Fortress Europe

by Katrin Trüstedt

Political debates in Europe these days seem to have only one subject. At one point or another they all turn to the issue of migration, Islam, and a danger to “the West”, which are presented as essentially synonymous. Germany’s political future seems currently to hang in the balance over the so-called “migration master plan” by German secretary of the interior Horst Seehofer. The polemical campaign of the CSU to win back voters from right wing parties threatens to blow up the German government and thereby endangers the future of Europe. In a time when it is increasingly difficult to deny the immense scale of suffering both in the places from which a majority of the refugees escape to Europe, and in the border areas they find themselves in, the construct of a “Fortress Europe” is being strengthened not only by physical and political, but also by rhetorical barriers. Returning to stereotypes of foreign invasions overrunning a weakened West, mainstream debates are drawing on old images already used in anti-Semitic propaganda of the early 20thcentury.

Michel Houellebecq’s novel Submission, which recently re-entered the German discourse in form of a movie adaptation, seems to offer the apt allegory for the current phantasma. Perhaps its biggest accomplishment lies in foregrounding the strong but mostly implicit connection of this type of xenophobia with issues of gender and sexuality. The weakened West is depicted here in terms of the decline of the male, bored, and sexually frustrated protagonist who shows uncanny features of an Incel, and to whom the Islamic Other taking over France seems to offer a model for a renewed masculinity putatively under attack in post-feminism Europe. Ultimately, the only solution for the protagonist is a submission to the spreading Islam in order to restore patriarchy and repair his unsettled and offended masculinity with the vision of underage virgins. In all its absurdity, the novel points to an implicit thread of the new right wing discourses presently targeting Islam as the privileged enemy: that of a threatened masculinity. Informed by images of young Islamic men overrunning a decadent West unable to protect itself, the European discourse on refugees is deeply gendered and sexualized. Read more »

Monday Poem

“…shimmering through the leaves and out beyond the black lines
of her neighbors’ chimney pots were the stars, beacons whose light
left them long before there were eyes on this planet to receive it…”

…………………………………………….. — archeologist Jacquetta Hawkes

milky way

Tripping on Curbs

we who live in deep space and trip
on curbs looking up at stars bound in a mesh
of interstices of lightyears through which
seas of breath and blood pass,
in which muscles are bound by mystic ligaments
to armatures of bone . . .
we’re always mystified by what seems a
phenomenal disconnect,
mindsparks shine here and there,
filaments of personal matter,
electric turns of tissue and dreams,
tiny conscious blips to which
oldest light comes, goes, scatters
and everything is it.
so it may not matter
if shimmering it
will or will not
shatter
.

Jim Culleny
11/04/16

A Poem About Breathing

by Amanda Beth Peery

In a tight skirt her breath is bounded
by zippered cloth–
sometimes ugly, Ms Green’s thoughts
flit like light on a wall through rain
and through the apple tree swaying
beyond tied curtains.
Sometimes ugly, her thoughts
pick shallowly at ideas all day
give endless minor critiques
in tiny handwriting.
What about the high ceilinged library
where she paused over the majesty of philosophy
pondered labyrinths
created myths from coins and lamps
and considered the nature of night
and the way the smallest animals breathe
burrowed into the hills.

 

Ms Green’s ribs
expand a little,
her soft lungs fill
partially, she feels the world
come in softly
as she inhales a breeze.

Sunday, June 17, 2018

‘Like’ is an infix now, which is un-like-believably innovative

Stan Carey in Sentence First:

Like has undergone radical developments in modern English. It can function as a hedge (‘I’ll be there in like an hour’), a discourse particle (‘This like serves a pragmatic function’), and a sentence adverb (‘It’s common in Ireland, like’). These and other non-standard usages are frequently criticised, but they’re probably older than critics think.

More recent is the so-called quotative like (‘I’m like, Whoa!’), also often disparaged. This became widely established impressively fast and is leading to some remarkable usages in younger generations: children saying things like ‘What’s Ernie like?’ to mean ‘What’s Ernie saying?’

