The Plot and the Argument: Philosophy as a Narrative Affair

Costica Bradatan in the Los Angeles Review of Books:

“AND WHAT ABOUT unbiased research? What about pure knowledge?” bursts out the more idealistic of the two debaters. Before the other, the more cynical one, even has a chance to answer, the idealist ambushes him with even grander questions: “What about the truth, my dear sir, which is so intimately bound up with freedom, and its martyrs?” We can picture the caustic smile on the cynic’s face. “My good friend,” the cynic answers, “there is no such thing as pure knowledge.” His words come out calmly, fully formed, in sharp contrast to the idealist’s passionate, if sometimes logically disjointed pronouncements. The cynic’s rebuttal is merciless:

Faith is the vehicle of understanding, the intellect is secondary. Your unbiased science is a myth. Faith, a world view, an idea — in short, the will — is always present, and it is then reason’s task to examine and prove it. In the end we always come down to “quod erat demonstrandum.” The very notion of proof contains, psychologically speaking, a strong voluntaristic element.

To the idealist, brought up in the grand tradition of the European Enlightenment, this looks like a mockery of all he stands for. He can’t take the cynic’s reasoning other than as a tasteless joke.

More here.

Thanksgiving Day: How an ‘Indian bird’ made its way to the American dinner table

Vivek Menezes in Scroll.in:

Our quest centres on this simple question: why do so many languages and cultures identify these North American natives as “the birds from India” (oiseaux d’Inde, or simply dinde in French).

I believe one important clue is what the Turks call it themselves: Hindi (or simply, “from India). Another is the terms used by the Dutch and assorted Scandinavians, which are all variations of kalcun, indicating the specific origin of Calicut on India’s west coast.

Here, we should note many people have considered these same exact facts, and dismissed the idea there’s anything complicated to be ferreted out. Their logic goes this way: Columbus thought he’d arrived in India, and just as Native Americans were called Indians, that’s why so many Europeans referred to “the Indian bird”.

More here.

A Thanksgiving like no other: Finding uplift in a dark year

Michael Hopkins in Christian Science Monitor:

Truth is, this year has seen plenty of gratitude, instinctively and generously expressed. The people applauding out their windows for emergency responders, the heart signs, the food deliveries to essential workers, the neighborhood trash teams, the looking-in on elders. Online platforms as purpose-built as gratefulness.org and as customarily combative as Twitter have been flooded with counted blessings: for our loved ones, for the Amazon carrier, for our dogs. People gave thanks for simple things, mostly – their families, video chats, the “tall green trees that are older than me,” a hummingbird, the ocean, soup. (“Yep, soup,” says a West Sacramento, California, man.) But many, many other expressions of gratitude took the form of generosity, of trying to give back or pay it forward. The news was filled with stories of people in grocery lines paying for the customer coming next, donations to farmworkers, businesses furnishing free meals to front-line responders.

…So it has always been, this idea of hardship as a whetstone for which thanks are due. It’s easy to forget that the official Thanksgiving holiday we know today did not even exist until Abraham Lincoln created it during that hardest of national hardships, the Civil War. On Oct. 3, 1863 – just weeks before he would go to Gettysburg to give his famous address – he issued a proclamation that thanks “should be solemnly, reverently and gratefully acknowledged as with one heart and one voice by the whole American People,” and that it should be done on the last Thursday of each November. The proclamation didn’t quail from noting that the country was, indeed, “in the midst of a civil war of unequaled magnitude and severity.” And it humbly suggested that any prayers offered up might particularly “commend to His tender care all those who have become widows, orphans, mourners or sufferers.” Nevertheless, the president observed, it still was a time of peace overseas, of bounty in the fields and mines, of lawfulness in the villages.

According to Arthur Brooks, who teaches a course on happiness at Harvard Business School, “Psychologists have found that many of the most meaningful experiences in life are quite painful.”

More here.

