Parul Sehgal in the New York Times:
In a famous Hindu parable, three blind men encounter an elephant for the first time and try to describe it, each touching a different part. “An elephant is like a snake,” says one, grasping the trunk. “Nonsense; an elephant is a fan,” says another, who holds an ear. “A tree trunk,” insists a third, feeling his way around a leg.
In the Anglophone world, a similar kind of confusion surrounds Joaquim Maria Machado de Assis (1839-1908), the son and sly chronicler of Rio de Janeiro whom Susan Sontag once called “the greatest writer ever produced in Latin America.”
To Stefan Zweig, Machado was Brazil’s answer to Dickens. To Allen Ginsberg, he was another Kafka. Harold Bloom called him a descendant of Laurence Sterne, and Philip Roth compared him to Beckett. Others cite Gogol, Poe, Borges and Joyce. In the foreword to “The Collected Stories of Machado de Assis,” published this month, the critic Michael Wood invokes Henry James, Henry Fielding, Chekhov, Sterne, Nabokov and Calvino — all in two paragraphs.
To further complicate matters, Machado has always reminded me of Alice Munro.
What’s going on here? What kind of writer induces such rapturous and wildly inconsistent characterizations? What kind of writer can star in so many different fantasies?
More here.

Scheib and her colleagues
Claire Chambers (CC): In a way this book goes all the way back to the mid-1990s when I’d had a gap year in which I taught English to schoolchildren in Pakistan. I’d been motivated to go to Pakistan because of my experiences growing up in Leeds with many British-Asian friends. I first stayed briefly in a north-western city called Mardan, which was quite conservative. After leaving Mardan, my friend and I went to what seemed to us to be the big smoke of nearby Peshawar, the capital of what was then called the North-West Frontier Province, now Khyber Pakhtunkhwa. This was in 1993−94, not long after Osama bin Laden had left the city in 1990, having made it his home for eight years (Rashid
During the romantic 19th century, even at the beginning of the 20th, art legends were born in the attics and garrets, preferably Parisian. During the more practical decades of the late 20th century, artists relocated to much more prosaic places, such as the smoke-filled cellars of Liverpool (The Beatles) or the garages and student dormitories of the American West Coast, populated by computer magicians and IT wizards. The great legend of the Lithuanian theatre was born in a warehouse in Vilnius, more specifically, in the section of the Youth Theatre used both as a workshop and a warehouse in which stage decorations were stored. Nowadays, the building – a newly redecorated palace, originally built during the 15th and 17th centuries by the Radziwiłł family – is difficult to recognize and hosts the Museum of Lithuanian Theatre, Music and Cinema. In the 1970s, it was a dilapidated structure, despite the fancy name – Experimental Stage of the Youth Theatre – given to one of its decrepit halls. It was this stage, the most modest among the Lithuanian theatres of the time, that was chosen by Eimuntas Nekrošius for his debut as a theatre director in 1977. Then a student of GITIS, the Lunacharsky State Institute for Theatre Arts in Moscow (renamed the Russian Institute of Theatre Arts in 1991), Nekrošius directed his diploma performance A Taste of Honey (Medaus skonis) with the troupe of the Youth Theatre.
“These instructions enact a mimetic play with traditional ‘How-To’ manuals, which allow children to go through the process of making in a systematic way, adhering to tradition, or picking up a vernacular of handiwork,” Gallagher wrote, by way of introducing the book associated with the exhibition, which he characterizes as “a guide for emerging artists, to shepherd them through the process of making.” He added: “This prosthetic and hereditary knowledge, what we gain from those before us in their absence, is the foundation of how we understand the spaces we occupy.”
When William Blake was four years old, he saw God press his head up against the window; the poor boy was set “a-screaming”. “Sauntering along” a few years later, Blake saw – and not for the last time – “a tree filled with angels, bright angelic wings bespangling every bough like stars”. Just before he died, in 1827, “his countenance became fair, his eyes brightened, and he burst out into singing of the things he saw in heaven”. Such was the visionary life of the writer and artist, as recorded by the fond few who had paid him any attention.
Chemotherapy became the standard treatment for lung cancer in the twentieth century
I have been uncharacteristically silent these past ten months. I had thought that silence would soon be coming to an end, but I’m afraid I must tell you now that fate has decided on a different course for me.
“Disgust evolved to protect us from disease in our ancient past. The disgust response today may, or may not, be a good guide to what might make us sick today,” said Val Curtis, lead author of the study and a professor and director of the Environmental Health Group of the London School of Hygiene & Tropical Medicine.
Donald Trump’s early departure, and his subsequent refusal to endorse the
Around 1,500 years ago, shortly after the collapse of the Roman Empire, a baobab tree started growing in what is now Namibia. The San people would eventually name the tree Homasi, and others would call it Grootboom, after the Afrikaans words for “big tree.” As new empires rose and fell, Homasi continued growing. As humans invented paper money, printing presses, cars, and computers, Homasi sprouted new twigs, branches, and even stems, becoming a five-trunked behemoth with a height of 32 meters and a girth to match.
Jon Fosse is also a man, though about a decade older than Knausgaard. This story collection, Scenes From A Childhood, has recently been published in the UK by Fitzcarraldo Editions. In fact, acknowledging (or ignoring) this gender bias, the publishers include an extract from a Paris Review article in the blurbs at the front of the text that compares “the four elder statesmen of Norwegian letters” to the Beatles, deciding that “Knausgaard is Paul, the cute one; and Fosse is George, the quiet one, mystical, spiritual, probably the best craftsman of them all”. This description of Fosse is certainly accurate, if the impression given by this collection is correct, as the stories included here boast a rich emotionality as well as a complex blending of reality and dream to create a powerful dissociative response. The stories that comprise this collection vary from the bizarre to the conventional, using a gentle variety of voices to show loneliness, affection, depression, anxiety, excitement, hope and loss. This is powerful work.
By 1956, Howard had graduated more than five hundred Santas, working in department stores across the country from Macy’s in Kansas City to D. H. Holmes in New Orleans. On his fifty-acre farm just west of Albion, he opened a Christmas-themed amusement park, encircled by a miniature railroad, and home to pigs, cows, and a team of reindeer. “But he wasn’t a good businessman,” said Cheryl Mowatt, a local librarian. Howard would wave poorer families through the gates, sometimes allowing entry to six kids when they had only three tickets. Eventually, he could not pay a bill for toys, and a court put the school, suit business, and park up on the auction block in 1965.
In advance of Father’s Day, let’s take a moment to sort out the differences and similarities between “Dad jeans” and “Dad genes.” Dad jeans are articles of sex-specific leisure clothing, long mocked for being comfy, dumpy and elastic-waisted but lately reinvented as a fashion trend, suitable for male bodies of all shapes and ages. Dad genes are particles on the sex-specific Y chromosome, long mocked for being a stunted clump of mostly useless nucleic waste but lately revealed as man’s fastest friend, essential to the health of male bodies and brains no matter the age. Yes, dear fathers and others born with the appurtenances generally designated male. We live in exciting times, and that includes novel insights into the sole chromosomal distinction between you and the women now prowling the aisles at the hardware store. (“Didn’t he say he could use a new bow saw? Or some halogen light bulbs?”)