So some uses of like are emerging right now, spreading through younger speech communities. In episode 278 of Australia’s Talk the Talk podcast, guest Alexandra D’Arcy – a linguistics professor who literally wrote the book on like – says that while she might say ‘at like the same time’, her son can say ‘at the like same time’, which is not in her grammar at all. It’s a subtle but striking difference.

It gets better. The latest novel use to which like is being put is as an infix. Infixes are a pretty small set in English, so a new one is a genuine surprise, linguistically. In some ways it is unlikeprecedented.

More here.

Brains May Teeter Near Their Tipping Point

Jennifer Ouellette in Quanta:

Gerardo Ortiz, left, and John Beggs of Indiana University in Bloomington hypothesize that the brain maintains a “quasicritical” state, migrating around a region near its tipping point.

Gerardo Ortiz remembers well the time in 2010 when he first heard his Indiana University colleague John Beggs talk about the hotly debated “critical brain” hypothesis, an attempt at a grand unified theory of how the brain works. Ortiz was intrigued by the notion that the brain might stay balanced at the “critical point” between two phases, like the freezing point where water turns into ice. A condensed matter physicist, Ortiz had studied critical phenomena in many different systems. He also had a brother with schizophrenia and a colleague who suffered from epilepsy, which gave him a personal interest in how the brain works, or doesn’t.

Ortiz promptly identified one of the knottier problems with the hypothesis: It’s very difficult to maintain a perfect tipping point in a messy biological system like the brain. The puzzle compelled him to join forces with Beggs to investigate further.

Ortiz’s criticism has beleaguered the theory ever since the late Danish physicist Per Bak proposed it in 1992. Bak suggested that the brain exhibits “self-organized criticality,” tuning to its critical point automatically. Its exquisitely ordered complexity and thinking ability arise spontaneously, he contended, from the disordered electrical activity of neurons.

More here.

People are getting stupider

Rory Smith at CNN:

IQ scores have been steadily falling for the past few decades, and environmental factors are to blame, a new study says.

The research suggests that genes aren’t what’s driving the decline in IQ scores, according to the study, published Monday.

Norwegian researchers analyzed the IQ scores of Norwegian men born between 1962 and 1991 and found that scores increased by almost 3 percentage points each decade for those born between 1962 to 1975 — but then saw a steady decline among those born after 1975.

Similar studies in Denmark, Britain, France, the Netherlands, Finland and Estonia have demonstrated a similar downward trend in IQ scores, said Ole Rogeberg, a senior research fellow at the Ragnar Frisch Center for Economic Research in Norway and co-author of the new study.

More here.

The Strange Tale of How the FBI’s Anti-Trump Bias Helped Elect Trump

David French in National Review:

If you wade through the entire inspector general’s report, consider the content and tone of the FBI correspondence quoted within it, and ponder the timeline, you will finally get an answer to the key question I,  and millions of Americans, have asked: If key members of the FBI were actually biased against Donald Trump, why did the FBI so dramatically damage Hillary Clinton’s campaign in the last days before the election? Why did it draft a letter to Congress announcing that it was reopening its email investigation a month after it found Anthony Weiner’s laptop, a letter that detonated like a bomb in the campaign and had a measurable effect on Hillary’s polling?

Now we know. The decisions leading up to that moment were influenced by a toxic stew of anti-Trump bias and institutional self-interest. The combination of those two factors sent an FBI torpedo straight at the SS Hillary, blasting another hole in a ship that was already taking on water.

The vast majority of the report simply reaffirms and amplifies previous reporting. It provides an interesting window into the shock and concern inside the FBI when Barack Obama appeared to prejudge the case and exonerate Hillary. It details how the FBI focused on Hillary’s alleged intent, even though one of the relevant statutes imposes criminal penalties for mere “gross negligence,” when it declined to recommend Espionage Act charges against her. And it provides a blow-by-blow account of James Comey’s defiant decision to depart from DOJ policy and practice and make an independent announcement of the FBI’s recommendation.

But then, when the story moves into the fall, things change. The report has new details and a new narrative that provide the last, strange twist on the strangest election cycle of my lifetime.

More here.

What don’t we talk of in talking of diversity?

Kenan Malik in Pandaemonium:

What do we mean by diversity? And why is it good – or not?

