by Brooks Riley
A long time ago, on a mountainside in Liechtenstein, I tuned my transistor radio to the Deutschlandfunk, one of neighboring Germany’s state radio stations whose broadcast range leaked into that tiny country. This is what I heard:
Hier ist der Deutschlandfunk, heute aus der Grand Ole Opry in Nashville, Tennessee.
It wasn’t the fact that the station was transmitting country music, a treat for the Virginia girl far from home. It was the announcer’s voice that enthralled me and the language it spoke. There was an elegance, a muted, dependable deep resonance, a flow of words with a rhythmic logic that made me long to be able to speak that way. It sounded noble, above the fray, measured and meaningful. I could imagine that voice reciting Shakespeare or Schiller or Rilke.
This was not the ‘Achtung!’ German most Americans know from movies about the Nazis, or newsreels of Hitler speeches, or parodies of authoritarian figures in uniform. And despite the subject at hand—a country music broadcast—the voice-over did not try to mimic the jovial downhome twang of the good-ole-boy announcer from my deep South. It could just as well have been narrating a classical music concert from an ‘opry’ closer to home.
I added German to my bucket list that day. Read more »

Biographies frequently provide us with insights into individual characters in a way that autobiographies might not: the third person narrator offers the prospect of greater ‘objectivity’ when evaluating and narrating information and events and circumstances. And so it is with Paul Avrich and Karen Avrich’s Sasha and Emma: The Anarchist Odyssey of Alexander Berkman and Emma Goldman,and Katie Kirkpatrick’s Becoming Beauvoir: A Life.These two books provide a wealth of knowledge on the political and philosophical thinking that engaged the brilliant minds of two significant women of the twentieth century: Emma Goldman and Simone Beauvoir.
The life trajectories of the two women could not have been more different: Goldman was a Jewish Russian émigré to the United States; she learned her politics through experience and in that process clarified her political thinking on anarchism, and her life was lived humbly. Beauvoir on the other hand, was from a bourgeois Catholic family and benefited from a formal education and she lived life relatively comfortably. However, despite their divergent lifestyles and politics, similarities can be drawn between their thinking on women, love and freedom.
Suppose you had some undeniable proof of the Everettian or Many-Worlds Interpretation (MWI) of quantum mechanics. You would know, then, that there are very many, uncountably many, parallel worlds and that in very many of these there are many, many nearly identical versions of you – as well as many less-closely related “you’s” in still other worlds. Would this change the way you think about yourself and your life? How? Would you take the decisions that you make more or less seriously?
He released 33 albums and recorded over 400 of songs, earning two Grammys among seven nominations. Yet you probably don’t know who Leon Russell was. For some people he’s a vaguely familiar name they have trouble putting a face or a tune to. Many more have never even heard of him. Because despite his prodigious output, Russell also had a way of being there without letting you know. He was the front man whose real impact came behind the scenes. He was very present, but just out of sight.



Despite Vonnegut’s strong counsel to babies entering the world, kindness seems to be in short supply. Little wonder. Our news media portray to us a world of power politics, corporate greed, murders, and cruel policies which are anything but kind. Our popular forms of entertainment, much more often than not, are stories about battles that shock and thrill us and gratify our lust for bloody vengeance, leaving no room for wimpy, kind sentiments. Success is advertised to us as requiring harsh discipline, dedication, and focus, and kindness, it appears, need not apply. Even though we all like to give and receive kindnesses, they seem to play no role in our political, social, and cultural economies.
In a 

A few tall, dreamy-eyed Sikh men were on my plane to Lahore. 

I never met Jeremy Spencer, so I can only guess. I suspect he was searching for something. Only 23 years old, perhaps he was unhappy with himself, or the world around him. Perhaps he was scared and craving shelter from the storm. Perhaps he dreamed of what could be, or pined for a grand voyage. Maybe he just got lost.
In Homo Deus, the 2017 follow-up to his widely read Sapiens, Yuval Noah Harari dismisses the idea of free will in cavalier fashion. Contemporary science, he argues, has proved it to be a fiction. In support of this claim, he offers several arguments.