Early in the 20th century physicists restored us to time. That’s not how the story is generally told, but it is a good way to think about it. Having been restored to time, we must now realize that we are time travelers, not just Dr. Who, and his – but I believe it is now her, no? – assistant, but all of us.
Let me explain.
* * * * *
Let us begin by setting physics aside. Journey with me to a concert hall in Chicago in November of 1969. We are sitting next to Wayne Booth, a distinguished English professor at the University of Chicago who is an amateur cellist, and his wife, Phyllis. Though we do not know this, they are grieving the death of their son four months earlier as we are all listening to a performance of Beethoven’s string quartet in C-sharp minor. Here is how Booth described that performance in his book about his cello-playing, For the Love of It: Amateuring and Its Rivals:
Leaving the rest of the audience aside for a moment, there were three of us there: Beethoven… the quartet members counting as one….Phyllis and me, also counting only as one whenever we really listened …Now then: there that “one” was, but where was “there”? The C-sharp minor part of each of us was fusing in a mysterious way….[contrasting] so sharply with what many people think of as “reality.” A part of each of the “three” … becomes identical.
There is Beethoven, one hundred and forty-three years ago … writing away at the marvelous theme and variations in the fourth movement. … Here is the four-players doing the best it can to make the revolutionary welding possible. And here we am, doing the best we can to turn our “self” totally into it: all of us impersonally slogging away (these tears about my son’s death? ignore them, irrelevant) to turn ourselves into that deathless quartet.
How are we to think of this fusion Booth describes, himself with his wife, both with the four performers, and all of them, by implication, with Beethoven though the medium of his composition? What does that fusion, pushed to the limit, do with time? Is it possible, contra Heraclitus, to dip into the same stream time after time? Read more »









The Biophilia Effect: A Scientific and Spiritual Exploration of the Healing Bond Between Humans and Nature, by Austrian biologist Clemens G. Arvay, is a mind-expanding read. It is part of the relatively recent resurgence of interest in incorporating exposure to nature into physical and psychological healing regimens. Until recently, the notion of “taking the cure” by relaxing at a Swiss resort in a natural setting was seen as archaic, thought to have been prescribed only because medicine had not advanced to a point where a “real” treatment could be used. Not that everyone had abandoned the idea: Erich Fromm used the term “biophilia” in his 1973 work The Anatomy of Human Destructiveness to describe “the passionate love of life and of all that is alive.” American biologist Edward O. Wilson published Biophilia in 1984, positing genetic bases for humans’ tendency to gravitate to nature. Now scientists en masse are studying nature’s extraordinary healing effects. In Japan, shinrin-yoku–“taking in the forest atmosphere,” or as it is more often translated in the West, “forest bathing”– is officially recognized as a method of preventing disease as well as a supplement to treatment. In 2012, Japanese universities created an independent medical research department called Forest Medicine. Scientists around the world have begun to participate in this research.
Two months ago I
Many feminists, and indeed scholars more generally, frequently, and rightly, decry the writing of women out of history. Books such as Cathy Newman’s Bloody Brilliant Women, attempt to redress the historical omission and accord recognition to women who have made major contributions to the progress of humanity. However, while these developments are to be welcomed, it has to be acknowledged that women’s history has its darker side also: women have been complicit in the perpetration of historical wrongs. Sarah Helm’s If This Is A Woman documents the dehumanisation of female prisoners by female guards at the notorious all woman concentration camp at Ravensbrück during World War II; Laura Sjoberg and Caron E. Gentry’s Mothers, Monsters, Whores: Women’s Violence in Global Politics points out the potential of women to support and participate in acts of genocide. And, as Stephanie E. Jones-Rogers’s They Were Her Property: White Women as Slave Owners in the American South informs us, women were deeply involved in another historical wrong: slavery in the United States. Women were, as Jones-Rogers’ says, ‘co-conspirators’ in the institution of slavery in the US, and their involvement constitutes an aspect of the wider history of white supremacist organisations in the US.


Now that the Emmys are over and we Americans have patted ourselves and a few Brits on the back for outstanding work, it’s time to consider one of the grandest achievements of the past year, a Netflix series from South Korea called Mr. Sunshine, which has, inexplicably, been ignored by media critics in the West.
Oversized photography equipment. Tangled wires.
A few days ago I finished watching a new
Sometimes, history moves faster than thought. Something like that is happening in the United States in these early days of fall. Though the season is taking longer than normal to turn, the political season has changed more quickly than anyone expected. The opinions of last week – such as the long article I had written for 3QD on the prospects of Donald Trump and the Democrats in 2020 – have suddenly become irrelevant, and I find myself writing this wholly surprising piece on the possible impeachment of Donald Trump. As these lines are being written, 223 Democrats and one Independent in the US House of Representatives – a clear majority – 