For all the myriad debates about diversity today, such questions are rarely addressed in any depth. The latest hoo-ha was generated by a Lionel Shriver column in the Spectator, which questioned publisher Penguin Random House’s pledge to make the company more diverse. ‘We want both our new hires and the authors we acquire to reflect UK society by 2025’, PRH announces on its website.

‘Drunk on virtue,’ Shriver wrote, ‘Penguin Random House no longer regards the company’s raison d’être as the acquisition and dissemination of good books.’ She went on: ‘Literary excellence will be secondary to ticking all those ethnicity, gender, disability, sexual preference and crap-education boxes.’ From now on, ‘a manuscript written by a gay transgender Caribbean who dropped out of school at seven and powers around town on a mobility scooter… will be published’ even if it is ‘incoherent, tedious, meandering’.

It was a bog-standard anti-diversity rant wrapped up in Shriveresque language, mixing valid criticisms with over-the-top assertions. The line about the ‘gay transgender Caribbean’ is a tired cliche, clearly satirical, but also clearly intended to provoke a response. And provoke it did.

More here.

Why Lorrie Moore Writes

Sarah Marshall in The New Republic:

I first encountered Lorrie Moore when I read “How to Become a Writer,” a mesmerizingly bleak story from her 1985 debut collection, Self-Help, which I imagine to be so frequently anthologized because editors want something of hers and because the title is so appealing. Besides, it’s a promising one, suggesting a clear set of instructions. Like much of Self-Help, the story is voiced in second-person imperative, but it can only offer directions down a road to nowhere: “First,” its opening lines instruct, “try to be something, anything, else.”

Did Lorrie Moore ever try to be anything else? Her collected nonfiction, in the newly-released See What Can Be Done, offers a few answers: some about Moore herself, and some about the intertwined joys and despairs of a writing life—and the futility, perhaps, of resisting one. As in her fiction—for which the vast majority of readers know her—Moore’s one-liners are tart, but never acid. “The clichés here,” she writes of James Cameron’s Titanic, “are sturdy to the point of eloquence.” Of George H.W. Bush in the 1992 election: “He was too proud to flirt.” She strikes the reader as someone who could silence a room with a few well-placed glances; the most withering thing she will say about the most ridiculous of passages is that it “gives one pause.” I was three-quarters of the way through this book before I realized—shocked, and then shocked at my shock—that it contains no hatchet jobs.

See What Can Be Done is mostly cultural criticism: a scabbard sheathing 34 years’ worth of American media, from Nora Ephron’s Heartburn to the 2016 election, but studded, here and there, with gem-dense personal essay. The most unsettling of all these is “One Hot Summer, or A Brief History of Time,” Moore’s essay on her own honeymoon, folded into a book that contains occasional tossed-over-the-shoulder references to male partners who alternately support and undermine women’s creative work. (Edna St. Vincent Millay, we learn, was married to “the stunning Eugen Boissevain,” who cooked her dinners and tried morphine to better understand his wife’s addiction and withdrawal.)

More here.

Sunday Poem

My father at one point became in charge of making fire engines for Mack Motors.
Here is a great moment from my childhood. —N.P

Father Arrives in the Triumphal Car

Astride 
a red 
cacophony 
of siren and bell,
home comes 
father driving 
a new fire 
engine,
high leather seat
more red
than the long
red sweep
of fender,
yellow
ladders
snapped
in place
as are
black
hoses with
their
shiny
silver 
nozzles.
The trim
around
the door
cutouts
is real gold
“to airy
thinness
beat.”
The shocked
brown 
neighbor 
houses 
take
a step
back,
and 
Bruce Held
with his
attic full 
of toy
Alpine
villages
and electric
trains
is
envious
at

last.

by Nils Peterson

 

Saturday, June 16, 2018

Saifedean Ammous’s World cup preview and predictions

Saifedean Ammous in The Saif House:

After the success of my predictions for the 2010 and 2014  World Cup, I have decided to not quit while I’m ahead, and put my neck and footballing knowledge on the line and hand everyone in the internet the chance to mock me relentlessly if I get things wrong. Please note I’ve been extremely busy with my book and have not had time to review this properly or edit it, so it might have mistakes, but you are not paying me for it so please don’t waste even more time complaining and arguing with me. We’re both better off spending that time watching the games!