The Art of Building the Impossible

Burkhard Bilger in The New York Times:

Mark Ellison stood on the raw plywood floor, staring up into the gutted nineteenth-century town house. Above him, joists, beams, and electrical conduits crisscrossed in the half-light like a demented spider’s web. He still wasn’t sure how to build this thing. According to the architect’s plans, this room was to be the master bath—a cocoon of curving plaster shimmering with pinprick lights. But the ceiling made no sense. One half of it was a barrel vault, like the inside of a Roman basilica; the other half was a groin vault, like the nave of a cathedral. On paper, the rounded curves of one vault flowed smoothly into the elliptical curves of the other. But getting them to do so in three dimensions was a nightmare. “I showed the drawings to the bass player in my band,” Ellison said. “He’s a physicist, so I asked him, ‘Could you do the calculus for this?’ He said, ‘No.’ ”

Straight lines are easy, curves are hard. Most houses are just collections of boxes, Ellison says. We stack them side by side or on top of one another, like toddlers playing with blocks. Add a triangular roof and it’s done. When buildings were still made by hand, the process would yield the occasional curve—igloos, mud huts, wigwams, yurts—and master builders earned their keep with arches and domes. But flat shapes are cheaper to mass-produce, and every sawmill and factory spits them out in uniform sizes: bricks, boards, drywall, tile. It’s the tyranny of the orthogonal, Ellison says.

“I can’t do the calculus on this, either,” he added, shrugging. “But I can build it.” Ellison is a carpenter—the best carpenter in New York, by some accounts, though that hardly covers it. Depending on the job, Ellison is also a welder, a sculptor, a contractor, a cabinetmaker, an inventor, and an industrial designer. He’s a carpenter the way Filippo Brunelleschi, the architect of the great dome of the Florence Cathedral, was an engineer. He’s a man who gets hired to build impossible things.

More here. (Note: For Jaffer Kolb, the best architect I know)

The AI GPT-3 Writes About Dating

Cade Metz at the NYT:

He called the next day. We went out for lunch. We went out for dinner. We went out for drinks. We went out for dinner again. We went out for drinks again. We went out for dinner and drinks again. We went out for dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and dinner and drinks and

more here.

Thursday Poem

Brain

is
most like
a priest

who revels in
the body’s feast

and says
to much
and asks
how Long

and sings his own
electric song

until he totters
on his shelf
and as he falls
forgives himself

by John Stone
from
In All This Rain
Louisiana State University Press, 1980

Wednesday, November 25, 2020

What Is the Best Strategy to Deploy a Covid-19 Vaccine?

Jill Neimark in Undark:

IF THE BOOK of nature is written in the language of mathematics, as Galileo once declared, the Covid-19 pandemic has brought that truth home for the world’s mathematicians, who have been galvanized by the rapid spread of the coronavirus.

So far this year, they have been involved in everything from revealing how contagious the novel coronavirus is, how far we should stand from each other, how long an infected person might shed the virus, how a single strain spread from Europe to New York and then burst across America, and how to ‘’flatten the curve’‘ to save hundreds of thousands of lives. Modeling also helped persuade the Centers for Disease Control and Prevention that the virus can be airborne and transmitted by aerosols that stay aloft for hours.

And at the moment many are grappling with a particularly urgent — and thorny — area of research: modeling the optimal rollout of a vaccine. Because vaccine supply will be limited at first, the decisions about who gets those first doses could save tens of thousands of lives. This is critical now that promising early results are coming in about two vaccine candidates — one from Pfizer and BioNTech and one from Moderna — that may be highly effective and for which the companies may apply for emergency authorization from the Food and Drug Administration.

But figuring out how to allocate vaccines — there are close to 50 in clinical trials on humans — to the right groups at the right time is “a very complex problem,” says Eva Lee, director of the Center for Operations Research in Medicine and Health Care at the Georgia Institute of Technology. Lee has modeled dispensing strategies for vaccines and medical supplies for Zika, Ebola, and influenza, and is now working on Covid-19.

More here.

The Oligarchy Loves This Democratic Decay and Politics of Lies

Chris Hedges in Common Dreams:

Joe Biden’s victory instantly obliterated the Democratic Party’s longstanding charge that Russia was hijacking and compromising US elections. The Biden victory, the Democratic Party leaders and their courtiers in the media now insist, is evidence that the democratic process is strong and untainted, that the system works. The elections ratified the will of the people.

But imagine if Donald Trump had been reelected. Would the Democrats and pundits at The New York Times, CNN and MSNBC pay homage to a fair electoral process? Or, having spent four years trying to impugn the integrity of the 2016 presidential race, would they once again haul out the blunt instrument of Russian interference to paint Trump as Vladimir Putin’s Manchurian candidate?

Trump and Giuliani are vulgar and buffoonish, but they play the same slimy game as their Democratic opponents. The Republicans scapegoat the deep state, communists and now, bizarrely, Venezuela; the Democrats scapegoat Russia. The widening disconnect from reality by the ruling elite is intended to mask their complicity in the seizure of power by predatory global corporations and billionaires.

