Steven Poole in The Guardian:
It’s harder than you might think to make a dinosaur. In Jurassic Parkthey do it by extracting a full set of dinosaur DNA from a mosquito preserved in amber, and then cloning it. But DNA degrades over time, and to date none has been found in a prehistoric mosquito or a dinosaur fossil. The more realistic prospect is to take a live dinosaur you have lying around already: a bird. Modern birds are considered a surviving line of theropod dinosaurs, closely related to the T rex and velociraptor. (Just look at their feet: “theropod” means “beast-footed”.) By tinkering with how a bird embryo develops, you can silence some of its modern adaptations and let the older genetic instructions take over. Enterprising researchers have already made a chicken with a snout instead of a beak.
This obviously adds to the general merriment of the world, and will eventually kickstart a roaring trade in exotic quasi-Jurassic pets. But there are a surprising number of other projects that aim to bring back more recently vanished wild animals, from the woolly mammoth to the Pyrenean ibex. Advances in gene-editing technology promise to make “de‑extinction” a potentially viable enterprise, but what exactly is the point? To answer this question, the Swedish science journalist Torill Kornfeldt has travelled to meet the researchers involved for this excellent book, written with a deceptively light touch (in Fiona Graham’s translation), that raises a number of deep questions and paradoxes about our relationship with nature.
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For a Baptist, the Bible exists like gravity. Not believing in gravity will not change the outcome if you step off a building; not believing the Bible will not change the consequences if you ignore its precepts and commands. Both are laws of nature, fixed and unchanging.
Few topics have captured the attention of the internet literati more than the topic of Jordan B. Peterson. Peterson, 
What follows is part of a collaborative project between a historian and a student of medicine called “The Temperature of Our Time.” In forming diagnoses, historians and doctors gather what Carlo Ginzburg has called “small insights”—clues drawn from “concrete experience”—to expose the invisible: a forensic assessment of condition, the origins of an idiopathic illness, the trajectory of an idea through time. Taking the temperature of our time means reading vital signs and symptoms around a fixed theme or metaphor—in this case, the circus.
There is a famous exchange in Casablanca between Rick (Humphrey Bogart) and Captain Renault (Claude Rains):


Translation is the silent waiter of linguistic performance: It often gets noticed only when it knocks over the serving cart. Sometimes these are relatively minor errors — a ham-handed rendering of an author’s prose, the sort of thing a book reviewer might skewer with an acid pen.
The theoretical physicist John Wheeler once used the phrase “great smoky dragon” to describe a particle of light going from a source to a photon counter. “The mouth of the dragon is sharp, where it bites the counter. The tail of the dragon is sharp, where the photon starts,” Wheeler wrote. The photon, in other words, has definite reality at the beginning and end. But its state in the middle — the dragon’s body — is nebulous. “What the dragon does or looks like in between we have no right to speak.”
The endgame of the war in Syria is likely to come down to the northwestern province of Idlib, on the Turkish border, where some 2.3 million people are now trapped. As Russian-Syrian forces now finish retaking the smaller southwestern province of Daraa, Idlib will be the last significant enclave in anti-government hands. If Russian-Syrian forces resume pummeling the city and surrounding area from the air, its civilians could face the horrible choice of bunkering in place or desperately trying to cross the Turkish border, which has been effectively closed since 2015.
This is a story about a book that just kept selling, catching publishers, booksellers and even its author off guard. In seeking to understand the reasons for the book’s unusually protracted shelf life, we uncover important messages about our moment in history, about the still-vital place of reading in our culture, and about the changing face of publishing. The book is
The suffragist heroes Elizabeth Cady Stanton and Susan B. Anthony seized control of the feminist narrative of the 19th century. Their influential history of the movement still governs popular understanding of the struggle for women’s rights and will no doubt serve as a touchstone for commemorations that will unfold across the United States around the centennial of the 19th Amendment in 2020.