Michael Gorra in the New York Review of Books:

Let’s begin with the body, the corpus to which this six-foot-two lefty was bound. Start with his back. In 1955 he pulled a shift of KP on his last day of basic training and met an industrial-size kettle of potatoes. Hefting it was a two-man job, but the other soldier dropped his end and left him to support its weight alone. Something popped, and the next morning he could barely walk. Try a heating pad, they told him, and an army doctor accused him of malingering. It was never really treated, and the pain never went entirely away. He used a steel back brace for a while, and in the 1970s he sometimes needed a foam neck collar; from middle age on he had to work at a standing desk, spelling himself with long periods of lying on the floor. Only in 2002 did he accept the need for surgery, but by then one disk after another had so fully degenerated that there wasn’t much left to save.
More here.

When you think about what separates humans from chimpanzees and other apes, you might think of our big brains, or the fact that we get around on two legs rather than four. But we have another distinguishing feature: water efficiency.
Mathematician Alexander Grothendieck was born in 1928 to anarchist parents who left him to spend the majority of his formative years with foster parents. His father was murdered in Auschwitz. As his mother was detained, he grew up stateless, hiding from the Gestapo in occupied France. All the while, he taught himself mathematics from books and before his twentieth birthday had re-discovered for himself a proof of the
Claudia Sahm over at INET:
Now an academic classic, Orientalism was at first an unlikely best seller. Begun just as the Watergate hearings were nearing their end and published in 1978, it opens with a stark cameo of the gutted buildings of civil-war Beirut. Then, in a few paragraphs, readers are whisked off to the history of an obscure academic discipline from the Romantic era. Chapters jump from 19th-century fiction to the opéra bouffe of the American news cycle and the sordid doings of Henry Kissinger. Unless one had already been reading Edward Said or was familiar with the writings of the historian William Appleman Williams on empire “as a way of life” or the poetry of Lamartine, the choice of source materials might seem confusing or overwhelming. And so it did to the linguists and historians who fumed over the book’s success. For half of its readers, the book was a triumph, for the other half a scandal, but no one could ignore it.
James Meadway in OpenDemocracy:
Thomas Moynihan in Aeon:
Alexander Zevin in New Left Review:
Erica Eisen in Boston Review:
Aside from the flicker of fame that followed City of Quartz, Davis has managed to largely avoid the limelight for nearly four decades, despite receiving a MacArthur “Genius” Fellowship, a Lannan Literary Award, and many other honors along the way. For his devoted readers, part of his appeal is surely found in his writing style, which though forceful, self-assured, and playful, is also unapologetically precise, even scientific, making full use of a century-and-a-half’s worth of Marxist vocabulary. And part of it is his seemingly dour and idiosyncratic interests, which have led him to write books about the history of the car bomb, developmental patterns in contemporary slums, and the role of El Niño famines in nineteenth-century political economy.
“An illiterate, underbred book it seems to me: the book of a self-taught working man, & we all know how distressing they are, how egotistic, insistent, raw, striking & ultimately nauseating.” So goes Virginia Woolf’s well-known complaint about “
When Roth died at age eighty-five in 2018, Dwight Garner wrote in the New York Times that it was the end of a cultural era. Roth was “the last front-rank survivor of a generation of fecund and authoritative and, yes, white and male novelists.” Never mind that at least four other major American novelists born in the 1930s—DeLillo, McCarthy, Morrison, Pynchon—were still alive. Forget about pigeonholing as white and male an author who at the beginning of his career was invited to sit beside Ralph Ellison on panels about “minority writing”—because Jews were still at the margins. No matter that the modes that sustained Roth—autobiography with comic exaggeration, autobiographical metafiction, historical fiction of the recent past—are the modes that define the current moment. Roth was not an end point but the beginning of the present. There had been fluke golden boys before him, like Fitzgerald and Mailer, but Roth, twenty-six when he won the National Book Award for Goodbye, Columbus in 1960, reset the template for the prodigy author in the age of television, going at it with Mike Wallace in prime time. The morning before he spoke to Wallace he gave an interview to a young reporter for the New York Post, who asked him about a critic who’d called his book “an exhibition of Jewish self-hate.” A few weeks later the piece turned up in the mail Roth received from his clipping service while he was staying in Rome. He was quoted as saying the critic ought to “write a book about why he hates me. It might give insights into me and him, too.” “I decided then and there,” his biographer Blake Bailey quotes him saying at the time, “to give up a public career.”
Among the many puzzles that confronted American sailors during World War II, few were as vexing as the sound of phantom enemies. Especially in the war’s early days, submarine crews and sonar operators listening for Axis vessels were often baffled by what they heard. When the USS Salmon surfaced to search for the ship whose rumbling propellers its crew had detected off the Philippines coast on Christmas Eve 1941, the submarine found only an empty expanse of moonlit ocean. Elsewhere in the Pacific, the USS Tarpon was mystified by a repetitive clanging and the USS Permit by what crew members described as the sound of “hammering on steel.” In the Chesapeake Bay, the clangor—likened by one sailor to “pneumatic drills tearing up a concrete sidewalk”—was so loud it threatened to detonate defensive mines and sink friendly ships.