by Timothy Don
The current economic crisis is crushing artists, museums, and galleries everywhere. In the San Francisco Bay Area, where I live, an exorbitant rental market made maintaining a practice difficult before this crisis hit. It’s even harder now. With 3QD’s permission, I’m going to use this column to talk about the work of some of the artists and art professionals I have met in the Bay Area. I ask you to support artists wherever you find them and however you can.

An explosion has occurred; a cave at the mouth of a prospecting site has been blown apart. Surfaces and shards of color and rock float in undefined space. Lonely, fragmented, incoherent, they seem to be searching for an order in which to gather, a language that would speak their place and purpose in creation. Guided by forces unseen, they look for hinges, sympathies, and affinities. Everything is present, yet nothing makes sense—until a coalescence transpires. Rhythm and energy emerge. With almost gravitational intention, shapes find their place, nestle together, and are transfigured, returning to themselves and becoming once more glowing rock, moving stream, dark cave. The entire experience transpires in a mere four minutes.
Astrophysicists tell us that at the moment of creation, when the universe gave birth to itself with explosive and ever-expanding energy, everything that exists now was present then in an infinitely dense point. A singularity. A black hole. A primordial cave. Breach, which records the image of a cave being blasted apart and then reassembling itself back into a cave, suggests that the universe is best imagined as a kind of cosmic cavern. The universe gave birth to itself from a cave, and as it cools and condenses, it becomes a cave. Read more »







Two months ago, COVID lockdown was still new; in the US it was horrific that
Today will mark the death of at least one hundred thousand Americans because of COVID. The science was clear. Lockdown. Stop movement. Distance. This would have stopped large numbers of people dying. In short, stopping the virus from becoming a pandemic meant pausing the profit principle.

Jon Hassell is one of America’s musical treasures, and I’ve been listening to his music for forty years, so when I heard he needed help for his medical care, I decided to make a mix of his music. This mix actually grew into two mixes, so look for another one next month. This one features Jon playing with other musicians, and part two will feature other musicians whom Jon has influenced (and a bit more from Jon himself).




Something has happened in the last forty days. The planet has gone quiet, a vast, reverberating, gesticulating global chorus suddenly muted by something wee and invisible which is borne across continents, streets and rooms by friends and strangers. Mass extinction, once the whispered woe of a distant future, suddenly sounds louder and doable in the here and now. The world is compelled to gaze at its own mortality.
The month of Ramadan is at once a time of respite from the external— when one’s focus shifts from worldly affairs to the spiritual— and a time to deepen one’s sense of compassion and fellow-feeling via the rigors of daily fasting, prayer, reflection and generous giving. It is a time to break free from day to day concerns and to pay attention to one’s lifelong inner journey, whether it is through revitalizing the connection with the Divine or investing in human relations: personal, communal, and global.

The COVID-19 pandemic has instigated talk of the systemic- or societal relevance of institutions and professions. Quickly, attributions of systemic relevance have become a matter of distribution of resources. In Germany, for example,