Egypt

Football is an industry built on delusion. I don’t mean to imply that is a bad thing. On the contrary, that is an essential part of the beauty of the game. Billions of boys all around the world, including your humble correspondent, grow up with the utterly delusional dream that one day they will lift the World Cup, leading a team of their countrymen against the best players of the world, fighting hard to get to the final, scoring the winning goal, and then lifting the trophy and spending the rest of their life basking in the glory and admiration of the entire planet.

More here.

Researchers have predicted the outcome of the World Cup after simulating the entire soccer tournament 100,000 times

From the MIT Technology Review:

One way to gauge likely outcomes is to look at bookmakers’ odds. These companies use professional statisticians to analyze extensive databases of results in a way that quantifies the probability of different outcomes of any possible match. In this way, bookmakers can offer odds on all the games that will kick off in the next few weeks, as well as odds on potential winners.

An even better estimate comes from combining the odds from lots of different bookmakers. This approach suggests Brazil is the clear favorite to win the 2018 World Cup, with a probability of 16.6 percent, followed by Germany (12.8 percent) and Spain (12.5 percent).

But in recent years, researchers have developed machine-learning techniques that have the potential to outperform conventional statistical approaches. What do these new techniques predict as the likely outcome of the 2018 World Cup?

More here.

‘The Immeasurable World’ by William Atkins

Gavin Francis at The Guardian:

Into the shifting sands of Oman he follows the stories of Wilfred ThesigerBertram Thomas and Harry St John Philby, mesmerised by a stillness in ceaseless motion: “The desert … leaves you dazed,” he writes, “and yet it quickly becomes apparent that, just as the desert is not silent, it is far from being still.” In Australia he visits the Maralinga nuclear test sites, superbly described as “a ruined place whose silence is less tranquillity’s than that of a battlefield where the killing has just ended”. The British director of nuclear testing, William Penney, saw in the undulating Australian desert “the appearance of English downland”. In Atkins’s imagination those outback dusts merge with the blood-red circles on cold war maps – the ones predicting the radii of nuclear devastation.

The chapters vary in their focus: Atkins mocks those travel writers who believe themselves to be explorers, and shudders with post-colonial embarrassment at the deeds of Aurel Stein and Sven Hedin.

more here.

Breaking Up with James Joyce

Gabrielle Carey at The Sydney Review of Books:

‘Is Finnegans Wake really important?’ my student asked me a few years ago. He was from India, sent to Australia for his education at great expense by his parents. I felt sorry for him so I had invented some cash-in-hand filing work, much of which involved compiling notes, essays, articles, emails and letters in relation to Finnegans Wake. Now he was daring to ask whether the book I’d spent much of my adult life devoted to was really of any importance.

‘Yes!’ I snapped back immediately, appalled that he dared to doubt my enterprise. But then I realised I couldn’t really explain why. And perhaps that’s where my doubts began. More than doubts. Like so many before me, I have come to realise that there is a reason why Joyce’s nickname is Mr Difficulty.

more here.

‘Lost Empress’ By Sergio De La Pava

Chad Post at The Quarterly Conversation:

One of the most ambitious, audacious books of recent memory, Lost Empress by Sergio de la Pava brings together a smorgasbord of plot lines and scenes ranging from the serious to the comic, including: a clash between the NFL and the Indoor Football League, the history of Joni Mitchell’s career, the heist of a lost Dalí, a court case involving a high-profile murder and an incredibly intelligent inmate, the Mandela Effect, the life of a 911 operator, the origins of a brain tumor, quantum mechanics and the mind-body divide as it relates to time and consciousness, an accidental impaling and the said consequences of such as relates to the nature of getting revenge, multiple love stories that go unfulfilled, and a fight between a pig mascot and a crab one.

Unsurprisingly, this book is over 600 pages long, which, at a time in which the books garnering the most praise tend to be short, dark, and scary, feels almost like an aesthetic zag where everyone else is zigging. This is also more or less the same way that you could characterize de la Pava’s entire literary career.

more here.