by Dwight Furrow
Theories that specify which properties are essential for an object to be a work of art are perilous. The nature of art is a moving target and its social function changes over time. But if we’re trying to capture what art has become over the past 150 years within the art institutions of Europe and the United States, we must make room for the central role of creativity and originality. Objects worthy of the honorific “art” are distinct from objects unsuccessfully aspiring to be art by the degree of creativity or originality on display. (I am understanding “art” as a normative concept here.)
The creative theory of art emphasizes the distinctiveness of an artist’s vision or an artist’s ability to manipulate media in new ways as the defining feature of art. (Nick Zangwill offers one such theory in his book Aesthetic Creation.)
This picture of art as creativity is complicated in discussions about whether wine can be art. Although winemakers have vision and bring that vision of what a particular wine should taste like to the blending table, their art depends inevitably on nature and nature’s “creativity.” Some philosophers might hesitate to attribute creativity to nature. Nature has neither intentions nor vision. It lacks a subjectivity that can be expressed in a point of view. Yet, nature does produce continuous variation, especially with regard to wine grapes that are highly sensitive to differences in climate, weather, and soil. These variations are the raw material with which winemakers work. Whatever their aesthetic intentions, they are constrained and limited by the variations in their raw materials. Read more »


Even though I arrived at Economics with the aim of interpreting history, it soon gave me a more general perspective. First, it showed me the value of precision and empirical testing in thinking about socially important issues. This immediately appealed to me, as two of the first courses I liked in college were on Deductive and Inductive Logic. More importantly, Economics gave me a deeper understanding of the incentive mechanisms that sustain social institutions. It made me think why some of the glib solutions suggested by my leftist friends were difficult to sustain in the real world, unless based on motivations/norms and constraints of people in that world. Why are cooperatives and nationalized industries, suggested as substitutes for private enterprise, often (not always) dysfunctional? Economics asks the question: if there is a social problem, why does it not get resolved by the people on their own, and if your answer is that it is the ‘system’ that is to blame—which was the main message of many leftist stories I read and plays/movies I watched—Economics teaches us to go beyond and look into the underlying mechanism through which that ‘system’ is perpetuated or occasionally broken.
Recently I came upon this photo of my friend Eric, me, and his father, tucked into a book that I was trying to place in the correct place on my shelves as a part of a recent book-organizing effort and it made me think about one of the scarier events in my life. It was 2004. It was also only a couple of years after 9/11 and by then the Patriot Act was in full effect and I personally knew completely innocent people who had been caught up in the “bad Muslim” dragnet and had been detained, deported from America, etc. It was in this atmosphere that I was invited to attend my good friend Eric’s wedding on a lake in Michigan. I found the cheapest ticket possible which would involve a stopover in Pittsburgh on the way to Detroit from NYC and a stop in Philadelphia on the way back. I also reserved a rental car at the Detroit airport to get to the rural lake where the wedding was going to be.
Philosophers are prone to define
This week I had planned to present the 3 Quarks Daily readership with a fluffy little piece about my memories of a grade school foreign language teacher. It was poignant, it was heartfelt, it was funny (if I do say so myself). Above all, it was intended as a brief respite from the nonstop parade of horrors scrolling past our screens every day—a parade in which my own recent writings have occupied a lavishly decorated float. We all deserve a break, I thought. It would be nice to look at some baton twirlers for a minute, listen to an oompa band.
Sughra Raza. Karachi Afternoon Sun, 2010.








