in waves over tall grass. It’s an hour and a half drive, sand flies buzzing, to Luwi bush camp, a seasonal camp with just four huts of thatch and grass on a still lagoon, far out into Zambia’s South Luangwa National Park, about 300 miles north of Lusaka.

Perched on a cliff above the Luwi River, today the little camp is empty, but for the permanent staff of six – permanent, that is, for the five months each year camp is open. When the rains come in November they tear down Luwi camp and in late April a work crew of twenty rebuilds it top to bottom in order to have it open by June first. We’re first in, a little early at the end of May.

No other guests, just the staff, our guide Aubrey and a European named Grete, who will manage Luwi camp this season. Six months a year Grete is a translator in Brussels (English, French, Dutch and Spanish) and she spends the other six in the bush. Aubrey has a literate streak himself, framing sentences conditionally, starting like “Whereas, with the puku….” Read more »

Ask a Hermit

by Holly A. Case (Interviewer) and Tom J. W. Case (Hermit) 

The following is part of a written interview with Tom, a pilot who has largely withdrawn to a small piece of land in rural South Dakota. 

Interviewer: So first of all, thanks for agreeing to this interview. I know a lot of readers are interested to learn more about hermit life, but are probably thinking: “How can I find a hermit?” or “Would a hermit even want to talk with me?” or “If I were a hermit, probably the last thing I’d want is to be pestered with questions. Isn’t that what hermits are trying to avoid?” As you can see, people (not me, of course, but other people) tend to make a lot of assumptions about hermits without really knowing what they’re about. So it’s especially great to have this opportunity. Thank you so much! [pause—awkward silence] Right, so my first question is: How did you become a hermit?

Hermit: I think the relevance is in the “becoming,” more so than the arrival at some particular state—the state of being a hermit in this case. The word hermit puts a bit of a full-stop at the end of what might otherwise be a transcendent experience. In my case, however, if indeed I have become a hermit, it goes something like this: I think we all have an inner hermit living in our minds, very much alone, and each person’s internal processes of hermit-thinking and rationalization are adapted and transmuted into the ways they ultimately interact with the outside world. To put into practice the being of a hermit, then, all I have done is allow the inner hermit to exist on its own terms outside of my mind and body. Subsequently I act a hermit in the outside world in much the same, solitary way as one might behave inside their own mind. The full release of said inner hermit, however, is ripe with responsibility. At least it seems so. In much the same way one cannot just decide one day that stop signs are not to their liking, disregard them without consequence, it only seems fair to fully act oneself in relative solitude so as to not conflict with crossing traffic.

Interviewer:  Do hermits brush their teeth?

Hermit: The short answer is yes. Certainly not for vanity, certainly not after every meal, but because teeth are critical and easy to reach. It is possible to tell when teeth need a good brushing, and that is when they get it. Perhaps once per week, sometimes more, sometimes less. In the meantime, chewing on things like twigs and coarse grass stems, consuming apple cider vinegar (followed by clean water), does an amazing job. I imagine every hermit has their own routine. Read more »

Potato in hand, I greet Crutbelg at the palace gate

by Dave Maier

South America

A while back, when I lived in Philly, my housemates and I got into a memorable discussion. It probably started off innocently enough, with someone wondering what it would be worth to you to lose a limb or something. But since I was involved, the conversation soon got weird, and soon we were thinking of more and more involved and downright bizarre contracts. I’ve forgotten most of them, but I’ve thought up a few more since then.

When someone came up with a good one, we’d each say how much money it would take for us to agree to the deal. It soon became clear that there were forces pulling in opposite directions. On the one hand, you didn’t want to look like a wuss. I shouldn’t need a billion dollars to spend my life in a wheelchair; plenty of people do that out of necessity, with no financial compensation, and they live perfectly fulfilling lives. Such people might be pretty offended to learn that you’d need vast sums of money to put up with the horror of living like they do. Keeping the number down would help to show that you regard such a thing as only a minor inconvenience.