More here.

A history of the felines, as narrated and illustrated by a cat

Rachel Nuwer in Smithsonian:

When Paul Koudounaris visited Los Angeles’ North Central Animal Shelter one sunny afternoon in 2011, he didn’t intend to adopt the feline who would go on to become the inspiration for what is almost certainly the most unique cat history book ever published. Instead, the writer and photographer had come to pick up another cat, only to dejectedly discover that his would-be pet had just been adopted by someone else. But as he headed for the door, a striped paw reached out from a wall of cages and caught his shirt. It belonged to a six-month-old brown tabby whose intent green eyes immediately communicated to Koudounaris that she was always meant to go home with him.

Baba, as Koudounaris called his new friend, became not only a beloved companion, but the narrator and model for his new book, A Cat’s Tale: A Journey Through Feline HistorySpanning thousands of years, from prehistory and ancient Egypt to the Enlightenment and the New World, the tome features the heroic, tragic, heartwarming and incredible stories of dozens of cats. Many of these characters, including Muezza (“Cherished”), the prophet Muhammed’s companion, and Félicette, a Parisian alley cat sent into space in 1963, are among the most famous felines to ever exist. Others led notable lives but had been all but forgotten until Koudounaris rediscovered them. In addition to depicting specific cats in history, the book also tells the sweeping story of Felis catus’ overall journey throughout various historical eras.

A Cat’s Tale is one of dozens of books about the history of cats. But the richly illustrated volume stands out because it’s actually told through the voice of a cat. Baba acts not only as narrator but also Cindy Sherman-like impersonator, appearing throughout the book dressed as historic individuals and caricatures. Her voice and visage make Koudounaris’ take on the subject truly singular, mimicking oral storytelling more than an academic treatise.

More here.

Wednesday Poem

Poem in Praise of Perfect Pants

….—Inspected by No. 9
…. In case of defect, return
…. this tag with garment.

Number 9,
I found your tag in the pocket.
The pants fit, in fact
not altogether your doing
since I have since readjusted
my own inches.

Still, at the other end
of whatever belt loop,
I imagine you—
a woman, a wife,

someone’s mother,
with too many kinds of inspections
to make already. Someone else
will have to be grateful for those.

But I thank you
for these perfect pants.

I will keep the tag as a charm
against all future irregulars

which may have been inspected
and sent away
without love.

That, of course, is the only
unredeemable defect.

by John Stone
from
In All This Rain
Louisiana State University Press, 1980

What We Know About AstraZeneca’s Head-Scratching Vaccine Results

Carl Zimmer and Rebecca Robbins  in The New York Times:

This month has seen a torrent of news about experimental vaccines to prevent Covid-19, with the latest development from AstraZeneca and the University of Oxford. On Monday they announced that a preliminary analysis showed their vaccine was effective — especially when the first dose was mistakenly cut in half. The announcement came on the heels of stunning reports from Moderna, as well as Pfizer and BioNTech. But AstraZeneca’s news was murkier, leaving many experts wanting to see more data before passing final judgment on how effective the vaccine may turn out to be. Researchers at the University of Oxford built the vaccine using a kind of virus, called an adenovirus, that typically causes colds in chimpanzees. They genetically altered the virus so that it carried a gene for a coronavirus protein, which would theoretically train a person’s immune system to recognize the real coronavirus.

…On Monday, AstraZeneca and Oxford released details about the first 131 volunteers to get Covid-19 in late-stage trials in the United Kingdom and Brazil. All of the volunteers got two doses about a month apart, but in some cases the first dose was only at half strength. Surprisingly, the vaccine combination in which the first dose was only at half strength was 90 percent effective at preventing Covid-19 in the trial. In contrast, the combination of two, full-dose shots led to just 62 percent efficacy. No one knows. The researchers speculated that the lower first dose did a better job of mimicking the experience of an infection, promoting a stronger immune response. But other factors, like the size and makeup of the groups that got different doses, may also be at play.

It was a lucky mistake.

More here.

