The Feeling of Authenticity…is not a feeling

by Gary Borjesson

Dwell as near as possible to the channel in which your life flows. —Henry David Thoreau

What does being true to ourselves feel like? The question goes to the heart of authenticity. Rousseau viewed our innermost feelings—the feeling of our existence (“le sentiment de l’existence”)—as a guide to authenticity and contentment. Nowadays we’re familiar with the notion that to find our way in love and work, we need to get in touch with our true feelings. Authenticity has even been equated with feelings, as if our felt sense were the only trustworthy guide to our lives.

In fact, authenticity is not a feeling, but an active way of being defined by conscious attention to the fit between who we are and the situation(s) in which we find ourselves. (See my previous essays in 3QD, here and here, for more on the meaning and practice of authenticity as an ethical ideal.) That said, our feelings do crucially guide our (ongoing) discovery of what it means to be true to ourselves.

But in order to be good guides, we need to know a few things about them. Here’s a big one: feelings are not as much “our own” as we might think. Our brain and the rest of our body evolved for engaging with our surroundings, meaning that our feelings are shaped and prompted partly by external factors. We’ll see that we cannot even know where our feelings are coming from unless we examine them.

To do that, and to start exploring how feelings inform authenticity, let me ask you to notice what you’re feeling right now. What word or words best describe this feeling? I’ll come back to why I ask. Read more »



Friday, October 18, 2024

Becoming What We Are: Authenticity as a Practice

by Gary Borjesson

Become what you are, having learned what that is. —Pindar

[To protect their privacy, I have changed identifying details of those mentioned here.]

Aristotle

What do we want for our lives? It’s a peculiarly human question; other animals don’t appear to be worrying about it. I’ve asked myself this question, sometimes with curiosity, sometimes more desperately, for as long as I can remember. I’m always moved when patients raise it in their therapy. A man who retired from a successful career said that when he looks into the future without the mantle of his professional title and status, he feels empty and lost, ashamed that at 70 he doesn’t know what he wants.

Sometimes we raise the question ourselves; sometimes the world raises it for us. Another patient, whose boyfriend just “dumped” her, is wrestling with her alcohol use. The men she wants in her life don’t want an alcoholic in theirs. She’s angry at the thought of sobering up for someone else, “Wouldn’t that be inauthentic?” At the same time, she (authentically) wants a partner in her life.

She knows what most of us know, that we want to be authentic. By “authenticity” I mean living in a way that is true to oneself and to one’s situation in the world. (For the bigger philosophic picture, see my previous column, Reclaiming Authenticity as an Ethical Ideal.) Authenticity resonates because it is that rare thing, an ideal that most of us embrace—despite our divergent religious, ethnic, social, and political values. After all, each of us faces (or not) the question of how to become our best selves.

Although we must ask and answer that question for ourselves, I will suggest a few core principles that can guide our way. I’ll start with Aristotle’s view, that the one thing we all want from life is to flourish, which means living in such a way as to be fulfilling our nature. This might sound about as helpful as telling someone who is struggling, “Just be true to yourself!” How do we even know what our true self is? If we’re a lonely alcoholic, is our true self more of the same, or is it sober and in a relationship?

We can find some guidance by unpacking two principles of flourishing that extend to living authentically. Read more »

Monday, July 8, 2024

The Absent Self

by Christopher Horner

Insist on your self; never imitate. —Emerson

How can a man of consciousness have the slightest respect for himself? —Dostoevsky

The key promise of the modern world was the freedom of the individual. It was the motivating cry of the great revolutions of the modern age, meaning two things, at least: first, the removal of the external barriers to freedom: no more oppression by kings and priests, and later, freedom from the democratic masses themselves: the ‘tyranny of the majority’. Second, freedom as the ability to be oneself, to express who one truly is; the ideal of authenticity. The free, unique individual, able at last to to express their unique self. But this ‘real’ self needs to be found in order to be freed, and this has proved to be more difficult than the removal of oppressive rulers.

Authenticity

The authentic self is hard to reach. Something keeps getting in the way. Perhaps the culprit is an inauthentic self, a mask or double woven by social convention, and adopted through self deception. So one becomes two, or perhaps three. The alienated self must discard the false in order to find the True Self. The great task for moderns is to be authentic and unique.

That this should seem natural to us may be because we have been shaped by the brave new world of bourgeois freedom that followed the Age of Revolutions. Mill, Constant, de Tocqueville, Emerson, all have it for their theme, which was also that of much romantic art of the period. Here is Ralph Waldo Emerson, in his essay Self Reliance:

Whoso would be a man, must be a nonconformist. He who would gather immortal palms must not be hindered by the name of goodness, but must explore if it be goodness. Nothing is at last sacred but the integrity of our own mind. [1]

Emerson continues in this vein at some length, in a high flown peroration. He refers repeatedly to the evil effects of the crowd, the multitude the mass of men (it’s always men) who threaten to suffocate the genius of the individual. This can seem like tedious over insistence. It still finds an audience, especially in the self-help and get-ahead-in-business circles that dream of the remarkable person who achieves success, by liberating their unique self with all its talents.  Read more »

Monday, April 24, 2017

The Real Deal: Authenticity in Literature and Culture

by Claire Chambers

Goodness Gracious MeIn the late 1990s, the BBC comedy team Goodness Gracious Me produced a radio sketch entitled 'Authentic Artefacts'. In it, an artefact buyer for a chain of London stores visits an Indian village. She expects its rustic denizens to be 'connected with the flow of the seasons, the pull of the earth, the soft breathing of the ripening crops'. Despite her naïve fears that these apparently simple people will 'never sell [their] heritage', they are attracted by the buyer's evident wealth. They take a pragmatic approach, selling her a rusty pail as a birthing bucket − 'three generations of downtrodden dung-handlers have squatted over its rim' − a deck-chair ('my maternal uncle's prayer seat'); a formica coffee table with a leg missing, which is presented as a 200-year-old bullock slide; and a can-opener as 'an authentic turban winder'. The villagers' constant refrain is that these modern-looking items are 'authentic', and the Western woman is easily duped out of two thousand pounds.

Authenticity is a term that often comes up in postcolonialism and especially my own subdiscipline of Muslim literary studies. But what does it mean to be authentic, and is the quest for authenticity a productive or stifling one? As the Goodness Gracious Me example suggests, a fetishization of authenticity can trap apparently 'authentic' cultures in picturesque poverty and a pastoral past that never existed, ignoring their plural present.

Read more »