On the other hand, you didn’t want to look like some guy on a Japanese game show, making a fool of himself seemingly for the sole purpose of appearing on TV (or earning a nominal sum). If I’m going to change my life in any real way, I’m not going to do it for a pittance. Some things, we often say, are priceless, and it’s easy to think of things I wouldn’t agree to for any amount of money. But what about things which aren’t quite so uniquely valuable? Everyone’s got his price. Make it high enough and I’m listening. If you really want me to give up nuts, berries and legumes, or agree never to visit South America, surely nine figures can get that done.

At the extremes, it seems that ethical considerations can come into play. Read more »

The future of knowledge

by Sarah Firisen

This morning I rode an Uber to JFK from my apartment in Queens. I do this regularly and normally don’t worry too much about it, but this morning, there was just something about the driver that concerned me, though I couldn’t put my finger on what. But every time his, very loud, GPS gave him a direction, in a language I couldn’t pin down, I just had this sense that he truly had no idea where he was going. And in case you’re not familiar with NYC, if you drive a car for a living, you’ve probably driven from the city to JFK more than a few times and do know where you’re going. Anyway, we arrived at JFK, I reminded him I wanted terminal 2 and I thought, “I guess my worries were for nothing”. And almost as soon as I thought that, he missed the sign for terminal 2. I mean, I guess it can happen, but it’s never happened to me before in all my many years of flying out of that airport. The signs don’t exactly creep up on you. I tell him he’s missed it; we start on a loop back around the airport and I say, “the green sign’s for terminal 2”, then he misses it again. And it turns out, the reason he kept missing it was because his GPS was telling him something contrary. I pointed out to him that I hadn’t put terminal 2 in Uber, so how would its GPS know that? The third time around the airport, I rather lost my temper and told him to stop listening to his phone and to listen to me. And third time lucky, we reached terminal 2.

On reflection, apart from thinking that maybe he couldn’t read and definitely didn’t speak great English, it occurred to me that a large part of the problem was his total and utter faith in his technology, over his own eyes and ears (as I kept yelling, “not that way!!!!”). Of course, he’s not alone. Read more »

Time travelers we are, each and all

by Bill Benzon

Early in the 20th century physicists restored us to time. That’s not how the story is generally told, but it is a good way to think about it. Having been restored to time, we must now realize that we are time travelers, not just Dr. Who, and his – but I believe it is now her, no? – assistant, but all of us.

Let me explain.

* * * * *

Let us begin by setting physics aside. Journey with me to a concert hall in Chicago in November of 1969. We are sitting next to Wayne Booth, a distinguished English professor at the University of Chicago who is an amateur cellist, and his wife, Phyllis. Though we do not know this, they are grieving the death of their son four months earlier as we are all listening to a performance of Beethoven’s string quartet in C-sharp minor. Here is how Booth described that performance in his book about his cello-playing, For the Love of It: Amateuring and Its Rivals:

Leaving the rest of the audience aside for a moment, there were three of us there: Beethoventhe quartet members counting as one….Phyllis and me, also counting only as one whenever we really listened …Now then: there that “one” was, but where was “there”? The C-sharp minor part of each of us was fusing in a mysterious way….[contrasting] so sharply with what many people think of as “reality.” A part of each of the “three” … becomes identical.

There is Beethoven, one hundred and forty-three years ago … writing away at the marvelous theme and variations in the fourth movement. … Here is the four-players doing the best it can to make the revolutionary welding possible. And here we am, doing the best we can to turn our “self” totally into it: all of us impersonally slogging away (these tears about my son’s death? ignore them, irrelevant) to turn ourselves into that deathless quartet.

How are we to think of this fusion Booth describes, himself with his wife, both with the four performers, and all of them, by implication, with Beethoven though the medium of his composition? What does that fusion, pushed to the limit, do with time? Is it possible, contra Heraclitus, to dip into the same stream time after time? Read more »