Matt Levin at The Paris Review:
Vienna as a bourgeois, democratic city was never a stable entity. The liberal bourgeoisie came to municipal power in Vienna in the 1860s, yet the authority of the monarchy and aristocracy persisted, though in a weakened form, and, unlike the partial integration of the bourgeoisie into the social world of the British and French aristocracy, it kept its doors barred to the newcomers. And almost as soon as the liberals gained a foothold, a third element asserted itself, a gathering din of nationalist agitations from the patchwork of ethnicities that constituted the Habsburg Empire, each growing restless in the dilapidating imperium. The Liberals, never fully in control, saw their influence hedged and threatened almost immediately.
By 1895, the populist, nationalist, and viciously anti-Semitic politician Karl Lueger had been elected mayor of Vienna, and liberals cheered as Emperor Franz Joseph undemocratically canceled the election. Nevertheless, Lueger was elected again and finally seated in 1897, canceling any hope of liberalizing even their own home, let alone the empire.
more here.

Anglo-Saxon London suffers from an image problem, or more precisely from the problem that we have no image of it at all. In contrast to the showy glamour of Roman Britain, with its amphitheatres, temples and abundance of literature, or the vibrant cultural melting pot of the Tudor era, the Anglo-Saxon metropolis has almost no remaining visible architecture, a dearth of written sources and a patchy archaeological presence.
Steven Strogatz in the NYT:

Richard Marshall interviews Sander Verhaegh in 3:AM Magazine:
Dylan Riler in the New Left Review:
Everything is formed by habit. The crow’s feet that come from squinting or laughter, the crease in a treasured and oft-opened letter, the ruts worn in a path frequently traveled—all are created by repeatedly performing the same action. Even neurons are formed by habit. When continuously exposed to a fixed stimulus, neurons become steadily less sensitive to that stimulus—until they eventually stop responding to it altogether. Anything that’s habitually encountered—the landscape of a daily commute, storefronts passed on a walk to the bus stop, photographs arranged on a mantelpiece—tends toward invisibility. The more we see a thing, the less we see it. Familiarity breeds neglect. Once perception settles into a comfortable pattern, we fall asleep to it. Only when the pattern is broken do we notice there is a pattern at all. The chains of mental habit are too weak to be felt until they are too strong to be broken, to paraphrase Samuel Johnson. Wit, whether visual or verbal, can make the commonplace uncommon again by breaking the habits that render perception routine. We tend to define the quality of wit as merely being deft with a clever comeback. But true wit is richer, cannier, more riddling. And the best of it is often based on a biological phenomenon called supernormal stimuli.
Emerging economies showed some of the largest increases in research output in 2018, according to estimates from the publishing-services company Clarivate Analytics. Egypt and Pakistan topped the list in percentage terms, with rises of 21% and 15.9%, respectively. China’s publications rose by about 15%, and India, Brazil, Mexico and Iran all saw their output grow by more than 8% compared with 2017 (See ‘Countries with biggest rises in research output’). Globally, research output rose by around 5% in 2018, to an estimated 1,620,731 papers listed in a vast science-citation database Web of Science, the highest ever (see ‘Research output rose again in 2018’). This diversification of players in science is a phenomenal success, says Caroline Wagner, a science and technology policy analyst at Ohio State University, and a former adviser to the US government. “In 1980, only 5 countries did 90% of all science — the United States, the United Kingdom, France, Germany and Japan,” she says. “Now there are 20 countries within the top producing group.”
Pablo Calvi in The Believer:
Fara Dabhoiwala in The Guardian:
An interview with Adam Tooze in Jacobin:
Sheri Berman in Dissent:
His book is a lie, a black, infernal creation of a twisted, distorted mind.” It was a Democratic representative from Oklahoma who gave this verdict of The Grapes of Wrath, John Steinbeck’s chronicle of migrants leaving the Dust Bowl for California. Disdained by the political elite and much of the literary set, it was nonetheless the best-selling book of 1939. Today’s parallels with the 1930s give Steinbeck’s work renewed urgency. He writes about farm labourers, shopkeepers and the denizens of village taverns – the kinds of people who, before the enormous political upheaval of 2016, the chattering classes barely remembered. In the age of Trump, mass-migration and the phenomenon of the ‘left behind’, Steinbeck’s work is just as relevant as when he wrote it. But more than that: reading Steinbeck fifty years after his death is the perfect antidote to the culture war that has gripped America.