Getting High with Benjamin and Burroughs

Michael Taussig at Cabinet Magazine:

Drugs were doubtless important to Benjamin, who had first smoked hashish in Berlin in 1927. They confirmed his approach to reality and revolution, to art and politics—an approach shaped and sharpened by his experience of Ibiza. He stayed on the island two months, returning for another six in the summer of 1933. Wretchedly sad, he buried himself in his remote past, writing of his Berlin childhood. Yet he also wrote in lascivious detail of his surroundings, that other “remote past,” or so it seemed to him, this “outpost of Europe” apparently untouched by modernity. Here, he could face head-on his central idea that modernity atrophied the capacity to experience the world and tell stories. This is why the Ibizan poet Vicente Valero has titled his as-yet-untranslated book on Benjamin in Ibiza Experiencia y probreza (Experience and Poverty), after the title of a little-known essay Benjamin wrote under the spell of the island. In the hallucinatory splendor of Ibiza, with his future cast to the winds, Benjamin formulated what I would count as his major texts—on the storyteller and on the mimetic faculty—as well as inventing new forms for the essay as a crossover genre that linked dreams, ethnography, thought-figures, and storytelling.

more here.

Nina Simone in Appalachia

Leah Hampton at Guernica:

Though most people associate Nina Simone with the jazz clubs of New York and Paris, she grew up here, in rural Appalachia. Her home is only a few miles from my mother’s house, in an area that is more genteel and diverse than the rest of the region. In western North Carolina, where Nina Simone was raised, and where I still live, we don’t mine coal. We grow apples. While Appalachia technically stretches across thirteen states, its core starts here in Tryon and ends somewhere in West Virginia. Coal country may get more attention, but Tryon is wholly Appalachian, too, and it was in these foothills south of Asheville where Simone learned classical piano from a local teacher, Muriel Mazzanovich. “Miss Mazzy” organized concerts to raise money for Simone’s tuition at a prestigious Black high school in Asheville. Eventually, her neighbors raised enough to send her to Juilliard for a summer. The rest of Simone’s life is much better known—her legendary musical career, her protracted battles with racism, mental illness, and a fickle public. But first, there was East Livingston Street in Tryon, and that rolling, crazy-magic landscape.

more here.

Tuesday, November 24, 2020

Namit Arora On India’s troubled relationship with democratic values

Namit Arora in The Baffler:

SOMETIME AFTER MIDNIGHT ON JUNE 25, 1975, over six hundred political leaders, social activists, and trade unionists in India were rudely awakened by knocks on their doors. By dawn, they had been placed behind bars for inciting “internal disturbance.” In parallel, the government shut off electricity to newspaper offices, blocking their next day’s editions.

“The President has proclaimed the Emergency,” Prime Minister Indira Gandhi announced in a surprise broadcast the next morning on All India Radio. “This is nothing to panic about.” The previous night, she had made a bleary-eyed President Fakhruddin Ali Ahmed trigger the Emergency provision in Article 352 of India’s constitution, which allowed her to postpone elections and suspend most fundamental rights, including those to speech, assembly, association, and movement. With the stroke of a pen, Gandhi had effectively dismantled India’s democratic infrastructure, concentrating dictatorial power in herself. Total press censorship was imposed, and foreign journalists who did not toe the line were summarily expelled, including stringers with the Washington Post, the Guardian, and the Daily Telegraph. On June 28, someone snuck a clever obituary into the Bombay edition of The Times of India: “D’Ocracy—D.E.M., beloved husband of T. Ruth, loving father of L.I. Bertie, brother of Faith, Hope, and Justice, expired on 26th June.”

More here.

Hints of twisted light offer clues to dark energy’s nature

Davide Castelvecchi in Nature:

Cosmologists say that they have uncovered hints of an intriguing twisting in the way that ancient light moves across the Universe, which could offer clues about the nature of dark energy — the mysterious force that seems to be pushing the cosmos to expand ever-faster.

They suggest that the twisting of light, which they identified in data on the cosmic microwave background (CMB) collected by the Planck space telescope, and the acceleration of the Universe could be produced by a cosmic ‘quintessence’, an exotic substance that pervading the cosmos. Such a discovery would require a major revision of current theories and physicists warn that the evidence is tentative — it does not meet the ‘5 sigma’ threshold used to determine whether a signal is a discovery. But it underscores the fact that modern cosmology still has an incomplete picture of the Universe’s contents.

If dark energy is a quintessence, its push on the expansion could slowly wither or disappear, or could even reverse to become an attractive force, causing the Universe to collapse into a ‘big crunch’, says Sean Carroll, a theoretical physicist at the California Institute of Technology in Pasadena.

More here.